Relevant bibliographies by topics / Adbusters

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Adbusters'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Adbusters"

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Mkhitaryan, Karine. "The Use of Advertisements and Adbusters in the Course of Business English." Armenian Folia Anglistika 6, no. 1-2 (7) (October 15, 2010): 125–29. http://dx.doi.org/10.46991/afa/2010.6.1-2.125.

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The use of ads and adbusters is a most effective tool in the Business English teaching since it supposes the ability to analyze linguistic and inter-cultural situations which is a necessary precondition for creating ads and adbusters in the given language. It is noteworthy, that the efficiency of a foreign language teaching is first and foremost ensured in case inter-disciplinary relations have been considered, i.e. the ones that exist between the given foreign language and the professional field the student is engaged in. Future specialists of business should be competent in linguostylistic a
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Daubs, Michael S., and Jeffrey Wimmer. "Forgetting History: Mediated Reflections on Occupy Wall Street." Media and Communication 5, no. 3 (September 22, 2017): 49–58. http://dx.doi.org/10.17645/mac.v5i3.979.

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This study examines how Occupy Wall Street (OWS) protestors’ practices and stated understanding of media act on social perceptions of networked media. It stems from a discursive content analysis of online commentary from OWS protestors and supporters, using different sources from the first Adbusters blog in July 2011 until May 2012. We demonstrate how the belief in the myth of an egalitarian Internet was incorporated into the offline structure of OWS and led OWS participants to adopt rhetoric that distances the movement from past protest actions by stating the movement was “like the Internet”.
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Couto de Azevedo de Oliveira, Renata, and Luís Alexandre Grubits de Paula Pessôa. "Absolut spoof: subvertendo a publicidade da marca Absolut." Revista Pensamento Contemporâneo em Administração 8, no. 2 (June 30, 2014): 1. http://dx.doi.org/10.12712/rpca.v8i2.311.

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O objetivo do presente estudo é investigar como as paródias publicitárias (ou spoof ads) da marca Absolut Vodca veiculados no site da AdBusters Media Foundation, que possui destaque dentre os movimentos de resistência classificados como culture jamming, refletem as características e críticas apontadas na literatura sobre tal movimento. Trata-se de uma pesquisa exploratória com base em um estudo de caso dos spoof ads da marca Absolut. Os resultados apontam que muitas das características do movimento de culture jamming estão presentes no corpus analisado. Conclui-se, portanto, que os spoofs são
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Rocha, Simone, and Vanessa Silva. "DO CONSUMO AO ESTRANHAMENTO: Identidade e resistência cultural instauradas na tensão entre anúncios de publicidade e de antipublicidade sobre o corpo feminino." Revista Contracampo, no. 20 (November 5, 2009): 49. http://dx.doi.org/10.22409/contracampo.v0i20.14.

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O objetivo deste artigo consiste em investigar o consumo tanto como um conjunto de relações comerciais, quanto como uma prática que se funda no campo da cultura e que contribui no processo de formação identitária dos sujeitos. Apoiamos-nos no marco teórico-metodológico do circuito da cultura e na concepção Foulcoutiana de formações discursivas. Empiricamente, propomos analisar, de um lado, um anúncio da grife Calvin Klein, buscando evidenciar, em que medida o corpo feminino enfocado nesse anúncio se constitui enquanto um objeto de consumo. E, por outro lado, uma antipublicidade produzida pela
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Barber, John F. "Design Anarchy by Kalle Lasn. Adbusters Media Foundation, Vancouver, British Columbia, 2006. 416 pp., 420 illus. Cloth. ISBN: 0-9746800-9-5." Leonardo 41, no. 2 (April 2008): 193–94. http://dx.doi.org/10.1162/leon.2008.41.2.193.

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Ilie, Oana-Antonia. "The Visual Message. Directions of Evolution in Image Advertising." International conference KNOWLEDGE-BASED ORGANIZATION 24, no. 2 (June 1, 2018): 294–99. http://dx.doi.org/10.1515/kbo-2018-0105.

