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Готові списки джерел за темами / Development of fashion / Статті в журналах

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Статті в журналах з теми "Development of fashion"

Автор: Grafiati

Опубліковано: 30 травня 2022

Оновлено: 31 липня 2025

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1

Minasian, Melaniia, and Nataliia Gudkova. "FASHION DEVELOPMENT: FROM 1990s MINIMALISM TO SUSTAINABLE FASHION." Grail of Science, no. 14-15 (June 15, 2022): 668–72. http://dx.doi.org/10.36074/grail-of-science.27.05.2022.124.

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The article analyses the significant period of fashion development. The focus is on the period of the 1990s which was affected by the economic crisis making fashion more democratic. The study clarified the features of fashion of that period. The phenomenon of minimalism as the dominant feature of fashion of the ’90s has been studied through the clothing brands of prominent designers Jil Sander, Helmut Lang and Martin Margiela. It is proved that the fashion of minimalism developed into the sustainable fashion as a current minimalist trend.

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2

Asomiddin, Rashidov. "FASHION PHENOMENON: CURRENT PRINCIPLES HISTORIES AND DEVELOPMENT." Crossroads of culture 4, no. 3 (2022): 3. https://doi.org/10.5281/zenodo.7482987.

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The article reveals in detail the relevance of the fashion industry, the cycles of emergence and change, as well as its social significance. Also in this study, the significance of the practical activities of specialist designers in the processes of forming fashion trends is analyzed and the corresponding conclusions are noted in this regard.

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3

Радионцева, Екатерина Сергеевна. "The Vogue of Fashion: Specifics of Development of Fashion-journalism in Russia." Philology & Human, no. 4 (2019): 154–60. http://dx.doi.org/10.14258/filichel(2019)4-13.

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4

Mori Zaleski, Anna Claudia. "Blending fashion and development." International Trade Forum 2014, no. 3 (2014): 8–9. http://dx.doi.org/10.18356/8136c7b0-en.

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5

Lamrad, Nadira, and Mary Hanlon. "Untangling Fashion for Development." Fashion Theory 18, no. 5 (2014): 601–31. http://dx.doi.org/10.2752/175174114x14042383562182.

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6

PENCHUK, Oleksandra, Lesia TURCHAK, and Kateryna KYSELOVA. "FASHION PHOTOGRAPHY AND ITS DEVELOPMENT IN THE FASHION INDUSTRY." Humanities science current issues 2, no. 85 (2025): 142–47. https://doi.org/10.24919/2308-4863/85-2-21.

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7

SERHIYEVICH., Т. "FASHION INDUSTRY DEVELOPMENT AND SUSTAINABLE DEVELOPMENT: DIFFERENT DIRECTED VECTORS." Экономическая наука сегодня, no. 8 (December 22, 2018): 74–79. http://dx.doi.org/10.21122/2309-6667-2018-8-74-79.

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In a modern society, characterized as a “consumer society” (J. Baudrillard), the tasks of reducing the environmental consequences of economic growth are actualized. According to experts, the second largest industrial polluter today is the fashion industry, which is second only to the oil industry. The article examines the mechanisms of influence of fashion as a factor in stimulating consumption in modern society. In the context of the growth of the fashion industry, the threats to sustainable development arising at the stages of production, consumption and utilization of fashion industry produ

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8

Gjoni, Ariana. "The Influence of Fashion on Identity and Aesthetics: A Sociocultural Perspective Within the Framework of Sustainable Development Goal." Journal of Lifestyle and SDGs Review 5, no. 4 (2025): e06116. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n04.pe06116.

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Objectives: This study examines the dual role of fashion as both a means of self-expression and a social construct influenced by cultural, economic, and historical forces. It explores how fashion serves as a communicative system encoding social meanings, reinforcing group affiliations, and challenging dominant norms, while also addressing its environmental and ethical implications in the context of Sustainable Development Goal (SDG) 12: Responsible Consumption and Production. Method: Grounded in the theories of fashion semiotics, identity construction, and sociocultural analysis, this research

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9

Puri, Archana, and Pooja Gaba Adlakha. "Reimagining Circular Fashion: Crafts' Role in Sustainable Development." International Journal of Science and Research (IJSR) 14, no. 1 (2025): 152–58. https://doi.org/10.21275/sr25101210326.

