Готові списки джерел за темами / Fleur du mal

Добірка наукової літератури з теми "Fleur du mal"

Автор: Grafiati

Опубліковано: 15 вересня 2021

Оновлено: 14 лютого 2022

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Статті в журналах з теми "Fleur du mal":

Yvorel, Jean-Jacques. "Violette Nozière, la fleur du mal. Une histoire des années trente." Revue d’histoire de l’enfance « irrégulière », no. 21 (November 12, 2019): 219–24. http://dx.doi.org/10.4000/rhei.4901.

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Smith, Jonathan. "Une Fleur du Mal? Swinburne's "The Sundew" and Darwin's Insectivorous Plants." Victorian Poetry 41, no. 1 (2003): 131–50. http://dx.doi.org/10.1353/vp.2003.0015.

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Dolamore, C. E. J., Charles Baudelaire, and Robert Jackson. "Les Fleurs du Mal." Modern Language Review 91, no. 4 (October 1996): 999. http://dx.doi.org/10.2307/3733569.

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Dolamore, C. E. J., Charles Baudelaire, and Graham Chesters. "Les Fleurs du Mal." Modern Language Review 92, no. 1 (January 1997): 198. http://dx.doi.org/10.2307/3734741.

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Jones, Kathleen. "Le Mal Des Fleurs:." Women & Politics 9, no. 4 (November 21, 1989): 1–22. http://dx.doi.org/10.1300/j014v09n04_01.

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Prat, Marie-Hélène. "L'apostrophe dans Les Fleurs du mal." L Information Grammaticale 41, no. 1 (1989): 39–43. http://dx.doi.org/10.3406/igram.1989.2006.

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Prat, Marie-Hélène. "L'apostrophe dans Les Fleurs du mal." L Information Grammaticale 40, no. 1 (1989): 18–22. http://dx.doi.org/10.3406/igram.1989.2015.

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Lloyd, Rosemary. "Engendering Performance inLes Fleurs du Mal." Dix-Neuf 17, no. 1 (April 2013): 24–36. http://dx.doi.org/10.1179/1478731812z.00000000023.

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Plaquin, Évelyne. "Les fleurs du mal : Sens et enjeux du mal dans le recueil." Imaginaire & Inconscient 19, no. 1 (2007): 53. http://dx.doi.org/10.3917/imin.019.0053.

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Ferreira, Raul Azevedo de Andrade. "NO JARDIM DO MAL: BAUDELAIRE NO BRASIL." A Cor das Letras 8, no. 1 (March 4, 2017): 53. http://dx.doi.org/10.13102/cl.v8i1.1566.

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Анотація:

O volume de poesias intitulado Les fleurs du mal, publicado em 1857, por Charles Baudelaire, firmou-se como marco decisivo na trajetória da lite-ratura moderna. Tal importância, contudo, apenas pôde ser atingida por sua obra conter em si uma alta carga de possibilidades semânticas, propriedade identificada por Paul Valéry como durée. Este ensaio busca discorrer sobre como a durée de Les fleurs du mal foi processada nas primeiras recepções da obra de Baudelaire, no Brasil, analisando como ela sofreu uma série de mo-dulações em função da conjuntura política do país.

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Дисертації з теми "Fleur du mal":

VILLACEQUE, AFLALLO SOL. "El juguete rabioso de roberto arlt ou le manifeste de la modernite urbaine. Une fleur du mal dans l'argentine de la mescolanza." Montpellier 3, 1996. http://www.theses.fr/1996MON30067.

