Academic literature on the topic '19th century female literature'

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Journal articles on the topic "19th century female literature"

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Wallis, Alexandra. "The Disorderly Female: Alcohol, Prostitution and Moral Insanity in 19th-Century Fremantle." Journal of Australian Studies 43, no. 3 (2019): 333–48. http://dx.doi.org/10.1080/14443058.2019.1638815.

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Pstrocki-Sehovic, Sabina, and Sabina Pstrocki-Sehovic. "Fiction as a Medium of Social Communication in 19th Century France." Exchanges: The Interdisciplinary Research Journal 2, no. 1 (2014): 123–44. http://dx.doi.org/10.31273/eirj.v2i1.104.

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This article will present the extent to which literature could be viewed as means of social communication – i.e. informing and influencing society – in 19thcentury France, by analysing the appearance of three authors at different points: the beginning, the middle and the end of the century. The first is the case of Balzac at the beginning of the 19th Century who becomes the most successful novelist of the century in France and who, in his prolific expression and rich vocabulary, portrays society from various angles in a huge opus of almost 100 works, 93 of them making his Comédie humaine. The
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김여주. "A Study on the Female Literature Activity of the 19th Century through Gigak hanpil(綺閣閒筆)". Journal of Korean Classical Chinese Literature 37, № 1 (2018): 177–220. http://dx.doi.org/10.18213/jkccl.2018.37.1.006.

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Bagno, V. Ie. "Yasniie Poliany and Petersburg Corners of Russia and Russian Literature (Prophesies and Prognostications of E. Pardo Bazán)." Russkaya literatura 3 (2020): 74–84. http://dx.doi.org/10.31860/0131-6095-2020-3-74-84.

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The article analyzes E. Pardo Bazán’s concept of Russian literature, as formulated in her book "La Revolución y la Novela en Rusia". The work of the Spanish female writer is considered in the context of the «prophetic» pronouncements of the Russian 19th-century writers regarding the fates of the Russian novel in Europe, as well as in the context of her predecessors’ and contemporaries’ writings, primarily those of E.-M. de Vogüé. The perspective of the perception of the Russian literature abroad in the 20th century, as pre-chartered in Pardo Bazán’s book, is traced, the patterns of her true an
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Kuvač-Levačić, Kornelija. "Representation of Female Infertility in Croatian Traditional Culture and Literature from the Late 19th until the Early 21st Century." Narodna umjetnost 50, no. 2 (2013): 188–204. http://dx.doi.org/10.15176/vol50no210.

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Indrasari, Desy Nur, Fathu Rahman, and Herawaty Abbas. "Middle Class Women Role in the 19th Century as Reflected in Bronte's Wuthering Heights." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 2 (2020): 214–18. http://dx.doi.org/10.34050/els-jish.v3i2.9143.

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The aim of this research is to describe middle class women role in the 19th century in Bronte’s novel, Wuthering Heights, and induce a deeper understanding of effect each role on two characters in society. This research is a qualitative descriptive method using sociological approach. By using sociology of literature, a literary work is seen as a document of social. The data of this research collected from the descriptions and utterances of the characters and narrator in the novel. The result in this research shows that the role of women from the middle class were represented by the characters
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Khater, Akram, and Jeffrey Culang. "EDITORIAL FOREWORD." International Journal of Middle East Studies 49, no. 2 (2017): 211–13. http://dx.doi.org/10.1017/s0020743817000010.

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How do history and literature create a sense of ethnic or imperial community? And how do social and legal normative and disruptive narratives contribute to drawing the boundaries of such communities? To provide some answers, this issue brings together three articles on “Historicizing Fiction” and two on “Early Safavids and Ottomans.” In the first section, David Selim Sayers's article, “Sociosexual Roles in Ottoman Pulp Fiction,” analyzes “premodern sociosexual roles” in the Ottoman Empire through the Tıfli stories, a form of lowbrow literature that narrates the everyday lives of their protagon
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Rato, Montira. "Filial Piety and Chastity in Nguyen du’s The Tale of Kieu." MANUSYA 10, no. 4 (2007): 66–75. http://dx.doi.org/10.1163/26659077-01004005.

