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Books on the topic 'Age of Streaming'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Sundet, Vilde Schanke. Television Drama in the Age of Streaming. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66418-3.

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2

Nyirenda, D. M. C. A study to investigate the feasibility of age-streaming in primary schools in Malawi: Final report. Malaŵi Institute of Education, 1997.

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3

Bartalucci, Chiara, Federico Fagioli, Andrea Giachetti, Alberto Niccolai, and Leonardo Verdi, eds. PROGETTO STREAMING - STRategiE di mitigazione e gestione dei rischi AMbientalI: casi di studio Nel territorio reGionale Toscano. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-541-7.

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The STREAMING project (STRategiE di mitigazione e gestione dei rischi AMbientalI: casi di studio Nel territorio reGionale Toscano) was funded by POR FSE 2014-2020. The project supported five post-doc on five different case studies for the period 2018-2021 at DAGRI, DICEA e DIEF of the University of Florence. This volume represents a handbook on the best practices for sustainable development in Tuscany summarizing the main results from the STREAMING project. Synergies between project results and Sustainable Development Goals for the Tuscany region are included in the volume.

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4

Moskatova, Olga, ed. Images on the Move. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452462.

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In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. Th

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5

Shumilina, Vera, Galina Krohicheva, Nataliya Izvarina, et al. Application of accounting, analysis and audit in enterprise management. AUS PUBLISHERS, 2021. http://dx.doi.org/10.26526/monography_618ba6f2989171.05397055.

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It is impractical to plan the further work of the company without taking into account analytical data for previous production periods. Analytical accounting data allows managers to build a company's strategy or make changes to an existing development plan. The importance of accounting for the enterprise plays a large role at the planning stage of the further business strategy. A competent manager studies accounting data before making the next decision regarding the company's finances. The easiest way to streamline accounting documents and eliminate errors in it is to conduct an internal audit.

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6

Walsh, Michael James. Streaming Sounds: Music Listening in the Digital Age. Routledge, 2024.

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7

Walsh, Michael James. Streaming Sounds: Music Listening in the Digital Age. Routledge, 2024.

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8

Berglund, Karl. Reading Audio Readers: Book Consumption in the Streaming Age. Bloomsbury Publishing Plc, 2024.

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9

Carter, Eli Lee. New Brazilian Mediascape: Television Production in the Digital Streaming Age. University Press of Florida, 2020.

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10

Streaming Horrors: Essays on the Genre in the Digital Age. McFarland & Company, Incorporated Publishers, 2024.

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11

Holt, Jennifer, and Kevin Sanson. Connected Viewing: Selling, Streaming, & Sharing Media in the Digital Age. Routledge, 2013.

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12

Carter, Eli Lee. New Brazilian Mediascape: Television Production in the Digital Streaming Age. University Press of Florida, 2020.

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13

Connected Viewing: Selling, Streaming, and Sharing Media in the Digital Age. Routledge, 2013.

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14

Holt, Jennifer, and Kevin Sanson. Connected Viewing: Selling, Streaming, and Sharing Media in the Digital Age. Taylor & Francis Group, 2013.

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15

Holt, Jennifer, and Kevin Sanson. Connected Viewing: Selling, Streaming, and Sharing Media in the Digital Age. Taylor & Francis Group, 2013.

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16

Holt, Jennifer, and Kevin Sanson. Connected Viewing: Selling, Streaming, and Sharing Media in the Digital Age. Taylor & Francis Group, 2013.

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17

Holt, Jennifer, and Kevin Sanson. Connected Viewing: Selling, Streaming, and Sharing Media in the Digital Age. Taylor & Francis Group, 2013.

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18

Campbell, Joel R. Television’s Second Golden Age. The Rowman & Littlefield Publishing Group, Inc., 2025. https://doi.org/10.5040/9781978746671.

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Television’s Second Golden Age: Politics and International Relations in the Era of HBO and Streaming TV examines the foremost series in the Second Golden Age of Television (1999-present), in terms of the political themes, theories, and issues expressed in major television genres. By using The Sopranos, Boardwalk Empire, The Wire, Breaking Bad, Mad Men, House of Cards, Battlestar Galactica, and Game of Thrones. Joel R. Campbell explains the nature of the Second Golden Age. He clarifies how the rise of quality television through premium cable television channels and later streaming services such

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19

Plothe, Theo, and Amber M. Buck. Netflix at the Nexus: Content, Practice, and Production in the Age of Streaming Television. Lang AG International Academic Publishers, Peter, 2020.

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20

Plothe, Theo, and Amber M. Buck. Netflix at the Nexus: Content, Practice, and Production in the Age of Streaming Television. Lang AG International Academic Publishers, Peter, 2020.

