Дисертації: "Modern russian"

1

Styblo, Miroslav Janda Laura A. "English loanwords in modern Russian language." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1081.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Slavic, Eurasian and East European Studies Russian and East European Studies." Discipline: Russian and East European Studies; Department/School: Russian and East European Studies.

2

Macphail, David John Duncan. "The anecdote in modern Russian fiction." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613943.

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3

Ustinova, Irina P. "Impact of English on modern Russian TV advertising." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2002. http://wwwlib.umi.com/cr/syr/main.

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4

Ukiah, Nicholas John. "Stress in modern Russian inflection : patterns and variation." Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1317632/.

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This thesis examines the patterns of stress found in modern Russian inflectional paradigms (nouns, verbs and adjectives), and variation in these patterns. It also examines the 'retraction' of stress onto prepositions before certain nouns and numerals, for example нá день, зá сорок, and onto the negative particles не and ни before the past forms of certain verbs, for example нé дан, нѝ бьіло, and variability in these phenomena. After a detailed survey of literature in the field, a new approach to the treatment of mobile stress in Russian is proposed, called the 'distinctive approach'. This approach takes as its basis not the movement of stress between word-forms, from one morpheme, or one syllable, to another, but rather the patterns of contrasts made by stress between word-forms, and the resulting phonetic realisation of stems. This forms the basis of an original categorisation of the inflectional stress patterns found for nouns, verbs and adjectives, which are examined in detail. Areas of instability in the system are identified, as indicated by the existence of stress variants. Certain of these areas are then further investigated by means of a comparison of dictionary data from standard reference works of the last forty years with new research data provided by a survey of twenty-one Muscovites in the age-range 23 to 62; full tables are given containing the results of this investigation. Each word is then discussed in detail, and a summary given of the changes in stress identified for each word-class. This thesis concludes that there is widespread variation in patterns of mobile stress, and that developments of a varied and disparate nature are taking place in the different parts of the inflectional system. There is, in addition, some evidence that stress mobility, particularly within the sub-paradigm, is being abandoned in favour of fixed stem- or desinence-stress. A reduction in the incidence of stress mobility is also seen in the area of the 'retraction' of stress onto prepositions and negative particles.

5

Roslof, Lara McCoy. "The Political, Economic and Social Activities of the Russian Orthodox Church, 1991-2003, and the Reintegration of Russian Orthodoxy into Post-Soviet Russian National Identity." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1082434364.

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6

Li, Suogui, University of Western Sydney, of Arts Education and Social Sciences College, and School of Languages and Linguistics. "The study of lexical borrowing from Russian in Modern Chinese." THESIS_CAESS_LLI_Li_S.xml, 2002. http://handle.uws.edu.au:8081/1959.7/418.

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This study is based on an exhaustive analysis of 1,500 Russian words that have been borrowed from the Russian lexicon into Modern Chinese.The purpose of this study is in part to provide a scientific basis for the formulation of the standardisation of the Chinese language.The fact that at present there is no standard method by which foreign words are borrowed into Chinese is problematic because it gives rise to confusion amongst Chinese speakers. It is hoped that this study can begin to clarify such methods, and also limit potential abuses of lexical borrowing that do not accord with the linguistic principles of the Modern Chinese language. In addressing these issues this study covered eight forms of borrowing that exist in Modern Chinese borrowings.In effect these eight forms all stem from either phonetic, semantic or direct transplantation forms of borrowing.This thesis has also discussed many of the linguistic difficulties, and their resolutions, that arise in the process of borrowing.It has also highlighted several aspects of lexical borrowing that have not been addressed in previous literature, and suggested creative ways in which these issues could be addressed in the future. It is hoped that the content of this thesis is able to form part of the process of providing a reference for the formulation of an official Chinese language policy.
Master of Arts (Hons)

7

Li, Suogui. "The study of lexical borrowing from Russian in modern Chinese /." View thesis View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030618.093158/index.html.

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Thesis (M.A.) (Honours) -- University of Western Sydney, 2002.
A thesis submitted to the School of Language and Linguistics, University of Western Sydney, in fulfilment of the requirements for the degree of Master of Arts (Honours), February, 2002. Bibliography : leaves 157-171.

8

Murphy, Dianna L. "The gender of inanimate indeclinable common nouns in Modern Russian /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488194825666262.

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9

Lazarov, Danny Ivan. "Same old Russian Enemy? A Content Analysis of the Portrayal of Russians in Call of Duty: Modern Warfare." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23697.

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Stereotypes and threatening images are present in much of our modern entertainment media often going unnoticed for the effects they may have on society. One media which is relatively new and unexplored when it comes to these stereotypes and images of threat is the video game media. This thesis explores how stereotypes are created and maintained within video games and how securitization efforts affect entertainment media, in order to pursue these aims the game Call of Duty: Modern Warfare (2019) is analysed with a content analysis built on the theories of othering and securitization, in order to see how the Russians are portrayed within the game. The analysis shows that the image attached to Russians is overly negative compared to other people in the game, and the common threats which they pose is going to war with the West. Based on these findings, the thesis concludes that video games do reproduce securitization discourses and create stereotypes.

10

Zingg, Olgica. "The role of Lomonosov in the formation of the early modern Russian literary language." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37245.pdf.

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11

Novikov, Yuri. "Gender differentiation in personal and professional titles of women in modern Russian." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59648.pdf.