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Abstract The advertising image has become a part of our daily life; it is the main method of marketing in society, which encourages and finally, persuades people to purchase goods and services. A picture is worth a thousand words, and the visual image has gained supremacy over all other communication means. Advertising contributes to the development of the economy by increasing demand and by sustaining economic activities. It determines people to consume more and thereby improves their standard of living. The brand images are capable of instantly catching consumers’ attention and are the influ
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Michaels, Walter Benn. "Dude, Where's My Job?" PMLA/Publications of the Modern Language Association of America 127, no. 4 (October 2012): 1006–9. http://dx.doi.org/10.1632/pmla.2012.127.4.1006.

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The question of what occupy wall street wants has been a hard one to answer—despite or because of Adbuster's founding call for “one” “simple” and “uncomplicated” “demand.” This is partly because the Adbuster candidate, “Democracy without Corporatocracy,” was a little vague and partly because the many specific demands that followed it—from reinstating Glass-Steagall to reforming campaign finance to establishing an “Office of the Citizen”—didn't really capture the radical spirit of the movement. What emerged as most characteristic of OWS was something like a critique of the very idea of demands:
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Putri, Leonardia Acynthia. "Culture Jamming Versus Popular Culture." Jurnal ILMU KOMUNIKASI 8, no. 1 (November 27, 2013). http://dx.doi.org/10.24002/jik.v8i1.179.

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Abstract: This literature study researched Adbusters, the anti-commercial organization, and described the organization’s activities and media usage, mainly in the period of 2007-2010, which critized the populer culture. Adbusters is an organization which performs “Culture Jamming”; a rebellious act reacting towards commercialism domination in many aspects including popular culture. Compared to other similar organizations, Adbusters has been executing more various activisms using several media which other organizations do not use. This study used the Adbusters’ official website and blog
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Chassonnery-Zaïgouche, Cléo. "Kalle Lasn et Adbusters, Meme wars, the creative destruction of neoclassical economics, Penguin, 400 pages, 2012." Développement durable et territoires, Vol. 4, n°2 (May 8, 2013). http://dx.doi.org/10.4000/developpementdurable.9850.

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Tseronis, Assimakis, and Charles Forceville. "Arguing Against Corporate Claims Visually and Multimodally: The Genre of Subvertisements." Multimodal Communication 6, no. 2 (November 27, 2017). http://dx.doi.org/10.1515/mc-2017-0008.

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AbstractIn this paper, we describe the conditions under which the manipulation of the verbal and the visual elements or of the visual elements alone in the genre of subvertisements can be considered as an act of objecting or rebutting in an implicit argumentative discussion. We thus consider the cognitive and pragmatic aspects of communication while paying serious attention to the interaction of semiotic modes in order to analyse a number of images produced by anti-consumerist groups such as Adbusters. We identify four different ways in which image-text relations or the visuals alone can cue a
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Dissertations / Theses on the topic "Adbusters"

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Hägglund, Johan. "Adbusters eller adbusting : Rörelse eller metod." Thesis, Linköping University, Department of Social and Welfare Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-8041.

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<p>Vi möts ständigt av tusentals bilder och budskap när vi rör oss i det offentliga. Då och då rubbas dessa budskap och</p><p>vi tvingas ta ställning till vad det faktiskt är vi tittar på. Adbusters.se, en svensk rörelse med rötter i USA och Kanada, tar reklam och etablerade symboler och gör om dem. Tanken är att ett ifrågasättande av reklamen blir ett ifrågasättande av reklamens plats i det offentliga rummet. Med hjälp av en socialkonstruktionsteoretisk utgångspunkt, där tanken förenklat är att vi skapar vår värld på samma gång som vi lever i den, och ideologi som metodverktyg tar jag mig an
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Rudinski, Sanja. "Consumer Perception of Brand Personalization : Adbusters as Anti-Brand." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-10149.

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Thesis purpose: The thesis purpose is to examine the interrelationship of consumer and brand relation. The main objective is to research how consumers’ perception of brand personalization before and after seeing Adbusters subvertisement ads influences their relation to brands. Methodology: The thesis has deductive quantitative research approach, since it starts from theory to gain more understanding of the research area. The data is collected through an online questionnaire. Theoretical perspective: This study is based upon the general brand and branding definitions, with focus on brand person
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OLIVEIRA, RENATA COUTO DE AZEVEDO DE. "RESISTANCE, JAMMING AND SUBVERTISING: AN ANALYSIS OF THE ADBUSTERS MEDIA FOUNDATION S SPOOF ADS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27260@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>O culture jamming é um movimento de proliferação artística de mensagens, um processo retórico de intervenção e invenção que desafia a habilidade do discurso corporativo de fazer sentido de forma previsível. A organização canadense AdBusters Media Foundation é considerada um ícone do movimento e tem como objetivo declarado o redirecionamento do fluxo de informação, da forma como as corporações exercem o poder e da maneir
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Sava, Kristina. "Grafiska designers roll i överkonsumtion – En fallstudie på hur Adbusters försöker att minska överkonsumtionen genom reklam, och hur grafiska designers kan ta lärdom av deras kritik." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21092.

