Готові списки джерел за темами / Post-Truth Worlds

Добірка наукової літератури з теми "Post-Truth Worlds"

Автор: Grafiati

Опубліковано: 15 вересня 2021

Оновлено: 4 лютого 2022

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Статті в журналах з теми "Post-Truth Worlds":

Aliman, Nadisha-Marie, and Leon Kester. "Facing Immersive “Post-Truth” in AIVR?" Philosophies 5, no. 4 (December 15, 2020): 45. http://dx.doi.org/10.3390/philosophies5040045.

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In recent years, prevalent global societal issues related to fake news, fakery, misinformation, and disinformation were brought to the fore, leading to the construction of descriptive labels such as “post-truth” to refer to the supposedly new emerging era. Thereby, the (mis-)use of technologies such as AI and VR has been argued to potentially fuel this new loss of “ground-truth”, for instance, via the ethically relevant deepfakes phenomena and the creation of realistic fake worlds, presumably undermining experiential veracity. Indeed, unethical and malicious actors could harness tools at the intersection of AI and VR (AIVR) to craft what we call immersive falsehood, fake immersive reality landscapes deliberately constructed for malicious ends. This short paper analyzes the ethically relevant nature of the background against which such malicious designs in AIVR could exacerbate the intentional proliferation of deceptions and falsities. We offer a reappraisal expounding that while immersive falsehood could manipulate and severely jeopardize the inherently affective constructions of social reality and considerably complicate falsification processes, humans may neither inhabit a post-truth nor a post-falsification age. Finally, we provide incentives for future AIVR safety work, ideally contributing to a future era of technology-augmented critical thinking.

Giraud, Eva Haifa, and Sarah-Nicole Aghassi-Isfahani. "Post-truths, Common Worlds, and Critical Politics." Cultural Politics 16, no. 1 (March 1, 2020): 1–13. http://dx.doi.org/10.1215/17432197-8017200.

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The emergence of so-called post-truth politics has seen popular calls to return to the “facts,” accompanied by frequent attacks on gender studies, postcolonial theory, and science and technology studies, all of which have been portrayed as somehow responsible for destabilizing truth. This article intervenes in debates arising in response to these developments, with a focus on a promising “third path” proposed by Bruno Latour. In a proposal framed as a departure from his previous work, Latour argues for the importance of centralizing climate change as a common concern that can orient knowledge production and political action. This stance has gained purchase in both academic and wider popular commentaries. The article argues, however, that Latour’s stance does not mark a break from his previous arguments but is instead a continuation of his long-standing condemnation of critique. Building on work within feminist science studies, the article elucidates how, in the contemporary context, this renewed “critique of critique” marginalizes precisely the perspectives that are most under attack in the current political moment. The article ultimately argues that although Latour’s examination of the relationship between populism and environmental politics is critically important, space needs to be maintained for divergent voices that are currently in danger of being excluded in calls to reclaim “common worlds.”

Durusoy, Murat. "In-Game Photography: Creating New Realities through Video Game Photography." Membrana Journal of Photography, Vol. 3, no. 1 (2018): 42–47. http://dx.doi.org/10.47659/m4.042.art.

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Computers and photography has had a long and complicated relationship throughout the years. As image processing and manipulating capabilities advanced on the computer front, photography re-birthed itself with digital cameras and digital imaging techniques. Development of interconnected social sharing networks like Instagram and Twitter feeds the photographers’/users’ thirst to show off their momentaneous “been there/seen that – capture the moment/share the moment” instincts. One other unlikely front emerged as an image processing power of the consumer electronics improved is “video game worlds” in which telematic travellers may shoot photographs in constructed fantasy worlds as if travelling in real life. While life-like graphics manufactured by the computers raise questions about authenticity and truthfulness of the image, the possible future of the photography as socially efficient visual knowledge is in constant flux. This article aims to reflect on today’s trends in in-game photography and tries to foresee how this emerging genre and its constructed realities will transpose the old with the new photographic data in the post-truth condition fostering for re-evaluation of photography truth-value. Keywords: digital image, lens-based, photography, screenshot, video games

Wicher, Andrzej. "Wawel Meets Elsinore. The National and Universal Aspects of Stanisław Wyspiański’s Vision of Shakespeare’s Hamlet." Text Matters, no. 7 (October 16, 2017): 214–38. http://dx.doi.org/10.1515/texmat-2017-0012.

