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Готові списки джерел за темами / Parametric coding

Добірка наукової літератури з теми "Parametric coding"

Автор: Grafiati

Опубліковано: 18 листопада 2022

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Статті в журналах з теми "Parametric coding":

1

Sudaradjat, Djadjat, and Andi Rosano. "Low Bit-Rate Parametric Coding." Paradigma - Jurnal Komputer dan Informatika 24, no. 2 (September 2, 2022): 125–29. http://dx.doi.org/10.31294/paradigma.v24i2.1391.

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Abstrak - Dengan metoda pengkodean parametrik (parametric coding) sinyal suara manusia dapat menghasilkan kecepatan bit (bit-rate) yang lebih rendah dibandingkan dengan metoda pengkodean bentuk gelombang (wave form coding). Contohnya pada metoda pengkodean bentuk gelombang akan dibatasi oleh batas minimal frekuensi cuplik (sampling frequency) yang menurut teorema Shannon-Nyquist menyatakan agar tidak ada informasi yang hilang ketika pencuplikan sinyal, maka kecepatan pencuplikan harus minimal dua kali dari lebar pita sinyal tersebut. Dengan demikian pada pengkodean bentuk gelombang kecepatan bit terendah yang dapat dicapai adalah oleh system Modulasi Delta (Delta Modulation) yaitu sebesar 8 Kbit/detik. Sedangkan pada pengkodean parametrik sinyal dapat dicapai kecepatan bit yang lebih rendah yaitu sebesar 2,4 Kbit/detik oleh system LPC (Linear Predictive Coding). Dengan kecepatan bit yang rendah akan diperoleh penghematan penggunaan lebar pita (bandwidth) saluran transmisi dan memori.

2

Milova, Julia, and Yuri Melnik. "POLYPARAMETRIC BLOCK CODING." Informatyka, Automatyka, Pomiary w Gospodarce i Ochronie Środowiska 11, no. 1 (March 31, 2021): 50–53. http://dx.doi.org/10.35784/iapgos.2413.

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The principles of poly-parametric information coding have been considered. The methods for developing poly-parametric codes have been presented. It is shown that the protection of block codes from channel interference using check patterns can be developed by a mono- or poly-parametric method. A special type of block codes has been presented, the check patterns of which are formed on the basis of their neighbours, which are functionally related to the given code combination. Such codes have been called poly-parametric. Binary poly-parametric ring codes, the check patterns of which are designed to detect and correct channel errors, are developed using the properties of Galois fields and on the basis of the vector shift indicators of the codewords. To obtain digital poly-parametric block codes, the properties and features of the normalized natural sequence are used. It is shown that each codeword of a binary block code can be represented as a certain positive integer in the decimal number system, which is an element of the natural sequence. Its elements on an interval that equals the norm acquire a functional dependency.

3

Jensen, Jesper Rindom, Mads GrÆsbØll Christensen, Morten Holm Jensen, SØren Holdt Jensen, and Torben Larsen. "Robust Parametric Audio Coding Using Multiple Description Coding." IEEE Signal Processing Letters 16, no. 12 (December 2009): 1083–86. http://dx.doi.org/10.1109/lsp.2009.2030852.

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4

Christensen, M. G., and S. van de Par. "Efficient parametric coding of transients." IEEE Transactions on Audio, Speech and Language Processing 14, no. 4 (July 2006): 1340–51. http://dx.doi.org/10.1109/tsa.2005.858038.

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5

Yaghoobi, M., L. Daudet, and M. E. Davies. "Parametric Dictionary Design for Sparse Coding." IEEE Transactions on Signal Processing 57, no. 12 (December 2009): 4800–4810. http://dx.doi.org/10.1109/tsp.2009.2026610.

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6

Strother, C. M., F. Bender, Y. Deuerling-Zheng, K. Royalty, K. A. Pulfer, J. Baumgart, M. Zellerhoff, B. Aagaard-Kienitz, D. B. Niemann, and M. L. Lindstrom. "Parametric Color Coding of Digital Subtraction Angiography." American Journal of Neuroradiology 31, no. 5 (February 18, 2010): 919–24. http://dx.doi.org/10.3174/ajnr.a2020.