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10

Sakharova, N. A. "DIGITAL FASHION - A NEW DEVELOPMENT TRAJECTORY FOR THE FASHION INDUSTRY." Izvestiya vysshikh uchebnykh zavedenii Tekhnologiya legkoi promyshlennosti 53, no. 3 (2021): 25–28. http://dx.doi.org/10.46418/0021-3489_2021_53_03_06.

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11

Obeera, J. M., Kumar M. S. Arun, and Shweta Mariyappanavar Dr. "Evolution Of Fashion: Ancient Clothes To Modern Fashion." Young Researcher 13, no. 2 (2024): 135–44. https://doi.org/10.5281/zenodo.13764899.

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<em>This research paper explores the evolution of fashion from its early origins to the present day. Initially, fashion was a basic necessity for protection and modesty, using natural materials like animal skins and plant fibres. As societies developed, clothing began to signify social status, as seen in ancient Egypt and Rome, where elaborate garments marked wealth and class. The 19th century saw the rise of haute couture in Paris, marking the beginning of the modern fashion industry with its emphasis on exclusivity and craftsmanship. The 20th century introduced rapid changes influenced by ma

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12

Brydges, Taylor, and Mary Hanlon. "Garment worker rights and the fashion industry’s response to COVID-19." Dialogues in Human Geography 10, no. 2 (2020): 195–98. http://dx.doi.org/10.1177/2043820620933851.

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In this commentary, we examine the fashion industry’s early responses to COVID-19. Looking across fashion’s global production networks, we argue the fashion industry’s response has been rapid, yet highly inequitable, reflecting—and further entrenching—existing inequalities in the industry.

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13

Ambala, Mounika, Manasa Manvitha Mukka, Shalima Shaik, and Anil Jajula. "Development of e-Commerce Website for Young Dream Designers (URS Fashions)." Recent Trends in Cloud Computing and Web Engineering 5, no. 2 (2023): 29–38. https://doi.org/10.5281/zenodo.7919648.

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<em>This e-commerce fashion website is designed to promote and support up-and-coming fashion designers and artists. The website offers a platform for emerging talent to showcase their unique designs and sell their products directly to customers. Customers can browse through a wide range of products, including clothing, accessories, and artwork, and have the opportunity to discover and purchase one-of-a-kind items from new and exciting designers. The website also provides a space for designers to share their stories and inspirations, and for customers to learn about the creative process behind

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14

Swastini, Kadek Onny, I. Gede Sudirtha, and Ketut Widiartini. "PENGEMBANGAN BUSANA FANTASI DENGAN SUMBER IDE BUSANA TRADISIONAL DAYAK." Jurnal BOSAPARIS: Pendidikan Kesejahteraan Keluarga 10, no. 2 (2019): 116. http://dx.doi.org/10.23887/jjpkk.v10i2.22138.

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Abstrak Penelitian ini bertujuan untuk mendeskripsikan hasil pengembangan busana fantasi dengan sumber ide busana tradisional Dayak. Jenis penelitian yang digunakan adalah penelitian pengembangan (Research and Development) dengan model pengembangan ADDIE yang terdiri dari 5 tahap, yaitu : analisis, (analyze), desain (design), pegembangan (development), implementasi (implementation), dan evaluasi (evaluation). Metode pengumpulan data dalam penelitian ini dilakukan dengan penilaian instrumen pengembangan busana fantasi dengan sumber ide busana tradisional Dayak. Instrumen ini diuji oleh dua ahli

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15

Ogbiti, John, and Oyaimare Uddin. "Development of a Computerized System for Fashion Business." International Journal of Science for Global Sustainability 9, no. 1 (2023): 10. http://dx.doi.org/10.57233/ijsgs.v9i1.399.