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The early 19th century Vietnamese masterpiece, The Tale of Kieu by Nguyen Du, is a story that famously highlights the conflict between the Confucian concepts of filial piety and female chastity, and between personal obligations and personal morality. This paper explores how issues of love and sexual relationships, as portrayed in the Tale of Kieu, influenced the thinking of Vietnamese intellectuals in the early 20th century. Drawing on parallels to Kieu’s plight, it is argued that the Vietnamese, who collaborated with the French, often made sense of their actions in terms of sexual submission
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Rzepczyński, Sławomir. "Between “completeness” and “lack”." Studia Norwidiana 37 English Version (2020): 249–59. http://dx.doi.org/10.18290/sn.2019.37-14en.

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The article presents a review of Dominika Wojtasińska’s book O koncepcji kobiety “zupełnej” w pismach Cypriana Norwida [On the Concept of a ”Complete” Woman in the Writings by Cyprian Norwid]. The book is an attempt at capturing Norwid’s view of the essence, place and role of women in the context of the transformation of 19th-century society. In her reflections, the author refers to the following contexts: biographical, sociological and religious; she also refers to 20th-century Christian feminism and to the philosophy of dialogue represented by Emmanuel Lévinas and Józef Tischner. The researc
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Ahmed, Arsto Nasir. "Consumption: The Fashionable Disease of the Self and Its Romantic Allure in Literature." Journal of University of Human Development 3, no. 1 (2017): 268. http://dx.doi.org/10.21928/juhd.v3n1y2017.pp268-273.

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Consumption—Tuberculosis or (TB)—is considered as a peculiarly significant disease across different disciplines. This research traces the medical and literary history of the disease then discusses its aestheticised glamour in a number of writings that date back to the 16th, 17th, 18th and 19th centuries. Before being identified as a lethal disease in the 20th century, consumption was dealt with positively during the preceding periods or eras i.e., being consumptive signified love, easy death, female beauty, male creativity and genius, etc. The specific purpose of this academic endeavour is to
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Dissertations / Theses on the topic "19th century female literature"

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Barnhill, Gretchen Huey, and University of Lethbridge Faculty of Arts and Science. "Fallen angels : female wrongdoing in Victorian novels." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2005, 2005. http://hdl.handle.net/10133/241.

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In the Victorian novel, gender-based social norms dictated appropriate behaviour. Female wrongdoing was not only judged according to the law, but also according to the idealized conception of womanhood. It was this implicit cultural measure, and how far the woman contravened the feminine norms of society, that defined her criminal act rather than the act itself or the injury her act inflicted. When a woman deviated from the Victorian construction of the ideal woman, she was stigmatized and labelled. The fallen woman was viewed as a moral menance, a contagion. Foreign women who committed crimes
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Tsaturyan, Christina Ann. "Sport as Art: The Female Athlete in French Literature." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2347.

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The modern conception of organized, codified sport originated in Europe during the 19th century. At this time, instructors began to institute the practice of certain physical activities at school as a means of teaching morals, forming character, and initiating social exchange. Sport is particularly appropriate for forming men because of its public, physical nature. The values it instills—courage, strength, leadership—are also decidedly masculine. What, then, is made of the female athlete? Are the noble qualities that sports affirm inapplicable to women? In this thesis, I argue that female part
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Bube, June Johnson. ""No true woman" : conflicted female subjectivities in women's popular 19th-century western adventure tales /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/9508.

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Karbach, Nora [Verfasser], Peter [Akademischer Betreuer] Wenzel, and Sven-Knut [Akademischer Betreuer] Strasen. "Female stereotypes in 19th-century British book illustration / Nora Karbach ; Peter Wenzel, Sven-Knut Strasen." Aachen : Universitätsbibliothek der RWTH Aachen, 2017. http://d-nb.info/1162498781/34.

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Balic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.