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7

Dong, Jie, and King Ngi Ngan. "Parametric Interpolation Filter for HD Video Coding." IEEE Transactions on Circuits and Systems for Video Technology 20, no. 12 (December 2010): 1892–97. http://dx.doi.org/10.1109/tcsvt.2010.2087530.

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8

Raghuvanshi, Nikunj, and John Snyder. "Parametric directional coding for precomputed sound propagation." ACM Transactions on Graphics 37, no. 4 (August 10, 2018): 1–14. http://dx.doi.org/10.1145/3197517.3201339.

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9

Barak, O., M. Tsodyks, and R. Romo. "Neuronal Population Coding of Parametric Working Memory." Journal of Neuroscience 30, no. 28 (July 14, 2010): 9424–30. http://dx.doi.org/10.1523/jneurosci.1875-10.2010.

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10

Sun, L., and A. Z. Qamhiyah. "Parametric face coding for invariant model representation." Computer-Aided Design 35, no. 6 (May 2003): 519–32. http://dx.doi.org/10.1016/s0010-4485(02)00072-6.

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Дисертації з теми "Parametric coding":

1

Fatus, Bertrand. "Parametric Coding for Spatial Audio." Thesis, KTH, MWL Marcus Wallenberg Laboratoriet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-198520.

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This thesis presents a stereo coding technique used as an extension for the Enhanced Voice Services (EVS) codec [10] [8]. EVS is an audio codec recently standardized by the 3rd Generation Partnership Project (3GPP) for compressing mono signals at chosen rates from 7.2 to 128 kbit/s (for xed bit rate) and around 5.9 kbit/s (for variable bit rate). The main goal of the thesis is to present the architecture of a parametric stereo codec and how the stereo extension of EVS may be built. Parametric stereo coding relies on the transmission of a downmixed signal, sum of left and right channels, and the necessary audible cues to synthesize back the stereo image from it at the decoding end. The codec has been implemented in MATLAB with use of the existing EVS codec. An important part of the thesis is dedicated to the description of the implementation of a robust downmixing technique. The remaining parts present the parametric coding architecture that has been adapted and used to develop the EVS stereo extension at 24.4 and 32 kbit/s and other open researches that have been conducted for more specic situations such as spatial coding for stereo or binaural applications. Whereas the downmixing algorithm quality has been confronted to subjective testing and proven to be more ecient than any other existing techniques, the stereo extension has been tested less extensively. Yet the quality reached with the proposed reconstruction algorithms tends to highlight the potential of the codec that could be revealed by future work.

2

Brown, Allen David Evans. "Parametric spectral analysis using digital signal microprocessors." Thesis, University of Hertfordshire, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387144.

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3

Donnelly, Peter Gerard. "Adaptive parametric modelling of narrowband signals for sonar applications." Thesis, University of Ulster, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357582.

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4

Kelly, Peter Joseph. "An empirical investigation of some parametric techniques for the reductive coding of speech." Thesis, Queen's University Belfast, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356900.

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5

Williams, Mary Moulton. "Radar cross-section data encoding based on parametric spectral estimation techniques." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-06162009-063346/.

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6

Wood, A. R. "Acoustic-phonetic reasoning in computer understanding of speech using frame-based expert knowledge to interpret the 'Speech Sketch' a representation of the acoustic parametric behaviou." Thesis, Staffordshire University, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356461.

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7

Lapierre, Jimmy. "Approches paramétriques pour le codage audio multicanal." Mémoire, Université de Sherbrooke, 2007. http://savoirs.usherbrooke.ca/handle/11143/1355.