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Although physical storefronts are still widely valuable and used, there has been substantial increase in electronic commerce in the fashion sector in recent years in Nigeria. The fashion sector alone presently accounts for 37% of e-commerce revenues to Nigeria’s economy and the Nigerian eCommerce revenue is led by Electronics & Media with 39.3%, followed by Fashion with 22.3% (Otaru, A. 2022). The globalization of e-commerce has also had a significant impact on Nigeria’s fashion industry while the wider African e-commerce landscape is being pushed by sales in fashion despite the prevalent

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16

Kvasnytsia, Roksoliana. "Fashion's engagement with Politics and the role of Politics in Fashion." Bulletin of Lviv National Academy of Arts 50, no. 50 (2023): 88–95. http://dx.doi.org/10.37131/2524-0943-2023-50-1-10.

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Анотація:

This study aims to identify and analyse the influencing factors on the processes of diffusion between fashion and politics as well as to determine forms and methods of their interaction which now appear to emerge as a separate topic for scientific research (e.g. aestheticism within political life and political dimension of the fashion itself). On the basis of an interdisciplinary approach, politics and fashion are comprehensively analyzed as two important social regulators. This analysis uses historical sources, theoretical and methodological developments of Ukrainian and foreign scientists wh

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17

Crewe, Louise. "Placing fashion." Progress in Human Geography 40, no. 4 (2015): 511–29. http://dx.doi.org/10.1177/0309132515580815.

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18

Kondakova, Yu. "COLLABORATION OF FASHION AND SCIENCE IN MODERN FASHION DESIGN." Technical Aesthetics and Design Research 4, no. 3 (2023): 5–18. http://dx.doi.org/10.34031/2687-0878-2022-4-3-5-18.

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Modern fashion is a zone of influence of the active development of science and technology, embodying the ideas of descience in the creativity of modern designers and contributing to its development. The object of the study is the components of the collaboration of fashion and science as a key trend in modern fashion design – innovation and environmental friendliness. The methodological basis of the research was made up of general scientific methods of cognition, in particular, the system method, comparative and structural-functional approaches, the idea of developing a synthesis of science and

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19

Akhtar, Waleed Hassan, Chihiro Watanabe, Yuji Tou, and Pekka Neittaanmäki. "A New Perspective on the Textile and Apparel Industry in the Digital Transformation Era." Textiles 2, no. 4 (2022): 633–56. http://dx.doi.org/10.3390/textiles2040037.

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The textile and apparel (fashion) industry has been influenced by developments in societal socio-cultural and economic structures. Due to a change in people’s preferences from economic functionality to supra-functionality beyond economic value, the fashion industry is at the forefront of digitalization. The growing digitalization in the fashion industry corresponds to digital fashion, which can satisfy the rapid shift in consumers’ preferences. This paper explores the evolving con-cept of innovations in digital fashion in the textile and apparel industry. Specifically, it centers on the evalua

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20

Zhao, Lihuan, Silu Liu, and Xiaoming Zhao. "Big data and digital design models for fashion design." Journal of Engineered Fibers and Fabrics 16 (January 2021): 155892502110190. http://dx.doi.org/10.1177/15589250211019023.

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The demand for fashion, and for virtual fitting and personalized fashion among customers, is changing the design and consumption of fashion. To meet such challenges, fashion design models are being developed based on big data and digitization, in which fashion is designed based on data, virtual fitting, design-support systems, and recommendation systems. This paper reviews the fashion design models proposed in recent years and considers future development directions for fashion design. Using big data and digital processing technologies, fashion designers identify the characteristics of popular

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21

Yun Sun Ae and 김영인. "Development of Fashion Color Analysis Program Useful for Fashion Image Analysis." Journal of Korea Society of Color Studies 32, no. 3 (2018): 15–24. http://dx.doi.org/10.17289/jkscs.32.3.201809.15.

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22

Yun, Sun Ae, and Young In Kim. "Development of Fashion Color Analysis Program Useful for Fashion Image Analysis." Journal of Korea Society of Color Studies 32, no. 3 (2018): 15–24. http://dx.doi.org/10.17289/jkscs.32.3.201808.15.

