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Relevant bibliographies by topics / Aesthetics of modernism

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Academic literature on the topic 'Aesthetics of modernism'

Author: Grafiati

Published: 3 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "Aesthetics of modernism"

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Martin, Regina. "Literature and Professional Society: Modernism, Aesthetics, and Ian McEwan’s Saturday." College Literature 51, no. 3 (2024): 316–44. http://dx.doi.org/10.1353/lit.2024.a931856.

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Abstract: Ian McEwan’s novels are well-known for their ongoing conversation with turn-of-the-twentieth-century modernism. This essay argues that McEwan’s novel Saturday engages with two modernist problematics—modernist interrogation of aesthetics and the emergence of the professional classes during the modernist era. Reading McEwan’s novel through and against its modernist antecedents, Mrs. Dalloway and Howards End , provides a means of understanding how, in modernist novels, a discourse of literary and aesthetic value exists as a function of the tension between leisure-class and professional-

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OKON, IMO EKPE, and PRINCE OGHENETEGHA OHWAVWORHUA. "MODERNIST AESTHETICS IN MODERN AFRICAN POETRY." Global Journal of Communication and Humanities 1, no. 2 (2022): 1–14. https://doi.org/10.5281/zenodo.7191364.

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This paper examines modernist aesthetics in modern African poetry. The aim of this undertaking is predicated on the background that modern African poetry is a continuum of the 20th century European modernist literature. A study of this nature is significant because it critically hints on the origin of modern African poetry, its canonisation, and its future as a literary form. The study starts with an examination of the concepts of ‘modern’ and ‘modernism’, first as separate terminologies and then as interwoven concepts. The paper further examines the nature and form of

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Moore, Daniel. "Editor's Introduction: Modernism, Aesthetics, Historiography." Modernist Cultures 3, no. 2 (2008): 94–99. http://dx.doi.org/10.3366/e2041102209000355.

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Aesthetics is the reflexive construction of the concepts necessary for the comprehension of the stakes and meaning of art in the light of the history of the dominant art of the second half of the 19th century and the first half of the 20th century: modernism. The task of aesthetics is to vindicate modernist art's own claim to mattering, to being significant, indeed unavoidable, for our collective selfunderstanding of ourselves as denizens of modernity. (J. M. Bernstein)

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Steinberg, Michael P. "The Politics and Aesthetics of Operatic Modernism." Journal of Interdisciplinary History 36, no. 4 (2006): 629–48. http://dx.doi.org/10.1162/jinh.2006.36.4.629.

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A survey of European trends and works suggests that the extent to which operatic modernism resists the pull of ideology may well depend on two factors: the post-Wagnerian recuperation of the primacy of voice and the proclivity of modernist operatic texts and music to engage (rather than repress) nostalgia. One work not usually included in modernist canons, Erich Korngold's Die Tote Stadt, presents an interesting model.

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Toderici, Radu. "Tactical Modernism: Romanian Cinema of the 1960s and the Disputed Modernist Aesthetics." Caietele Echinox 47 (December 1, 2024): 208–19. https://doi.org/10.24193/cechinox.2024.47.13.

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Throughout the 1950s, during the heyday of socialist realism, “modernism” as a concept is virtually nonexistent in Romanian literature and arts. Only in the late 1950s and in the early 1960s theories about a modernist style – in literature, but also in cinema – start to reemerge. The main issue with modernism during that era is that it is closely associated with the so-called decadent and bourgeois Western art. In order to be adapted to a Socialist framework, modernism has to be refashioned. As such, a hybrid, tactical modernism – political in content, open to experimentation in matters regard

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Zhitko, Roman G. "The category of Nothingness as a factor in the aesthetics and poetics of modernist literature." Semiotic studies 4, no. 3 (2024): 62–68. http://dx.doi.org/10.18287/2782-2966-2024-4-3-62-68.

