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1

加藤, 國安. "庾信論 - 時代・人・作品考". 京都大学 (Kyoto University), 2001. http://hdl.handle.net/2433/150132.

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Teranishi, Sachiyo, 義美 伊藤, Yoshimi Ito та 佐稚代 寺西. "コラージュ作品の分析に関する試論:コラージュ作品とロールシャッハ・テストの結果の比較". 名古屋大学情報文化学部・名古屋大学大学院人間情報学研究科, 2000. http://hdl.handle.net/2237/7772.

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李翠蓮. "陸機文心論 : 陸機作品的緣情解讀". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485479.

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高橋, 幸平. "横光利一の研究 : 初期の理論と作品". 京都大学 (Kyoto University), 2012. http://hdl.handle.net/2433/165000.

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山根, 直子. "尾崎翠研究――〈読むこと〉と〈書くこと〉、後期連作を中心に――". Doctoral thesis, Kyoto University, 2021. http://hdl.handle.net/2433/263744.

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京都大学<br>新制・課程博士<br>博士(人間・環境学)<br>甲第23283号<br>人博第998号<br>京都大学大学院人間・環境学研究科共生文明学専攻<br>(主査)教授 須田 千里, 教授 佐野 宏, 准教授 長谷川 千尋<br>学位規則第4条第1項該当<br>Doctor of Human and Environmental Studies<br>Kyoto University<br>DGAM
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高草(高取), 愛子. "ジェフリー・バワの建築思想に関する設計論的研究". 京都大学 (Kyoto University), 2012. http://hdl.handle.net/2433/152526.

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楊, 暁文. "マレーシア華文文学の原点 : 方北方作品『ニョニャとババ』論". 名古屋大学大学院国際言語文化研究科, 2012. http://hdl.handle.net/2237/16192.

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ISHII, Mitsuki, Jean-Louis HALPÉRIN, 三記 石井 та ジャン=ルイ アルペラン. "モンテスキューの作品における法と正義 : 法制史と法理論の交差する読解". 名古屋大学大学院法学研究科, 2012. http://hdl.handle.net/2237/17426.

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馮筱然. "金庸武俠小說中《武》與《俠》的承繼與創新 = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/205.

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施雅旋. ""葡漢辭典"的漢語詞彙研究". Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1685139.

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久保, 豊. "木下惠介におけるクィアな感性の探求 ―1950年代の作品を中心に". 京都大学 (Kyoto University), 2017. http://hdl.handle.net/2433/225687.

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宋菲. "蘇童作品的人文內涵及敍事分析 = Human intension and ways of narration of Sutong's work". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636200.

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陳少芳. "王世貞詩論與其杜詩學 = Analysing Wang Shih-chen's theories of Shih-poetry and his study of Tu Fu". HKBU Institutional Repository, 1999. http://repository.hkbu.edu.hk/etd_ra/163.

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シェリフ, メベッド. "川端文学における「意識の流れ」 : 『ユリシーズ』の発表以前の二作品を巡って". 名古屋大学大学院 国際言語文化研究科 日本言語文化専攻, 2002. http://hdl.handle.net/2237/8209.

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邱昭瑜. "張愛玲作品評論之研究". Thesis, 1999. http://ndltd.ncl.edu.tw/handle/66147004344412612102.

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CHEN, YU-CHUN, та 陳幼君. "袁枚《續詩品》論詩歌創作". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/67a3x7.

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WU, JI-SHU, та 吳季樹. "論哈伯瑪斯前期作品中的「理論」與「實踐」". Thesis, 1992. http://ndltd.ncl.edu.tw/handle/09128500130201604375.

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WeiWenTing та 魏妏庭. "從存在的本質論費茲傑羅作品". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/68224977173462817445.

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"論朱自淸作品中的「時代」與「個人」". 2000. http://library.cuhk.edu.hk/record=b5890516.

