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Journal articles on the topic 'Alfonso the Wise'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Fierro, Maribel. "Alfonso X "The Wise": The Last Almohad Caliph?" Medieval Encounters 15, no. 2-4 (2009): 175–98. http://dx.doi.org/10.1163/157006709x458819.

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BALLESTÍN, Alfredo. "El Islam en los Dialogi de Pedro Alfonso." Revista Española de Filosofía Medieval 10 (October 1, 2003): 59. http://dx.doi.org/10.21071/refime.v10i.9248.

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Pedro Alfonso is one of the most important persons in Medieval Europe. A wise Jew, educated under Islam and converted to Christianity, he is acquainted with all the religious, scientific and cultural background of the three monotheist semitic cultures that coexist in Medieval Spain along the centuries and that Pedro Alfonso will transmit in Europe. We present the Spanish translation of chapter fifth of the work Dialogues Against Jews, in which he strongly rejects the Islamic religion.

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Schwaller, John F. "Alcalde Vs. Mayor: Translating the Colonial World." Americas 69, no. 03 (2013): 391–400. http://dx.doi.org/10.1017/s0003161500002339.

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In studying the nuances of any legal term from the colonial period in Latin America it is always good to have recourse to the Siete Partidas, the compilation of royal law promulgated, and some say written, by the famous thirteenth-century Castilian monarch, Alfonso X, often called “The Wise.”

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Schwaller, John F. "Alcalde Vs. Mayor: Translating the Colonial World." Americas 69, no. 3 (2013): 391–400. http://dx.doi.org/10.1353/tam.2013.0042.

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In studying the nuances of any legal term from the colonial period in Latin America it is always good to have recourse to the Siete Partidas, the compilation of royal law promulgated, and some say written, by the famous thirteenth-century Castilian monarch, Alfonso X, often called “The Wise.”

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5

Bautista, Francisco. "Juan de Pineda, la «Crónica manuelina» and the Historiography after Alfonso de Wise." Medievalia 19, no. 1 (2017): 7. http://dx.doi.org/10.5565/rev/medievalia.421.

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Vidotte, Adriana, and Adaílson José Rui. "LEI, TRADIÇÃO E MEMÓRIA NA CONTROVERSA SUCESSÃO DE AFONSO X (1252-1284) - DOI: http://dx.doi.org/10.5216/rfd%20ufg.v40i2.43188." Revista da Faculdade de Direito da UFG 40, no. 2 (2017): 92. http://dx.doi.org/10.5216/rfd.v40i2.43188.

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Resumo: O processo de sucessão de Afonso X, o Sábio, rei de Leão e Castela entre os anos de 1252 e 1284, foi controversa e colocou em questão a legitimidade do poder de seus sucessores. Esse processo, que se prolongou no tempo, será analisado por meio de um estudo dos relatos contidos na Crónica del Rey Don Alfonso Décimo, escrita durante o reinado de Afonso XI (1312-1350), e das leis da Siete Partidas, código jurídico elaborado no século XIII sob a direção de Afonso X. Por meio do estudo e da confrontação das fontes analisaremos, por um lado, uma teoria sobre o poder régio e a sucessão ao tro

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Alganza Roldán, Minerva. "Las referencias a Paléfato en la Grande e General Estoria, de Alfonso X el Sabio, dentro de la tradición mitográfica." Myrtia 34 (January 31, 2020): 177–206. http://dx.doi.org/10.6018/myrtia.412051.

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Este artículo analiza las referencias al Περὶ ἀπίστων de Paléfato, procedentes de los Chronici canones de Eusebio y Jerónimo, en la General Estoria de Alfonso X. Tras la presentación de estas obras, en el comentario de cada episodio se abordan las particularidades de las distintas versiones encuadrándolas en la tradición mitográfica antigua y medieval, así como, en su caso, la adaptación a nuevos contextos históricos e ideológicos. El estudio concluye con algunas notas sobre la recepción de Paléfato por parte de Eusebio y en el scriptorium del rey Sabio. This paper analyzes the references to P

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Lacerda, Léo Araújo. "A Tolerantia no século XIII: uma breve revisão bibliográfica sobre as Minorias na Península Ibérica." Revista Discente Ofícios de Clio 4, no. 6 (2019): 15. http://dx.doi.org/10.15210/clio.v4i6.16382.