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Dans la perspective sociocritique adoptee, el juguete rabioso a ete analyse dans sa materialite langagiere et dans le dialogue qu'il entretient avec le contexte historique de l'argentine des annees vingt ou il a surgi. Texte fondateur d'une nouvelle argentinite, il introduit dans la litterature nationale une pensee et des pratiques dissidentes. Dans ce roman inaugural se mettent en place des structures narratives et des constructions imaginaires inedites qui reapparaitront dans ce que cortazar nomme le "grand recit unique" de arlt. Parmi ces dernieres, la fiction de "la ville encanaillee" va contribuer, tout autant que celles que le tango met en circulation, a la constitution du mythe de la babylone portegne. Ce texte est egalement le lieu d'emergence d'une ecriture radicalement subversive. Travaillant a partir de materiaux disparates, souvent devalues, elle temoigne de la souffrance de la langue nouvelle en cours d'elaboration dans l'argentine moderne de la mescolanza issue du processus immigratoire. En ce sens, arlt partage avec borges, qui travaillait d'un lieu ideologique antagonique, le role de fondateur de la prose argentine moderne. On observe aussi comment s'opere dans le texte un travail d'amalgame et de deconstruction de discours heterogenes. L'analyse a fait affleurer ainsi des indices nombreux de la presence d'une contre-culture anarchiste. L'esprit du tango, lui aussi, habite ce roman, a une epoque ou ce produit de la culture de masse s'imposait comme l'expression la plus authentique du vecu des couches moyennes. L7analyse a tente, enfin, de mettre en lumiere la fonction demystificatrice d'un texte qui demasque la strategie d'occultation des fractures sociales, l'alienation et les trahisons de la petite bourgeoisie a laquelle appartient le heros silvio astier, dont la conscience divisee est le theatre d'affrontements ideologiques aux enjeux considerables
In our sociocritical approch, el juguete rabioso has been examined in its language substance and in its intertwining relationship with the historical context of the argentina of the 1920s where it was produced. This fundamental writing of a new argentinian consciousness has introduced an attitude and practices of dissent into the literature of the country. In this first novel, new narrative structures and fictional constructions already start to appear, which will be again present in what cortazar called arlt's "continuous long work of fiction". Among them, "the rascally city" theme will contribute, as much as those conveyed by the tango, in the building of the myth of the buenos aires babylon. Here also appears a drastically subversive style of writing. Recurring to old, often depreciated material, it bears testimony to the agonizing parturition of the new tongue of the argentinian melting-pot. In so doing, roberto arlt shares with borges - who worked from an opposite ideological standpoint the function of creator of modern argentinian prose. We have also examined how a double process of mingling an dislocation of heterogeneous forms of discourse operates in arlt's text. Our analysis has thus brought to light numerous traces of an anarchist counter-culture. The spirit of the tango equally pervades this novel, in a period when this mass-culture product was perceived as the most genuine expression of the middle-class frustrations and disenchantement. We have attempted to bring a light on demystifying role of a text wich unravels the strategy of concealment of social fractures, the lower middle-class alienation and betrayal, that same class of silvio astier, the main character whose torn conscience houses ideological conflicts of considerable import

Leyva, Dragomir Octavian. "Cinq Poèmes de Baudelaire : En undersökning av Claude Debussys sångcykel genom en pianists ögon." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4230.

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Detta arbete handlar om Debussys sångsamling Cinq poèmes de Baudelaire; musik skriven i en omtumlande period då Debussy anammar det bohemiska pariserlivet. Han ville med detta verk glänsa med sin kompositionsteknik. Arbetet inkluderar en reflektion över sångernas uppbyggnad samt vad som inspirerat dessa; det utforskar även samtiden gällande kompositionen av sångerna. I studien användes François Lesures biografi Claude Debussy: A Critical Biography (2003) samt annan relevant litteratur. Under arbetets gång var syftet att leda fascinationen av verket till en förståelse och klarhet över dess plats i musikhistorien. Cinq poèmes de Baudelaire är sånger som kräver flera genomlyssningar för att begripa. Av denna anledning finns det en problematik i framförandet av sångerna som har varit värdefull att utforska. Framtida utövare av Debussys romansmusik kan få nytta av denna studie. Genom att följa processen, kan såväl pianister som sångare, finna inspiration till sin egen interpretation.