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The aim of this paper is to show the role, the possibilities and the limits of Wyspiański’s national thinking through Shakespeare’s Hamlet. Of particular importance, in this context, is the role the Ghost takes in Wyspiański’s celebrated interpretation of Shakespeare’s Hamlet. By the Ghost we mean the spirit of history, the ghost of a father, the spirit of the fatherland, the voice of the ancestors, and particularly that of the Polish king Casimir the Great, as well as the Holy Ghost and the Evil Spirit because all these aspects of the Ghost belong to Wyspiański’s vision. The play in question bears witness to what the Polish poet calls “the truth of other worlds,” as well as the truth of the theatre, which Wyspiański calls the labyrinth. The poet manages to reduce, to some extent, this difficult truth to the truth of the world he cared most about, that is the present and historical reality of Poland, more specifically the city of Cracow, known as Poland’s spiritual, that is “ghostly,” and only virtual, capital. It is also remarkable that Wyspiański saw the Ghost in Hamlet in the context of other Shakespearean ghosts, apparitions and magicians, such as those that appear in Macbeth, The Tempest, Julius Caesar, A Midsummer Night’s Dream or Richard III. At the same time, Wyspiański realizes that the Ghost, with its irrationalism, offends the spirit of post-medieval times, and as such, is understandably neglected by Hamlet, who for Wyspiański, in anticipation of Harold Bloom, stands for modernity.

Ahen, Frederick. "Futures of new post-truth: new research frontiers on disturbingly fascinating pathologies affecting information dissemination and knowledge production." foresight 21, no. 5 (September 10, 2019): 563–81. http://dx.doi.org/10.1108/fs-10-2018-0088.

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Purpose The purpose of this study is to explore in depth the anatomy of post-truth in the quest to set a new research agenda. The author interrogates knowledge production/dissemination and the political positions of those behind them. This study diagnoses and challenges existing claims of supremacy of certain hegemonic epistemological and ontological orthodoxies that have been weaponized. Design/methodology/approach This study philosophically engages with different worlds of credible ‘pluriversal’ knowledge(s) and leads to the exposure of historically ‘taken-for-granted’ definitions of the nature and composition of acceptable truth and how it is deeply entrenched in interest group politics. Findings Each generation in different contexts has had to battle with specific troubling forces of deception and organized hypocrisy. Here, both new social actors and incumbents influence the disgruntled, deceive the gullible or connect with the enlightened masses at the emotional level whilst strongly undermining the rules-of-logic and fact-based discourses using disruptive social media technologies. The author specifies how the five P’s: political power, profits, populism, politics and the private visions of technologists and scientists will continue to play very influential roles in how knowledge production will affect future policies and global governance. Social implications Based on historicized explanations, the author argues that deception and mass ignorance as weaponized features of global governance and its capitalist order are typical Machiavellian strategies for gaining control over knowledge production/information dissemination. Massive changes are not expected in the future unless society and academia introduce novel science, technology and political platforms for engaging society and policy-makers. Originality/value The author provides ample historical illustrations to support the claims made in this study that public insights into the postulated structures of post-truth remain extremely superficial, making people insufficiently informed to engage in crucial discourses about knowledge production and dissemination that affect their futures. This study provides several ingredients for stimulating further debate.

Doucet, Andrea. "What does Rachel Carson have to do with family sociology and family policies? Ecological imaginaries, relational ontologies, and crossing social imaginaries." Families, Relationships and Societies 10, no. 1 (March 1, 2021): 11–31. http://dx.doi.org/10.1332/204674321x16111320274832.

