Books on the topic 'Aesthetics, Modern'

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1

Welsch, Wolfgang. Undoing aesthetics. London: Sage Publications, 1997.

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2

Genette, Gérard. Essays in aesthetics. Lincoln: University of Nebraska Press, 2005.

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3

Knab, Janina. Ästhetik der Anmut: Studien zur "Schönheit der Bewegung" im 18. Jahrhundert. Frankfurt am Main: P. Lang, 1996.

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4

Lyell, Asher, and Merrill Robert 1950-, eds. Ethics/aesthetics: Post-modern positions. Washington, DC: Maisonneuve Press, 1988.

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5

Marra, Michael F. Modern Japanese aesthetics: A reader. Honolulu: University of Hawaiʻi Press, 1999.

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6

Richard, Shusterman, ed. Analytic aesthetics. Oxford, UK: B. Blackwell, 1989.

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7

1944-, Alexandrakis Aphrodite, Moutafakis Nicholas J. 1941-, and International Society for Neoplatonic Studies., eds. Neoplatonism and Western aesthetics. Albany: State University of New York Press, 2002.

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8

Park, Sung-bong. An aesthetics of the popular arts: An approach to the popular arts from the aesthetic point of view. Uppsala: Ubsaliensis Academiae, 1993.

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9

Crowther, Paul. Critical aesthetics and postmodernism. Oxford: Clarendon Press, 1993.

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10

1952-, Golsan Richard Joseph, ed. Fascism, aesthetics, and culture. Hanover, NH: University Press of New England, 1992.

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11

Rampley, Matthew. Nietzsche, aesthetics, and modernity. Cambridge, U.K: Cambridge University Press, 2000.

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12

Rampley, Matthew. Nietzsche, aesthetics, and modernity. Cambridge, U.K: Cambridge University Press, 2000.

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13

John, Ruskin. Modern painters. Edited by David Barrie. New York: Knopf, 1987.

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14

John, Ruskin. Modern painters. London: Andre Deutsch, 1987.

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15

John, Ruskin. Modern painters. London: Deutsch, 1989.

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16

Nijhawan, Michael, and Ratiba Hadj-Moussa. Suffering, art, and aesthetics. New York, NY: Palgrave Macmillan, 2014.

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17

Wyss, Beat. Hegel's art history and the critique of modernity. Cambridge, U.K: Cambridge University Press, 1999.

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18

Eagleton, Terry. The ideology of the aesthetics. Cambridge, MA, USA: Basil Blackwell, 1990.

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19

Albright, Daniel. Beckett and aesthetics. New York: Cambridge University Press, 2003.

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20

Hollingsworth, Andrew. Danish modern. Layton, UT: Gibbs Smith, 2008.

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21

Cazeaux, Clive. The Continental aesthetics reader. 2nd ed. London: Routledge, 2011.

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22

Dickie, George. The century of taste: The philosophical odyssey of taste in the eighteenth century. New York: Oxford University Press, 1996.

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23

Dikeç, Mustafa. Space, politics and aesthetics. Edinburgh: Edinburgh University Press, 2015.

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24

McCormick, Peter. Modernity, aesthetics, and the bounds of art. Ithaca: Cornell University Press, 1990.

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25

Offermans, Cyrille. Openluchtconcert: Parva aesthetica. Amsterdam: De Bezige Bij, 1991.

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26

Richard, Kearney, and Rasmussen David M, eds. Continental aesthetics: Romanticism to postmodernism : an anthology. Malden, Mass: Blackwell Publishers, 2001.

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27

Siṅgha, Darabāra. Philosophy of aesthetics: Reading Caudwell. Delhi: Anupama Publications, 1992.

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28

Sepp, Hans Rainer. Handbook of phenomenological aesthetics. Dordrecht: Springer, 2010.

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29

Kathleen, Stock, and Thomson-Jones Katherine, eds. New waves in aesthetics. New York, USA: Palgrave Macmillan, 2008.

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30

Gethmann-Siefert, Annemarie. Ist die Kunst tot und zu Ende?: Überlegungen zu Hegels Ästhetik. Erlangen: Palm & Enke, 1994.

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31

Kong, Byung-Hye. Die ästhetische Idee in der Philosophie Kants: Ihre systematische Stellung und Herkunft. Frankfurt am Main: P. Lang, 1995.

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32

Zhang, Zhengwen. Cong gu dian dao xian dai: Kangde mei xue yan jiu. 8th ed. Beijing: She hui ke xue wen xian chu ban she, 2002.

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33

Koppe, Franz. Grundbegriffe der Ästhetik. Paderborn: Mentis, 2004.

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34

Bernstein, J. M. The fate of art: Aesthetic alienation from Kant to Derrida and Adorno. Cambridge: Polity Press, 1992.

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35

Lafaye, Caroline Guibet. Kant: Logique du jugement esthétique. Paris: L'Harmattan, 2003.

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36

Bernstein, J. M. The fate of art: Aesthetic alienation from Kant to Derrida and Adorno. University Park, Pa: Pennsylvania State University Press, 1992.

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37

Wivel, Ole. Sansning og symbol: Om kunst og digtning i K.E. Løgstrups filosofi. [Viby]: Centrum, 1985.

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38

Seubold, Günter. Das Ende der Kunst und der Paradigmenwechsel in der Ästhetik: Philosophische Untersuchungen zu Adorno, Heidegger und Gehlen in systematischer Absicht. Freiburg: Verlag K. Alber, 1997.

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39

Menezes, José Rafael de. Aproximações da obra estética de Evaldo Coutinho. Recife: Editora Universitária UFPE, 1987.

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40

Esser, Andrea. Kunst als Symbol: Die Struktur ästhetischer Reflexion in Kants Theorie des Schönen. München: W. Fink Verlag, 1997.

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41

Dufour-Kowalska, Gabrielle. L' art et la sensibilité: De Kant à Michel Henry. Paris: J. Vrin, 1996.

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42

Valle-Inclán, Ramón del. La lámpara maravillosa. 4th ed. Madrid: Espasa Calpe, 1995.

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43

Oldrini, Guido. L' estetica di Hegel e le sue conseguenze. Roma: Laterza, 1994.

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44

Marra, Michael F. Modern Japanese Aesthetics. Edited by Michael F. Marra. University of Hawaii Press, 1999. http://dx.doi.org/10.1515/9780824863678.

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45

McQuillan, J. Colin. Early Modern Aesthetics. Rowman & Littlefield Publishers, Incorporated, 2015.

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46

McQuillan, J. Colin. Early Modern Aesthetics. Rowman & Littlefield Publishers, Incorporated, 2015.

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47

McQuillan, J. Colin. Early Modern Aesthetics. Rowman & Littlefield Publishers, Incorporated, 2015.

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48

Guyer, Paul. History of Modern Aesthetics. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0002.

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Abstract:
The first part of this article reviews a number of recent general approaches to the history of modern aesthetics. Some of the most prominent work on the history of the subject by philosophers working within the paradigm of analytical aesthetics has not had much to say about some historical questions, but instead has taken both the very existence of the field of aesthetics and its post-eighteenth-century identification with the philosophy of art pretty much for granted; such work has generally used interpretations of historical figures, especially from the eighteenth century, to support or criticize positions in contemporary aesthetics. The second part of the article is a bibliographical essay listing some of the most important recent work on the major movements and individual figures in aesthetics from the beginning of the eighteenth century to the middle of the twentieth.
49

Rider. Introduction to Modern Aesthetics. Cambridge University Press, 2000.

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50

Guyer, Paul. History of Modern Aesthetics. Cambridge University Press, 2015.

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