Repertoar, inspelning finns bifogat:

Claude Debussy - Cinq Poèmes de Charles Baudelaire:

I. Le Balcon, II. Harmonie du Soir, III. Le Jet d’Eau, IV. Recueillement, V. La Mort des Amants

Eleonora Poignant - sopran

Mathilda Sidén Silvfer - mezzo-sopran

Astrid Banck Linderoth - sopran

Clark, Christine Julia. "L'outrage dans Les fleurs du mal /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1995.

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Meirelles, Ricardo. "Les fleurs du mal no Brasil: traduções." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-18102010-102721/.

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Discuto e considero o papel da tradução dentro da história da Literatura Brasileira, observando a recepção dos poemas do livro francês Les Fleurs du mal, de Charles Baudelaire, a partir da reunião de suas traduções publicadas no Brasil desde 1957 até 2007; depois, questiono os métodos da tradução poética e procuro respostas junto a algumas teorias da tradução em discussão, comparando traduções de vários tradutores ao longo do tempo, sempre levando em conta aspectos lingüísticos, históricos e culturais que poderiam se depreender de cada texto. Os poemas do livro escolhido - publicado em Paris, em 1857, verdadeiro marco da literatura ocidental - foram traduzidos por mais de sessenta poetas brasileiros - alguns traduzindo apenas um poema, outros, o livro todo - sendo a tradução brasileira publicada mais antiga datada de 1872.Além do resgate historiográfico promovido, recuperando algumas importantes e significativas leituras dessa obra francesa, comparando suas traduções com outras produzidas ao longo do tempo, vislumbro não uma evolução, mas uma diferenciação entre as abordagens tradutórias, construídas sempre dentro de seu momento histórico e ideológico. Essa diferenciação chama a atenção para as novas possíveis leituras do clássico francês proporcionadas pelas traduções publicadas nos últimos cinqüenta anos.
I discuss and consider the role of translation in the history of Brazilian literature, by noting the reception of the French book of poems Les Fleurs du Mal, by Charles Baudelaire; this thesis is based on a collection of translations published in Brazil between 1957 and 2007; then I question the methods of poetic translation and search for answers in some translation theories under discussion. For this purpose, I compare different translations over time, regarding the linguistics, historical and cultural aspects that could arise from each text. The poems of selected book - published in Paris in 1857 and a mark of Western literature - have been translated by more than sixty Brazilian poets - among who translated only one poem, and others the whole book - the oldest translation published in Brazil is from 1872. Besides the historiographical reconstruction promoted in this thesis, by reviewing some important and significant readings of this French work, and by comparing its translations with others produced over time, I do not see an evolution, but a differentiation between the translation approaches, which have always been constructed within their historical and ideological moment. This differentiation draws the attention to news possibles readings of this French classic that result from the translations published over the last fifty years.

Sato, Yosuke. "La subjectivité dans Les Fleurs du Mal." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL184.