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In the past decade, multiple compounding crises ‐ ecological, racial injustices, ‘care crises’ and multiple recent crises related to the COVID-19 pandemic ‐ have reinforced the powerful role of critical and social policy researchers to push back against ‘fake news’, ‘alternative facts’, and a post-truth era that denigrates science and evidence-based research. These new realities can pose challenges for social scientists who work within relational, ontological, non-representational, new materialist, performative, decolonising, or ecological ‘turns’ in social theory and epistemologies. This article’s overarching question is: How does one work within non-representational research paradigms while also attempting to hold onto representational, authoritative and convincing versions of truth, evidence, facts and data? Informed by my research on feminist philosopher and epistemologist Lorraine Code’s 40-year trajectory of writing about knowledge making and ecological social imaginaries, I navigate these dilemmas by calling on an unexpected ally to family sociology and family policy: the late American environmentalist Rachel Carson. Extending Code’s case study of Carson, I argue for an approach that combines (1) ecological relational ontologies, (2) the ethics and politics of knowledge making, (3) crossing social imaginaries of knowledge making and (4) a reconfigured view of knowledge makers as working towards just and cohabitable worlds.

Gabor Stier. "The Post-Truth World." International Affairs 64, no. 001 (February 28, 2018): 132–40. http://dx.doi.org/10.21557/iaf.50553909.

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Norris, Kristopher. "Teaching truth in a post‐truth world." Dialog 59, no. 1 (February 19, 2020): 9–11. http://dx.doi.org/10.1111/dial.12535.

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Jameson, Beverley. "God, post-truth." Theology 121, no. 3 (April 16, 2018): 180–87. http://dx.doi.org/10.1177/0040571x17749145.

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In a world of fake news and post-truth, where objective facts are less influential in shaping truth than opinions said with confidence and authority, where is God’s truth? Where is the Good News of Jesus Christ amidst all the fake news? This is discussed under three areas: God’s reality check (the truth of his word); our reality check (to personally examine ourselves and our behaviours to remain in God’s truth); and arguing God’s reality check (in a different form of apologetics based on conviction of belief).

Levy, Neil. "Nudges in a post-truth world." Journal of Medical Ethics 43, no. 8 (May 19, 2017): 495–500. http://dx.doi.org/10.1136/medethics-2017-104153.

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Дисертації з теми "Post-Truth Worlds":

Monteiro, Raero. "Post-Truth Worlds and ICT3D : Comparing two approaches to the thematic content analysis of meta-deliberation between legislators and digital platforms in the US, the UK and Brazil." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-45281.

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As a consequence of the burgeoning awareness about the degree to which communication and information technologies transformed democratic deliberation, political struggles over disinformation ensued in a number of countries. This master’s Degree Project focuses on the politics of falsehood to answer the following question: to which degree does the theory on post-truth worlds (PTW) explain the main themes articulated by legislators and platform representatives at parliamentary hearings about disinformation in comparison to a MCD-inspired perspective defined as ICT3D? The theoretical framework explains the main concepts in PTW (Farkas & Shou, 2020) and ICT3D, which is defined by this DP as the contentious field concerning the mediation of collective affairs by the intersection of deliberation systems, data politics and development dimensions within and across societies worldwide. The empirical section presents a thematic content analysis of three study cases that are used to compare both approaches, consisting of 15 parliamentary inquiries of digital platforms in the United States, the United Kingdom and Brazil within the context of right-wing ruling between 2017 and 2020. The results confirm the relevance of PTW as an interpretative key to the meta-deliberation between legislators and platform representatives, but also identify many contents that either go beyond the scope of PTW or present nuances and tensions within PTW-related codes. The findings also provide a number of conclusions on the potential of ICT3D as a theoretical approach: the contentious intertwining of data politics, deliberative systems and development dimensions was demonstrated to be present in meta-deliberation; the wide array of development dimensions raised in all cases shows the pertinence of ICT3D to Comdev; and ICT3D has also proven to be of value in demonstrating the absence of certain themes and contents that should be expected in meta-deliberation from a critical perspective. The discussion elaborates on the explanatory potential and limits of PTW and ICT3D, concluding that they operate at different levels: PTW are specific discursive formations - among others - that articulate themes and contents about ICT3D.

