Книги з теми "Polysaccharides used in cosmetics"

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1

Nater, Johan P. Unwanted effects of cosmetics and drugs used in dermatology. 2nd ed. Amsterdam: Elsevier, 1985.

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2

Groot, Anton C. de. Unwanted effects of cosmetics and drugs used in dermatology. 3rd ed. Amsterdam: Elsevier, 1994.

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3

Leung, Albert Y. Encyclopedia of common natural ingredients used in food, drugs, and cosmetics. 2nd ed. New York: Wiley, 1996.

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4

Khan, I. A. Encyclopedia of common natural ingredients used in food, drugs, and cosmetics. 3rd ed. Hoboken, N.J: Wiley, 2010.

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5

Polysaccharide applications: Cosmetics and pharmaceuticals. Washington, D.C: American Chemical Society, 1999.

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6

Gianfranco, Patri, Silano V, and Council of Europe. Committee of Experts on Cosmetic Products., eds. Plant preparations used as ingredients of cosmetic products. Strasbourg: Council of Europe, 1989.

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7

Thompson, C. J. S. The Antiquity of Cosmetics and Odors Used by Primitive Races. Kessinger Publishing, 2005.

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8

Plants Used in Cosmetics: Volume III--Potentially Harmful Components (Health). Council of Europe, 2006.

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9

Khan, Ikhlas A., and Ehab A. Abourashed. Encyclopedia Of Common Natural Ingredients Used In Food, Drugs, And Cosmetics. 3rd ed. Wiley-Interscience, 2008.

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10

Foster, Steven, and Albert Y. Leung. Encyclopedia of Common Natural Ingredients: Used in Food, Drugs, and Cosmetics. Wiley-Interscience, 2003.

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11

Patri, Gianfranco. Plants in Cosmetics: Plants and Plant Preparations Used as Ingredients of Cosmetic Products. Council of Europe, 2003.

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12

Gianfranco, Patri, and Silano V, eds. Plants in cosmetics: Plants and plant preparations used as ingredients for cosmetic products. Strasbourg: Council of Europe Publishing, 2001.

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13

Plants in Cosmetics: Plants and Plant Preparations Used as Ingredients of Cosmetic Products. Council of Europe, 2003.

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14

Khan, Ikhlas A., and Ehab A. Abourashed. Leung's Encyclopedia of Common Natural Ingredients: Used in Food, Drugs and Cosmetics. Wiley & Sons, Incorporated, John, 2009.

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15

Khan, Ikhlas A., and Ehab A. Abourashed. Leung's Encyclopedia of Common Natural Ingredients: Used in Food, Drugs and Cosmetics. Wiley & Sons, Incorporated, John, 2011.

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16

Khan, Ikhlas A., and Ehab A. Abourashed. Leung's Encyclopedia of Common Natural Ingredients: Used in Food, Drugs and Cosmetics. Wiley & Sons, Incorporated, John, 2011.

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17

R, Waller George, Yamasaki Kazuo, American Chemical Society Meeting, and American Chemical Society Symposium on Saponins: Chemistry and Biological Activity (1995 : Chicago, Ill.), eds. Saponins used in food and agriculture. New York: Plenum Press, 1996.

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18

Waller, George R., and Kazuo Yamasaki. Saponins Used in Food and Agriculture. Springer, 2011.

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19

Waller, George R., and Kazuo Yamasaki. Saponins Used in Food and Agriculture. Springer London, Limited, 2011.

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20

Corbeil, Cyrille. Nature in Cosmetics and Skin Care: A Compendium of Ingredients Used in Cosmetic and Skin Care Chemistry. Allured Pub Corp, 2000.

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21

Clarke, Andrew. Temperature, growth and size. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199551668.003.0013.