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23

Lasaiba, Mohammad Amin. "Eco-Fashion: An Eco-Friendly Lifestyle Trend." Lani: Jurnal Kajian Ilmu Sejarah dan Budaya 4, no. 2 (2024): 130–37. http://dx.doi.org/10.30598/lanivol4iss2page130-137.

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This research examines the phenomenon of eco-fashion as an eco-friendly lifestyle trend and its impact on the fashion industry and consumer behaviour. With a desk research method, this study analyzes literature from various relevant academic sources, including journals, books, and industry reports, to understand eco-fashion's development and challenges. The results show that eco-fashion has become essential in the global effort to create a more sustainable fashion industry, driven by increasing consumer awareness of conventional fashion's environmental and social impacts. Despite challenges su

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24

Choi, Kyung He. "Fashion Design Development Process Using Transparency of Superimposition - Focused on Fashion Illustration and Fashion Design Works -." Journal of The Korean Society of Fashion Design 15, no. 3 (2015): 69–85. http://dx.doi.org/10.18652/2015.15.3.5.

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25

Torres, Lara. "Fashion in the Expanded Field: Strategies for Critical Fashion Practices." Journal of Asia-Pacific Pop Culture 2, no. 2 (2017): 167–83. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.167.

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Abstract This article focuses on current strategies for critical fashion practices in an expanded field of fashion. In the late twentieth century and early twenty-first century, the field of fashion studies has increasingly scrutinized the relationship between fine art and fashion within an art museum context. Drawing a parallel with Rosalind Krauss’s notion of sculpture in the expanded field, this article documents the development of interdisciplinary fashion practices, suggesting that an expanded field allows fashion practitioners to engage in a critical discussion of the fashion system. As

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26

Hetland, Jarle. "The power of fashion in development." International Trade Forum 2014, no. 4 (2014): 33. http://dx.doi.org/10.18356/ff284666-en.

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27

Kim, Jung Yoon, and Mi Sun Yum. "The Development of Fashion Mask Design." Korean Society of Fashion Design 18, no. 3 (2018): 135–51. http://dx.doi.org/10.18652/2018.18.3.8.

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28

조언조 and LEEINSEONG. "Development of Party Fashion for Artygen." Research Journal of the Costume Culture 18, no. 5 (2010): 809–23. http://dx.doi.org/10.29049/rjcc.2010.18.5.809.

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29

Parker-Strak, Rachel, Rosy Boardman, Liz Barnes, Stephen Doyle, and Rachel Studd. "Product development, fashion buying and merchandising." Textile Progress 54, no. 4 (2022): 247–403. http://dx.doi.org/10.1080/00405167.2023.2182062.

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30

Olmezova, Nadezhda A. "MARKETING IN THE FASHION INDUSTRY: INNOVATIVE DEVELOPMENT STRATEGIES." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 5/6, no. 146 (2024): 310–15. http://dx.doi.org/10.36871/ek.up.p.r.2024.05.06.040.

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When forming strategic vectors of innovative marketing development in the fashion industry, it is important to identify the main marketing trends in the development of the fashion industry, which consumers and buyers are expected to observe in the near future, which will shape supply and demand in the fashion world and general trends in economic development, because the fashion industry based on marketing drivers is the engine of economic development, influencing all spheres of activity and business sectors. The fashion industry includes many brands and designers. In order to stand out effecti

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31

Shin, Nam-Jin, and Keum-Hee Lee. "The fashion brand logo development and design application - Focused on L fashion -." Research Journal of the Costume Culture 20, no. 5 (2012): 679–94. http://dx.doi.org/10.7741/rjcc.2012.20.5.679.

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32

Nam-Jin Shin and Lee Keum Hee. "The fashion brand logo development and design application - Focused on L fashion -." Research Journal of the Costume Culture 20, no. 5 (2012): 679–94. http://dx.doi.org/10.29049/rjcc.2012.20.5.679.

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33

Hamdan, Hamdan, Erna Sofriana Imaningsih, Hazi Ali, Indra Raharja, and Ridho Rafqi Ilhamalimy. "Green fashion concept approach to MSMEs’ sustainable green development." Riau Journal of Empowerment 5, no. 3 (2022): 149–61. http://dx.doi.org/10.31258/raje.5.3.149-161.