Roosvall, Anna. "Utrikesjournalistikens antropologi : Nationalitet, etnicitet och kön i svenska tidningar." Doctoral thesis, Stockholm University, Department of Journalism, Media and Communication (JMK), 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-345.

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The aim of this study is to identify, map and understand the anthropology – the science of man – that can be distinguished in foreign news pages in Swedish daily papers. Concepts of nationality, ethnicity and gender are crucial parameters in this anthropology. Foreign news can be regarded as a textual system in which form and content interact to create its own object of knowledge: the Other, or rather, the Others. Thus, the relationship between foreign news as a textual system and foreign news as anthropology is central to this dissertation.

The years 1987, 1995 and 2002 have been selected for examination on the following grounds: 1987 belongs to the cold war era; 1995 belongs to the post-cold war era, and is also the year when Sweden joined the EU; and 2002 belongs to the era defined by the events of September 11 2001. A quantitative and qualitative analysis of a total of 1,162 foreign news articles published during one week in each year, was carried out. The qualitative analysis consists mainly of discourse analysis. Foucault’s discourse theory constitutes the theory of knowledge in the study. It is combined with Barthes’ theory on myths as well as postcolonial and other theories on nationality, ethnicity and gender and the representation of these aspects in journalism and elsewhere.

Discourse type is a central concept in the analysis. Discourse types resemble subgenres, but are specifically defined by certain perspectives. Other defining aspects are voices, style, mode of address and closeness/distance to an event/a development. Seven discourse types that constitute the order of the discourse in foreign news pages were identified in this study: On location narratives, Elite event reports, Catastrophe event reports, Situation reports, Commentaries, Picture paragraphs and Quotation paragraphs. The representation of different regions of the world, of different nationalities and ethnicities, and of men and women, are related to these discourse types throughout the study.

The anthropology of foreign news establishes vast differences between people. These differences depend on regions, spheres in society, gender and skin colour. They also depend on the textual setting, i.e. the discourse type. Some regions, like Western Europe, USA, the Middle East and North Africa, are always centred. Others, like South America and parts of Africa, are practically ignored. Women are also ignored, hence “othered” by exclusion. When women do appear, this occurs in discourse types which exoticize them concerning gender as well as nationality/ethnicity. Women with darker skin are generally more negatively represented, compared to “white” women. The ruling groups, normally represented by men, appear as quite alike around the world. They are not exoticized and generally speak for themselves. However, powerful men from the Middle East and North Africa and from the (former) Soviet Union are treated differently and represented as threats, sometimes even as tabooed.

All these aspects stand out as relatively stable during the research period. Differences in the order of discourse consist mainly of an increase of exoticizing perspectives and of the use of pictures — both of which correspond to a relative increase of women — and of a simultaneous decrease of plain, scanty reports and increase of explicitly subjective articles. International aspects also increase over the years. However, this undermining of the hegemony of the nation on the foreign news pages, still exists within the discourse of the nation. The idea of the nation still limits the understanding of the world. In a similar way, the explicitly subjective articles increase within the discourse of journalistic objectivity. This is an interesting and thought-provoking paradox in the genre of foreign news.

Lang, Ian William, and n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.

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(Synopsis to introductory statement): An introductory statement to five documentary films made by Ian Lang in Australia between 1981 and 1997 exemplifying a 'democratising' model of sustainable and ethical documentary film production. This document critically reflects on the production process of these films to accompany their submission for the degree of Doctor of Philosophy by Publication at Griffith University. It finds that a contemporary tendency towards 'post-industrial' conditions allows an observational film-maker to negotiate a critical inter-dependence rather than a romantically conceived 'independence' traditional to the genre. [Full thesis consists of introductory statement plus six DVD videodiscs.]

Книги з теми "Post-Truth Worlds":

Ng, Jenna. The Post-Screen Through Virtual Reality, Holograms and Light Projections. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723541.