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12

McDonald, Kristian P. "An investigation into the approach of modern Russian liberal thinkers towards nationalism." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/2365/.

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The aim of this study is to show how liberal thinkers have responded to the problems liberalism as an ideology faces in Russia, and to the challenges which Russia is encountering as a country in transition. I will argue that liberals are constantly aware both of their marginalisation (which is seen as being cultural, historical and political) when they react to other ideologies and to those who hold political power, and also of the difficulty of shaping Russia's future along liberal lines. The liberal response to nationalism, therefore, provides a useful model in showing how liberals have reacted to ideologies which are typically regarded as being outside the liberal movement in Russia and also how they have sought to respond to many of the central questions relating to transition. I will show in this study that the response of liberals towards nationalism demonstrates a huge increase in the diversity of the liberal movement from the mid 1990's onwards, as the internal divides amongst liberals have become apparent under the impact of transition. Secondly, liberals have been torn between the possible strategic benefits of combining liberalism with non-liberal elements, weighed against the ideological problems these combinations cause. These dilemmas have left Russian liberalism as an essentially stagnant ideology which remains incapable of forming a united and coherent response both to its own marginalisation and to the challenges faced by Russia.

13

Sigler, Krista Lynn. "Kshesinskaia's Mansion: High Culture and the Politics of Modernity in Revolutionary Russia." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243013516.

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14

Herrerias, Priscilla. "A poética dramática de Tchékhov: um olhar sobre os problemas de comunicação." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-13072011-143257/.

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As lacunas nos processos de comunicação entre as personagens dramáticas de Anton Tchékhov (1860-1904) apresentam-se como um traço básico e definitivo de sua poética. A análise dos processos comunicativos entre as personagens das quatro principais peças do autor - A gaivota (1896), O tio Vânia (1897), As três irmãs (1900) e O jardim das cerejeiras (1904) - elucida a criação de um novo paradigma artístico em seu sistema dramático, cujas inovações marcaram profundamente todo o teatro do século XX e exercem enorme influência até os dias de hoje. O presente trabalho apresenta um recorte das obras selecionadas em relação ao contexto russo da época, evidenciando inquietações que anunciavam transformações profundas na sociedade. Neste intuito, retoma a teoria dos gêneros literários e suas principais críticas, que realçaram a importância da relação entre os gêneros e o momento histórico em que se consolidavam; assim, adquire relevo nas análises o conceito de \"romantização\" dos gêneros proposto pelo filósofo e teórico literário russo Mikhail Bakhtin (1895-1975), a partir da ideia de \"supremacia\" do único gênero em devir. Com a emersão de elementos épicos e líricos na dramaturgia tchekhoviana, observa-se como o diálogo, forma do gênero dramático por excelência, motor das ações que impulsionam o avanço do enredo no sistema dramático tradicional, tem sua unidade enfraquecida, fazendo com que o drama tchekhoviano necessite da encenação para realizar-se plenamente. O \"invisível\" e o \"indizível\", aquilo que subjaz às réplicas, que está latente justamente nas lacunas dos processos comunicativos entre as personagens, torna-se vital a este novo teatro, que acolhe e conta com a imaginação de leitores/espectadores.
The gaps in the communication processes between the dramatic characters of Anton Chekhov (1869-1904) consist on a basic and definite trait of the author\'s dramatic poetics. The analysis of the communication processes of four of Chekhov\'s major plays - The seagull (1896), Uncle Vanya (1897), Three sisters (1900) and The cherry orchard (1904) - elucidate the creation of a new artistic paradigm in the author\'s dramatic system, the innovations of which deeply affected the twentieth century theatre and have exerted a major influence until today. The study approaches the selected plays firstly considering the Russian context of the period, highlighting historical transformations that were already on course. Secondly, it examines the literary genres theory, as well as the most important criticism it suffered. The concepts developed by the Russian philosopher and literary critic Mikhail Bakhtin (1895-1975), which took into account the relationship between the literary genres and the historical moments when they were being shaped, acquire great importance in our analysis. Specially the notion of the novel as a contemporary genre, which embraces and affects all the other genres. After clarifying this influence by identifying the presence of epic and lyric elements in Chekhov\'s plays, we observe how the dialogue, the traditional form of the dramatic genre, motor of the actions that push the plot forward, has its unit weakened. As a consequence, chekhovian drama needs staging to be fully achieved: what is not visible and cannot be reduced to words, what is latent in the gaps of communication, underlying the characters\' speeches, become vital to this new theatre, which welcomes and counts on the imagination of its audience.

15

Grachova, Sofiya. "Pathologies of Civility: Jews, Health, Race and Citizenship in the Russian Empire and the Bolshevik State, 1830-1930." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064928.