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Green fashion telah menjadi tren dan perhatian penting dalam konsep keberlanjutan. Green fashion adalah seni komprehensif multidisiplin dalam mendorong perkembangan pesat keterampilan UMKM fashion yang ramah lingkungan. Konsep green fashion bertujuan untuk memanfaatkan dan menggunakan bahan tidak habis pakai atau limbah, serta bahan-bahan alami menjadi pakaian yang memiliki nilai dan manfaat lebih sebagai orientasi keberlanjutan. Hal paling penting dalam konsep green fashion adalah pengenalan dini terhadap pakaian yang ramah lingkungan dipastikan akan memberikan perubahan signifikan pada UMKM

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34

Parker-Strak, Rachel, Liz Barnes, Rachel Studd, and Stephen Doyle. "Disruptive product development for online fast fashion retailers." Journal of Fashion Marketing and Management: An International Journal 24, no. 3 (2020): 517–32. http://dx.doi.org/10.1108/jfmm-08-2019-0170.

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PurposeThis research critically investigates product development in the context of fast fashion online retailers who are developing “own label” fashion clothing. With a focus upon inputs, outputs, planning and management in order to comprehensively map the interplay of people, processes and the procedures of the product development process adopted.Design/methodology/approachQualitative research method was employed. Face-to-face semi structured in depth interviews were conducted with key informants from market leading fast fashion online retailers in the UK.FindingsThe major findings of this re

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35

Laura, Indah Lestari, Rakib Muhammad, . Asmayanti, and Anugrah Sanusi Dian. "Star-Up Business Development in an Effort to Increase Competitiveness: A Development Research." International Journal of Current Science Research and Review 07, no. 06 (2024): 3869–78. https://doi.org/10.5281/zenodo.11908292.

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Abstract : This research uses a qualitative approach in the form of descriptive research by applying the 4D development model. The main aim of this research is to increase the competitiveness of the Patas Tactical Makassar fashion business. The research was conducted from December to February, with the research location at the Makassar Fashion Patas Tactical business. The object of research is the business, while research subjects include owners, leaders, employees, consumers and regular customers. The research focus is on developing business models by applying the elements of Discovery, Dream

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36

Lee, Carmen Kar Hang, Y. K. Tse, G. T. S. Ho, and K. L. Choy. "Fuzzy association rule mining for fashion product development." Industrial Management & Data Systems 115, no. 2 (2015): 383–99. http://dx.doi.org/10.1108/imds-09-2014-0277.

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Purpose – The emergence of the fast fashion trend has exerted a great pressure on fashion designers who are urged to consider customers’ preferences in their designs and develop new products in an efficient manner. The purpose of this paper is to develop a fuzzy association rule mining (FARM) approach for improving the efficiency and effectiveness of new product development (NPD) in fast fashion. Design/methodology/approach – The FARM identifies the hidden relationships between product styles and customer preferences. The knowledge discovered help the fashion industry design new products which

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37

Marguba, ZARIPOVA, and XAITOVA Zilola. "THE ROLE OF CONCEPTUAL FASHION TRENDS IN THE DEVELOPMENT OF MODERN CLOTHING DESIGN." Crossroads of culture 4, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7482993.

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In recent years, conceptual fashion in the development of modern clothing design is one of the areas that have the greatest impact on the principles of development of this area. The article describes the formation, development and modern principles of conceptual fashion.

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38

Tulchynska, Sofiia. "Contemporary Fashion Photography in Ukraine: Development Trends." Bulletin of KNUKiM. Series in Arts, no. 48 (June 24, 2023): 185–93. https://doi.org/10.31866/2410-1176.48.2023.282483.

