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Dissertations / Theses on the topic '21st century Russian literature'

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1

Dreyer, Nicolas D. "'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1917.

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The present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the R
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2

Butler, Jennifer. "Ambiguity in nineteenth-century russian literature and opera." Online version, 2004. http://bibpurl.oclc.org/web/30681.

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3

Barton, Justin. "Foreign policy between the Russian Federation and European Union in the 21st century." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/10093.

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Bibliography: leaves 74-77.<br>This thesis examines the growing partnership between Russia and the ED. Although suspicious of each other's intentions at times, both sides have realized the necessity for close cooperation. In many respects, the ED is an economic empire in search of a security structure, while Russia is a military power without an economic base. The crime, corruption, and slowly developing democracy in Russia are of supreme security concern for the EU, because they create instability and uncertainty in the region.
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4

Bones, Gail Nelson. "The six pillars of character in 21st century Newbery Award Books." Lynchburg, Va. : Liberty University, 2010. http://digitalcommons.liberty.edu.

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5

Zhou, Bo. "Socioeconomic Achievements of Asian Americans in the 21st Century." Thesis, State University of New York at Albany, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10930764.

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<p> This dissertation research is a comprehensive study of Asian Americans' socioeconomic achievements. It aims to measure changes of Asian Americans' socioeconomic achievements between 2005 and 2015, to examine the glass ceiling facing Asian Americans, and to evaluate the impacts of the Great Recession and concentration on occupational attainments of Asian Americans. </p><p> Using American Community Survey data, I attempt to answer the following questions. First, how did the patterns of Asian Americans' socioeconomic achievements changed over a decade between 2005 and 2015? Second, how thic
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6

Renner-Fahey, Ona. "Mythologies of poetic creation in twentieth-century Russian verse." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1056554664.

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7

Rehan, Naveed. "Rationalism and D. H. Lawrence : a 21st century perspective." Thesis, Montana State University, 2004. http://etd.lib.montana.edu/etd/2004/rehan/RehanN04.pdf.

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Since the time of the Greek philosopher Plato, Western intellectuals have relied on logos or \"the word\" to make philosophical propositions about the world humans find themselves in. Logos or \"the word\" has generally been privileged over mythos or pathos, denoting emotion and feeling. This privileging has sometimes been challenged by intellectuals within the Western tradition. D. H. Lawrence was the most vocal and passionate writer to do so in modern times. This text traces the development of rationalism in the Western tradition and Lawrence\'s resistance to it. It also examines modern theo
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8

Bohlmann, Markus P. J. "Moving Rhizomatically: Deleuze's Child in 21st Century American Literature and Film." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23140.

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My dissertation critiques Western culture’s vertical command of “growing up” to adult completion (rational, heterosexual, married, wealthy, professionally successful) as a reductionist itinerary of human movement leading to subjective sedimentations. Rather, my project proposes ways of “moving rhizomatically” by which it advances a notion of a machinic identity that moves continuously, contingently, and waywardly along less vertical, less excruciating and more horizontal, life-affirmative trails. To this end, my thesis proposes a “rhizomatic semiosis” as extrapolated from the philosophy of Gil
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9

Kiel, David. "Russia in Word and Deed: An Analysis of Russian Foreign Security Policy in the 21st Century." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339516106.

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10

Sabbag, Kerry Ann. "Can "slava" and salvation coexist? : the fame text in nineteenth-century Russian literature /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174668.

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11

Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analysi
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12

Norris, Jeremy Paul. "The development of the Russian piano concerto in the nineteenth century." Thesis, University of Sheffield, 1988. http://etheses.whiterose.ac.uk/1786/.

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The Russian piano concerto could not have had more inauspicious beginnings. Unlike the symphonic poem (and, indirectly, the symphony)- genres for which Glinka, the so-called 'Father of Russian Music', provided an invaluable model: 'Well? It's all in "Kamarinskaya", just as the whole oak is in the acorn' to quote Tchaikovsky - the Russian piano concerto had no such indigenous prototype. All that existed to inspire would-be concerto composers were a handful of inferior potpourris and variations for piano and orchestra and a negligible concerto by Villoing dating from the 1830s. Rubinstein's five
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13

Shank, Ashley C. "Composers as Storytellers: The Inextricable Link Between Literature and Music in 19th Century Russia." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1290275047.