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The dissertation examines the interrelationship between professional and public discourses on Jewish health and the politics of citizenship in Russia across the revolutionary divides of the early twentieth century. In Russia, like in other countries of the time, medical consensus held that Jews exhibited different rates of various diseases compared to Gentiles, such as a higher incidence of diabetes and a lower rate of syphilis. The validity of such data aside, the production and interpretation of these statistics reveal how the criteria of civil enfranchisement and group identity changed over the period in question. Debates about Jewish health at the time addressed two major themes: whether Jews could be full-fledged citizens and whether they constituted a particular ethnic/"racial" group. However, as the dissertation argues, it was concepts of citizenship that generated racial discourse and nationalist ideologies, in this case, and not the other way around. Two concepts of race coexisted in Russian professional and public discourses during the nineteenth and early twentieth centuries, one historical-cultural and the other biological. This dissertation demonstrates that the former was much more politically and intellectually productive than the latter. Biological concepts of race had limited currency at the time and, as a rule, were subordinated to the discourse of ethnicity. At the same time, notions of civilization and the autonomous personality were crucial for debates about Jewish health, Jewish civil status, and the politics of formal and informal citizenship in Russia before 1917. After the Bolshevik revolution, these concepts continued to affect the state's social policies, even though they became divorced from the formal criteria of citizenship. Since the Russian empire and, in a different manner, the early Bolshevik state did not have universal and uniform citizenship based on the idea of natural rights, this study offers useful comparative material for the history of citizenship in general, and the politics of citizenship in empires and composite states in particular. It also offers a contextual, underdeterministic interpretation of the political significance of "race" which departs from established teleological and deterministic narratives of the history of racial thought.
History

16

Myers, Elena K. "A Semiotic Analysis of Russian Literature in Modern Russian Film Adaptations(Case Studies of Boris Godunov and The Captain’s Daughter)." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429832017.

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17

Howard, Barbara C. "Modern designs of women's apparel based upon Russian fairy tales and the art work by various Russian illustrators depicting Pre-Empire style of garments." Online version, 1998. http://www.uwstout.edu/lib/thesis/1998/1998howardb.pdf.

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18

Kier, Andrew James. "The Semantics of Russian 'About' Prepositions: A Corpus-Based Study." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1357269720.

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19

Liebschner, Andrea. "Russian social networks on the Web : cohesion and coherence in Vkontakte." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7674/.

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In this thesis connections between messages on the public wall of the Russian social network Vkontakte are analysed and classified. A total of 1818 messages from three different Vkontakte groups were collected and analysed according to a new framework based on Halliday and Hasan’s (1976) research into cohesion and Simmons’s (1981) adaptation of their classification for Russian. The two categories of textuality, cohesion and coherence, describe the linguistic connections between messages. The main aim was to find out how far the traditional categories of cohesion are applicable to an online social network including written text as well as multimedia-files. In addition to linguistic cohesion the pragmatic and topic coherence between Vkontakte messages was also analysed. The analysis of pragmatic coherence classifies the messages with acts according to their pragmatic function in relation to surrounding messages. Topic coherence analyses the content of the messages, describes where a topic begins, changes or is abandoned. Linguistic cohesion, topic coherence and pragmatic coherence enable three different types of connections between messages and these together form a coherent communication on the message wall. The cohesion devices identified by Halliday and Hasan and Simmons were found to occur in these texts, but additional devices were also identified: these are multimodal, graphical and grammatical cohesion.

20

Leggette, Amy. "Scenes, Seasons, and Spaces: Textual Modes of Address in Modern French, American, and Russian Literature." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19274.

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This dissertation examines how literary form adapts to emergent print environments by identifying common strategies for incorporating the act of reading into the situation of the text. In my analysis of original textual forms, I investigate the material specificity of constitutively modern practices of reading and subjectivity, focusing on how innovative publications structure these practices by involving the reader in the process of production. This project assembles six pioneering writers across literary traditions, genres, and periods, from the 1830s to the 1910s, in three chapter pairings: novelistic episodes of Honoré de Balzac’s Comédie humaine and prose poems of Charles Baudelaire’s Spleen de Paris in nineteenth-century Parisian periodicals; the prose poetry books, Une saison en enfer by Arthur Rimbaud and Spring and All by William Carlos Williams; and genre-bending texts from the œuvres of Stéphane Mallarmé and Vladimir Mayakovsky, including the typographically irregular page spreads of Un coup de dés jamais n’abolira le hasard and Vladimir Mayakovsky: A Tragedy (Vladimir Maiakovskii: Tragediia). My discussion locates reflexive conceptions of modern literature in constructions of the reading subject, while extending the performative framework of textual modes of address to new media and digital technologies—social interfaces that mediate subjectivity by structuring practices of reading.

21

Patton, David P. "Analytism in modern Russian : a study of the spread of non-agreement in noun phrases /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1302881671.

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22

Anderson, Maureen Jolie. "On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration| A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss." Thesis, State University of New York at Albany, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1538754.

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The text presented here is a study of the editing and appropriation techniques of three constructivist films and their affect on narrative: Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. An analysis of these techniques is done through the lens of the Russian Formalists, Victor Shklovsky and Mikhail Bakhtin and their respective concepts of defamiliarization and familiarization. Attention is paid to formal analysis in relation to historical context.

23

Sims, Andrea D. "Minding the gaps inflectional defectiveness in a paradigmatic theory /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1157550938.

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24

Perlaky, Andreas. "Russia's intervention in the modern Syrian conflict : A small contribution to understand Russian warfare in Syria through the lense of hybrid warfare theory." Thesis, Försvarshögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-10056.