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This study explores six utopias by female authors written at the turn of the twentieth century: Mary Bradley Lane's Mizora (1881), Alice Ilgenfritz Jones and Ella Merchant's Unveiling Parallel (1893), Eloise O. Richberg's Reinstern (1900), Lena J. Fry's Other Worlds (1905), Charlotte Perkins Gilman's Herland (1915), and Martha Bensley Bruère's Mildred Carver, USA (1919). While the right to vote had become the central, most important point of the movement, women were concerned with many other issues affecting their lives. Positioned within the context of the late nineteenth century women's righ
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Margrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.

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On account of their supposed link to nature, women in post-revolutionary France were pigeonholed into a very restrictive sphere that centred around domesticity and submission to their male counterparts. Yet this thesis shows how a number of women writers – Cottin, Genlis, Krüdener, Souza and Staël – re-appropriate nature in order to reclaim the voice denied to them and to their sex by the society in which they lived. The five chapters of this thesis are structured to follow a number of critical junctures in the life of an adult woman: marriage, authorship, motherhood, madness and mortality. Th
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Adams, Dana W. (Dana Wills). "Female Inheritors of Hawthorne's New England Literary Tradition." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279406/.

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Nineteenth-century women were a mainstay in the New England literary tradition, both as readers and authors. Indeed, women were a large part of a growing reading public, a public that distanced itself from Puritanism and developed an appetite for novels and magazine short stories. It was a culture that survived in spite of patriarchal domination of the female in social and literary status. This dissertation is a study of selected works from Nathaniel Hawthorne, Sarah Orne Jewett, and Mary E. Wilkins Freeman that show their fiction as a protest against a patriarchal society. The premise of this
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Colvin, Trey Vincent. "Jezebel's Daughters: A Study of Wilkie Collins and His Female Villains." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2581/.

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The term "feminist," when applied to Wilkie Collins, implies he was concerned with rectifying the oppression of women in domestic life as well as with promoting equal rights between the sexes. This study explores Collins the "feminist" by analyzing his portrayals of women, particularly his most powerful feminine creations: his villainesses. Although this focus is somewhat limited, it allows for a detailed analysis of the development of Collins's attitudes towards powerful women from the beginning to the end of his career. It examines the relationship between Collins's developing moral attitude
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Clarke, Patricia, and n/a. "Life Lines to Life Stories: Some Publications About Women in Nineteenth-Century Australia." Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040719.150756.

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This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999)
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Santos, Carla de Paula. "Lúcia, Sofia e Lenita : três mulheres brasileiras do século XIX (perfis do feminino por José de Alencar, Machado de Assis e Júlio Ribeiro)." Universidade Federal do Espírito Santo, 2009. http://repositorio.ufes.br/handle/10/6438.

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Made available in DSpace on 2016-12-23T14:34:12Z (GMT). No. of bitstreams: 1 DISSERTACAO- CARLA DE PAULA SANTOS.pdf: 769797 bytes, checksum: 38e112f416c7781405ff9132bd82905a (MD5) Previous issue date: 2009-05-29<br>Analizing the behavior of three characters of the eight hundreds in Brazil Lúcia, Sofia and Lenita , it will be pointed out as the woman body was approached regarding eroticism and sexuality by José de Alencar (Lucíola), Machado de Assis (Quincas Borba) and Júlio Ribeiro (A carne). We will focus on the way those characters used their bodies as an object of pleasure to accomplis
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Books on the topic "19th century female literature"

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Fictions of female education in the nineteenth century. Routledge, 2009.

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The forgotten female aesthetes: Literary culture in late-Victorian England. University Press of Virginia, 2000.

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Gendered pathologies: The female body and biomedical discourse in the nineteenth-century English novel. Routledge, 2005.

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Michie, Helena. The flesh made word: Female figures and women's bodies. Oxford University Press, 1987.

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The female pen: Women writers and novelists, 1621-1818. Cork University Press, 1994.

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The female pen: Women writers and novelists, 1621-1818. New York University Press, 1994.

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1950-, Osland Dianne, ed. Representing women and female desire from Arcadia to Jane Eyre. Palgrave Macmillan, 2005.

