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Книги з теми "Technology obsolescence"

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Автор: Grafiati

Опубліковано: 20 червня 2021

Оновлено: 11 лютого 2022

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1

Slade, Giles. Made to break: Technology and obsolescence in America. Cambridge, MA: Harvard University Press, 2006.

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2

Slade, Giles. Made to break: Technology and obsolescence in America. Cambridge, Mass: Harvard University Press, 2006.

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3

Wolf, Mark J. P., ed. The Routledge Companion to Media Technology and Obsolescence. New York : Routledge/Taylor & Francis Group, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315442686.

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4

Felsher, Steven M. Obsolescence or conformity to expectation?: A study of technical obsolescence in one large technology-based organization. Cambridge, Mass: Massachusetts Institute of Technology, Alfred P. Sloan School of Management, 1985.

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5

Fitzpatrick, Kathleen. Planned obsolescence: Publishing, technology, and the future of the academy. New York: New York University Press, 2011.

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6

Bartels, Bjoern. Strategies to the prediction, mitigation and management of product obsolescence. Hoboken, NJ: Wiley, 2012.

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7

Evans, David S. Some economic aspects of antitrust analysis in dynamically competitive industries. Cambridge, MA: National Bureau of Economic Research, 2001.

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8

Gans, Joshua. When does start-up innovation spur the gale of creative destruction? Cambridge, MA: National Bureau of Economic Research, 2000.

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9

Grossman, Anna Jane. Obsolete: An encyclopedia of once-common things passing us by, from mix tapes and modesty to typewriters and truly blind dates. New York: Abrams Image, 2009.

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10

Abramson, Daniel M. Obsolescence: An architectural history. 2017.

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11

Abramson, Daniel M. Obsolescence: An Architectural History. University of Chicago Press, 2016.

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12

Slade, Giles. Made to Break: Technology and Obsolescence in America. Harvard University Press, 2009.

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13

Slade, Giles. Made to Break: Technology and Obsolescence in America. Harvard University Press, 2007.

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14

Made to break: Technology and obsolescence in America. Cambridge, Mass: Harvard University Press, 2006.

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15

The Routledge Companion to Media Technology and Obsolescence. Routledge, 2018.

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16

Tischleder, B., and S. Wasserman. Cultures of Obsolescence: History, Materiality, and the Digital Age. Palgrave Macmillan, 2015.

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17

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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18

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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19

Pecht, Michael G., Peter Sandborn, Bjoern Bartels, and Ulrich Ermel. Strategies to the Prediction, Mitigation and Management of Product Obsolescence. Wiley & Sons, Incorporated, John, 2012.

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20

(US), National Research Council, Building Research Board, and Committee on Facility Design to Minimize Premature Obsolescence. Fourth Dimension in Building: Strategies for Avoiding Obsolescence (Studies in Management of Building Technology: A Series). National Academies Press, 1993.

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21

Jutz, Gabriele. Audiovisual Aesthetics in Contemporary Experimental Film. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.10.

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Анотація:

This chapter maps the territory of the contemporary audiovisual cinematic avant-garde, which arose at the very moment of celluloid’s passage from mass use to obsolescence. It presents films that bear witness to the avant-garde’s ongoing interest in the formal organization of sound/image relationships. If one of the main concerns of sound in conventional film is to “naturalize” the image, experimental film is interested instead in ananti-naturalistic use of sound. Films without sound or even without images (which still can be called “films”), the use of audiovisual polysemy, asynchronous, or even synchronous sound, as well as the visualization of code-based music, are all means of revealing the constructed nature of the cinesonic event. The chapter examines the realm of the sound of technology itself, pointing out the creative potential ofoptically synthesized soundsas well aslive generated sounds and images, which attest to the agility of current projection performances.

22

Yaneva, Albena. Crafting History. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751820.001.0001.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? This book provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, the book traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. It addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.

23

Bátiz-Lazo, Bernardo. Cash and Dash. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198782810.001.0001.

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Cash and Dash looks at the origins and development of the automated teller machine (ATM) as means to provide the unifying thread to explain changes in retail banking brought about by and around the introduction of computer technology. Main themes include an explanation of why technological change is slow in retail financial markets, and how different groups of people and organizations interact to shape a particular technology. Documentary evidence helps to clarify the myth of the single inventor and details the monumental task to deliver digital banking for retail consumers. Of particular importance for banks around the world throughout this task, was the need to balance new and unintended uses of a device by consumers as opposed to solving impending technical issues and gaining consumers’ trust, acceptance, and high usage. Research illuminates the progress of an industry-specific innovation becoming a novelty and how new payment devices embed in everyday life. The story in Cash and Dash also illustrates that serious ethical and political issues can emerge while adopting, making operational, and maintaining a particular technology within and around retail financial institutions. This approach contrasts with others that perceive technological change as external, neutral, and devoid of context and social setting. The book aims to keep the focus of the narrative off obsolescence and on maintenance and reinvention, while also allowing space to provide conceptual underpinnings and celebrating industry milestones. In short, Cash and Dash recounts a story of decisions about capital investments, business strategies, and technological evolution, and how these were followed by decisions dealing with legacy systems, personnel, standards, locations, and whether machines could become a source of competitive advantage in retail banking.

24

Ehrenfeld, David. Swimming Lessons. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195148527.001.0001.

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Анотація:

Never in history has life been so complicated and full of sudden changes. Technology, the environment, and the way we work and relate to one another are all in upheaval. With wit, humor, a calm voice, and great authority, Swimming Lessons gives a clear view of what our world has become - not just our successes, but also the destruction set loose by our own genius and inventions. In addition, it offers practical, non-utopian suggestions for keeping afloat in the dangerous waters of the 21st century's globalized civilization. Whether it is describing a comical brainstorming session in a Washington boardroom or a close encounter with an Alaskan grizzly and her cubs, Swimming Lessons is a delight to read. Trained in history, medicine, and zoology, David Ehrenfeld brings a grand perspective to his challenging task. He writes not just as a scientist, but as one who values and understands the social sciences and humanities as well. In the first half of Swimming Lessons, we learn to recognize the lies we live: about education, new military weapons systems, biotechnology, electronic pseudocommunities, and accelerated obsolescence. We also learn about the deadly corporate economics that affect every aspect of our lives, even environmental conservation. The second half reveals the pitfalls and opportunities in the main tasks we face: relating to nature in a manmade world and restoring our damaged communities.