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Russian warfare is one of the most currently debated topics between military experts. Some define it as something wholly new and name it hybrid warfare. Others say that hybrid warfare is nothing but an old method brought back to life. Some experts also argue that any nation at war will use any method to win, regardless of being a defender or aggressor. One thing, however, binds these experts together—the will to understand Russian warfare. Hybrid warfare uses both state and non-state actors together to achieve a common goal. Because of mixing these actors, it becomes hard to define further. Because of that, experts still struggle to understand Russian warfare and the use of hybrid warfare. Thus allowing Russia to continue to act within the grey area between a state of neither peace nor war. By analysing Russia’s intervention in the ongoing conflict in Syria with Lewickis military and non-military dimensions. This study shows that Russian warfare and its actions in Syria are based more on international reputation. When there is a risk for tarnished reputation, they act through non-state actors. When there is a chance for improved reputation, they act through state actors. This study also shows that there are fundamental differences in what Russia does officially and unofficially, which is also based on international reputation.

25

Berdnikov, Viacheslav [Verfasser], and Wolfgang [Akademischer Betreuer] Reimann. "The last will foundation (inheritance foundation) under modern Russian civil law / Viacheslav Berdnikov ; Betreuer: Wolfgang Reimann." Regensburg : Universitätsbibliothek Regensburg, 2021. http://d-nb.info/1240901828/34.

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26

Meadowcroft, Jeff R. "The history and historiography of the Russian worker-revolutionaries of the 1870s." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3079/.

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In March, 1877, the radical worker Pëtr Alekseev gave his speech at the ‘Trial of Fifty,’ contributing to the social-revolutionary movement one of the founding documents in Russia’s fledgling, working-class history. In the decades that followed, many others of the workers’ circles of the 1870s would compose and contribute their own stories to this revolutionary, ‘workers’ history.’ It was understood that, for workers to ‘speak for themselves’ was one step towards a workers’ revolution, carried out by and for the working people. The ‘workers’ voice’ had been borne by Alekseev in 1877, and was shared by worker-memoirists and other worker-writers through the early twentieth century. Individual workers were called represent, embody, testify to and speak for the mass, or the working-class as a whole. Thus, the notion of the ‘workers’ voice’ tied together the propaganda, the historiography, and the philosophy of the Russian social-revolutionary movement. A study of the ‘workers’ voice’ in history and historiography reveals the connections between these areas of revolutionary thought and practice, and provides a better understanding of the role of individual workers - as activists and as writers - in the Russian socialist movement. Revolutionary historiography developed alongside and in concert with political theories of the social revolution, mass action, social law and social determination, individuality, and consciousness. For a small number of radical democrats-turned-‘rebels,’ anarchists, and social-revolutionaries – most, if not all, born into the educated elite, a few to the families of the high, landed nobility - adherence to the narodnik tenet that ‘the emancipation of the working class should be conquered by workers’ themselves’ made their own, committed or conscious choice of the ‘cause’ over the existing system of things marginal to the historical and social forces driving Russia towards revolution. The ‘going to the people’ movement was aimed at bringing ‘workers themselves’ into their movement. By developing certain working people into carriers of the socialist message, the movement hitherto limited to students, publicists, and the wayward sons and daughters of state officials, merchants and clergymen would become the ‘a working-class matter.’ Thus, a special place was allotted to the ‘self-educated’ or ‘self-developed’ workers who, like the self-styled ‘intelligentsia,’ were consciously committed, synthesising ‘consciousness’ with their own class experience and the social necessity behind it. The political and historical valorisation of the ‘workers’ voice’ extended this idea into the documentation and the history of the popular and workers’ movements. Just as the workers would have to ‘emancipate themselves,’ so too would they speak for themselves and write their own history. This history, it was thought, would eventually belong to the workers by right. Thus, historical writing and the documentation of a workers’ history, informed by judgments regarding individuality, society, class, history, and their relationships, became politically significant for the revolutionary movement as working people began to enter it and ‘speak for themselves.’ Late in the nineteenth century, the worker-revolutionaries of the 1870s began to write their own memoirs of events. Entering the documentary record as individuals, it was their task to testify to working-class experience. Thus, at the point where working people became ‘individuals’ for history and for future historians, marking themselves as different from the mass by leaving their own writings, and stories, and memoirs, they were also tied inextricably to a political viewpoint that identified every and any worker as practically identical. As political figures, ‘conscious’ radicals who had taken responsibility for their own actions, their lives were historically definite; as ‘working men,’ sharing in a victimhood that was common to millions, their lives were indefinite, unhistorical, alienated. In the attempt to explain one part of their lives by the other, in the juxtaposition of class experience with political experience, in the light of a political function that had workers become witnesses rather than writers, the worker-revolutionaries reproduced in their political and historical writings the class categories that their radicalism had contradicted. The awkward position of worker-intelligent – in one half unique, conscious, definite, historical, active, by the other: plural, instinctive, indefinite, and passive – was stamped into ‘workers’ writings.

27

McNamara, C. J. "The impact of modern technology upon battlefield tactics in the North African and Russian campaigns, 1941-1943 /." Title page, contents and introduction only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arm1689.pdf.

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28

Harris, Mark J. "Evangelism among modern Russian young people a qualitative study of their religious background, attitudes and conversion experiences /." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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29

Meyer, Luciano Augusto. "Esquizofrenia pós-soviética: sonhos, vazio e identidade em A metralhadora de Argila." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-07122018-120841/.

