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1

Wallis, Alexandra. "The Disorderly Female: Alcohol, Prostitution and Moral Insanity in 19th-Century Fremantle." Journal of Australian Studies 43, no. 3 (2019): 333–48. http://dx.doi.org/10.1080/14443058.2019.1638815.

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Pstrocki-Sehovic, Sabina, and Sabina Pstrocki-Sehovic. "Fiction as a Medium of Social Communication in 19th Century France." Exchanges: The Interdisciplinary Research Journal 2, no. 1 (2014): 123–44. http://dx.doi.org/10.31273/eirj.v2i1.104.

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This article will present the extent to which literature could be viewed as means of social communication – i.e. informing and influencing society – in 19thcentury France, by analysing the appearance of three authors at different points: the beginning, the middle and the end of the century. The first is the case of Balzac at the beginning of the 19th Century who becomes the most successful novelist of the century in France and who, in his prolific expression and rich vocabulary, portrays society from various angles in a huge opus of almost 100 works, 93 of them making his Comédie humaine. The
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김여주. "A Study on the Female Literature Activity of the 19th Century through Gigak hanpil(綺閣閒筆)". Journal of Korean Classical Chinese Literature 37, № 1 (2018): 177–220. http://dx.doi.org/10.18213/jkccl.2018.37.1.006.

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Bagno, V. Ie. "Yasniie Poliany and Petersburg Corners of Russia and Russian Literature (Prophesies and Prognostications of E. Pardo Bazán)." Russkaya literatura 3 (2020): 74–84. http://dx.doi.org/10.31860/0131-6095-2020-3-74-84.

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The article analyzes E. Pardo Bazán’s concept of Russian literature, as formulated in her book "La Revolución y la Novela en Rusia". The work of the Spanish female writer is considered in the context of the «prophetic» pronouncements of the Russian 19th-century writers regarding the fates of the Russian novel in Europe, as well as in the context of her predecessors’ and contemporaries’ writings, primarily those of E.-M. de Vogüé. The perspective of the perception of the Russian literature abroad in the 20th century, as pre-chartered in Pardo Bazán’s book, is traced, the patterns of her true an
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Kuvač-Levačić, Kornelija. "Representation of Female Infertility in Croatian Traditional Culture and Literature from the Late 19th until the Early 21st Century." Narodna umjetnost 50, no. 2 (2013): 188–204. http://dx.doi.org/10.15176/vol50no210.

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Indrasari, Desy Nur, Fathu Rahman, and Herawaty Abbas. "Middle Class Women Role in the 19th Century as Reflected in Bronte's Wuthering Heights." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 2 (2020): 214–18. http://dx.doi.org/10.34050/els-jish.v3i2.9143.

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The aim of this research is to describe middle class women role in the 19th century in Bronte’s novel, Wuthering Heights, and induce a deeper understanding of effect each role on two characters in society. This research is a qualitative descriptive method using sociological approach. By using sociology of literature, a literary work is seen as a document of social. The data of this research collected from the descriptions and utterances of the characters and narrator in the novel. The result in this research shows that the role of women from the middle class were represented by the characters
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Khater, Akram, and Jeffrey Culang. "EDITORIAL FOREWORD." International Journal of Middle East Studies 49, no. 2 (2017): 211–13. http://dx.doi.org/10.1017/s0020743817000010.

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How do history and literature create a sense of ethnic or imperial community? And how do social and legal normative and disruptive narratives contribute to drawing the boundaries of such communities? To provide some answers, this issue brings together three articles on “Historicizing Fiction” and two on “Early Safavids and Ottomans.” In the first section, David Selim Sayers's article, “Sociosexual Roles in Ottoman Pulp Fiction,” analyzes “premodern sociosexual roles” in the Ottoman Empire through the Tıfli stories, a form of lowbrow literature that narrates the everyday lives of their protagon
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Rato, Montira. "Filial Piety and Chastity in Nguyen du’s The Tale of Kieu." MANUSYA 10, no. 4 (2007): 66–75. http://dx.doi.org/10.1163/26659077-01004005.