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The aim of this study is to examine how areas such as advertising, graphic design and overconsumption are related to each other. The advertising we see today mostly expresses and glamorizes a lifestyle based on over-consuming. Consumption critical advertising about the consequences of this lifestyle is not really exposed in today's media. The consumption critical magazine Adbusters was chosen for that reason. The method used is semiotic photo analysis of two consumption critical ads from Adbusters. This method was chosen to bring insight to how Adbusters communicates and what the meaning is be
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Wettergren, Åsa. "Moving and Jamming : Implications for Social Movement Theory." Doctoral thesis, Karlstad University, Division for Social Sciences, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1417.

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<p>The present compiled dissertation explores culture jamming as a social movement in late capitalist information society. Culture jamming embraces groups and individuals practicing symbolic protest against the expansion and domination of large corporations and the logic of the market into public and private life. The central aim is to understand the meaning of culture jamming; its “model” of collective identification, and its protest and mobilizing strategies. International social movement research mostly focuses upon well established movements that are traditionally organized and directed ag
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Haylock, Bradley John, and brad@newethic org. "The Front Line is Everywhere: For a Critique of Radical Commodities." RMIT University. Global Studies, Social Science and Planning, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080213.095326.

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This dissertation addresses the phenomenon of 'radical commodities'-commercial products which advance an oppositional politics. Examples of such include the products of Rage Against The Machine, a 'revolutionary' rock band; Michael Moore, a best-selling author and award-winning documentary filmmaker; Naomi Klein, a journalist and author of the international bestseller No Logo; The Body Shop, a multinational manufacturer and retailer of 'natural' cosmetics and toiletries; Freitag, a company which manufactures bags, wallets and other fashionable accessories from recycled materials, and; the Adbu
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Binay, Ayse Burns Neal. "Investigating the anti-consumerism movenent in North America the case of adbusters /." 2005. http://repositories.lib.utexas.edu/bitstream/handle/2152/1824/binaya18966.pdf.

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Binay, Ayse. "Investigating the anti-consumerism movenent in North America: the case of adbusters." Thesis, 2005. http://hdl.handle.net/2152/1824.

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Landry, Normand. "Le front social de la communication : Adbusters et la contestation de l'économie politique de la communication canadienne." Thèse, 2006. http://hdl.handle.net/1866/17425.

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Stasko, Carly. "A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing." Thesis, 2009. http://hdl.handle.net/1807/18109.

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This qualitative study uses narrative inquiry (Connelly & Clandinin, 1988, 1990, 2001) and self-study to investigate ways to further understand and facilitate the integration of holistic philosophies of education with media literacy pedagogies. As founder and director of the Youth Media Literacy Project and a self-titled Imagitator (one who agitates imagination), I have spent over 10 years teaching media literacy in various high schools, universities, and community centres across North America. This study will focus on my own personal practical knowledge (Connelly & Clandinin, 1982) as a cult
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Books on the topic "Adbusters"

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Ümit Kıvanç'a cevap: Birikim dergisinin yayınlamayı reddettiği makalenin öyküsü. İstanbul, 2005.

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Book chapters on the topic "Adbusters"

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"Mobilization and the moral shock: Adbusters Media Foundation." In Emotions and Social Movements, 109–28. Routledge, 2007. http://dx.doi.org/10.4324/9780203013526-10.

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"A Proposal for Grounded Cultural Activism: Communication Strategies, Adbusters and Social Change." In Cultural Activism, 137–55. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789042029828_008.

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"Adbusts, Kunst und Kommunikation." In Adbusting, 6–31. transcript-Verlag, 2016. http://dx.doi.org/10.14361/9783839434475-001.

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