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郭詩詠.<br>"2000年8月"<br>論文 (哲學碩士)--香港中文大學, 2000.<br>參考文獻 (leaves 155-162)<br>附中英文摘要.<br>"2000 nian 8 yue"<br>Guo Shiyong.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.<br>Can kao wen xian (leaves 155-162)<br>Fu Zhong Ying wen zhai yao.<br>Chapter 第一章 --- 引言 --- p.1-6<br>Chapter 第二章 --- 硏究目的及方法 --- p.7-25<br>Chapter 第一節 --- 硏究背景 --- p.7-12<br>Chapter 第二節 --- 硏究目的 --- p.12-14<br>Chapter 第三節 --- 硏究方法 --- p.14<br>Chapter 一、 --- 錢理群「典型現象」理論簡介 --- p.15-18<br>Chapter 二、 --- 硏究方法的適用性 --- p.18-22<br>Chapter 三、 --- 本文的硏究架構與分期方法 --- p.22-23<br>Chapter 四、 --- 硏究方法的特點及限制 --- p.23-2
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"從爭論性文藝作品看中共的傳播". 1989. http://library.cuhk.edu.hk/record=b5888088.

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鍾禮珍.<br>稿本(據電腦打印本複印)<br>Thesis (M.Phil.)--香港中文大學新聞與傳播學部, 1989.<br>Gao ben (ju dian nao da yin ben fu yin)<br>Includes bibliographical references (leaves 143-150).<br>Zhong Lizhen.<br>Thesis (M.Phil.)--Xianggang Zhong wen da xue xin wen yu chuan bo xue bu, 1989.<br>Chapter 第一章 --- 緒論 --- p.1-35<br>Chapter 1.1 --- 中國為什麼對文藝如此敏感 --- p.1<br>Chapter 1.2 --- 文藝是意識形態改造的必要工具 --- p.3<br>Chapter 1.3 --- 有關中共文藝傳播的研究結果 --- p.6<br>Chapter 1.4 --- 例外中見常規 --- p.22<br>註釋 --- p.30<br>Chapter 第二章 --- 中共的文藝傳播觀 --- p.36-62<br>Chapter 2.1 --- 毛澤東的文藝思想 --- p.36<br>Chapter 2.2 --- 首三次文代會與文藝批判事件 --- p.41<br>C
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"周作人論公安、竟陵派及其小品文". 2003. http://library.cuhk.edu.hk/record=b5896060.

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俞驊.<br>"2003年8月".<br>論文(哲學碩士)--香港中文大學, 2003.<br>附參考文獻.<br>附中英文摘要.<br>"2003 nian 8 yue".<br>Yu Hua.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003.<br>Fu can kao wen xian.<br>Fu Zhong Ying wen zhai yao.<br>Chapter 第一章 --- 緒論 --- p.1<br>Chapter 第一節 --- 中國新文學史中的周作人及其小品文 --- p.1<br>Chapter 第二節 --- 小品文的界說與發展 --- p.3<br>Chapter 第三節 --- 晚明小品文高潮中的公安、竟陵派及其小品文 --- p.7<br>Chapter 第二章 --- 周作人論公安派及其小品文 --- p.13<br>Chapter 第一節 --- 「明人對於禮法的反抗很有現代氣息」 ´ؤ´ؤ周作人中國新文學源流論的切入點 --- p.13<br>Chapter 1、 --- 對公安派三袁的重新評價<br>Chapter 2、 --- 與公安派文學理論的同與不同<br>Chapter 第二節 --- 「公安派與英國的小品文兩者所合成」 ´ؤ´ؤ周作人的中國
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詹瑞璟. "兒童相聲的理論、實務與創作:我的做法與作品". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/61942774577311401586.

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碩士<br>臺北市立教育大學<br>課程與教學研究所課程與教學碩士學位在職進修專班<br>99<br>At first, to obtain comprehensive and fundamental understanding of Xiang-Sheng (Talk show, stand-up comedy), this study adopts the method of literature analysis to investigate the origin of Xiang-Sheng. The author reviews the literature in the related fields such as the types, skills and properties of Xiang-Sheng, the value of Xiang-Sheng, the creation of Xiang-Sheng scripts, and the study and script development of Children’s Xiang-Sheng to establish the theory that is employed as the foundation of this research. In addition, the author also p
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"論端木蕻良作品中的自我建構(1929-1949)". 2002. http://library.cuhk.edu.hk/record=b6073831.