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14

Moore, Rick. "Representations of Revolution and Revolutionaries in Early Twentieth Century Russian Literature." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18373.

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The representation of Revolution and revolutionaries develops as one of the main themes in Russian literary texts of the nineteenth and early twentieth centuries. It would not be an overstatement to say that most active writers during this time referred to these themes in their works. These themes developed in consort with the historical and political developments occurring within the country. The literature of the twentieth century led to a culmination in the understanding of this complex topic. This thesis will present an analysis of several types of Revolutionary characters and their concep
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15

West, Mark Peter. "Between times : 21st century American fiction and the long sixties." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5621/.

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This thesis examines conceptions of time and history in five American novels published between 1995 and 2012 which take as their subject matter events associated with the counterculture and New Left of the 1960s and 1970s. The thesis is organized around close readings of five novels. The first chapter focuses on Jennifer Egan’s The Invisible Circus (1995) and argues that it incorporates a number of problematic temporal experiences which have the effect of establishing a key tension of all the novels considered here: the concern with contextualizing and historicizing particular events and cultu
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16

Hall, Shane. "War by Other Means: Environmental Violence in the 21st Century." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22688.

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This dissertation studies the intersections of militarism, climate change, and environmental justice in U.S. literature and popular culture since the end of the Cold War. The project identifies different mechanisms enacting environmental military violence through discursive analysis of literary and cultural texts, and considers the ideas, values, and beliefs that support environmental military violence. In each chapter I trace a different dynamic of environmental violence structured through the logics of U.S. counterinsurgency theory by examining what I call “narrative political ecologies”—cul
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17

Kirlew, Shauna Morgan. "21st-Century Neo-Anticolonial Literature and the Struggle for a New Global Order." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/93.

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21st-century Neo-anticolonial Literature and the Struggle for a New Global Order explores the twenty-first-century fiction of five writers and investigates the ways in which their works engage the legacy and evolution of empire, and, in particular, the expansion of global capitalism to the detriment of already-subjugated communities. Taking up a recent call by Postcolonial scholars seeking to address the contemporary challenges of the postcolonial condition, this project traces out three distinct forms of engagement that function as a resistance in the texts. The dissertation introduces these
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18

Musty, Emma. "A short history of lines." Thesis, Aberystwyth University, 2016. http://hdl.handle.net/2160/c4aa2292-b43a-4d1f-bb59-b3cea766cb02.

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19

Moore, Marshall. "Inhospitable : a novel." Thesis, Aberystwyth University, 2016. http://hdl.handle.net/2160/17c43877-5c4e-4d9b-b0aa-881667fbd5c0.

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20

Robinson, Sarah E. "The Other Sherlock Holmes| Postcolonialism in Victorian Holmes and 21st Century Sherlock." Thesis, Southern Illinois University at Edwardsville, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10808581.

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<p> This thesis examines Sherlock Holmes texts (1886&ndash;1927) by Sir Arthur Conan Doyle and their recreations in the television series <i>Sherlock </i> (2010) and <i>Elementary</i> (2012) through a postcolonial lens. Through an in-depth textual analysis of Doyle&rsquo;s mysteries, my thesis will show that his stories were intended to be propaganda discouraging the British Empire from becoming tainted, ill, and dirty through immersing themselves in the &ldquo;Orient&rdquo; or the East. The ideal Imperial body, gender roles, and national landscape are feminized, covered in darkness, and infec
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21

Rousselet, Jean-François. "Victor Petrovitch Astafiev, un écrivain ruraliste ?" Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC030.