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The article defines the specifics of the influence of ideas about Nothingness on the artistic philosophy and aesthetics of modernism. It is stated that the feeling of the "liminal" time created an ambiguous perception of the world: the mystical fear of "sinking into Nothingness" together with the "dying" world, the bitterness of the loss of the "former" world were combined with the expectation of an inevitable revival. Nothingness becomes a system-forming factor in the artistic philosophy and aesthetics of modernism. Modernism objects both to Nietzschean concept of the "death of God" and to th

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Marshik, Celia. "THE CASE OF “JENNY”: DANTE GABRIEL ROSSETTI AND THE CENSORSHIP DIALECTIC." Victorian Literature and Culture 33, no. 2 (2005): 557–84. http://dx.doi.org/10.1017/s1060150305050989.

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DANTE GABRIEL ROSSETTIand his artistic circle are emerging as privileged sites of modernist genesis. Studies by Jessica Feldman (Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience) and Allison Pease (Modernism, Mass Culture, and the Aesthetics of Obscenity) include Rossetti and Algernon Swinburne, respectively, in their reassessments of modernism. In a complementary move, Jerome McGann argues inDante Gabriel Rossetti and the Game That Must Be Lostthat Rossetti's art anticipates Imagism (44) and is characterized by a “hyper-realism that anticipates certain Postmodern styl

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Ramírez Jaramillo, John Fredy. "Las apreciaciones estéticas de Tomás Carrasquilla." Estudios de Literatura Colombiana, no. 24 (August 11, 2011): 161–79. http://dx.doi.org/10.17533/udea.elc.9865.

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Resumen: Este ensayo ofrece un acercamiento a las concepciones estéticas más representativas de Tomás Carrasquilla relacionadas con la actividad creadora, la finalidad del arte, la crítica literaria, la noción de belleza y la reflexión sobre el arte cinematográfico de su época. Si bien parte de sus planteamientos estéticos surgen como una respuesta crítica al naciente modernismo en Colombia, se expondrán las evidencias por las cuales hay que convenir que la postura asumida por el autor antioqueño no puede interpretarse como una actitud de total rechazo hacia los postulados de dicha corriente.

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Gannon, Matthew. "The Aesthetic Death Drive of Modernism." differences 31, no. 2 (2020): 58–85. http://dx.doi.org/10.1215/10407391-8662174.

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This essay argues not only that Wilhelm Worringer’s concept of the urge to abstraction from his work of art history Abstraction and Empathy (1908) prefigures Sigmund Freud’s notion of the death drive in Beyond the Pleasure Principle (1920) but also that Worringer’s aesthetics of nonrepresentational art solves in advance some key problems that Freud had in accounting for the modernism of his day. Though Worringer and Freud did not appear to ever engage with each other, their two central concepts share a high degree of compatibility, and it is possible to think of Worringer’s urge to abstraction

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Pasini, Leandro. "Modernismo e Guerra Fria." Aletria: Revista de Estudos de Literatura 34, no. 4 (2024): 151–66. https://doi.org/10.35699/2317-2096.2024.51377.

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This article aims to investigate the developments of modernist aesthetics in the second half of the twentieth century in the context of the Cold War and the large-scale decolonization of countries in Africa and Asia. More specifically, it addresses two literary groups in which the idea of modernism was decisive: the Modernist School (Xiandaipai) in Taiwan and the Poetry (Shi’r) magazine group in Lebanon, both operating in the 1950s and 1960s. It also mentions briefly the continuity of modernism at the end of the 1970s and beginning of the following decade in cultural spaces previously complete

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Dissertations / Theses on the topic "Aesthetics of modernism"

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Costello, Diarmuid. "Aesthetics after modernism." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395872.

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Evans, Victoria Louise, and n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity." University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.

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In this dissertation, I argue that Douglas Sirk was attempting to dissolve the boundaries of the cinematic medium by assimilating elements of avant-garde art, architecture and design into the colour, composition and settings of many of his most popular studio produced films. While the exaggerated artifice of this director�s formal style has often been remarked upon, it has yet to be interpreted in the light of his detailed cognisance of the major art and architectural movements of the period, which include German Expressionist painting and Machine Age Modernist design. This is a lacuna that my

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Buchanan, D. A. "Aesthetics, art and Utopia : the philosophical significance of the discourse of aesthetics." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296698.

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Melberg, Arne. "Sara Danius, The Senses of Modernism. Technology, Perception, and Modernist Aesthetics. Uppsala 1998." Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200754.