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21

Netflix at the Nexus: Content, Practice, and Production in the Age of Streaming Television. Lang AG International Academic Publishers, Peter, 2019.

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22

Streaming the Formula 1 Rivalry: Sport and the Media in the Platform Age. Lang AG International Academic Publishers, Peter, 2024.

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23

The Hollywood Economist:The Final Edition: Money And Power In The Age Of Streaming. Independent, 2021.

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24

EPSTEIN, Edward. Hollywood Economist : the Final Edition: Money and Power in the Age of Streaming. Independently Published, 2021.

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25

Jeffres, Leo W., Kimberly A. Neuendorf, and David J. Atkin. Audience Genre Expectations in the Age of Digital Media. Taylor & Francis Group, 2022.

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26

Jeffres, Leo W., Kimberly A. Neuendorf, and David J. Atkin. Audience Genre Expectations in the Age of Digital Media. Taylor & Francis Group, 2022.

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27

Audience Genre Expectations in the Age of Digital Media. Taylor & Francis Group, 2022.

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28

The Age of Netflix: Critical Essays on Streaming Media, Digital Delivery and Instant Access. McFarland & Company, 2017.

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29

Plothe, Theo, and Amber M. Buck. Netflix at the Nexus: Content, Practice, and Production in the Age of Streaming Television. Lang AG International Academic Publishers, Peter, 2020.

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30

Frenneaux, Richard. Music Industry in the Digital Age. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9798765113486.

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The Music Industry in the Digital Age examines at the major shifts brought about by digital technology and platforms in the music industry. Frenneaux looks at how digital production tools, social media, and streaming services have impacted music distribution, creation, and consumption. Along with addressing the challenges of sustaining employment in a fractured attention economy, the book examines the democratization of music production and the ascent of independent artists. It looks at how record companies, producers, and A&R's changing roles in a data-driven environment as well as how al

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31

Stuart, Ben. Single, Dating, Engaged, Married Study Guide Plus Streaming Video: Navigating Life + Love in the Modern Age. HarperChristian Resources, 2022.

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32

Sundet, Vilde Schanke. Television Drama in the Age of Streaming: Transnational Strategies and Digital Production Cultures at the NRK. Springer International Publishing AG, 2022.

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33

Sundet, Vilde Schanke. Television Drama in the Age of Streaming: Transnational Strategies and Digital Production Cultures at the NRK. Springer International Publishing AG, 2021.

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34

Popular Music in the Post-Digital Age: Economical, Cultural, and Technological Contexts. Bloomsbury Publishing Plc, 2018.

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35

Mazierska, Ewa, Les Gillon, and Tony Rigg. Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Bloomsbury Publishing Plc, 2020.

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36

Vanherpe, Jozefien. Music Contracts in the Streaming Age: Law and Policy in the European Union and the United Kingdom. Cambridge University Press, 2024.

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37

Vanherpe, Jozefien. Music Contracts in the Streaming Age: Law and Policy in the European Union and the United Kingdom. Cambridge University Press, 2024.

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38

Lucado, Max. What Happens Next Bible Study Guide Plus Streaming Video: A Traveler's Guide Through the End of This Age. HarperChristian Resources, 2024.

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39

Forest, James J. F. Digital Influence Warfare in the Age of Social Media. ABC-CLIO, 2021. http://dx.doi.org/10.5040/9798400640643.

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This book brings together three important dimensions of our everyday lives. First is digital?the online ecosystem of information providers and tools, from websites, blogs, discussion forums, and targeted email campaigns to social media, video streaming, and virtual reality. Second, influence?the most effective ways people can be persuaded, in order to shape their beliefs in ways that lead them to embrace one set of beliefs and reject others. And finally, warfare?wars won by the information and disinformation providers who are able to influence behavior in ways they find beneficial to their pol

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40

Sanjek, Rick. American Popular Music and Its Business in the Digital Age. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190653828.001.0001.

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Abstract This book is a sequel to my father’s American Popular Music and its Business—the First 400 Years, also published by Oxford University Press. It compares the music business to a funnel through which money spent by consumers and licensees flows before reaching performers and songwriters after deducting the cost of financing, managing, promoting, and marketing. It also traces how the delivery of music transitions from analog vinyl and tape to digital successors from CDs through MP3s, to subscription streaming. It follows the Big Six major label groups consolidating to the Big Three by 20

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41

Starkes, Vernon. Big Book of Business Live Streaming : a Step to Step Guide to Become a Live Streaming Ace: Podcasting Made Simple. Independently Published, 2021.

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42

Berglund, Karl. Reading Audio Readers. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350358393.