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The early 19th century Vietnamese masterpiece, The Tale of Kieu by Nguyen Du, is a story that famously highlights the conflict between the Confucian concepts of filial piety and female chastity, and between personal obligations and personal morality. This paper explores how issues of love and sexual relationships, as portrayed in the Tale of Kieu, influenced the thinking of Vietnamese intellectuals in the early 20th century. Drawing on parallels to Kieu’s plight, it is argued that the Vietnamese, who collaborated with the French, often made sense of their actions in terms of sexual submission
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Rzepczyński, Sławomir. "Between “completeness” and “lack”." Studia Norwidiana 37 English Version (2020): 249–59. http://dx.doi.org/10.18290/sn.2019.37-14en.

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The article presents a review of Dominika Wojtasińska’s book O koncepcji kobiety “zupełnej” w pismach Cypriana Norwida [On the Concept of a ”Complete” Woman in the Writings by Cyprian Norwid]. The book is an attempt at capturing Norwid’s view of the essence, place and role of women in the context of the transformation of 19th-century society. In her reflections, the author refers to the following contexts: biographical, sociological and religious; she also refers to 20th-century Christian feminism and to the philosophy of dialogue represented by Emmanuel Lévinas and Józef Tischner. The researc
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Ahmed, Arsto Nasir. "Consumption: The Fashionable Disease of the Self and Its Romantic Allure in Literature." Journal of University of Human Development 3, no. 1 (2017): 268. http://dx.doi.org/10.21928/juhd.v3n1y2017.pp268-273.

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Consumption—Tuberculosis or (TB)—is considered as a peculiarly significant disease across different disciplines. This research traces the medical and literary history of the disease then discusses its aestheticised glamour in a number of writings that date back to the 16th, 17th, 18th and 19th centuries. Before being identified as a lethal disease in the 20th century, consumption was dealt with positively during the preceding periods or eras i.e., being consumptive signified love, easy death, female beauty, male creativity and genius, etc. The specific purpose of this academic endeavour is to
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Padrielli, L. "Women in Astronomy - Italy." Highlights of Astronomy 10 (1995): 95–97. http://dx.doi.org/10.1017/s1539299600010388.

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Let me start with a short historical excursion, taking the Bologna University as an example. The Bologna University was founded in 1088, but only at the beginning of 1700, when a deep transformation in the tradition and female behaviour model occurred, women started to approach the academic life mostly in humanities. There were also examples of scientist women, often without a real academic title working side by side with men (generally fathers or husbands).During the 19th century the female presence in the italian universities slowly increased, becoming a reality at the beginning of the 20th
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PAUNOVIĆ, JELENA. "THE DEATHS OF THE OBRENOVIĆ FAMILY IN SERBIAN HISTORY AND REMEMBRANCE." ИСТРАЖИВАЊА, no. 29 (December 26, 2018): 125–42. http://dx.doi.org/10.19090/i.2018.29.125-142.

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The political scene of Serbia is scientifically well studied. Historical literature about Serbia in the 19th century is vast and interesting. This article aims to present the rulers of the Obrenović dynasty in the light of their tragic deaths mostly through memoir historical sources. The lives and deaths of the Serbian rulers affected both the interior and foreign policy of the country. The Obrenović dynasty died out except for their female branches and even those have not been researched enough. This paper will explain the chain of events that led to the end of the Obrenović family.
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Barisonzi, Michela. "Motherhood, sexuality and beauty in Gabriele D’Annunzio’s trilogy I romanzi della Rosa." Forum Italicum: A Journal of Italian Studies 51, no. 2 (2017): 505–24. http://dx.doi.org/10.1177/0014585817698412.

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This article focuses on the themes of motherhood, beauty and desire in Gabriele D’Annunzio’s trilogy, I romanzi della Rosa, showing how these novels reflect upon 19th-century female sexuality and its portrayal through female beauty. These texts reveal the exhaustion of the Italian bourgeois stereotype of the fin-de-siècle woman as a devoted mother and a loyal wife, deprived of her sexual component. I examine how D’Annunzio’s trilogy explores the idea of female desire through common female stereotypes, especially the progressive negation of the figure of the devoted mother. In Il piacere, femal
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Oliveira, Letícia Zaccaria Prates de, Rui Dos Santos Barroso, Bruno Rodrigues de Miranda, and Bianca Cristina Romão da Cunha. "Symptomatic os intermetatarseum in a young athlete." Scientific Journal of the Foot & Ankle 12, no. 3 (2018): 247–49. http://dx.doi.org/10.30795/scijfootankle.2018.v12.777.