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Au cours de notre analyse sur la subjectivité dans Les Fleurs du Mal, il nous a semblé nécessaire de commencer par la dernière section, intitulée « La Mort ». En effet, lorsque l’on traite non pas du sujet mais de la subjectivité, fonction naturelle dans la relation entre le sujet et les autres, l’analyse de la fin devient fondamentale, car la perte qui en résulte révèle une subjectivité réduite à néant. Cette analyse de « La Mort » nous guide vers des éléments clef sur cette notion baudelairienne, d’autant plus que ce poème qui termine le recueil s’achève par cette mort à laquelle est vouée toute personne, y compris nous-même. Il semble ainsi que la subjectivité de cette œuvre fonctionne uniquement grâce à sa relation avec les lecteurs. Les Fleurs du Mal commence par « Bénédiction », suivi de « Spleen et Idéal », puis « Au lecteur » placé en tant que prologue. « Tableaux parisiens » suit dans la deuxième édition. En passant les trois sections, « Le Vin », « Fleurs du Mal » et « Révolte », « Le Voyage » conclut ce recueil qui se distingue du néant par les deux naissances du poète, évoquées dans « Bénédiction » et « La Mort ». Bien que Les Fleurs du Mal ait été condamné en 1857 et que les six pièces aient été supprimées, Baudelaire a réécrit les trente-cinq nouveaux poèmes et publié en 1861 la deuxième édition : cette expérience mortelle des Fleurs du Mal a une influence sur la mort baudelairienne qui donne naissance à un type de subjectivité unique. « La Mort » que l’on traite de façon thématique était pourtant, dans l’édition de 1857, composée par les trois poèmes, « La Mort des amants », « La Mort des pauvres » et « La Mort des artistes ». Puis, dans l’édition de 1861, Baudelaire a ajouté les trois nouveaux poèmes, « La Fin de la journée », « Le Rêve d’un curieux » et « Le Voyage ». « La Mort des artistes » est le dernier poème de la première édition et répond à la naissance du poète dans « Bénédiction ». On peut le comparer au « Voyage », le dernier poème de la deuxième édition, dans lequel le poète ordonne à la mort en ces mots : « ô Mort, vieux capitaine, il est le temps ! levons l’ancre ! », telle une allégorie sombre qui présage la fin de la vie. C’est alors que l’on se rend compte qu’avec le « Voyage » la signification du recueil change radicalement, car il nous apprend que la mort n’est que le commencement
In our analysis of subjectivity in The Flowers of Evil, it seemed necessary to start with the last section, entitled "Death". Indeed, when we treat not the subject but subjectivity, a natural function in the relationship between the subject and others, the analysis of the end becomes fundamental, because the resulting loss reveals a subjectivity reduced to nothing. This analysis of "Death" guides us to key elements on this baudelairian notion, especially as this poem that ends the collection ends with the death to which is committed all persons, including ourselves. It thus seems that the subjectivity of this work only functions thanks to its relation with the readers.The Flowers of Evil begins with "Blessing," followed by "Spleen and Ideal," then "To the Reader" placed as a prologue. "Parisian paintings" follows in the second edition. By passing the three sections, "The Wine", "Flowers of Evil" and "Revolt", "The Journey" concludes this collection which is distinguished from nothing by the two births of the poet, evoked in "Blessing" and "Death" . Although The Flowers of Evil was condemned in 1857 and the six plays were removed, Baudelaire rewrote the thirty-five new poems and published in 1861 the second edition : this deadly experience of the Flowers of Evil has an influence on death baudelairian that gives birth to a unique type of subjectivity. "The death" that is treated thematically was however, in the edition of 1857, composed by the three poems, "The Death of the lovers", "The Death of the poor" and "The Death of the artists". Then, in the 1861 edition, Baudelaire added the three new poems, "The End of a Day," "The Dream of a Curious One" and "The Journey." "The Death of the artists" is the last poem of the first edition and responds to the birth of the poet in "Blessing". It can be compared to the "Voyage", the last poem of the second edition, in which the poet orders death in these words : “O Death, old captain, it is time! let's raise the anchor!” As a dark allegory that presages the end of life. It is then that one realizes that with "The Journey" the meaning of the collection changes radically, because it teaches us that death is only the beginning

Cabello-Chauveau, Inti Jean-Christophe. "Semiotique du plaisir dans les Fleurs du mal." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32901.

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This thesis is dedicated to a in depth study of the notion of pleasure such as it appears in Charles Baudelaire's Les Fleurs du Mal. Focusing upon a very restraint core of poems, the analysis unfurls according to the methodic tools provided by Michael Riffaterre, literary theorician and critic, in his Semiotics of poetry. Basing myself on a shrewd selection of texts, number of which were almost completely left out by baudelairean studies, my goal was to highlight the semiotical span owned by the different illustrations of pleasure in our poet's work. Weaving significant threads, first between signs and then between the text and its intertextuality, I achieved a detailed and global canvas of pleasure's descriptive system as it underlies Les Fleurs du Mal. The analysis defines pleasure's expression as a dichotomic construction. First opposing itself to reality, then to illusion and then to danger and others, it eventually builds itself against the notion of grief through bipolarization, caught into an insolvable cycle overhung by its evanescence. Interpretation allows us to draw interesting perspectives concerning the poet's epistemological choices.