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熊志琴.<br>論文(哲學博士)--香港中文大學, 2002.<br>參考文獻 (p. 262-314).<br>中英文摘要.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Xiong Zhiqin.<br>Zhong Ying wen zhai yao.<br>Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2002.<br>Can kao wen xian (p. 262-314).
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吳家鳳. "《壓縮調式》理論架構與實驗作品解析". Thesis, 1998. http://ndltd.ncl.edu.tw/handle/02949086256981539179.

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LIN, HSIU-YING, та 林秀英. "論吳晟、蕭蕭作品中的彰化人文關懷". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/66684787902984013861.

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Chang, Yi-Hsiang, та 張逸翔. "從賽局理論看鬥智作品的邏輯基礎". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/54300778146333372753.

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碩士<br>國立中正大學<br>哲學研究所<br>101<br>This essay aims to discuss game theory.Game theory is a study of decision making and is usually used in economics, but I will focus on story writing here. Firstly, this paper will give a brief introduction to game theory, which consists of three main parts: 1. How to describe a strategic game. 2. Nash equilibrium, which is asolution concept of gametheory,and which is like some steady state such that no player can change his action to gain more utility. 3. Rationalizability and iterated elimination of dominated actions, which are also solution concepts of game t
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MIAO-WEN, XIEM, та 謝妙玟. "宮澤賢治試論:以其童話作品為中心". Thesis, 1986. http://ndltd.ncl.edu.tw/handle/84451726807643606459.

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陳麗雅. "從「碧竹」到「林雙不」---論黃燕德的文學作品及其創作意識". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/96189416928537241829.

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Fungchun та 方峻. "論江淹作品風格與南朝道教思潮的關係". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/91397671169249052628.

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Yang, Chia-Hsien, та 楊佳嫻. "論戰後台灣外省小說家作品中的「臺北/人」". Thesis, 2004. http://ndltd.ncl.edu.tw/handle/75265784336778508763.

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羅正晏. "壓迫與抵抗—鍾理和作品中的後殖民論述". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/tv3vc8.

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許東海. "永明體之研究:以沈約文論及其作品為主". Thesis, 1991. http://ndltd.ncl.edu.tw/handle/38628246485640334193.

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孔懷瑞. "台海兩岸毒品犯罪問題分析-兼論兩岸合作打擊毒品犯罪". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/48344591626078750304.

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"現實與象徵: 論蕭紅作品中人物的身份探尋". 2000. http://library.cuhk.edu.hk/record=b6073803.

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陳潔儀.<br>論文(博士)--香港中文大學, 2000.<br>參考文獻 (p. 389-435)<br>中英文摘要.<br>Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Chen Jieyi.<br>Lun wen (bo shi)--Xianggang Zhong wen da xue, 2000.<br>Can kao we
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彭群傑. "論中國書法為創作理念的琵琶作品—《點》、《千章掃》之詮釋與分析". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/20138110069438981207.

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"張看西風: 論張愛玲對英美作品的接受與轉化". 2009. http://library.cuhk.edu.hk/record=b5896544.

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張穎瑤.<br>"2009年8月".<br>"2009 nian 8 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2009.<br>Includes bibliographical references (leaves 160-177).<br>Abstracts in Chinese and English.<br>Zhang Yingyao.<br>中文提要 --- p.i<br>英文提要 --- p.iii<br>Chapter 第一章 --- 導論 --- p.1<br>Chapter 第一節 --- 硏究動機 --- p.1<br>Chapter 第二節 --- 硏究槪況回顧 --- p.2<br>Chapter 第三節 --- 硏究範圍及方法 --- p.8<br>Chapter 一 --- 硏究範圍 --- p.8<br>Chapter 二 --- 硏究方法 --- p.10<br>Chapter 第四節 --- 論述架構 --- p.13<br>Chapter 第二章 --- 文明刼˘□與安穩:對威爾斯(Herbert George Wells)作品的接受與轉化 --- p.16<br>Chapter 第一節 --- 小引 --- p.16<br>Chapter 第二節
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翁子涵. "論布朗庫西所攝雕塑作品影像中的特定空間場域". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/66886824514802378074.