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Cette thèse présente la première monographie française sur le grand écrivain russe et sibérien Victor Astafiev. Peu traduite en français, son œuvre importante (15 volumes) est généralement considérée par la critique comme s’inscrivant dans la veine de la prose rurale qui se développa en Russie à partir des années 70. Cependant, la biographie de l’écrivain et la multiplicité des thèmes qu’il aborde (société, guerre, musique, sons et nature) impose une remise en question de cette interprétation. L’auteur de la thèse s’attache à analyser finement les textes mis en contexte, à étudier l’évolution
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22

Renner-Fahey, Ona. "Mythologies of poetic creation in twentieth-century Russian verse." Columbus, Ohio Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1056554664.

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Thesis (Ph.D.)--Ohio State University, 2002.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 205 p. Includes abstract and vita. Advisor: Angela K. Brintlinger, Dept.of Slavic and Eastern European Languages and Literatures. Includes bibliographical references (p. 196-205).
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23

Raulerson, Joshua Thomas. "Singularities: technoculture, transhumanism, and science fiction in the 21st Century." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/2968.

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A spectre is haunting contemporary technoculture: the spectre of Singularity. Ten years into a century thus far characterized chiefly by the catastrophic failure of global economic and political systems, deepening ecological anxieties, and slow-motion social crisis, the only sector of our collective cultural myth of Progress still vibrantly intact is the technological - a project which, in vivid contrast to the systemic failure that seemingly prevails at nearly every other level, continues to charge forward at breakneck sp
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24

Rice, Andrea. "Rebooting Brecht: Reimagining Epic Theatre for the 21st Century." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555688903742283.

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25

Svedberg, Katarina. "A Deeply Satisfying Lie? : Authorship, Performance, and Recognition in 21st Century American Novels." Thesis, Stockholms universitet, Engelska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144469.

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There has been a considerable amount of research done on questions of authorship over the past century or so, and the interest in the subject is still going strong today. This essay takes as its point of departure two seminal poststructuralist essays on authorship—Roland Barthes’s “The Death of the Author,” and Michel Foucault’s “What is an Author?”—as these texts have had a significant impact on the discourse. It examines how scholars like Seán Burke and Jane Gallop have explained this anti-authorial tendency and extended the connection between authors and death, and how their findings relate
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26

Barber, Sarah. "The depiction of prostitution in nineteenth and early- twentieth-century Russian literature." Thesis, Keele University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431374.

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In this thesis the depictions of prostitution produced in Russia from 1860-1914 are the paramount focus; a number of issues surrounding this subject are also discussed in some detail. The intention is to examine the motivations of the authors concerned, as well as the images they created, and to compare these images with those produced by other authors, including non-Russians, and also with real-life prostitution in this period The introduction is concerned firstly with the problem of defining the terms of the title, particularly `prostitution'; a term loaded with social and moral connotations
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27

Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fictionthrough the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28495.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21 st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analys
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28

Williams, Colby D. "Reading 9/11 in 21st Century Apocalyptic Horror Films." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/116.

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The tragedy and aftermath of the 9/11 terrorist attacks are reflected in American apocalyptic horror films that have been produced since 2001. Because the attacks have occurred only within the past ten years, not much research has been conducted on the effects the attacks have had on the narrative and technological aspects of apocalyptic horror. A survey of American apocalyptic horror will include a brief synopsis of the films, commentary on dominant visual allusions to the 9/11 attacks, and discussion of how the attacks have thematically influenced the genre. The resulting study shows that
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Ben-Nasr, Leila. "The Narrative Space of Childhood in 21st Century Anglophone Arab Literature in the Diaspora." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1546475958114273.

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30

Hermida, Alfred. "Open journalism : dynamics of change and continuity in news work in the 21st century." Thesis, City University London, 2014. http://openaccess.city.ac.uk/13439/.

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This review of eight years of research into digital media addresses the methodological and epistemological issues and tensions arising out of the emergence of new communicative spaces that have expanded the range of actors involved in the construction of the news. Until recently, journalism has developed as a relatively closed professional culture for the production of knowledge, based on a system of editorial control. Yet digital media technologies have disrupted established concepts of communication, prevailing notions of space and time and the distinction between public and private spheres.
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31

Guzman-Medrano, Gael. "Post-Revolutionary Post-Modernism: Central American Detective Fiction by the Turn of the 21st Century." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/917.