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Résumé : Afin de répondre aux besoins de communication et de divertissement, il ne fait aucun doute que la parole et l’audio doivent être encodés sous forme numérique. En qualité CD, cela nécessite un débit numérique de 1411.2 kb/s pour un signal stéréo-phonique. Une telle quantité de données devient rapidement prohibitive pour le stockage de longues durées d’audio ou pour la transmission sur certains réseaux, particulièrement en temps réel (d’où l’adhésion universelle au format MP3). De plus, ces dernières années, la quantité de productions musicales et cinématographiques disponibles en cinq canaux et plus ne cesse d’augmenter. Afin de maintenir le débit numérique à un niveau acceptable pour une application donnée, il est donc naturel pour un codeur audio à bas débit d’exploiter la redondance entre les canaux et la psychoacoustique binaurale. Le codage perceptuel et plus particulièrement le codage paramétrique permet d’atteindre des débits manifestement inférieurs en exploitant les limites de l’audition humaine (étudiées en psychoacoustique). Cette recherche se concentre donc sur le codage paramétrique à bas débit de plus d’un canal audio. // Abstract : In order to fulfill our communications and entertainment needs, there is no doubt that speech and audio must be encoded in digital format. In"CD" quality, this requires a bit-rate of 1411.2 kb/s for a stereo signal. Such a large amount of data quickly becomes prohibitive for long-term storage of audio or for transmitting on some networks, especially in real-time (leading to a universal adhesion to the MP3 format). Moreover, throughout the course of these last years, the number of musical and cinematographic productions available in five channels or more continually increased.In order to maintain an acceptable bit-rate for any given application, it is obvious that a low bit-rate audio coder must exploit the redundancies between audio channels and binaural psychoacoustics. Perceptual audio coding, and more specifically parametric audio coding, offers the possibility of achieving much lower bit-rates by taking into account the limits of human hearing (psychoacoustics). Therefore, this research concentrates on parametric audio coding of more than one audio channel.

8

Capobianco, Julien. "Codage audio stéréo avancé." Thesis, Paris 6, 2015. http://www.theses.fr/2015PA066712/document.

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Depuis une dizaine d’années, des techniques de codage joint, exploitant les relations et les redondances entre canaux audios, ont été développées afin de réduire davantage la quantité d’information nécessaire à la représentation des signaux multicanaux. Dans cette thèse, nous étudions plus particulièrement le codage des signaux audio stéréo en l’absence d’informations à priori sur la nature des sources en présences, leur nombre et la manière dont elles sont spatialisées. Cette situation correspond à l’immense majorité des enregistrements commerciaux dans l’industrie de la musique et du multimédia de manière générale. Nous étudions des approches paramétrique et signal de la problématique de codage de ces sources, où les deux sont souvent mêlées. Dans ce contexte, trois types d’approches sont utilisés. L’approche paramétrique spatiale consiste à réduire le nombre de canaux audio de la source à coder et à recréer le nombre de canaux d’origine à partir des canaux réduits et de paramètres spatiaux, extraits des canaux d’origine. L’approche signal conserve le nombre de canaux d’origine, mais encode des canaux construits à partir de ces derniers et présentant moins de redondances. Enfin, l’approche mixte introduite dans MPEG USAC utilise un signal audio et un signal résiduel, issu d’une prédiction, et dont les paramètres sont codés conjointement. Dans cette thèse, nous analysons tout d’abord les caractéristiques d’un signal stéréo issu d’un enregistrement commercial et les techniques de production associées. Cette étude nous mène à une réflexion sur les rapports entre les modèles paramétriques d’émetteur, obtenus en analysant les techniques de production des enregistrements commerciaux, et les modèles de récepteur qui sont au coeur du codage spatial paramétrique. A partir de cette mise en perspective nous présentons et étudions les trois approches évoquées plus haut. Pour l’approche purement paramétrique, nous montrons l’impossibilité d’arriver à la transparence pour la majorité des sources audios, nous menons une réflexion sur les représentations paramétriques et proposons des techniques afin de réduire le débit de leurs paramètres et d’améliorer la qualité audio. Ces améliorations passent par une meilleur segmentation du signal audio, basée sur les transitoires, sur des caractéristiques perceptives de certains indices spatiaux et sur une meilleur estimation des indices spatiaux. L’approche mixte étant récemment standardisée dans MPEG USAC, nous l’étudions en détail, puis nous proposons une nouvelle technique de codage qui exploite au mieux l’allocation du résidu aux bandes fréquentielles, lorsque celui-ci n’est pas utilisé sur l’ensemble de la bande passante du signal. Enfin, nous concluons en évoquant l’avenir du codage audio spatial généraliste et mettons l’accent sur l’importance de développer des techniques de classification et de segmentation audio pour optimiser le rapport qualité/débit
During the last ten years, technics for joint coding exploiting relations and redundancies between channels have been developped in order to further reduce the amount of information needed to represent multichannel audio signals.In this document, we focus on the coding of stereo audio signals where prior informations on the nature of sources in presence, their number or the manner they are spatialized is unknown. Such signals are actually the most representative in commercial records of music industry and in multimedia entertainment in general. To address the coding problematic of these signals, we study parametric and signal approaches, where both of them are often mixed.In this context, three types of approaches are used. The spatial parametric approach reduce the number of audio channels of the signal to encode and recreate the original number of channels from reduced channels and spatial parameters extracted from original channels. The signal approach keep the original number of channels, but encode mono signals, built from the combination of the original ones and containing less redundancies. Finally, the hybrid approach introduced in the MPEG USAC standard keep the two channels of a stereo signal, but one is a mono downmix and the other is a residual signal, resulting from a prediction on the downmix, where prediction parameters are encoded as side information.In this document, we first analyse the characteristics of a stereo audio signal coming from a commercial recording and the associated production techniques. This study lead us to consider the relations between the emitter parametric models, elaborated from our analysis of commercial recording production techniques, and the receiver models which are the basis of spatial parametric coding. In the light of these considerations, we present and study the three approaches mentioned earlier. For the parametric approach, we show that transparency cannot be achieved for most of the stereo audio signals, we have a reflection on parametric representations and we propose techniques to improve the audio quality and further reduce the bitrate of their parameters. These improvements are obtained by applying a better segmentation on the signal, based on the significant transient, by exploiting perceptive characteristics of some spatial cues and by adapting the estimation of spatial cues. As the hybrid approach has been recently standardized in MPEG USAC, we propose a full review of it, then we develop a new coding technique to optimize the allocation of the residual bands when the residual is not used on the whole bandwidth of the signal to encode. In the conclusion, we discuss about the future of the general spatial audio coding and we show the importance of developping new technics of segmentation and classification for audio signals to further adapt the coding to the content of the signal