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Анотація:

Notadamente um dos escritores russos mais bem-sucedidos na decada de 1990, Victor Pelevin se caracteriza por uma obra pouco convencional no que concerne a construção de personagens e mundos em que elas habitam. A transicão poltica e cultural ocorrida após a queda do governo soviético, em 1991, e um dos fatores que influenciam as obras de grande parte dos autores pós-modernos na Rússia; entretanto, o sucesso de Pelevin se deve também as peculiaridades de sua escrita que, em vez de apenas promover críticas a sociedade que o precedeu, também inclui reflexões filosóficas e metafisicas por vezes consideradas pretensiosas demais pela critica que abordam essa transição. Em A metralhadora de argila, romance de 1996, o autor remonta as batalhas da Guerra Civil Russa, em 1919, colocando-as como um mundo paralelo a uma instituição psiquiátrica em 1991. O interesse, então, e estudar o processo de recriação que Pelevin faz da realidade pré-soviética e como ele a compara ao periodo pos-sovietico, apontando aspectos no romance que identifiquem a nocao de identidade e a mudanca a que este conceito esta sujeito apos as transformacoes sociais nesses periodos da historia recente da Russia.
One of the most renowned Russian writers of the 1990s, Viktor Pelevi distinguishes himself for the construction of characters and worlds in which they inhabit. The political and cultural transition after the end of the Soviet government, in 1991, is one of the factors that have an effect on most of the literary works from Post-Modern authors in Russia; although, Pelevin\'s success as well is due to singularities in his writing, which instead of only criticise the Soviet society before him, also includes philosophical and metaphysical thoughts sometimes viewed as too pretentious by the critics that discuss the transition. In The clay machine-gun, a 1996 novel, Pelevin remembers the battles of the Russian Civil War, in 1919, putting them as a parallel world within a madhouse in 1991. So, the interest in this study is to understand Pelevin\'s recreation of the Pre-Soviet reality and how he compares it to the Post- Soviet period, highlighting elements on the novel that trace the notion of identity and the adjustment it takes after the social transformation in these both recente Russian times.

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Franzén, Maria. "Svordomarnas funktion i modern rysk skönlitteratur : en analys av Goluboe salo och Tjapaev i Pustota." Thesis, Stockholm University, Department of Slavic Languages, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-42596.

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31

Beard, Jacob D. "At the Foot of the Cross: A Biographical Portrait of Pyotr Yakovlevich Chaadaev." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1501257762960849.

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32

Donovan, Victoria. "'Nestolichnaya kul'tura' : regional and national identity in post-1961 Russian culture." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:22185307-f4fa-4427-89a5-f40e5de962ec.

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This thesis examines the state-sponsored rise of local patriotism in the post-1961 period, interpreting this as part of the effort to strengthen popular support for and the legitimacy of the Soviet regime during the second phase of de-Stalinization. It shifts the analytical focus away from the Secret Speech of 1956, the time of Khrushchev’s full-scale assault on Stalin and his legacy, to the Twenty-Second Party Congress of 1961, the inauguration of a utopian and pioneering plan to build Communism by 1980. The thesis considers how this famously forward-looking programme gave rise to an institutionalized retrospectivism as Soviet policy makers turned to the past to mobilize popular support for socialist construction. It examines how this process played out in the Russian North West, where Soviet citizens were encouraged to turn inwards to examine their local history and traditions, and to reread these through the lens of Soviet socialism. The thesis takes as a case study the towns of Novgorod, Pskov, and Vologda, where the state-sponsored regeneration of local traditions significantly impacted on the self-perception of local communities. In the first part, I look at the strategies for representing and displaying local culture in pubic institutions: the textual treatment and symbolic ordering of urban space in local tourist guides; the heritage movement and the attribution of cultural value to certain objects from the local landscape; and the primary focuses of the exhibitive 'gaze' in local museums. The second part of the thesis shifts the focus from institutionalized culture to popular culture, examining the informal practices and oral traditions that exist alongside the authoritative discourses of social identity in the post-Soviet period. The popular interpretation of public sculpture, the collective imagination of urban space, and the 'common knowledge' of the past as it is articulated in oral narratives are the focuses of discussion.

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Edel-Roy, Agnès. "Une « démocratie magique » : politique et littérature dans les romans de Vladimir Nabokov." Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC0080/document.