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Contemporary Central American fiction has become a vital project of revision of the tragic events and the social conditions in the recent history of the countries from which they emerge. The literary projects of Sergio Ramirez (Nicaragua), Dante Liano (Guatemala), Horacio Castellanos Moya (El Salvador), and Ramon Fonseca Mora (Panama), are representative of the latest trends in Central American narrative. These trends conform to a new literary paradigm that consists of an amalgam of styles and discourses, which combine the testimonial, the historical, and the political with the mystery and sus
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32

Smit, Willem Jacobus. "Becoming the third generation: negotiating modern selves in Nigerian Bildungsromane of the 21st century." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2335.

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Thesis (MA (English))--University of Stellenbosch, 2009.<br>ENGLISH ABTRACT: In recent years, original and exciting developments have been taking place in Nigerian literature. This new body of literature, collectively referred to as the ―third generation‖, has lately received international acclaim. In this emergent literature, the negotiation of a new, contemporary identity has become a central focus. At the same time, recent Nigerian literary texts are articulating responses to various developments in the Nigerian nation: Nigeria‘s current political and socio-economic situation, diverse forms
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33

Ingvoldstad, Bjorn Paul. "Post-socialism, globalization, and popular culture 21st century Lithuanian media and media audiences /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219906.

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Thesis (Ph.D.)--Indiana University, Dept. of Communication and Culture, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 1962. Adviser: Barbara Klinger. "Title from dissertation home page (viewed June 21, 2007)."
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34

Carstens, Johannes Petrus (Delphi). "Uncovering the apocalypse : narratives of collapse and transformation in the 21st century Fin de Siècle." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85700.

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Thesis (PhD)-- Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This dissertation examines the idea of apocalypse through the lens of science fiction (sf) written during the current fin de siècle period. I have dated this epoch, known as the information era, as starting in 1980 with the advent of personal computing and ending in approximately 2020 when the functional limits of silicon-based digital manufacturing and production are expected to be reached. By surveying the field of contemporary sf, I identify certain trends and subgenres that relate to particular aspects of apocalyptic th
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35

Crotty, Tammy J. "Left of mainstream : genre fiction and its ability to transcend formula." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313073.

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This collection of short stories studies the elements of genre fiction and applies them to literary fiction. Science fiction, fantasy, and horror have specific manners in which they speak to an audience. By using these elements, for example the desensitization of the current generation of readers to most horrors, an author can demonstrate the core of the human relationship to pain, faith, or hope. Though some genre fiction seems to fit certain formulas, there are also horror or science fiction stories which do not fit a conventional mold. This collection sets forth to break away from genre fic
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36

Lechtchenko, Natalia. "A window on Russia : the Moscow myth in twentieth-century Russian literature and culture /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174635.

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Pyanzina, Elizaveta Anatolyevna 1981. "Representation of the Peoples of the Caucasus in 20th Century Russian Literature and Cinematography." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11489.

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ix, 67 p.<br>For centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai, <italic>Kidnapping, Caucasian Style</italic> (1966); Vladimir Makanin's story,
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Ma, Chun-laam, and 馬鎮嵐. "Characterization of detective figure as a site of negotiation of modernism and postmodernism in the 21st century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47055376.

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39

Possehl, Suzanne René. "A women's journal, or, The birth of a Cosmo girl in 19th-century Russia /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20175.

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This thesis examines the role nineteenth-century women's literary journals, specifically Ladies' Journal (1823--1833), played in the development of Russian literature. The longest-lived and most-circulated of the pre-Soviet women's literary journals, Ladies' Journal was well-positioned to have contributed to the on-going formation of a national literature through its influence on the Russian woman writer and reader. Ladies' Journal served as a forum for new Russian women writers and translators. It also promoted the discussion of women's issues. However, Ladies' Journal had a contradictory edi
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40

Mancz, Allison N. "A Woman's Place Among the Pines: My Journey of Coping and Creating in the 21st Century." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1619195791473881.