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The os intermetatarseum is located between the medial cuneiform and the base of the first and second metatarsals. Literature reviews have found few symptomatic cases of this condition since the 19th century. We report the case of a young female athlete, 20 years old, with sudden pain in the back of the midfoot after a jump. The os intermetatarseum is the rarest accessory bone in the foot and is typically asymptomatic. The presence of this bone should be considered when patients, especially young athletes, present with pain in the dorsum of the foot and compressive symptoms of the deep fibular
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Jansen, Steen. "Avec Goldoni à travers l’Europe." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 49, no. 1 (2014): 88–119. http://dx.doi.org/10.1075/rro.49.1.05jan.

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This paper looks at how a given text, Carlo Goldoni’s comedy Un curioso accidente, has been translated, received and used in different adaptations in France, Germany and Denmark. In France and Germany the comedy is met with great interest already in the 18th century, mostly through very different adaptations (in France by François Roger and in Germany by Johann Christian Bock) used with considerable success on stage, less for the actual translations. Later the comedy was forgotten in those two countries. In the rest of Europe, the comedy is not translated till the 19th century ; in Denmark it
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Romanova, Alyona N. "Anna Gotovtseva, the interlocutor of poets." Literature at School, no. 2, 2020 (2020): 62–75. http://dx.doi.org/10.31862/0130-3414-2020-2-62-75.

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The article examines the history of the publication of some works by the little-known poetess of the first third of the 19th century Anna Gotovtseva, including her poem addressed to A.S. Pushkin, and poems by A.S. Pushkin and P.A. Vyazemsky, appealed to Gotovtseva. The author reveals some features of the historical and literary process, which influenced the poetic dialogue of writers, published in the “Northern Flowers” almanac, which marked the emergence of female professional poetry in the literature of the first third of the 19th century. A.I. Gotovtseva’s poems are analyzed in the context
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Zavgorodnyaya, Galina Yu. "The Images of Mary of Egypt, Mary Magdalene and Cleopatra in Russian Literature: the Christian and the Pagan." Проблемы исторической поэтики 18, no. 2 (2020): 42–63. http://dx.doi.org/10.15393/j9.art.2020.8062.

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<p><span lang="EN-US">The article examines the orthodox tradition of paying homage to Venerable Mary of Egypt. The perception of the image of Mary of Egypt is compared with that one of Mary Magdalene in the West-European World, particularly in literature and art. The different forms of interaction between the hagiography of Mary of Egypt and Russian literature are traced: adaptation of the plot, allusions, insertion of the motif of a repented whore. The plot of Cleopatra, as of an impenitent whore, is opposite to a hagiographic plot (by its semantic pole of attraction). Two female
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Geropeppa, Maria, Dimitris Altis, Nikos Dedes, and Marianna Karamanou. "The first women physicians in the history of modern Greek medicine." Acta medico-historica Adriatica 17, no. 1 (2019): 55–64. http://dx.doi.org/10.31952/amha.17.1.3.

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In an era when medicine in Greece was dominated by men, at the end of the 19th and during the first decades of 20th century, two women, Maria Kalapothakes [in Greek: Μαρία Καλαποθάκη] (1859-1941) and Angélique Panayotatou [in Greek: Αγγελική Παναγιωτάτου] (1878-1954), managed to stand out and contribute to the evolution of medicine. Maria Kalapothakes received medical education in Paris and then she returned to Greece. Not only did she contribute to several fields of medicine, but also exercised charity and even undertook the task of treating war victims on many occasions. Angélique Panayotato
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Sarkar, Abhishek. "Shakespeare, "Macbeth" and the Hindu Nationalism of Nineteenth-Century Bengal." Multicultural Shakespeare: Translation, Appropriation and Performance 13, no. 28 (2016): 117–29. http://dx.doi.org/10.1515/mstap-2016-0009.