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Screens are ubiquitous today. They display information; present image worlds; are portable; connect to mobile networks; mesmerize. However, contemporary screen media also seek to eliminate the presence of the screen and the visibilities of its boundaries. As what is image becomes increasingly indistinguishable against the viewer’s actual surroundings, this unsettling prompts re-examination about not only what is the screen, but also how the screen demarcates and what it stands for in relation to our understanding of our realities in, outside and against images. Through case studies drawn from three media technologies – Virtual Reality; holograms; and light projections – this book develops new theories of the surfaces on and spaces in which images are displayed today, interrogating critical lines between art and life; virtuality and actuality; truth and lies. What we have today is not just the contestation of the real against illusion or the unreal, but the disappearance itself of difference and a gluttony of the unreal which both connect up to current politics of distorted truth values and corrupted terms of information. The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie is thus about not only where the image’s borders and demarcations are established, but also the screen boundary as the instrumentation of today’s intense virtualizations that do not tell the truth. In all this, a new imagination for images emerges, with a new space for cultures of presence and absence, definitions of object and representation, and understandings of dis- and re-placement – the post-screen.

Cosentino, Gabriele. Social Media and the Post-Truth World Order. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43005-4.

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Brueggemann, Walter. Deep memory, exuberant hope: Contested truth in a post-Christian world. Minneapolis, MN: Fortress Press, 2000.

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Polak, Sara, and Daniel Trottier, eds. Violence and Trolling on Social Media. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989481.

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‘Trolls for Trump’, virtual rape, fake news — social media discourse, including forms of virtual and real violence, has become a formidable, yet elusive, political force. What characterizes online vitriol? How do we understand the narratives generated, and also address their real-world — even life-and-death— impact? How can hatred, bullying, and dehumanization on social media platforms be addressed and countered in a post-truth world? Violence and Trolling on Social Media: History, Affect, and Effects of Online Vitriol unpacks discourses, metaphors, dynamics, and framing on social media, in order to begin to answer these questions. Written for and by cultural and media studies scholars, journalists, political philosophers, digital communication professionals, activists and advocates, this book connects theoretical approaches from cultural and media studies with practical challenges and experiences ‘from the field’, providing insight into a rough media landscape.

Cole, Catherine M. Performing South Africa's Truth Commission: Stages of transition. Bloomington: Indiana University Press, 2010.

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Wilber, Ken. Trump and a post-truth world. 2017.

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Baggini, Julian. Short History of Truth: Consolations for a Post-Truth World. Quercus, 2018.

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Mackey, Thomas P., Troy A. Swanson, and Trudi E. Jacobson. Metaliterate Learning for the Post-Truth World. American Library Association, 2018.

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James, Ball. Post-truth: How bullshit conquered the world. 2017.

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Metaliterate learning : for the post-truth world. ALA, 2019.

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Частини книг з теми "Post-Truth Worlds":

Wesołowski, Adrian. "Pinkersonian Post-Truth." In History in a Post-Truth World, 87–102. First edition. | New York : Routledge, 2021. | Series: Routledge approaches to history ; 39: Routledge, 2020. http://dx.doi.org/10.4324/9780429319204-7.

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Peters, Michael A. "Education in a Post-truth World." In Post-Truth, Fake News, 145–50. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8013-5_12.

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Cosentino, Gabriele. "The Post-truth World Order." In Social Media and the Post-Truth World Order, 1–31. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43005-4_1.

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Banerjee, Basabi Khan, and Georg Stöber. "The Post-Truth Environment." In History in a Post-Truth World, 159–82. First edition. | New York : Routledge, 2021. | Series: Routledge approaches to history ; 39: Routledge, 2020. http://dx.doi.org/10.4324/9780429319204-11.

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Chmielewski, Adam. "Post-Truth and Consequences." In History in a Post-Truth World, 47–65. First edition. | New York : Routledge, 2021. | Series: Routledge approaches to history ; 39: Routledge, 2020. http://dx.doi.org/10.4324/9780429319204-4.