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吳郁芬. "貝多芬中期變奏曲之研究與比較---以作品34.35.76號論之". Thesis, 2000. http://ndltd.ncl.edu.tw/handle/80934402846581630172.

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碩士<br>中國文化大學<br>藝術研究所<br>88<br>Beethoven plays an important role in the transition between Classicism and Romanticism in the history of music. When he entered his middle period, his compositional styles and performing techniques, especially his rich and colorful uses of motive development, made a break from the conservative rules of his time. The method of repeatedly accumulating and expanding original stuff deeply influenced the development of variations. This thesis is a study of Beethoven’s middle-period variations based on an analysis of historical materials and different pianis
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蕭佳倩. "論繪畫物質的視象化:杜畢費(JeanDubuffet)1951-63系列作品研究". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/06506818470278006249.

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碩士<br>國立中央大學<br>藝術學研究所<br>89<br>Abstract Among Dubuffet’s paintings, there exist certain traits that perplex people. He named those very non-graphic works, even with the least suggestion of trace of manual intervention, «Topographies», «Texturologies», «Phénomènes», and «Matériologies», which are non-figurative. In view of artist’s creative ideas and process, and the intensive reference of works, we can assert these four series are representative, not abstract. As a result, what put on the canvas , pigments and other materials like “papier mâché” as well as “papier d’argent”, will
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Wang, Mei-Chun, та 王美淳. "否定的抑制與生成:T.W.Adorno的文化工業與藝術作品理論". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/23266711428417319930.

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Mei-Ying, Wu, та 吳美瑩. "論台灣作曲家音樂創作中的傳統文化洗禮─以郭芝苑、許常惠、馬水龍的作品為例". Thesis, 1999. http://ndltd.ncl.edu.tw/handle/11531816255468926130.

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Wu, Yi-Ting, та 伍怡亭. "以柯普蘭的電影音樂作品TheHeiress論電影音樂的敘事功能". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/91592551586455958695.

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CHIANG, PIN-YI, та 江品誼. "音樂視覺化的理論與實踐——以MarkMorris的現代舞作品«FallingdownStairs»為例". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/00738930820571059924.

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翁育惠. "簡媜散文的隱喻和語言形式——兼論作品分期和風格轉變". Thesis, 2006. http://ndltd.ncl.edu.tw/handle/01085506227255086296.

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簡淑玲. "臺灣現代童話中一塊異彩的嵌片-論林世仁的童話作品". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/70113284694046903886.

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碩士<br>臺東師範學院<br>兒童文學研究所<br>91<br>Extraordinary Pieces to the Puzzle of Taiwan’s Contemporary Children’s Literature A Discussion of Lin Shih-Jen’s Works of Children’s Literature Graduate Student: Chien Su-Ling National Taitung Teachers College Graduate School of Children’s Literature Abstract This text researches 55 works of children’s literature published by Lin Shih-Jen between 1993 and 2000. The content of the chapters and sections include: The first chapter, “Preface” states items such as the research motives, docu
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李癸雲. "朦朧、清明與流動--論台灣現代女詩人作品中的女性主體". Thesis, 2001. http://ndltd.ncl.edu.tw/handle/89976161736066927164.

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TSAI, PENG-FU, та 蔡朋馥. "浦羅科菲夫作品六十五《為兒童的音樂》和卡巴賴夫斯基作品二十七《三十首兒童小品》之探究比較:有關理論、演奏與教學". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/40985945979873893787.

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史旻玠. "從音符到聲音 -以系統理論觀察機械複製時代的音樂作品". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/44630016038644373203.

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Jou, Pau-line, та 周寶玲. "從羅蘭.巴特符號學觀點論普普藝術︰以安迪.沃荷作品為例". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/77752167526387990644.

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鄭宜欣. "寫實的形塑與割裂──論李石樵戰後作品之風格與意涵(1945-1949)". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/88915324093715132564.

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