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The essay examines a Bengali adaptation of Macbeth, namely Rudrapal Natak (published 1874) by Haralal Ray, juxtaposing it with differently accented commentaries on the play arising from the English-educated elites of 19th Bengal, and relating the play to the complex phenomenon of Hindu nationalism. This play remarkably translocates the mythos and ethos of Shakespeare’s original onto a Hindu field of signifiers, reformulating Shakespeare’s Witches as bhairavis (female hermits of a Tantric cult) who indulge unchallenged in ghastly rituals. It also tries to associate the gratuitous violence of th
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20

Tomic, Svetlana. "Types of fear, ethics and aesthetics of terror, and the politics of emotions in The Album of Female Prisoners by Milutin A. Popovic." Temida 23, no. 3 (2020): 371–406. http://dx.doi.org/10.2298/tem2003371p.

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Eventhough the number of neurosience studies has grown from the late 20th century, the topic of fear in Serbian literature of the second half of the 19th century has rarely been separately researched. For this analisys, the author has chosen an unusual book in which, unlikely to Serbian novels of the time, fear was often described. It is the first book of the stories about Serbian female convicts of the 19th century The Album of the Women?s Ward of Prison in Pozarevac with Statistics (1898) by Milutin A. Popovic. Contrary to some Serbian, Swedish (1861) and American (1886) albuma of the time,
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Alalade, Andrew F., Giovanni Briganti, Jo-Lyn Mckenzie, et al. "Fossa navicularis in a pediatric patient: anatomical skull base variant with clinical implications." Journal of Neurosurgery: Pediatrics 22, no. 5 (2018): 523–27. http://dx.doi.org/10.3171/2018.5.peds18157.

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The fossa navicularis is an anatomical variant of the skull base thought to be a rare finding. It represents a bony depression in the skull base. The authors here report the case of a fossa navicularis magna in a 9-year-old female who had been treated for recurrent episodes of meningitis.A literature review was also done to highlight the unique features and clinical importance of this distinctive radiological skull base finding. The literature search covered papers from the 19th century up to 2018. Earlier authors described “fossa navicularis” as a very rare skull base finding. So far, only th
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Świgost-Kapocsi, Agnieszka. "200 Years of Feminisation of Professions in Poland—Mechanism of False Windows of Opportunity." Sustainability 13, no. 15 (2021): 8179. http://dx.doi.org/10.3390/su13158179.

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This paper presents the problem of the female labour market in Poland and the phenomenon of the feminisation of selected occupations. The main aim was to identify the mechanisms behind the feminisation of occupations in Poland and its consequences by combining considerations of labour market theory with development path theories. This research employed various methods such as the method of analysis of secular trends, as well as a critical reinterpretation of the literature review. Data from the 19th century to 2019 were analysed. The textile industry, education, local public administration, an
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Ford, Natalie Mera. "Spectral Sterility in Bucknill and Tuke’s A Manual of Psychological Medicine and Bulwer Lytton’s A Strange Story." Humanities 8, no. 1 (2019): 59. http://dx.doi.org/10.3390/h8010059.

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This essay identifies and examines a narrative structure—here called the sterility plot—that is shown to recur in British mid-19th century psychiatric texts and imaginative literature engaging mental science. Treating physicians Bucknill and Tuke’s A Manual of Psychological Medicine and novelist Bulwer Lytton’s A Strange Story as influential case studies, it explores in particular the Gothic-styled spectralisation used by both Victorian medical and literary authors to characterize females whose mental disorders are depicted as bound with a short- or long-term inability to reproduce. The narrat
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Dellarciprete, Rubén. "La representación de la mujer en la narrativa argentina de fin de siglo XIX. Una etiología imaginaria del cuerpo y la moral femenina." LA PALABRA, no. 25 (September 3, 2014): 93. http://dx.doi.org/10.19053/01218530.2874.

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De nuestro corpus de análisis se podría inferir que en un ámbito social dominado por el hombre, la autonomía del género femenino, lejos de reivindicarse, era representada como locura, histeria o neurosis, estados mentales que se consideraban patologías frecuentes de la mujer "debido a su predisposición natural". A fines del siglo XIX, los profesionales relacionados con las ciencias médicas se habían convertido en fiscalizadores sociales que decodificaban y controlaban el lenguaje de los cuerpos. Determinaban la posibilidad de su captura para el sistema y sus redes de dominio y evaluaban su fac
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Samsonowska, Krystyna. "„Niewiasty kresowe”." Krakowskie Pismo Kresowe 9 (September 30, 2018): 9–33. http://dx.doi.org/10.12797/kpk.09.2017.09.01.