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Barker, Jennifer. "The aesthetics of resistance modernism and antifascism /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Source: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."

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Adams, David Alexander. "Mimesis and Modernism: Jacques Maritain's Early Aesthetics." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20849.

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Jacques Maritain’s early secular aesthetic theories have been interpreted too hastily. The goal of this study is to offer a more accurate reading of them than has been formulated previously. It is also to appraise them, as regards their merits as explanations of concrete phenomena—this has not been done before. In order to achieve these aims, Maritain’s principal early work on aesthetics Art et scolastique will be analysed at length, herein. The problematic methods by means of which the scholarly tradition has interpreted this book will be examined, and their influence on its reception will be

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Buchanan, Stephanie Elizabeth. "Counter-statements : modernist aesthetics and social change /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Howell, Catherine Mary Louise. "The aesthetics of colonial modernism : Klee, Camus, Bowles, Tournier." Thesis, University of Cambridge, 2004. https://www.repository.cam.ac.uk/handle/1810/273418.

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Johnson, Jennifer. "Georges Roualt's modernism and the question of materiality." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:5e1ac77a-ba70-41e8-a3cd-5189723f487f.

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The central concern of my thesis is to bring into focus the problematic relation between Georges Rouault's (1871-1958) pictorial vocabulary and his subject matter: on the one hand, abstract mark-making and on the other, a refusal to cede to abstraction or formalism through an insistence that these marks remain yoked to representation. The result is an examination a way of painting that embraces its state of uncertainty, which interrogates its own construction, and strains against the very materiality it simultaneously celebrates. Chapter one traces the critical reaction to Rouault's painting i

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Stannard, Iain. "Michael Tippett and modernism : aesthetics and instrumental works, 1962-1977." Thesis, University of Newcastle Upon Tyne, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401852.

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Books on the topic "Aesthetics of modernism"

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Press, Duke University, and Duke University Press, eds. Tropical aesthetics of black modernism. Duke University Press, 2021.

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Eysteinsson, Ástráður, and Liska Vivian 1956-, eds. Modernism. J. Benjamins Pub., 2007.

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1968-, Bourne-Taylor Carole, and Mildenberg Ariane 1971-, eds. Phenomenology, modernism, and beyond. P. Lang, 2010.

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Peter, Murphy, ed. Dialectic of romanticism: A critique of modernism. Continuum, 2004.

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Bourne-Taylor, Carole. Phenomenology, modernism, and beyond. P. Lang, 2010.

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Ziarek, Ewa Płonowska. Feminist aesthetics and the politics of modernism. Columbia University Press, 2012.

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Vargish, Thomas. Inside modernism: Relativity theory, cubism, narrative. Yale University Press, 1999.

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Eidam, Heinz. Discrimen der Zeit: Zur Historiographie der Moderne bei Walter Benjamin. Königshausen & Neumann, 1992.

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Melberg, Arne. Aesthetics of prose. Unipub, 2008.

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L, Caughie Pamela, ed. Disciplining modernism. Palgrave Macmillan, 2009.

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Book chapters on the topic "Aesthetics of modernism"

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McIntire, Gabrielle. "Modernism and Bloomsbury Aesthetics." In Virginia Woolf. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-43083-0_5.

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Tilghman, B. R. "Modernism, Modern Aesthetics and Wittgenstein." In Wittgenstein, Ethics and Aesthetics. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21174-6_1.

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Mickalites, Carey James. "Dubliners’ IOU: Joyce’s Aesthetics of Exchange." In Modernism and Market Fantasy. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230391536_3.

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Heuvel, Mike Vanden. "Good Vibrations: Avant-Garde Theatre and Ethereal Aesthetics from Kandinsky to Futurism." In Vibratory Modernism. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137027252_10.

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Costello, Diarmuid. "Modernism and Formalism." In Aesthetics After Modernism. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197756423.003.0004.