9

Tano, Richard. "Determining multimediastreaming content." Thesis, Umeå universitet, Institutionen för fysik, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-50376.

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This Master Thesis report was written by Umeå University Engineering Physics student Richard Tano during his thesis work at Ericsson Luleå. Monitoring network quality is of utmost importance to network providers. This can be done with models evaluating QoS (Quality of Service) and conforming to ITU-T Recommendations. When determining video stream quality there is of more importance to evaluatethe QoE (Quality of Experience) to understand how the user perceives the quality. This isranked in MOS (Mean opinion scores) values. An important aspect of determining the QoEis the video content type, which is correlated to the coding complexity and MOS values ofthe video. In this work the possibilities to improve quality estimation models complying to ITU-T study group 12 (q.14) was investigated. Methods were evaluated and an algorithm was developed that applies time series analysis of packet statistics for determination of videostreams MOS scores. Methods used in the algorithm includes a novel assembling of frequentpattern analysis and regression analysis. A model which incorporates the algorithm for usage from low to high bitrates was dened. The new model resulted in around 20% improvedprecision in MOS score estimation compared to the existing reference model. Furthermore an algorithm using only regression statistics and modeling of related statistical parameters was developed. Improvements in coding estimation was comparable with earlier algorithm but efficiency increased considerably.
Detta examensarbete skrevs av Richard Tano student på Umeå universitet åt Ericsson Luleå. Övervakning av nätets prestanda är av yttersta vikt för nätverksleverantörer. Detta görs med modeller för att utvärdera QoS (Quality of Service) som överensstämmer med ITU-T rekommendationer. Vid bestämning av kvaliten på videoströmmar är det mer meningsfullt att utvärdera QoE (Quality of Experience) för att få insikt i hur användaren uppfattar kvaliten. Detta graderas i värden av MOS (Mean opinion score). En viktig aspekt för att bestämma QoE är typen av videoinnehåll, vilket är korrelerat till videons kodningskomplexitet och MOS värden. I detta arbete undersöktes möjligheterna att förbättra kvalitetsuppskattningsmodellerna under uppfyllande av ITU-T studygroup 12 (q.14). Metoder undersöktes och en algoritm utvecklades som använder tidsserieanalys av paketstatistik för uppskattning av videoströmmars MOS-värden. Metoder som ingår i algoritmen är en nyutvecklad frekventa mönster metod tillsammans med regressions analys. En modell som använder algoritmen från låg till hög bithastighet definierades. Den nya modellen gav omkring 20% förbättrad precision i uppskattning av MOS-värden jämfört med existerande referensmodell. Även en algoritm som enbart använder regressionsstatistik och modellerande av statistiska parametrar utvecklades. Denna algoritm levererade jämförbara resultat med föregående algoritm men gav även kraftigt förbättrad effektivitet.