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Écrite d’abord en russe puis en anglo-américain, l’œuvre romanesque de Vladimir Nabokov (1899-1977), écrivain américain d’origine russe, fascine ses lecteurs, mais leur participation à l’achèvement de cette œuvre artistique a été singulièrement restreinte par sa réception. La publication de Lolita (1955) le transforme en précurseur du postmodernisme américain. Aboutissement de la quête moderne de l’autonomie de l’art et triomphe de l’autotélisme artistique, sa création se trouve alors interprétée en poétique « tyrannique » sur laquelle règne l’auteur en « dictateur absolu ». Vladimir Nabokov, pourtant, n’a cessé d’identifier dans l’Histoire et de combattre dans son œuvre deux questions politiques du vingtième siècle : celle de la soumission de l’art à l’idéologie (quelle qu’en soit le nom) et celle de la tyrannie (actualisée par les régimes politiques nazi et soviétique). Dès l’origine, sa création de langue russe, puis anglo-américaine, est synchronisée avec les conséquences, tant en Russie qu’en Occident, de la Révolution bolchevique, l’événement historique qui change le « partage du sensible » (Jacques Rancière) vingtiémiste. La nature autotélique de sa création, dont les caractéristiques sont à redéfinir en opposition aux formes artistiques prônant l’engagement de l’art, indique en réalité que Nabokov propose une nouvelle « politique de la littérature » (Jacques Rancière) de l’émancipation qu’il a lui-même appelée du nom de « démocratie magique » et fait d’elle un « art critique » dont l’effet politique passe par sa distance esthétique, incluant « dans la forme de l’œuvre la confrontation de ce que le monde est avec ce que le monde pourrait être » (Jacques Rancière)
Vladimir Nabokov (1899-1977), American writer of Russian origin, was the author of fiction written first in Russian and then in American English. His work has been a constant source of fascination for his readers, but their interpretation has been limited by its reception. Upon the publication of Lolita (1955), Nabokov is seen as a precursor of American postmodernism. His writings are interpreted as the climax of the modernist quest for artistic autonomy and a triumph of autotelic creation, and a poetic of “tyranny” is identified in his work, with the author reigning supreme as an “absolute dictator.”However, Nabokov had never ceased to be preoccupied with two political issues in 20th century History, which he continuously denounced in his writings: the issue of the submission of art to any kind of ideology and that of tyranny illustrated by the Nazi and Soviet political regimes. From the very beginning of his career, in his Russian texts and later in his American texts, Nabokov’s work examines the consequences of the Bolshevik Revolution, seen as the historical event that changes the “distribution of the sensible” (J. Rancière) in the 20th century. The autotelic nature of his work, whose features should be defined in opposition to aesthetic forms that celebrate the commitment of art, actually indicates that Nabokov defines a new “politics of literature” (J. Rancière) based on emancipation, which Nabokov calls “a magic democracy” and considers to be a “critical art” whose aesthetic effect is predicated on its distance, thus including “in the form of the work the confrontation between what the world is and what the world may become” (J. Rancière)

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Topazly, Yuliana. "A qualitative exploration of the impact of postgraduate enterprise and entrepreneurship education in modern UK universities on Russian graduates." Thesis, University of West London, 2018. https://repository.uwl.ac.uk/id/eprint/5496/.

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This research analyses the impact of British Postgraduate (PG) Business Education in modern UK universities (MUKUs) on the entrepreneurial actions of returning foreign students by reference to the world’s second largest transition economy, the Russian Federation. It identifies the motivational influences on Russian students for studying in the UK, studying Business and Management and choosing a university. The research focuses specifically on three London-based modern UK universities, Postgraduate studies, in general, and Enterprise and Entrepreneurship Education (EEE) at those institutions and the entrepreneurial actions of Russian Graduate Entrepreneurs upon return to home country. This study is important for UK universities and transition and developing economies because it brings together these issues in a new way, and from a new perspective, and by reference to the entrepreneurial activity of returning Russian graduates who had studied abroad. Thus far, the linking of international studies, education and entrepreneurship and top line economic impact has received little attention, though recent publications have examined peripheral issues. This research has two main objectives; first to chart the entrepreneurial journey of Russian Graduate Entrepreneurs (RGEs), from the time of their UK postgraduate studies through to the actual practise of entrepreneurship in Russia; and secondly to examine the challenges and barriers faced by RGEs during their studies and afterward, as they take their first steps into actioning entrepreneurship. Methodologically, the study brings together three ostensibly disparate units of analysis, modern London-based Universities that offer Postgraduate Business Management and EE Education; Russian students, who graduated from these universities between 2005 and 2015; and economic development (non-governmental) officials from Russia. Data is collected over four rounds (secondary data, followed by three rounds of qualitative interviews) and analysed using classic qualitative content analysis, front-ended with a small-scale pilot study. This research found generally that the entrepreneurial journey of Russian Graduate Entrepreneurs generally occurs across three broad stages, a ‘Preliminary’ stage that covers experiences before Russian students enter the UK for PG studies; a ‘Learning’ stage which includes experiences of living and studying in the UK at MUKUs; and an ‘Action stage’ that focuses on entrepreneurial practise back home.

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Swanson, Maria Lebedeva. "The Russian Influence On The Literary And Critical Writings Of Mikhail Naimy." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332760.

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My dissertation examines the Russian influence on the critical writing, poetry, prose and philosophy of Mikhail Naimy (1889-1988), the world renowned figure in modern Arabic literature. Together with Jibran Khalil Jibran, Ameen al-Rihani, Ilia Abu Madi, Rachid Ayuub, and several other Arab-American men of letters he founded the Pen Association, a literary league in New York in 1920 that lifted Arabic literature from the quagmire of stagnation, imitation and old classicism. They also promoted the new generation of Arab writers and made it an active force in Arab nationalism. Numerous researchers have studied the impact of British, American and French cultures and literatures on the Pen Association's creative writings. Meanwhile it was Russian literature that had the most important impact on Naimy, as well as on some other members of this literary association (though less). This influence has still only been studied superficially aside from some Soviet era analyses. My dissertation makes a much-needed contribution to this blank spot, since the Russian literary critic Vissarion Belinskiī (1811-1848) and the towering figure of Leo Tolstoī (1828-1910) contributed greatly to the foundation of the modern Arabic literature. My dissertation traces Mikhail Naimy's Russian Orthodox heritage in Lebanon, his education in Poltava, Ukraine, and his readings of Belinskiī and Tolstoī to show how he incorporates critical social reform, anticlericalism and mysticism into his important Arabic language works. It also shows the influence of the Russian literary criticism on Naimy's critical articles. My dissertation sheds light on global literary processes, as Naimy was able to synthesize Russian, European and American literary traditions into his native Arabic heritage. This integration is an important part of the evolution of modern Arabic literature and an interesting phenomenon that emerged in the American melting pot of the early twentieth century. My research has significant methodological value, as it will identify the typology and significance of cultural contacts, based on the example of influence mentioned above. It will also contribute to an important topic of the renewed interest in the academy - Russian influences and impacts in the Middle East and in Arabic culture and literature.