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Abstract With Chapter 1’s reconstruction of the internal structure of Greenbergian theory in place, Chapter 2 provides a critique of each wing of his theory in turn. With respect to Greenberg’s formalism, the author takes issue with his understanding of the ‘objectivity’ of aesthetic judgement and his notion of aesthetic ‘distance’, and brings out the incompatibility of both with Kant’s aesthetics, turning on Kant’s conception of ‘subjective universality’ and ‘disinterest’, respectively. With respect to Greenberg’s modernism, the author questions his conviction that the arts can be parsed on n

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"Aesthetics after Modernism." In The Symbolic Order. Routledge, 2005. http://dx.doi.org/10.4324/9780203975343-22.

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Costello, Diarmuid. "The Afterlife of Formalist Criticism II." In Aesthetics After Modernism. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197756423.003.0009.

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Abstract Arthur Danto takes ‘the Kant-Greenberg aesthetics of form’ to be manifestly inadequate not only to the readymades, but to much contemporary art since Duchamp’s gesture was taken up by Warhol’s generation. Aesthetic theory claims one can tell art from non-art on the basis how each looks and makes viewers feel, when art with real world ‘indiscernible counterparts’ demonstrates that we have no reason to respond differently unless we already know that one is art. In sum: aesthetic theories beg the question they ought to answer. The author questions whether this is the question that aesthe

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O’Brien, Nanette. "Conclusion." In Food and Culture in the Works of Ford Madox Ford, Gertrude Stein, and Virginia Woolf. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198871729.003.0006.

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Abstract The Conclusion: Cooking Civilization, Tasting Modernism considers modernist aesthetics and taste while introducing the idea of modernist leftovers, or what is left over for future generations when modernists cook, eat, and write about food, society, and civilization. The conclusion begins with Edith Wharton’s more traditional notion of the idea of taste, especially French taste, as adjacent to culinary aesthetics. It goes on to consider how Ford, Stein, and Woolf have all taken up themes of culinary tradition and heritage while engaging with political, social and aesthetic questions.

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Costello, Diarmuid. "Modernism and Formalism." In Aesthetics After Modernism. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197756423.003.0003.

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Abstract Chapter 1 provides a philosophical reconstruction of the internal structure of Greenbergian theory, affording it the kind of sustained, scholarly attention that it has not previously received from a philosopher. Treated in the round—and not, as is more typical, dismissed on the basis of some of the more obvious argumentative shortcomings of his better-known essays—Greenbergian theory repays such treatment. The theory marries a formalist conception of aesthetic judgement with a medium-specific theory of artistic development. The chapter focuses on the depth of the connection Greenberg

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Lemke, Sieglinde. "Introduction: Was Modernism Passing?" In Primitivist Modernism. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195104035.003.0001.

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Abstract This book is concerned with exploring the formal connections between “white” and “black” cultures in early-twentieth-century art and literature. Instead of juxtaposing white modernism with a “black counter-modernism;’ as Houston Baker does in his important study, Modernism and the Harlem Renaissance, I have sought to trace how both are inextricably interrelated. Nor is this book an attempt to define a pure, black aesthetics, as is Richard J. Powell’s book Blues Aesthetics, Black Culture, and Modernism. Rather than talking about interracial friendships, moments of political cooperation

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Conference papers on the topic "Aesthetics of modernism"

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Fu, Xin. "Study on the Spirit of Modernism Related to Form Formal Aesthetics in Corbusier's Early Modernist Architectural Theory." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.161.

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Kiely, Joss. "Lights, Camera… Aluminum!: Materiality and Monumentality in Welton Becket’s Masterplan of Century City, CA." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5052p8ncv.

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The scale and ambition of the masterplan doesn’t fit neatly in either architecture or urban planning, and therefore, the history of master planning as a practice, its aesthetics and its ethics have long existed at the margins of both disciplines. In the postwar period, masterplan proposals designed by architects committed to high modernist ideals reimagined cities as orderly and aesthetic agglomerations – but with considerable anticipation of large-scale growth and development – both in the United States and abroad. As architects moved away from solely designing buildings to spearheading large

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Fries-Briggs, Gabriel. "Device-Media-Architecture: Julia Child’s Kitchens." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.32.