10

Mahé, Pierre. "Codage ambisonique pour les communications immersives." Thesis, La Rochelle, 2022. http://www.theses.fr/2022LAROS011.

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Cette thèse s’inscrit dans le contexte de l’essor des contenus immersifs. Depuis quelques années, les technologies de captation et de restitution sonore immersive se sont développées de manière importante. Ce nouveau contenu a fait naître le besoin de créer de nouvelles méthodes dédiées à la compression audio spatialisée, notamment dans le domaine de la téléphonie et des services conversationnels. Il existe plusieurs manières de représenter l’audio spatialisé, dans cette thèse nous sommes intéressés à l’ambisonie d’ordre 1. Dans un premier temps, nos travaux ont porté sur la recherche d’une solution pour améliorer le codage multimono. Cette solution consiste en un traitement en amont du codec multimono pour décorréler les signaux des composantes ambisoniques. Une attention particulière a été portée à la garantie de continuité du signal entre les trames et à la quantification des métadonnées spatiales. Dans un second temps, nous avons étudié comment utiliser la connaissance de la répartition de l’énergie du signal dans l’espace, aussi appelée image spatiale, pour créer de nouvelles méthodes de codage. L’utilisation de cette image spatiale a permis d’élaborer deux méthodes de compression. La première approche proposée est basée sur la correction spatiale du signal décodé. Cette correction se base sur la différence entre les images spatiales du signal d’origine et du signal décodés pour atténuer les altérations spatiales. Ce principe a été étendu dans une seconde approche à une méthode de codage paramétrique. Dans une dernière partie de cette thèse, plus exploratoire, nous avons étudié une approche de compression par réseaux de neurones en nous inspirant de modèles de compression d’images par auto-encodeur variationnel
This thesis takes place in the context of the spread of immersive content. For the last couple of years, immersive audio recording and playback technologies have gained momentum and have become more and more popular. New codecs are needed to handle those spatial audio formats, especially for communication applications. There are several ways to represent spatial audio scenes. In this thesis, we focused on First Order Ambisonic. The first part of our research focused on improving multi-monocoding by decorrelated each ambisonic signal component before the multi-mono coding. To guarantee signal continuity between frames, efficient quantization new mechanisms are proposed. In the second part of this thesis, we proposed a new coding concept using a power map to recreate the original spatial image. With this concept, we proposed two compressing methods. The first one is a post-processing focused on limiting the spatial distortion of the decoded signal. The spatial correction is based on the difference between the original and the decoded spatial image. This post-processing is later extended to a parametric coding method. The last part of this thesis presents a more exploratory method. This method studied audio signal compression by neural networks inspired by image compression models using variational autoencoders

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Книги з теми "Parametric coding":

1

Cantrell, Bradley, and Adam Mekies. Codify: Parametric and Computational Design in Landscape Architecture. Taylor & Francis Group, 2018.

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Частини книг з теми "Parametric coding":

1

Keiser, Bernhard E., and Eugene Strange. "Parametric and Hybrid Coding." In Digital Telephony and Network Integration, 84–110. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4615-1787-0_4.

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2

Politis, Archontis, and Ville Pulkki. "Higher-Order Directional Audio Coding." In Parametric Time-Frequency Domain Spatial Audio, 141–59. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781119252634.ch6.

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3

Pulkki, Ville, Archontis Politis, Mikko-Ville Laitinen, Juha Vilkamo, and Jukka Ahonen. "First-Order Directional Audio Coding (DirAC)." In Parametric Time-Frequency Domain Spatial Audio, 89–140. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781119252634.ch5.

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4

Baudoin, G., P. Jardin, J. Gross, and G. Chollet. "Comparison of Parametric Spectral Representations for Voice Recognition in Noisy Environments." In Speech Recognition and Coding, 313–16. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-57745-1_45.