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Zaviyskyy, Roman. "Shaping modern Russian Orthodox Trinitarian theology : a critical study of Sergii Bukgakov with reference to Vladimir Lossky and Georgii Florovsky." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.552802.

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This thesis explores the Trinitarian theology of Marxist-turned-Orthodox priest, Sergii Bulgakov (1871-1944), in the context of his theological formation, the controversies he engaged himself in, and the modern religious philosophical tradition during Russia's Silver Age. The study combines systematic, contextual, and genetic perspectives on Bulgakov. It examines the Orthodox Trinitarian theology shaped by two competing approaches-that of the neo-patristic synthesis of Georgii Florovsky (1893- 1979), Vladimir Lossky (1903-1958) and the sophiology of Bulgakov. The primary focus is on Bulgakov's trinitarian thought both within the context of his creative appropriation of the legacy of Solov'ev and within the context of his early theological formation in the pre-exilic period (-1922). The thesis reveals that what has been generally known as a clash between the neo-patristic synthesis and sophiology in the milieu of the emigre theologians in the diaspora (1935-37) had in fact already occurred in pre-revolutionary Russia in terms of the clash between the apologists of imiaslavie (1913-18) and their critics. It also analyses Bulgakov's trinitarian theology in its sophianic interpretation in light of his trinitarian critique of German Idealism. This study involves three claims: First, it argues that Bulgakov was instrumental in reviving Palamite theology that later in the diaspora became conventionalised in Russian Orthodoxy. He would increasingly reinterpret St Gregory Palamas's distinction between God's essence and energies as his own distinction between God as Absolute and Absolute-Relative, and between the Divine Sophia and Creaturely Sophia. Second, Bulgakov's theology in an ecumenical key, following the insights of Vasilii Bolotov (1854-1900), is the most promising Orthodox attempt to overcome the Filioque impasse in the course of the history of the East-West controversy. In contrast to his fellow Orthodox, Bulgakov was quite critical of the Photian treatment of the procession of the Holy Spirit from the Father alone- monopatrism; at the same time, he critiqued the traditional Western conception of the Filioque. Third, Bulgakov's insightful and constructive critique of the patristic and scholastic heritage can help to rectify deficiently formulated Orthodox and Catholic Trinitarian and pneumatological taxonomies. The argument proceeds by an examination of East-West usage of Trinitarian terminology, together with a detailed survey of overlooked formative factors in Bulgakov's theological evolution, leading up to a close reading of his triadological and pneumatological works through the prism of a new antinomic grammar, which Bulgakov employed in order to address theological problems. The thesis also offers an evaluation and critique of Bulgakov's sophiologically conditioned theology.

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Silva, Gabriela Soares da. "A constelação de capriuro, de Fazil Iskander: tradução e comentário." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-05072012-135750/.

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Fazil Iskander (1929- ) é um dos mais representativos escritores soviéticos remanescentes da geração do degelo. Devido ao desconhecimento deste autor no Brasil, este trabalho consiste na tradução da novela que lhe deu notoriedade, precedida por uma apresentação e comentário: Sozvezdie Kozlotura, em português, A constelação do capriuro, de 1966. Apesar de pertencer à tradição satírica russa, junto a nomes como Nikolai Gógol e Mikhail Bulgákov, a prosa de Iskander carrega as singularidades da sua origem não-russa. A sua terra natal, a Abkházia, com a sua história e costumes, além de reverberarem na obra do autor, entrecruzam-se com a cultura russo-soviética numa relação complexa que dá às suas narrativas um caráter único. Neste trabalho, foram analisados os elementos que tornam a sátira de Iskander tão inovadora.
Fazil Iskander (1929- ) is one of the most representative remaining writers of the Thaw Generation. Due to the lack of recognition of this author in Brazil, the present dissertation consists in the translation of the short-novel that has made him internationally renowned, preceded by a presentation and commentary: Sozvezdie Kozlotura from 1966, or A constelação do Capriuro in Portuguese. Though the prose of Iskander belongs to the Russian satire tradition, along with names like Nikolai Gogol and Mikhail Bulgakov, it carries the singularities of his non-Russian origin. His motherland, Abkhazia, with its proper history and customs, besides reverberating on his works, entwines itself with the Russian-soviet culture in a complex and tense relationship that gives these narratives their unique nature. In this research, it is analyzed the characteristics that make the satire of Iskander so innovative.

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ISCI, ONUR. "WARTIME PROPAGANDA AND THE LEGACIES OF DEFEAT: THE RUSSIAN AND OTTOMAN POPULAR PRESSES IN THE WAR OF 1877-78." Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1187712621.

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Sokolsky, Mark D. Sokolsky. "Taming Tiger Country: Colonization and Environment in the Russian Far East, 1860-1940." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1468510951.