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Women of the Kresy. The Female in the Works of Józef Antoni Rolle – from History to Literature and MythThe article offers an analysis of depictions of women in Józef Apolinary Rolle’s literary output. The source material are Rolle’s numerous short stories published in a number of collections and series in 1872-1894, including a collection entitled Women of the Kresy. In his works Rolle created the myth of woman of the eastern territories of interwar Poland (Kresy Wschodnie), a courageous amazon, a female warrior, by sketching portraits of historical €gures of the 16th and 17th centuries. In th
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Pedwell, Carolyn. "Theorizing ‘African’ Female Genital Cutting and ‘Western’ Body Modifications: A Critique of the Continuum and Analogue Approaches." Feminist Review 86, no. 1 (2007): 45–66. http://dx.doi.org/10.1057/palgrave.fr.9400352.

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Making links between different embodied cultural practices has become increasingly common within the feminist literature on multiculturalism and cultural difference as a means to counter racism and cultural essentialism. The cross-cultural comparison most commonly made in this context is that between ‘African’ practices of female genital cutting (FGC) and ‘western’ body modifications. In this article, I analyse some of the ways in which FGC and other body-altering procedures (such as cosmetic surgery, intersex operations and 19th century American clitoridectomies) are compared within this femi
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Smirnov, Kirill V. "The Kore archetype and its implementation in the play by A.N. Ostrovsky “The Storm”." Neophilology, no. 23 (2020): 521–29. http://dx.doi.org/10.20310/2587-6953-2020-6-23-521-529.

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We analyze the implementation specific of the Kore archetype, introduced by C.G. Jung and K. Kerenyi, in relation to the image of Katerina, the main heroine of the play “The storm” by A.N. Ostrovsky. The main focus is on the archetype of Katherine’s image. In the process of research, comparative typological, historical, biographical and interpretive methods are used. Due to the analysis of the works of V.V. Toporova, E.M. Meletinsky, N.A. Berdyaev, T. Eliot and others, Katerina’s involvement in the Kore archetype is revealed. We investigate the specific situation of Katerina’s life in the Kaba
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Wasilewska-Chmura, Magdalena. "Between entertainment and education." Folia Scandinavica Posnaniensia 28, no. 1 (2020): 27–39. http://dx.doi.org/10.2478/fsp-2020-0003.

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Abstract This paper addresses a phenomenon of the international success of Swedish female writers in the 19th century. I have focused on the Polish translations of Marie Sophie Schwartz’s works, which became extremely popular in the 1860’s and 1870’s, judging from the number of books translated in comparison to other Swedish bestselling writers. One of the most important issues for Schwartz was emancipation, specifically women’s right to education, employment and economic autonomy. Her novel Emancipation Frenzy was translated into Polish in 1865 and 1876. Both translations differ as to the acc
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Zenkin, Sergey N. "The Mask of the Muse. Visuality and Narrative in Richard Le Gallienne’s The Worshiper of the Image." Studia Litterarum 6, no. 3 (2021): 10–39. http://dx.doi.org/10.22455/2500-4247-2021-6-3-10-39.

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This article is a close reading of The Worshiper of the Image (1898), a tragic fairytale by Richard Le Gallienne — a symbolist allegory, whose female character is a coming-to-life visual image. This character is distinguished by polymorphism which manifests itself both in the story’s plot and in the character’s mythical autobiography, namely, in her reincarnations over centuries. The visual hypostasis of this character is L’Inconnue de la Seine — a popular and mysterious kitsch object, the mask of a girl who allegedly drowned in Seine in the second half of the 19th century. The interaction of
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Saragih, Munawir, Mustafa Mahmud Amin, and Muhammad Surya Husada. "Shared Psychotic Disorder (Folie À Deux): A Rare Case with Dissociative Trance Disorder That Can Be Induced." Open Access Macedonian Journal of Medical Sciences 7, no. 16 (2019): 2701–4. http://dx.doi.org/10.3889/oamjms.2019.821.