Ferram, Mounir. "Artificiel et beaute dans les fleurs du mal." Paris 7, 1995. http://www.theses.fr/1995PA070087.

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La recherche esthetique chez baudelaire s'est constituee fondamentalement autour de la modernite. Une conception certe complexe mais qui s'enracine dans une comprehension esthetique et historique particuliere de l'epoque ou elle est apparue. Elle implique une nouvelle coneption de l'art, de la nature et de la vie en general. L'ecriture des fleurs du mal s'inspire d'une volonte d'aller au-dela du convenu, d'une rebellion contre les principes fondateurs de l'art, ou du moins reconnus comme tels au dix-neuvieme siecle. Ce recueil explore, en effet, de nouveaux domaines poetiques, exprime le quotidien dans sa complexite et les nouveaux aspects de l'epoque moderne qui ne sont pas moins poetiques que les themes classiques. Baudelaire considere que la nature n'a aucune valeur en elle-meme, a l'homme elle n'a enseigne que le vice et le crime. La vertu a, par contre, toujours ete artificielle, une creation humaine, une artefact. Sa poesie s'identifie a un exercice d'ou le hasard est exclu, ou l'empreinte de l'intelligence contraste avec l'aspect chaotique et incontrole de la nature. Desormais, seules la rigueur, la perfection et l'imagination permettent a l'art de s'elancer veritablement dans la quete du beau
Baudelaire constitutes her aesthetic about the modernity. The concept of the modernity emanates from the will to change the classic theories of art. Baudelaire decides to make researchs into new subjects. He refuses to imite the nature because he finds it ugly and vicious. He likes better to express the wonders of the modern civilisation. Les fleurs du mal shows an interest in imagination, rigour and perfection. The poetry becomes with baudelaire a real quest of originality which throws out improvisation and inspiration. Baudelaire thinks that the beauty is a human creation, an artefact. The artificial squares with the superiority of intelligence compared with natural inclinations

Cao, Lingling, and 曹凌凌. ""Les fleurs du mal" on the road to enlightenment." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B4660019X.

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Dhimene, Ahmed. "Le bestiaire de Baudelaire dans "Les fleurs du mal"." Bordeaux 3, 1986. http://www.theses.fr/1986BOR30057.

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Scotto, Lo Massese Dominique. "Classicisme et modernité du style et de la versification dans "Les fleurs du mal"." Aix-Marseille 1, 1991. http://www.theses.fr/1991AIX10018.