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The aim of the article is to analyse artistic, visual, and stylistic trends in the development of contemporary fashion photography in Ukraine, using examples representing the work of Ukrainian clothing designers. Results. The article presents the historical perspective of fashion photography and highlights its characteristic features. It is revealed that in art studies, fashion photography has been examined from narrow perspectives, in particular as a means of visual representation of clothing collection models, as a means of one or another semantic content depiction, and as a compon

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39

Aini, Nurul, Agus Hery Supadmi Irianti, Hapsari Kusumawardhani, and Nur Endah Purwaningsih. "Android-based fashion terms digital dictionary application development." International Journal of Scientific Research and Management 10, no. 04 (2022): 820–26. http://dx.doi.org/10.18535/ijsrm/v10i4.ec03.

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There is no digital dictionary application in the fashion sector. There are books for fashion terms that cannot be carried since they are printed. An Android-based digital dictionary application can be carried easily. Hence, this research developed a digital dictionary for fashion terms based on Android. This research was conducted using the ADDIE (Analysis, Development, Design, Implementation, and Evaluation) development model. The validity test from material experts, media experts, and trials results were declared feasible. Thus, the Android-based digital dictionary application for fashion t

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40

Fredriksson, Cecilia. "Retail and Fashion – A Happy Marriage?: The Making of a Fashion Industry Research Design." Culture Unbound 3, no. 1 (2011): 43–54. http://dx.doi.org/10.3384/cu.2000.1525.11343.

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Fashion and retail ought to be a happy marriage. Yet several entrepreneurs in the field of fashion speak of a climate that is difficult to penetrate because of economic and cultural factors. For example, the chain store concept is an expression of the specific and current fashion situation in Sweden: democratic fashion that is cheap and accessible. At the same time, customers now demand personal, unique and ethical fashions. However, there are few possibilities in this climate for low cost development in progressive Swedish design. This article addresses the questions of how special trade cond

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41

Brett, Rachel. "‘How soon was now?’: A retrospective on the popularity of nouveau vintage." Clothing Cultures 6, no. 3 (2020): 365–83. http://dx.doi.org/10.1386/cc_00023_1.

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Fashion is a product and reflection of time and tantamount to modernity. The promise of which rests in the future, thus fashion is forever looking forward in the ambition to be ‘new’. Vintage fashion, namely clothes from past periods apprehend this perpetual cycle, often adopted by alternative groups of consumers to create different looks as a subcultural trend. This trend has in recent times been subsumed by capitalism while the label ‘vintage’ has become a marketing term applied to new mass-produced fashions. What can be understood from society’s attitude to progress and the promise of moder

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Ilmi, Assayyidah Bil Ichromatil. "Analysis of Society Perspective about Vintage Fashion Using Deconstruction Approach." JURNAL RUPA 6, no. 1 (2021): 9. http://dx.doi.org/10.25124/rupa.v6i1.3010.

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Анотація:

Nowadays, society perspective about vintage fashion as old-fashioned can be changed. This study aims to discuss the alteration perspective of society about vintage fashion. This discussion is conducted to see the other side of vintage fashion. This research is different from other fashion studies because it wants to show how to view the value of a fashion not in general way, especially using deconstruction approach. This study used qualitative methods in the form of interviews to get the data. The interviewees of this research were four young women who like to follow fashion development throug

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Kim, Jiyeon, Joohyung Park, and Paige L. Glovinsky. "Customer involvement, fashion consciousness, and loyalty for fast-fashion retailers." Journal of Fashion Marketing and Management: An International Journal 22, no. 3 (2018): 301–16. http://dx.doi.org/10.1108/jfmm-03-2017-0027.

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Purpose The purpose of this paper is to investigate how customer involvement in product development creates an emotional connection, satisfaction, and subsequent loyalty toward fast-fashion retailers across high vs low fashion-conscious consumers. Design/methodology/approach Both qualitative and quantitative methods were used to gain understandings of the impacts of customer involvement. To explore customers’ general perceptions of fast-fashion retailers, a focus group interview with 11 US students was conducted. Data for a hypothesis test were obtained from 306 US female consumers and analyze

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Shomansurova, Mukhtabarkhon Shamaksimovna, Sarvinozkhan Abrorjon kizi Rakhmonova, and Gulnoza Odiljon kizi Mukhtorova. "VIRTUAL FASHION DESIGN: HISTORY OF DEVELOPMENT AND MODERN TRENDS." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 1752–54. https://doi.org/10.5281/zenodo.15594033.