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Анотація:
Growth involves two flows of energy. The first is chemical potential energy in the monomers used to construct the proteins, lipids, polysaccharides and nucleic acids forming the new tissue. The second is the metabolic energy (ATP or GTP) used to construct the new tissue; this is the metabolic cost of growth and can be expressed as a dimensionless fraction of the energy retained in the new tissue. Its value is ~0.33. Typical temperature sensitivities for growth in the wild lie in the range Q10 1.5 – 3. Within species there may be evolutionary adjustments to growth rate to offset the effects of temperature, though these involve trade-offs with other physiological factors affecting fitness. Outside the tropics, many mammals and birds exhibit a cline in size, with larger species at higher latitudes (Bergmann’s rule). Carl Bergmann predicted such a cline from biophysical arguments based on endotherm thermoregulatory costs; Bergmann’s rule thus applies only to mammals and birds. Many ectotherms grow more slowly but attain a larger adult size when grown at lower temperatures (the temperature-size rule). The large size of some aquatic invertebrates at lower temperatures (notably in the polar regions and the deep sea) is associated with a higher oxygen content of the water.
22

Stevenson, Jane. Masks. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0015.

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Masks were a feature of interwar culture in various contexts. African and Oceanic masks were admired and were powerfully influential on modern art. Masks were extensively used in theatre and ballet, and their popularity was such that they were also used for home decoration. The use of cosmetics became part of mainstream culture; this may relate to the increasing tendency for young women to work outside the home.
23

Roy, Nandini, Utshab Singha, Saurav Paul, Gaurav Kumar Pushp, Swagat Bardoloi, Maimy Debbarma, and Freeman Boro. Metal Oxide Nanomaterials. Edited by Sunayana Goswami (Ed.). Glasstree, 2020. http://dx.doi.org/10.20850/9781716360367.

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Engineered nanoparticles have been used widely in various sectors such as electronics, construction, health, energy, remediation and agriculture etc. In recent years, Metal oxide nanoparticles have become one of the important class of materials for both material and biological applications. For instance, Zinc oxide Nanoparticles has its effective bioapplications in various fields including pharmaceuticals, medicines, and agriculture. At the same time, these are of high important due to their utilization in biosensors, cosmetics, drug-delivery systems etc. This book documents some important aspects of metal oxide nanomaterials highlighting their material, environmental and biological prospects.
24

Stevenson, Jane. Self-Fashioning. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0014.

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Gertrude Stein wrote, ‘Fashion is the real thing in abstraction.’ What she seems to mean is that fashion reflected the revolutionary ideas and excitement of modernity without troubling itself with theory. Fashion, and the new fashion for make-up, gave women new kinds of opportunity: in terms of clothes, modernism and modern baroque are represented by Coco Chanel and Elsa Schiaparelli respectively, but other women, notably Helena Rubinstein and Elizabeth Arden, were among the creators of a massive new cosmetics industry. The era is also remarkable for its passion for fancy dress; and for people who used outré clothes to make a personal statement, such as Edith Sitwell and Ottoline Morrell.
25

Brooker, Paul, and Margaret Hayward. GA: Armani’s Giorgio Armani. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825395.003.0008.

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The Armani high-fashion example illustrates the importance of adaptive rational methods in his founding and developing of an iconic high-fashion firm. Armani adapted stylistically to fashion’s new times in the 1970–80s by creating a new style catering for the career woman. His stylistic adaptation is compared with that of another famous Italian fashion designer, Versace, who instead modernized haute couture fashion and created a succession of glamourous styles. Both leaders exploited the same opportunity but in different ways. The third section compares these leaders’ legacies in the 1990s–2000s and assesses from a long-term perspective how capably they had used adaptive rational methods. The final section shifts the focus from fashion to the cosmetics industry and from Italy to the UK. Anita Roddick used adaptive rational methods to establish The Body Shop corporation in the 1970s–80s. However, she then abandoned rational methods with dire results for her corporation in the 1990s.
26

Kluchin, Rebecca. Gender, the Body, and Disability. Edited by Ellen Hartigan-O'Connor and Lisa G. Materson. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190222628.013.36.

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This chapter brings together the histories of American beauty culture and disability to identify overlaps between the fields and encourage women’s and gender historians to engage disability studies in their scholarship. “Unruly bodies,” bodies that fall outside the norm because of race, ethnicity, or disability, became the object of social and cultural derision and labeled ugly, abnormal and disabled. The techniques women, surgeons, fashion designers, and beauty culturists used to manage, fix and discipline these “unruly bodies” through cosmetics, diet, exercise, surgery, and rehabilitation contain striking similarities, which this chapter explores in historical context. Although experts projected beauty ideals and medical standards onto women’s bodies, American women embraced body modifications on their own terms and imbued them with their own meanings.

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