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The first computational study of reading to focus on audiobooks, this book uses a unique and substantial set of reader consumption data to show how audiobooks and digital streaming platforms affect our literary culture. Offering an academic perspective on the kind of user data hoard we associate with tech companies, it asks: when it comes to audiobooks, what do people really read, and how and when do they read it? Tracking hundreds of thousands of readers on the level per user and hour, Reading Audio Readers combines computational methods from cultural analytics with theoretical perspectives f

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43

Siebler, Kay. Black Women Shattering Stereotypes. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666985368.

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Black Women Shattering Stereotypes: A Streaming Revolution focuses on the work, voices, and perspectives of Black women in popular film and television. Kay Siebler argues that within the past five years, in response to the digital age and the number of racist stereotypes being purported in dominant culture, Black women creators are making entertainment media that fights back against these racist and sexist narratives and celebrates the realities of being Black and being a woman in today’s world. When Black women are behind the camera, writing, directing, and producing, Siebler finds, the repre

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44

Mittermeier, Sabrina, and Mareike Spychala, eds. Fighting for the Future. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621761.001.0001.

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The first two seasons of the television series Star Trek: Discovery, the newest instalment in the long-running and influential Star Trek franchise, received media and academic attention from the moment they arrived on screen. Discovery makes several key changes to Star Trek’s well-known narrative formulae, particularly the use of more serialized storytelling, appealing to audiences’ changed viewing habits in the streaming age – and yet the storylines, in their topical nature and the broad range of socio-political issues they engage with, continue in the political vein of the franchise’s megate

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45

Holmlund, Chris, Lisa Purse, and Yvonne Tasker, eds. Action Cinema Since 2000. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781839022814.

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Action Cinema Since 2000 addresses an increasingly lively and evolving field of scholarship, probing the definition and testing the potential of action cinema to reframe the mode for the 21st century. Contributors examine a broad range of content, from blockbusters to smaller independent films, originating from China, Korea, India, France, the USA, and Mexico. Ranging from 2001: A Space Odyssey (1968) to Polite Society (2023), they consider the changing modes of action cinema, with streaming assuming global importance and an ever-increasing number of generic blends. They consider under-explore

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46

Gamble, Steven. Digital Flows. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197656389.001.0001.

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Abstract Digital Flows provides a radical study of the most recent chapter in the life of hip hop, one closely intertwined with the networked cultural flows of the internet. Some fifty years after its birth in the Bronx, hip hop is one of the most significant cultural forms of the internet age. Now that the internet is enmeshed in our everyday lives, hip hop is predominantly encountered and experienced online, where it comprises a third of all streamed music. People are constantly making, sharing, and commenting on hip hop—from Drake memes through viral TikTok dances to AI-generated rappers—ch

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47

Lasar, Matthew. Radio 2.0. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798216004486.

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“Welcome to the uncertain world of ““Radio 2.0””—where podcasts, mobile streaming, and huge music databases are the new reality, as are tweeting deejays and Apple’s Siri serving as music announcer—and understand the exciting status this medium has, and will continue to have, in our digitally inclined society. How did popular radio in past decades—from President Franklin D. Roosevelt’s ““Fireside Chats”” in the 1930s through Top 40 music and Rush Limbaugh’s talk radio empire—shape American society? How did devices and systems like the iPhone, Pandora, and YouTube turn the radio industry upside-

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48

Elkins, Evan. Locked Out. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479830572.001.0001.

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“This content is not available in your country.” Media consumers around the world regularly run into this reminder of geography’s imprint on digital culture. Despite utopian hopes of a borderless digital society in an era of globalization, DVDs, video games, and streaming platforms include digital rights management mechanisms like region codes and IP address detection systems that block media access within certain territories. Although propped up by national and transnational intellectual property regulation, these technologies of “regional lockout” are designed primarily to keep the entertain

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49

Pallister, Kathryn, ed. Netflix Nostalgia. The Rowman & Littlefield Publishing Group, Inc., 2019. https://doi.org/10.5040/9781978724631.

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Whether it’s “Flashback Friday” or “Throwback Thursday,” audiences are hungry for nostalgic film and television, and the streaming giant Netflix serves up shows from the past that satisfy this craving, in addition to producing original contemporary content with nostalgic flavor. As a part of the series “Reboots, Remakes and Adaptations” originated by series editors Dr. Carlen Lavigne and Dr. Paul Booth, this edited volume focuses exclusively on the intersection between the Netflix platform and the current nostalgia trend in popular culture. As both a creator and distributor of media texts, Net

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50

Naremore, James. Film Noir: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198791744.001.0001.

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Film noir is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 1950s—shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But Film Noir: A Very Short Introduction demonstrates that the genre has much earlier origins and is more international in scope. The key themes and styles of film noir are discussed along with some of the most iconic film noirs, exploring important aspects of their history and ongoing influence: their critical reception, major litera

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