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This article examines the historical development stages of virtual fashion design, modern trends formed on the basis of technological advances, and their impact on the fashion industry. Virtual fashion design is analyzed not only in aesthetic terms, but also in economic, environmental, and cultural contexts. The article aims to explore the future of virtual fashion design from a scientific and practical perspective..

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STEINER, RUDOLF, KWABENA AGYEI ISAAC, and KYERE KWAME. "Fashioned for Fashion, the Dynamic Culture of Bamboo in Ghana." Arts and Design Studies (IISTE) 11, no. 11 (2013): 1–5. https://doi.org/10.5281/zenodo.4012407.

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This piece of writing on fashioned for fashion, the dynamic culture of bamboo in Ghana, attempts to examine the nature of bamboo as material for fashion accessories. It also attempts to expose a comprehensive impression bamboo have created in Ghana, at the same time describing meticulously selected fashion accessories that have been made out of bamboo in Ghana. The writers explained that bamboo is a lively material which can be used as complementary material in a self-motivated and adoptable process in product development, which has a social heritage component as well as a sacred aspect. Some

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Palomo-Lovinski, Noël, and Kimiko Hahn. "American Consumer Perceptions of Sustainable Fashion, Fast Fashion, and Mass Fashion Practices." International Journal of Sustainability in Economic, Social, and Cultural Context 16, no. 1 (2020): 15–27. http://dx.doi.org/10.18848/2325-1115/cgp/v16i01/15-27.

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Nuñez Martinez, Gisela, Miguel Angel Martínez Cruz, Mauricio Chávez Pichardo, Alfredo Trejo Martínez, and Tanya Arenas Reséndiz. "Comparative analysis: sustainable fashion vs. fast fashion." Revista Amazonia Investiga 13, no. 77 (2024): 9–19. http://dx.doi.org/10.34069/ai/2024.77.05.1.

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Sustainable fashion is a philosophy centered on the ethical and environmentally responsible production of garments. However, currently prevailing in the market is a model known as fast fashion, which is characterized by mass production of low-quality garments at affordable prices. In this context, our article presents a comparative analysis between sustainable fashion and fast fashion, highlighting how these models represent two divergent approaches in the fashion industry. Overall, this work aims to contribute to the literature by exploring the differences, challenges, and advancements in the

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Alexandrova, Elena, and Marina Poddubnaya. "Metaverse in fashion industry development: applications and challenges." E3S Web of Conferences 420 (2023): 06019. http://dx.doi.org/10.1051/e3sconf/202342006019.

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This article studies the peculiarities of using metaverse in fashion industry. Given the technical limitations, the metaverse is being considered as a marketing tool in this industry. There are several key areas for fashion brands in virtual worlds: branding, goods, virtual fashion, and digital skins, distribution channels and logistics, interaction with consumers, and customer information. Fashion companies using the metaverse are aiming to promote their products and connect with consumers by creating and/or expanding product concepts in a virtual world, building brand trust and attracting ne

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Heinze, Lisa. "Fashion with heart: Sustainable fashion entrepreneurs, emotional labour and implications for a sustainable fashion system." Sustainable Development 28, no. 6 (2020): 1554–63. http://dx.doi.org/10.1002/sd.2104.

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Anand, Sahiba, and Harsandaldeep Kaur. "Fashion self-congruity: scale development and validation." Journal of Fashion Marketing and Management: An International Journal 22, no. 2 (2018): 158–75. http://dx.doi.org/10.1108/jfmm-05-2017-0048.

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Purpose The purpose of this paper is to develop and validate measurement properties of a scale measuring fashion self-congruity (FSC). Design/methodology/approach Based on the existing literature of self-congruity, and four studies carried out as a part of this research, the FSC scale has been validated in a step-by-step process following the scale validation methodology suggested by Churchill (1979). Findings The final version of the scale incorporates nine items classified into three dimensions: actual fashion self-congruity, ideal fashion self-congruity, and ideal social fashion self-congru

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