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BACKGROUND: Shared psychotic disorder was first introduced in the 19th century in France with the name Folie à deux. Since then, the concept of Folie à deux has been developed and produces several subtypes in France. In DSM, this disorder is called Shared Psychotic Disorder, and in ICD-10, it is called Induced Delusional Disorder. However, some of the classic subtypes of Folie à deux are not included in the above categories.
 CASE REPORT: We found a case of shared psychotic disorder between a 38-year-old male inducer, a Batak tribe with two female recipients, 34 and 36 years from the Bata
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Ertek Morkoç, Yasemin. "Religion and mysticism in poems of Şeref HanımŞeref Hanım’ın şiirlerinde din ve tasavvuf." Journal of Human Sciences 13, no. 3 (2016): 5304. http://dx.doi.org/10.14687/jhs.v13i3.4279.

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Şeref Hanım (Lady Seref) (1809-1861) lived at the first half of the 19th century during when Tanzimat Literature had started to outmaneuver Divan Literature and had made its weight felt. She is an exceptional female divan poet who managed to make a distinguished name for her within the tradition of Classical Turkish Literature. She has a large-scale divan in which she added up all her poems written in almost all styles and types of verse. Religious – mystical components at the major parts of her poems attract the attention. Divan of the poetess, who was a maulawi in essence and had sympathy in
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Paškauskas, Juozapas. "Discovering the Empire: Julija Pranaitytė’s Guidebook to Europe and Asia." Lithuanian Historical Studies 23, no. 1 (2019): 1–24. http://dx.doi.org/10.30965/25386565-02301001.

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The significance of Iš kelionės po Europą ir Aziją (1914), the guidebook by Julija Pranaitytė, a Lithuanian intellectual from the turn of the 19th and 20th centuries, depended not just on the fact that the author was the first Lithuanian female traveller to comprehensively document the experiences of a modern tourist in the early 20th century, but that the book itself was the first guidebook to the Russian Empire to be published in Lithuanian. The guidebook is an attempt by member of the intelligentsia with strong Catholic views to provide practical information about a modernizing and increasi
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Sozina, Elena Konstantinovna. "“BETWEEN EUROPE AND ASIA.” ORIENTALIST NARRATIVES OF ALEXANDRA FUCHS: THE RHETORIC OF WRITING AND THE AUTHOR’S POSITION." Yearbook of Finno-Ugric Studies 14, no. 3 (2020): 465–75. http://dx.doi.org/10.35634/2224-9443-2020-14-3-465-475.

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The article discusses ethnographic essays and novellas in the poems by Alexandra Andreevna Fuchs. The wife of a famous professor Karl Fuchs, she was resident of Kazan, hosted a literary salon, which was frequented by many local and visiting writers and poets, and met with Alexander Pushkin during his stay in the town. Alexandra Fuchs became the first Russian ethnographer writer; she purposefully traveled to places where the Chuvash, Mari (Cheremis), and Udmurts (Votyaks) lived, and wrote essays about the life, daily routine, manners and customs of these peoples drawing on her personal observat
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Mesquita, J., O. Queirós, and L. Silva. "What about pseudologia fantastica?" European Psychiatry 26, S2 (2011): 326. http://dx.doi.org/10.1016/s0924-9338(11)72036-3.

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IntroductionPseudologia Fantastica (PF) is an understudied and poorly understood entity, first described by a German psychiatrist in the late 19th century. The terms mythomania and pathological lying are often used interchangeably.ObjectivesIn addition to reviewing the literature around PF and its place nowadays in the current diagnostic system, we report the case of an adolescent female who suffered from PF.MethodsWe describe and analyse a clinical case of PF and make a bibliographic review about this disorder.ResultsTypically, PF has its onset during adolescence and the clinical picture is o
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Kotilainen, Sofia. "How to Become an Author: The Poet Isa Asp and Her Childhood Fascination with Writing for Magazines." Knygotyra 76 (July 5, 2021): 114–34. http://dx.doi.org/10.15388/knygotyra.2021.76.78.