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Cette recherche qui porte sur le classicisme et la modernite du style et de la versification dans les fleurs du mal se propose de montrer comment, en tirant adroitement parti de son heritage classique, baudelaire a su donner a sa poesie une tournure moderne qui tient compte des resultats de son epoque. Le classicisme, en effet, se manifeste a la fois dans la morpho-syntaxe par les constructions verbales et les structures phrastiques, et dans la versification par l'usage du sonnet, des quatrains a rimes croisees, des alexandrins et octosyllabes ainsi que du rythme binaire. On le retrouve surtout dans le lexique caracterise par les references mythologiques et bibliques, le sens classique des mots, l'emploi du latin et la propriete des termes, et aussi dans les procedes de style telles la caracterisation et les figures de rhetorique. La modernite, percue dans la morpho-syntaxe ou les graphies originales s'ajoutent aux valeurs des temps de l'indicatif et aux enonces declaratifs, eclate dans la versification par l'emploi des metres impairs, de la combinaison du pair et de l'impair, du rythme ternaire, des coupes irregulieres avec enjambements strophiques, et par la disposition des rimes dans les sonnets. Elle impregne le lexique ou apparaissent les inspiratrices et les contemporains du poete, les neologismes techniques, le realisme ou l'exotisme des paysages avant de briller dans les figures de style preferees de baudelaire : oxymores, metaphores, comparaisons, images et symboles. En fait, classicisme et modernite sont melanges avec art dans le style et la versification
That research on the classicism and the modernity of style and versification in les fleurs du mal intends to show how, making use of his classical inheritance, baudelaire knew how to give his poetry a modern turn which takes the realities of his time into account. Classicism appears in them orpho-syntax with verbal constructions and sentence patterns, and in the versification with the use of the sonnet, quatrains with alternate rhymes, alexandrines and octosyllabics, and binary rhythm. We find it again in the lexicon characterized by mythological and biblical references, the classical meaning of words, the use of latin and the propriety of terms, in the proceedings of style like the characterization and the figures of speech. The modernity, perceived in the morpho-syntax in which original graphs are added to the functions of indicative tenses and to the declarative statements, is obvious in the versification with the use of the odd metres, the combination of odd and even, triple rhythm, irregular divisions with stanza enjambments, and with the disposition of rhymes in sonnets. It impregnates the lexicon in which appear the poet's inspirers and contemporaries, technical neologisms, the realism or the exoticism of landscapes before shining in baudelaire's favourite figures of speech : oxymorons, metaphors, comparisons, images and symbols. Classicism and modernity are mixed up with art in style and versification

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Книги з теми "Fleur du mal":

Boudet, Micheline. La fleur du mal: La véritable histoire de la Dame aux camélias. Paris: A. Michel, 1993.

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Baudelaire, Charles, and Henri Matisse. Les fleurs du mal. Paris: Hazan, 2012.

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Baudelaire, Charles. Les fleurs du mal. Newark, Delaware: European Masterpieces, 2010.

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Baudelaire, Charles. Les fleurs du mal. New York City: Spuyten Duyvil, 2015.

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Baudelaire, Charles. Les fleurs du mal. Paris]: Librio, 2002.

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Baudelaire, Charles. Les fleurs du mal. Anjou, Québec: CEC, 2009.

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Mourot, Jean. Baudelaire: Les fleurs du mal. Nancy: Presses universitaires de Nancy, 1989.

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Perfézou, Laurence. Les fleurs du mal, Baudelaire. Paris: Bordas, 1994.

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Mourot, Jean. Baudelaire, Les fleurs du mal. Nancy: Presses universitaires de Nancy, 1989.

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Perfézou, Laurence. Les Fleurs du mal, Baudelaire. Paris: Bordas, 1988.

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Частини книг з теми "Fleur du mal":

Henschen, Hans-Horst, and KLL. "Baudelaire, Charles: Les fleurs du mal." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2645-1.

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Rainsford, Dominic. "Les Fleurs du mal de mer." In Literature, Identity and the English Channel, 88–118. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403919281_4.

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Kerr, Greg. "Charles Baudelaire, Les Fleurs du mal." In The Palgrave Encyclopedia of Urban Literary Studies, 1–5. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-62592-8_188-1.

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Obrist, Barbara. "Abbon de Fleury: Cosmologie, comput, philosophie." In Abbon, un abbé de l’an Mil, 177–203. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.bhcma-eb.3.189.

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Roumy, Franck. "Remarques sur l’œuvre canonique d’Abbon de Fleury." In Abbon, un abbé de l’an Mil, 311–41. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.bhcma-eb.3.194.

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Sot, Michel. "Pratique et usages de l’histoire chez Abbon de Fleury." In Abbon, un abbé de l’an Mil, 205–23. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.bhcma-eb.3.190.