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Este artigo objetiva elaborar uma breve revisão bibliográfica sobre a temática das minorias étnico-religiosas, sefarditas e mudéjares, no século XIII, no contexto Ibérico, ao mesmo tempo em que apresenta algumas discussões referentes à tolerância atribuída à Alfonso X, rei de Castela e Leão (1252-1284). Com isso, procura-se expor os limites da (in)tolerância manifestada pelo rei Sábio a fim de aprofundar o debate ressaltando os aspectos conflitivos do relacionamento entre cristãos, judeus e muçulmanos.Palavras-chaves: Tolerância; Convivência; Espanha Medieval; Século XIII.AbstractThis article

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9

García Avilés, Alejandro. "Ministers for a Wise King: the Sun-King and planetary imagery at the court of Alfonso X." Journal of Medieval Iberian Studies 11, no. 2 (2019): 157–92. http://dx.doi.org/10.1080/17546559.2019.1627480.

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10

Chagas, Eduardo Cursino de Faria. "O Cavaleiro nas Cantigas de Santa Maria." Nuntius Antiquus 10, no. 1 (2014): 31–50. http://dx.doi.org/10.17851/1983-3636.10.1.31-50.

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This paper aims to expose the theme of chivalry in the Cantigas de Santa Maria, compiled at the court of King Alfonso X the Wise (1221-1284). The purpose of this study is to approach the following topics: the spiritual and amorous vassalage service of the knight towards the lady and values of chastity, fidelity and faith, present in the selected corpus (eight songs), which deals with the aforementioned issues, examining not only the symbolism of the chivalry, but also the devotion to the Virgin, and how she helps the knight’s religiosity and obedience, who honors the ritual accolade’s oath and

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Mora, Gloria. "Augusto en las primeras historias de España y en los programas iconográficos del Renacimiento." REVISTA DE HISTORIOGRAFÍA (RevHisto) 27 (November 27, 2017): 27. http://dx.doi.org/10.20318/revhisto.2017.3961.

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Resumen: Es frecuente en las historias de España la alusión a ciertos personajes de la historia de Roma destacando el papel fundamental que desempeñaron en la historia antigua de España y de la misma Roma, como César, fundador de ciudades, o Trajano y los llamados “emperadores españoles”. El propósito de este trabajo es rastrear el tratamiento que recibió Augusto en la historiografía española de época medieval y del Renacimiento desde las crónicas de Lucas de Tuy, Rodrigo Ximénez de Rada y las Estorias de Alfonso X el Sabio hasta los relatos de los cronistas reales Elio Antonio de Nebrija, Flo

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Scott, Rebecca J. "Social Facts, Legal Fictions, and the Attribution of Slave Status: The Puzzle of Prescription." Law and History Review 35, no. 1 (2016): 9–30. http://dx.doi.org/10.1017/s0738248016000560.

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This article explores a core question in the law of slavery: how was an individual's status as slave or free socially discerned and formally adjudicated? Under the doctrine of “freedom by prescription,” a person who had in good faith “lived as free” could argue that the absence of exercise of ownership for a specified term of years extinguished a prior owner's title. In the medieval Siete Partidas of Alfonso the Wise, which continued as a legal point of reference in Louisiana well after the end of Spanish rule, both the law of status and the law of property confirmed this path to freedom. From

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Nanni, Facundo. "La anarquía y las facciones tienen múltiples cabezas. La alegoría de la Medusa y la Hidra en el lenguaje decimonónico rioplatense." Razón Crítica, no. 10 (January 2020): 91–92. http://dx.doi.org/10.21789/25007807.1702.

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Similar to what occurred in the Iberian Peninsula with the assimilation of Napoleon Bonaparte as the multi-headed biblical monster, cultural manifestations in Río de la Plata during the first decades of the xix century adopted the use of ancient images —classical and Catholic— to bestow a delegitimizing figure upon the adversaries of this region. As a result of a merge between historiography and discourse analysis, this work seeks to scrutinize the use of classic language features in the political culture of Río de la Plata region at the beginning of the xix century through texts such as Metam

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Rodriguez Lajusticia, Francisco Saulo. "relación de Alfonso III de Aragón (1285-1291) con la monarquía inglesa." Aragón en la Edad Media, no. 30 (June 1, 2020): 325–49. http://dx.doi.org/10.26754/ojs_aem/aem.2019304431.