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In this article the author explores the early development of the identity as a writer of a Finnish-speaking poet Lovisa (or Isa) Asp (1853–1872). She wrote her lyrics in the Finnish language in the 1870s, and she is regarded as the first 19th-century female Finnish poet (whose works were published in Finnish). She began writing poetry (initially in Swedish) as a teenager and started her literary career as a contributor to children’s magazines. Asp began her studies at the Teacher Training College in Jyväskylä in autumn 1871 with the aim of working as an elementary school teacher, but she also
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Hundorova, Tamara. "“The Blue Rose” by Lesia Ukrainka as the ‘rite de passage’: biography, psychiatry and writing." Слово і Час, no. 1 (February 2, 2021): 3–31. http://dx.doi.org/10.33608/0236-1477.2021.01.3-21.

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The paper explores “The Blue Rose” (1896) by Lesia Ukrainka in terms of the ‘rite de passage’ as the text with a ritual function that reflects the cultural, gender, and author status transformations within the field of literature. In the most general sense, the first drama by Lesia Ukrainka is analyzed as an act of initiation into the fin de siècle culture. Peculiar features of this ritual are the critical comments of the modern culture, transformation of the autobiographical facts into aesthetic phenomena, and interiorization of the motif of death.
 “The Blue Rose” discusses a female gen
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Słabińska, Elżbieta. "Women’s Employment Support Activities By Labor Offices Under the “AZ” Program in Years 1947-1950." Studia Historiae Oeconomicae 38, no. 1 (2020): 202–18. http://dx.doi.org/10.2478/sho-2020-0009.

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Abstract The paper deals with mechanisms used for reducing unemployment among women in Poland after the World War II, the so-called “women productivisation.” I discussed women’s attitude to employment and the state’s standpoint as far as the problem of women’s unemployment is concerned, and analyzed women’s unemployment figures in the introductory part. Employment policy in the early days of the Polish People’s Republic was a combination of many factors, among which the most important were ideology, pre-war tradition, and war-related experiences. Women found employment in the industry since th
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38

Burduck, M. L. "Early-19th-Century Literature." American Literary Scholarship 2009, no. 1 (2011): 239–62. http://dx.doi.org/10.1215/00659142-1164666.

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Witschi, N. S. "Late-19th-Century Literature." American Literary Scholarship 2009, no. 1 (2011): 263–79. http://dx.doi.org/10.1215/00659142-1264810.

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Witschi, N. S. "Late-19th-Century Literature." American Literary Scholarship 2010, no. 1 (2012): 273–93. http://dx.doi.org/10.1215/00659142-1546865.

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Burduck, M. L. "Early-19th-Century Literature." American Literary Scholarship 2010, no. 1 (2012): 249–72. http://dx.doi.org/10.1215/00659142-1589063.

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42

Hayes, Kevin J. "Early-19th-Century Literature." American Literary Scholarship 1998, no. 1 (2000): 213–34. http://dx.doi.org/10.1215/00659142-1998-1-213.

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43

Oggel, Terry. "Late-19th-Century Literature." American Literary Scholarship 1998, no. 1 (2000): 235–56. http://dx.doi.org/10.1215/00659142-1998-1-235.

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Wortham, T. "Early-19th-Century Literature." American Literary Scholarship 1999, no. 1 (2001): 243–58. http://dx.doi.org/10.1215/00659142-1999-1-243.

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Oggel, T. "Late-19th-Century Literature." American Literary Scholarship 1999, no. 1 (2001): 259–88. http://dx.doi.org/10.1215/00659142-1999-1-259.

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Kennedy, J. G. "Early-19th-Century Literature." American Literary Scholarship 2000, no. 1 (2002): 227–52. http://dx.doi.org/10.1215/00659142-2000-1-227.

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Kiskis, M. J. "Late-19th-Century Literature." American Literary Scholarship 2000, no. 1 (2002): 253–72. http://dx.doi.org/10.1215/00659142-2000-1-253.

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Kennedy, J. G. "Early-19th-Century Literature." American Literary Scholarship 2001, no. 1 (2003): 251–79. http://dx.doi.org/10.1215/00659142-2001-1-251.

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Kiskis, M. J. "Late-19th-Century Literature." American Literary Scholarship 2001, no. 1 (2003): 281–304. http://dx.doi.org/10.1215/00659142-2001-1-281.

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Sattelmeyer, R. "Early-19th-Century Literature." American Literary Scholarship 2002, no. 1 (2004): 215–36. http://dx.doi.org/10.1215/00659142-2002-1-215.

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