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Sherlock's sisters: The British female detective, 1864-1913. Ashgate, 2003.

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First lady of letters: Judith Sargent Murray and the struggle for female independence. University of Pennsylvania Press, 2009.

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Fictions of the female self: Charlotte Brontë, Olive Schreiner, Katherine Mansfield. Macmillan, 1991.

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Book chapters on the topic "19th century female literature"

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Ingrao, Bruna. "Narratives of passions and finance in the 19th century." In Economics and Literature. Routledge, 2017. http://dx.doi.org/10.4324/9781315231617-2.

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Couttenier, Piet. "National Imagery in 19th Century Flemish Literature." In Nationalism in Belgium. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26868-9_5.

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Baines, Paul. "Female Satirists of the Eighteenth Century." In A Companion to British Literature. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch58.

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Flor, João de Almeida. "Publishing translated literature in late 19th century Portugal." In Translation in Anthologies and Collections (19th and 20th Centuries). John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.11alm.

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Larsen, Kristine. "Almira Hart Lincoln Phelps (1793–1884): Textbooks and the Female Seminary." In The Women Who Popularized Geology in the 19th Century. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64952-8_8.

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Vasantha, Arsampalai. "A Journey through the Medical Literature of 19th Century India." In Biological and Medical Sciences. Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.dda-eb.4.00676.

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Poluboyarinova, Larisa, and Olga Kulishkina. "Frames and Networks: Framework Narratives in 19th-century European Literature." In Lecture Notes in Networks and Systems. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64877-0_4.

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Thanailaki, Polly. "The Curse of Athena: Female Illiteracy in the Greek Countryside." In Gender Inequalities in Rural European Communities During 19th and Early 20th Century. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75235-8_1.

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LeFavour, Cree. "The Edible Book: White Female Pleasure and Novel Reading." In Culinary Aesthetics and Practices in Nineteenth-Century American Literature. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230103146_9.

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Rippl, Gabriele. "Mourning and Melancholia in England and Its Transatlantic Colonies: Examples of Seventeenth-Century Female Appropriations." In The Literature of Melancholia. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230336988_4.

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Conference papers on the topic "19th century female literature"

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Wei, Xinyang. "Female Rebelliousness on the Economy and Gender Relations in the 19th Century British Literature: From Jane Austen to Charlotte Brontë." In 2020 3rd International Conference on Humanities Education and Social Sciences (ICHESS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201214.485.

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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Govorunov, Alexander, and Oleg Nogovitsyn. "Leadership in the Russian literature of the 19th century." In Proceedings of the 3rd International Conference on Social, Economic, and Academic Leadership (ICSEAL 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icseal-19.2019.11.

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De Marco, Catia. "Translations of Swedish Literature in Italy in the 19th Century: An outline." In CSS Conference 2019. Centre for Scandinavian Studies Copenhagen – Lund, 2020. http://dx.doi.org/10.37852/63.c111.

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Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.

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The background color of Russian literature and Russian painting art in the 19th century is gloomy and heavy, and there exists text intertextuality between them, which is different from single text and single painting. Literary words and painting invisible words quote, permeate, insinuate and rewrite each other. Literature is the writing of painting, and painting is the color of literature. The main line of literature development and the main line of painting development seem to be twisted together like a rope, presenting spiral development, closely linked, complementary and inseparable.The sam
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Bondarenko, Natalia. "Echo of Russian Literature Following Works of Slavic Writers of the 19th Century." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.203.

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M. Afridi, Dr Humaira. "A Glimpse of Muslim Women in the 19th Century Indian Society and Literature: Háli and Hossain." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.52.

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Kokkinakis, Dimitrios, Ann Ighe, and Mats Malm. "Gender-Based Vocation Identification in Swedish 19th Century Prose Fiction using Linguistic Patterns, NER and CRF Learning." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0710.

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Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

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Ardiyanti, G., and T. Christomy. "The Encounter of Islam and Javanese in Sultan Ngarum, a 19th Century Manuscript." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296700.

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