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40

Collins-Breyfogle, Kristin L. "Negotiating Imperial Spaces: Gender, Sexuality, and Violence in the Nineteenth-century Caucasus." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1313523207.

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41

Mulcahy, Robert Alan. "A Hero of Two Times: Erast Fandorin and the Refurbishment of Genre." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1369768067.

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42

Geisler, Johanna Conterio. "The Soviet Sanatorium: Medicine, Nature and Mass Culture in Sochi, 1917-1991." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11660.

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In this study, I trace the development and influence of a network of concepts, practices and ideas about nature and health in the Soviet Union from 1917 to 1991 that I call "turning to nature for health." Turning to nature for health sought to reform and re-frame the processes of urbanization and industrialization in Soviet culture. It provided a vocabulary that framed these processes in terms of their influence on health. "Nature" (priroda) was constructed as an antidote to the modern city. In nature, sanatorium visitors sought relief from various "maladies of civilization," understood to result from the poor material conditions, "Americanization," and alienation from nature of urban life. Nature was conceptualized as a source of spiritual renewal, aesthetic pleasure and rest as well as healing and medical therapy. At the center of the culture of turning to nature for health was a constructed division between the profane urban world and the idealized world of nature.
History

43

Tarasov, Stanislav. "Business solution for a food service company based on a modern nutrition concept (case of Russia)." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-114364.

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Increasing level of public concerns about ageing and obesity problems accompanied by the advent of more and more health conscious consumers have put a priority on the health and wellness industry development which has started transformation from a niche category towards the mainstream. As a human being is an individual with unique known characteristics (like age, gender, health state, lifestyle) and less known characteristics like a genetic predisposition, the nutrition plan should be designed around these characteristics. Being aware of genetic predisposition of an individual allows to develop the appropriate health strategy for the particular individual. A systematization of these individual programs would support the development of a new generation of health practitioners. Russia is experiencing serious demographic problems with decreasing population and low life expectancy; high mortality rate from heart diseases and quite high obesity rates. It is expected that nutrigenomics concepts can be successfully developed in Russia due to its solid scientific base, relatively high level of medicine and the ever increasing awareness of the need for a healthy quality life especially within young generation. The goal of the thesis therefore is to analyze the key trends in the global and Russian food industries and develop a business idea of commercializing the personalized nutrition concept in the Russian food service market.

44

Bystrova-McIntyre, Tatyana. "Cohesion in Translation: A Corpus Study of Human-translated, Machine-translated, and Non-translated Texts (Russian into English)." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1353451112.

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45

Kusluch, Joseph Aloysius IV. "Building Socialism: The Idea of Progress and the Construction of Industrial Cities in the Soviet Union, 1927-1938." Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1347969635.

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46

Granvik, Madeleine. "Implementation of the Habitat-agenda in local communities : late modern living conditions and residents' interest, time for and real action in citizen participation, in a Swedish and Russian context /." Uppsala : Dept. of Landscape Planning, Ultuna, Swedish University of Agricultural Sciences, 2005. http://epsilon.slu.se/2005108.pdf.

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47

Merten, Sabine. "Die Entstehung des Realismus aus der Poetik der Medizin die russische Literatur der 40er bis 60er Jahre des 19. Jahrhunderts /." Wiesbaden : Harrassowitz, 2003. http://books.google.com/books?id=MM1kAAAAMAAJ.

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48

Whittle, Maria Karen. "Subverting Socialist Realism: Vasily Grossman's Marginal Heroes." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/70.

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Soviet writer Vasilii Grossman has been renowned in the West as a dissident author of Life and Fate, which multiple sources, including The New York Times have called "arguably the greatest Russian novel of the 20th century." Grossman, however, was not a dissident, but an official state writer attempting to publish for a Soviet audience. Grossman's work was criticized by Soviets as being "too Jewish", while Jewish scholars have called it "not Jewish enough." And, despite his modern critical acclaim, little scholarship on Grossman exists. In my thesis, I explore these paradoxes. I argue that Grossman attempts to reinterpret traditional state ideas of Sovietness into a more inclusive, democratic version by creating heroes from traditionally marginalized groups. To do this, he reinterprets and inverts traditional tropes of the Socialist Realist genre. Genric limitations on his worldview, however, prevent this vision from being completely realized in the course of his work. I trace Grossman's work from his early short fiction to his Khruschev era novels and show how this trope develops during his career as a Soviet writer and citizen.

49

Marsh, Clayton E. "Germany and Russia: A Tale of Two Identities: The Development of National Consciousness in the Napoleonic Era." Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors161762574001347.

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Schusler, Ralph Willard Jr. "Depictions of Fear in Lev Tolstoy's Sevastopol Sketches and Stephen Crane's The Red Badge of Courage." FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3180.

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The purpose of this thesis was to examine and compare two iconoclastic works dealing with war as experienced by combatants. So much of modern war fiction takes this perspective that one is hard pressed to imagine a time when such was not the case; the watershed was marked in the above named works by the aforementioned writers, which, and who, were first in putting readers inside the heads of common soldiers facing mortal danger. These pioneering authors opened the door to modernist writing about boundary situations involving existential threat, as well as the psychological reactions they evoke – especially fear. Depicting the toll the horrors of war take on individuals has helped humanize its study and enhanced our understanding of what had been a hidden cost of modern armed conflict.

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