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Steinacher, Gerald J. "The Oldest Post-Truth?" In History in a Post-Truth World, 121–41. First edition. | New York : Routledge, 2021. | Series: Routledge approaches to history ; 39: Routledge, 2020. http://dx.doi.org/10.4324/9780429319204-9.

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Bowell, Tracy. "Changing the World One Premise at a Time: Argument, Imagination and Post-truth." In Post-Truth, Fake News, 169–85. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8013-5_15.

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Johnson, Jake. "Post-Secular Musicals in a Post-Truth World." In The Routledge Companion to the Contemporary Musical, 265–72. New York; London: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315543703-34.

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Hirst, Martin. "Journalism in a “Post-Truth” World." In Navigating Social Journalism, 53–77. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315401263-4.

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Alexander, Robin. "Dialogic pedagogy in a post-truth world." In The Routledge International Handbook of Research on Dialogic Education, 672–86. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429441677-55.

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Тези доповідей конференцій з теми "Post-Truth Worlds":

Hoare, Marko Atilla. "The historiography of the Bosnian genocide of 1992–1995 in the work of foreign scholars." In Međunaordna naučno-kulturološka konferencija “Istoriografija o BiH (2001–2017 )”. Academy of Sciences and Arts of Bosnia and Herzegovina, 2020. http://dx.doi.org/10.5644/pi2020.186.14.

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This essay will provide an introductory discussion of the historiography of the Bosnian genocide of 1992–1995 in the works of foreign scholars. The historiography is too large for this discussion to be exhaustive. We have attempted here to provide the principal categories of relevant works while citing the most important examples of them, before discussing the historiographical deficiencies and the tasks awaiting future scholars of the genocide. The reason for the dearth of monographs on the Bosnian genocide is that the subject is highly controversial, and any scholar who seriously studies it and expresses an opinion is likely to create enemies for themselves. There is a tendency of scholars to see the war in postmodernist terms, in terms of Serb, Croat and Bosniak “narratives”; as opposed to objective truth, which discourages taking the subject intellectually seriously. Furthermore, the prevailing ideology and discourse stemming from the international administration is one of reconciliation and putting the past behind us. So there is a disincentive to study the genocide in depth; a preference for studying more liberal feel-good themes related to reconciliation, memory, transitional justice and post-war reconstruction. The Bosnian genocide therefore awaits a new generation of foreign scholars to take it seriously as a subject and explore it in detail.

Звіти організацій з теми "Post-Truth Worlds":

Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is voiced, the artist researcher has a responsibility that goes beyond the confines of our discipline to articulate the truth-content of his or her artistic practice. To do this, they must embrace daring and risk-taking, finding ways of communicating that flow against the current norms. In artistic research, the empathic communication of information and experience – and not merely the ‘verbally empathic’ – is a sign of research transferability, a marker for research content. But this, in some circles, is still a heretical point of view. Research, in its more traditional manifestations mistrusts empathy and individually-incarnated human experience; the researcher, although a sentient being in the world, is expected to behave dispassionately in their professional discourse, and with a distrust for insights that come primarily from instinct. For the construction of empathic systems in which to study and research, our structures still need to change. So, we need to work toward a new world (one that is still not our idea), a world that is symptomatic of what we might like artistic research to be. Risk is one of the elements that helps us to make the conceptual twist that turns subjective, reflexive experience into transpersonal, empathic communication and/or scientifically-viable modes of exchange. It gives us something to work with in engaging with debates because it means that something is at stake. To propose a space where such risks may be taken, I shall revisit Gillian Rose’s metaphor of ‘the fold’ that I analysed in the first Symposium presented by the Arne Nordheim Centre for Artistic Research (NordART) at the Norwegian Academy of Music in November 2015. I shall deepen the exploration of the process of ‘unfolding’, elaborating on my belief in its appropriateness for artistic research work; I shall further suggest that Rose’s metaphor provides a way to bridge some of the gaps of understanding that have already developed between those undertaking artistic research and those working in the more established music disciplines.