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This paper traces a lineage of device-as-architecture through the mediatization of Julia Child’s kitchens. A historical survey of the changes to her kitchen and its relationship to interior design during the latter half of the 20th century suggest a reading of interior architecture not as a means to house new technology but rather as composed by technology and devices. Counter to Ryener Banham’s projection of a future where interior technologies give shape to an architectural exterior, Child’s kitchen reflects a growing trend in the second half of the 20th century in which tool-based clutter a

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Marfella, Giorgio. "Seeds of Concrete Progress: Grain Elevators and Technology Transfer between America and Australia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a4000pi5hk.

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Modern concrete silos and grain elevators are a persistent source of interest and fascination for architects, industrial archaeologists, painters, photographers, and artists. The legacy of the Australian examples of the early 1900s is appreciated primarily by a popular culture that allocates value to these structures on aesthetic grounds. Several aspects of construction history associated with this early modern form of civil engineering have been less explored. In the 1920s and 1930s, concrete grain elevator stations blossomed along the railway networks of the Australian Wheat Belts, marking w

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Dzikevich, E., and S. Dzikevich. "AESTHETIC HERMENEUTICS: PARADIGMAL NETWORK." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2536.978-5-317-06726-7/14-18.

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This article is devoted to preparation of a theoretical platform for constructive postmodernist investigations in the aesthetic. The text builds a paradigmatic framework for critical thinking non-discursive communication and non-verbal rhetoric, which may be able to overcome the epistemological limitations of modernist and deconstructive postmodernist cognitive attitudes. The article summarizes the essential part of the ideas of the fundamental monograph, which is currently in work.

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Bogatyreva, E. "AESTHETICS IN THE CONTEXT." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2545.978-5-317-06726-7/56-57.

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The report is dedicated to new expectations related to aesthetics at the turn of the 2010-2020. After discussions about modernity and postmodernity, aesthetics is updated again. This time, its relevance is associated with the spread of digital art and Internet communication.

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Song, Zhanhai. "National Vision and Aesthetics Playing and Singing Art of Maqu Under the Construction of Aesthetic Modernity." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.79.

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Ustiugova, E. "STYLIZATION PHENOMENON FROM THE PERSPECTIVE OF HERMENEUTICS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2544.978-5-317-06726-7/51-55.

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Stylisation is a communicative formation where many levels of meaning and forms intersect. The range of interpretation strategies is driven by the historical and cultural context,which sets out its requirements and assessment criteria. Stylisation can be seen as dialogue, intertext, game, aesthetic visibility, simulacrum, creative expression, as a technique that is part of the foundation of a particular style (classicism or modernity), the action of the linguistic system of culture itself, as a communicative space for total transformation (postmodern). If stylisation is based on the principle

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Zhang, Yunfan, and Eakachat Joneurairatana. "Integrating Tradition with Modernity: Transformation of Tang Dynasty Aesthetics in Contemporary Costume Design Through Dunhuang Mural Inspirations." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004913.

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This study delves into the aesthetic elements of clothing in China's Dunhuang murals from the Tang Dynasty, aiming to understand their transformation and inheritance in contemporary costume design. It seeks to reveal the integration of traditional culture with modern fashion, emphasizing the fusion of ancient and modern aesthetics and its impact on the contemporary costume industry. The methodology involves analyzing Tang Dynasty costume characteristics as portrayed in Dunhuang murals, focusing on aspects like smooth lines, simplicity, and color coordination. It then examines how these aesthet

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Ustiugova, E. "AESTHETICS OF URBAN SPACE AND ENVIRONMENTAL DESIGN IN A HISTORIC CITY." In Aesthetic Problems of Environmental Design. LCC MAKS Press, 2024. https://doi.org/10.29003/m4208.978-5-317-07275-9/25-36.

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The article deals with the correlation of two approaches to the problem of aesthetics of the city: ontology and phenomenology of its space and design of urban environment. These approaches differ in content and tasks, which is especially significant in relation to cities with historical and cultural destiny. The aesthetic image of the city has an ontological basis in the architectural and landscape structure of space, as well as the axiological basis of the city's belonging to the process of its historical and cultural development. The tasks of the environmental and design approaches are deter

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Reports on the topic "Aesthetics of modernism"

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book

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