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5

Reimer, Jacob, and Nicholas G. Hatsopoulos. "The Problem of Parametric Neural Coding in the Motor System." In Advances in Experimental Medicine and Biology, 243–59. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-77064-2_12.

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Lenarczyk, Michał. "Parametric Speech Coding Framework for Voice Conversion Based on Mixed Excitation Model." In Text, Speech and Dialogue, 507–14. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10816-2_61.

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7

Ábrego, Gustavo Hernández, Enric Monte, and José B. Mariño. "Non parametric coding of speech by means of a MLP with hints." In Biological and Artificial Computation: From Neuroscience to Technology, 1068–74. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0032566.

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Disch, Sascha, and Achim Kuntz. "A Dedicated Decorrelator for Parametric Spatial Coding of Applause-like Audio Signals." In Microelectronic Systems, 363–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23071-4_34.

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Fletcher, David. "The parametric park." In Codify, 71–76. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315647791-7.

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"Re-Coding Homes." In Advances in Civil and Industrial Engineering, 1–19. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-8958-7.ch001.

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Анотація:

The research project Re-Coding Homes aims to create flexible interior design solutions for standard mass housing units and differentiate them according to different user needs. The study consists of three basic steps defined as case study, development of the design model, and development of the user interface. The design model is characterized by a flexible expert system that leads to different spatial variations by multi-parametric layout generation based on parameters determined by user needs. In this sense, the design model acts as a mass customization tool that gives the possibility to create complete living environments together with all furniture and necessary equipment.

Тези доповідей конференцій з теми "Parametric coding":

1

Ojala, Pasi, Mikko Tammi, and Miikka Vilermo. "Parametric binaural audio coding." In 2010 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2010. http://dx.doi.org/10.1109/icassp.2010.5495804.

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2

Tok, M., A. Glantz, A. Krutz, and T. Sikora. "Parametric motion vector prediction for hybrid video coding." In 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213369.

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3

Tok, M., A. Krutz, A. Glantz, and T. Sikora. "Lossy parametric motion model compression for global motion temporal filtering." In 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213354.

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4

Thakur, Uday Singh, and Bappaditya Ray. "Image coding using parametric texture synthesis." In 2016 IEEE 18th International Workshop on Multimedia Signal Processing (MMSP). IEEE, 2016. http://dx.doi.org/10.1109/mmsp.2016.7813339.

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5

Suresh, K., and R. Akhil Raj. "MDCT domain parametric stereo audio coding." In 2012 International Conference on Signal Processing and Communications (SPCOM). IEEE, 2012. http://dx.doi.org/10.1109/spcom.2012.6290038.

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6

Mudugamuwa, Damith J., and Alan B. Bradley. "Adaptive transformation for segmented parametric speech coding." In 5th International Conference on Spoken Language Processing (ICSLP 1998). ISCA: ISCA, 1998. http://dx.doi.org/10.21437/icslp.1998-377.

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7

Teixeira de Jesus, Luis Miguel, and Gavin C. Cawley. "Speech coding and synthesis using parametric curves." In 5th European Conference on Speech Communication and Technology (Eurospeech 1997). ISCA: ISCA, 1997. http://dx.doi.org/10.21437/eurospeech.1997-218.

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8

Gamito, Manuel N., and Miguel S. Dias. "JPEG 2000 coding of textured parametric surfaces." In Electronic Imaging 2004, edited by Sethuraman Panchanathan and Bhaskaran Vasudev. SPIE, 2004. http://dx.doi.org/10.1117/12.526643.

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9

Patlayenko, Mikola. "Adaptive Fractal Coding UHD Images with Parametric Algorithm." In 2018 International Scientific-Practical Conference Problems of Infocommunications. Science and Technology (PIC S&T). IEEE, 2018. http://dx.doi.org/10.1109/infocommst.2018.8632137.

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10

Viveros-Cancino, Oscar, and Boris Escalante-Ramirez. "Parametric image coding by means of polynomial transforms." In Electronic Imaging '97, edited by Jan Biemond and Edward J. Delp III. SPIE, 1997. http://dx.doi.org/10.1117/12.263298.

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