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Booth, Allyson. "”You! hypocrite lecteur!—mon semblable,—mon frère”: Baudelaire’s Preface to Fleurs du Mal." In Reading The Waste Land from the Bottom Up, 73–75. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137482846_15.

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Minois, Joël. "L’Horologium stellare monasticum a-t-il été écrit pour Fleury?" In Abbon, un abbé de l’an Mil, 47–68. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.bhcma-eb.3.184.

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Huglo, Michel. "Le traité de musique d’Abbon de Fleury: identification et analyse." In Abbon, un abbé de l’an Mil, 225–39. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.bhcma-eb.3.191.

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Morelle, Laurent. "Que peut-on savoir du temporel de Fleury à l’époque d’Abbon?" In Abbon, un abbé de l’an Mil, 101–50. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.bhcma-eb.3.187.

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Тези доповідей конференцій з теми "Fleur du mal":

Jin, Chengkun, Jujie Wang, and Min Zhou. "La Fleur du Mal Sprouting from Modernity." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.068.

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Mema, Laureta. "Les métaphores de l’eau dans Les Fleurs du Mal de Charles Baudelaire." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3798.

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Le langage poétique Baudelairien doit « imposer tous les temps et tous les univers » (Bénédiction) en intériorisant l’univers, y compris le conscient et l’inconscient, la vie et la mort entrant en rapport avec lui, pour que le monde humain brise ses vitres et que le poète puisse regarder au-delà pour en sortir « du nouveau ». Nous allons arrêter notre regard dans le processus de la métamorphose de l’eau (un élément important pour Baudelaire qui se transforme souvent en mer) pour naviguer premièrement dans le désir érotique et deuxièmement dans une destinée humaine existentielle. Le désir érotique du poète dépendra de l’eau, affin de quitter le monde terrestre et trouver son île paradisiaque où il pourra protéger sa vie amoureuse (« L’Invitation au Voyage »). Mais de l’autre coté, l’eau miroitera le désespoir du poète qui est destinée à aimer la femme corrompue, infernale (« Moesta et Arrabunda », « Un voyage à Cythère »). À part le désir érotique, on verra que les métaphores de l’eau surgissent et tourbillonnent quand le poète médite à la destinée humaine. Les métaphores de l’eau essayent d’expliquer la fatalité de la vie malheureuse du poète (« L’Ennemie », « Le Cygne ») ou ils viennent à l’aide pour le consoler, en lui renvoyant sa propre image (« L’Homme et la Mer »). DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3798

Albors, A., M. E. Martín-Esparza, G. B. Bressi, and A. Raga. "Technological and nutritional aspects of gluten-free pasta based on chickpea flour and tiger nut flour." In 21st International Drying Symposium. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ids2018.2018.7760.

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Gluten-free (GF) dry egg pappardelle was prepared with tigernut flour (50%), chickpea flour (50%) and pregelatinized TNF (0, 5, 10%), and compared to plain pasta (100% durum wheat semolina). The GF pasta may have a significant higher content of insoluble fibre, minerals and fat rich in oleic acid and a similar protein content. It was not found any clear relationship between the flour functional properties and its proximate composition. The use of PG did not imply an improvement on the firmness but did provide some continuity to the pasta structure. Keywords: Gluten-free pasta, tigernut flour, chickpea flour, texture, cooking properties.

Kalinovskaya, T. V., N. V. Volojaninova, V. S. Volojaninova, and D. D. Volobuev. "STUDYING THE TECHNOLOGICAL PROPERTIES OF FLOUR FROM SPRINGED WHEAT GRAIN DRIED IN THE INFRASCAPE DRYER." In STATE AND DEVELOPMENT PROSPECTS OF AGRIBUSINESS Volume 2. DSTU-Print, 2020. http://dx.doi.org/10.23947/interagro.2020.2.535-538.