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41

Koch, Marlene L. "The role and function of the school psychologist in the 21st century a literature review /." Online version, 2001. http://www.uwstout.edu/lib/thesis/2001/2001kochm.pdf.

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42

Cox, Carolina Benito. "21st Century Skills and Principles of Flow in the Foreign Language Classroom." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4197.

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Flow theory explains the conditions for optimal engagement (enjoyment, interest, and concentration). There are three types of engagement: cognitive, emotional, and behavioral. When these are combined and present at their peak, flow takes place. In the era of information, media, and technology, current concerns in education include an increasing student disengagement and disaffection. Recently, educational organizations have focused on 21st century skills and the importance of developing these in order to better engage with society. This mixed study explores the relationship between the inclusi
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43

Quintanilla, Octavio. "Love Poem with Exiles." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28465/.

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Love Poem with Exiles is a collection of poems with a critical preface. The poems are varied in terms of subject matter and form. In the critical preface, I discuss my relationship with poetry as well as the idea that we inherit poems, and that if we are inspired by them, we can transform them into something new.
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44

Madrid, David G. C. "In Search of Elysium: Spanish Poetry of Difference at the Dawn of the 21st Century." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1468574822.

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Korovianska, Veronika. "Establishing National Identity in the Twentieth-Century China: Traces of Russian and Ukrainian Literature in the New Chinese Literature." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23797.

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Russian literature is traditionally regarded as one that served a model and guide for Chinese intellectuals in developing their national literature. It is also recognized that Eastern European literatures drew much attention of Chinese intellectuals in their quest for national identity and modernization. This thesis is aimed at providing a more detailed look at the Chinese- Slavic literary discourse of the 1920’s, focusing on Russian literature as a recognized literary “authority” of the time, and Ukrainian literature as an example of a literature of an oppressed nation, whic
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46

Duce, Cristy Lee. "In love and war : the politics of romance in four 21st-century Pakistani novels." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/3127.

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Writers of fiction have long since relied on love, romance, and desire to drive the plots of their work, yet some postcolonial authors use romance and interpersonal relationships to illustrate the larger political and social forces that affect their relatively marginalized experiences in a global context. To illustrate this literary strategy, I have chosen to discuss four novels written in the twenty-first century by Pakistani authors: Tbe Reluctant Fundamentalist by Mohsin Hamid, Trespassing by Uzma Aslam Khan, The Wasted Vigil by Nadeem Aslam, and Burnt Shadows by Kamila Shamsie. With the ge
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47

Pasholok, Maria. "Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.

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This thesis is an exploration of the ways in which a number of important Russian writers and filmmakers of the 1910s and 1920s appropriated domestic interiors as structural, visual and literary metaphors. My focus is on the artistic articulation of the closed space of the Russian domestic interior, in particular as it surfaced in the narratives of the modernist literature and cinema of the time and became an essential metaphor of its age. In my discussion I take issue with two standard ways of understanding domestic space in existing literature. I argue that representations of home spaces in e
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48

Grant, Katie. "changes in glacier extent since the little ice age and links to 20th/21st century climatic variability on Noyaya Zemlya, Russian arctic." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529950.

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Sheets, William J. "Mythology in 21st Century Japan: A Study of Ame no Uzume no Mikoto." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500615882214031.

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Hoffmann, Andrew. "The City as a Trap| 20th and 21st Century American Literature and the American Myth of Mobility." Thesis, Marquette University, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13809920.

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Abstract:
<p> This dissertation reads twentieth and twenty-first century U.S. multicultural literatures, women&rsquo;s literature, and science-fiction film and literature to identify a tradition of literary representation of long-standing patterns of economic entrapment in American cities.&rdquo; I argue that the capitalist ideologies of opportunity and spatial, economic, and social mobility associated with American cities have been largely false promises, and that literature provides an avenue to investigate the ideological matrices and cultural narratives that American capitalism uses to situate bodie
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