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The article presents the technological properties of flour from germinated wheat grain dried in an IR dryer. Microbiological indicators were studied, changes in carbohydrate-amylase and proteinproteinase complexes in flour from germinated wheat grain were analyzed. It has been established that a partial replacement (up to 30%) of wheat flour with malt allows to obtain products with increased nutritional value and reduced calorie content.

Marraccini, Paolo, Laura Cantone, Paolo Leghissa, Margherita Minini, Giovanni Mosconi, Nicola Di Credico, Marisa Santini, Claudia Bancone, Elena Pedrazzini, and Mario Previdi. "Nitrous Oxide And Cytokines As Markers Of Occupational Exposure To Flour Dust." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a4696.

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Jadhav, Rahul, and Thomas Pisklak. "Liquid Strength Retrogression Control Additive." In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202104-ms.

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Abstract To mitigate strength retrogression at temperatures, higher than 230°F, well cement designs typically include strength retrogression control additives (SRCAs). Solid siliceous materials (e.g., silica flour, fume, and sized-sands) are commonly used SRCAs that are incorporated into cements using dry-blending techniques. This study highlights liquid silica compositions as alternative SRCAs to dry-blended silica for high-temperature cementing. Liquid additives can be managed easily, delivered accurately, and offer a reduced on-site footprint, thus making them particularly advantageous for operations offshore and in remote locations. This paper presents a study on the use of liquid silica compositions as SRCAs and their effect on cement slurry properties, such as thickening time, mixability, fluid loss, rheology, and free water. The cement slurry used during the current study was prepared and tested according to API RP 10B-2 (2005). The performance of the liquid silica composition was tested at temperatures up to 400°F. Set cement samples were prepared using the liquid silica composition and silica flour, cured for up to 14 days at different temperatures. In addition, permeability testing was also performed on the samples. This paper presents the findings of this research, including strength and permeability test results on cement blends cured at temperatures of 300, 330, 350, and 400°F. The liquid silica composition, which provided silica to the cement formulation equivalent to 35% BWOC dry silica (48% BWOC liquid SRCA), functioned effectively as an SRCA at temperatures up to 330°F. Signs of strength retrogression were observed at 350°F and were more pronounced at 400°F. A greater concentration of the liquid silica composition may be necessary to prevent strength retrogression at temperatures higher than 330°F. The liquid silica composition also demonstrated mild retardation and a dispersing effect on the slurry. However, it helped enable improved slurry stability and suspension, thus providing improved control over free water without adverse effects on fluid loss and sedimentation. The study results demonstrate that a liquid SRCA can help improve the performance of annular cement designs to provide dependable barriers and effective zonal isolation during high-temperature cementing applications. The improved performance enabled by this liquid silica composition verifies its potential use as an alternative SRCA for high-temperature oil well cementing operations.

Burke, Robert, Taha Rezzag, and Kareem A. Ahmed. "Carbon and Hydrocarbon Particle Seeding in Air-Breathing Rotating Detonation Engine." In ASME Turbo Expo 2021: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/gt2021-58802.

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Abstract Within the power generation community, the rotating detonation engine (RDE) is only growing in popularity with its increased performance, simple mechanism, and operation. Although significant testing is underway to characterize the RDE for integration with conventional gas turbines, this entire system is still at a relatively low technology readiness level. In the midst of RDE research, there is an initiative to understand solid particle seeding effects in the detonation performance. Under investigation at the University of Central Florida is a Department of Energy (DOE) 6-inch RDE, with a solid particle seeder in parallel with its H2 and air flow lines. Previous work on this system involved carbon particle detonation; however, the tested particles were taken one step further to include more sustainable, greener hydrocarbon particles. Testing of powdered sugar, peanut flour, and cornstarch, along with previous carbon black tests have shown not only successful detonability, but a noticeable effect on the detonation wave dynamics. Side-by-side with a particle burning model being developed, an operational map can be determined for the hydrocarbon particles particularly, which can be tuned with the local flow conditions to achieve peak operability while replacing fuels with sustainable alternatives that could even be grown.