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Resumen: La relación entre Aragón e Inglaterra durante el reinado de Alfonso III de Aragón (1285-1291), también conocido por la historiografía como «el Franco» o «el Liberal», fue muy cercana y no solo con Eduardo I, sino también con su esposa la reina Leonor de Castilla. Como fruto de esa alianza se firmaron los tratados de Olorón (1287) y Canfranc (1288) en el seno de unas turbulentas relaciones entre los reinos europeos. Aunque Thomas Rymer transcribió la mayoría de los documentos de esta relación entre los siglos xvii y xviii, no incluyó todos los diplomas existentes y se equivocó en la da

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15

La Via, Stefano. "Alfonso Fontanelli’s Cadences and the Seconda Pratica." Journal of Musicology 30, no. 1 (2013): 49–102. http://dx.doi.org/10.1525/jm.2013.30.1.49.

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In his brilliant studies and accurate editions Anthony Newcomb has shown Alfonso Fontanelli’s contributions to the definition of “the new Ferrarese style of the 1590s” and, therefore, to the birth of the seconda pratica. My article focuses on a specific aspect of Fontanelli’s polyphonic writing: the handling of cadences for not only syntactical and tonally structural but also expressive purposes. The literary-musical analyses of some of the most representative settings published in Fontanelli’s two books of madrigals (1595 and 1604)—including masterpieces such as “Tu miri, o vago ed amoroso fi

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Viñolo Locubiche, Samuel. "Entrevista a José Luis Farias, director de 3D Wire - Animación, videojuegos y new media." Con A de animación, no. 9 (March 14, 2019): 66. http://dx.doi.org/10.4995/caa.2019.11333.

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<p>José Luis Farias Gómez (Madrid, 1979) se ha convertido en poco tiempo en una figura esencial para entender la evolución de la industria de la animación española en la última década, gracias a la enorme relevancia internacional de eventos como Mercado 3D Wire, Bridging the Gap, o más recientemente los Premios Iberoamericanos Quirino. Es asesor y colabora con diversas entidades y festivales internacionales como CARTOON, Annecy, Pixelatl, Festival de Animación de Medellín, ANIMATION! Ventana Sur, o la Universidad de Athens. A su vez, mantiene su faceta como productor a través de Paramoti

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17

Mann, Jesse D. "Alfonso de Madrigal and Juan de Segovia: Some Conciliar Common (and Contested) Places." Renaissance and Reformation 42, no. 3 (2019): 45–72. http://dx.doi.org/10.7202/1066359ar.

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This article offers a preliminary comparison of the thoughts of Alfonso de Madrigal and Juan de Segovia, two important fifteenth-century Spanish academics and authors whom scholars have seen as ideological allies. It identifies several areas of interest common to both writers, and then focuses on their conciliarist views. It argues that while Madrigal and Segovia both asserted several conciliar “common places,” often in similar terms, their ecclesiological positions differed in significant ways. Madrigal’s “theoretical” conciliarism is contrasted with Segovia’s “engaged” conciliarism in order

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18

Michael, Vincent L. "Expressing the Modern: Barry Byrne in 1920s Europe." Journal of the Society of Architectural Historians 69, no. 4 (2010): 534–55. http://dx.doi.org/10.1525/jsah.2010.69.4.534.

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The 1923 European trip undertaken by Francis Barry Byrne and his collaborator, the sculptor Alfonso Iannelli, is the subject of Expressing the Modern: Barry Byrne in 1920s Europe. As vividly recorded in the letters written by Byrne to his future wife, he and Iannelli visited the Weimar Bauhaus and met with Ludwig Mies van der Rohe, Erich Mendelsohn, J. J. P. Oud, T. H. Wijdeveld, and other leading modernists. Byrne, who trained in Frank Lloyd Wright's first studio, was especially drawn to the work of the expressionists, and Vincent L. Michael associates Byrne's distinctive architecture with th

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19

Mednikov, I. Y. "Historical Significance of the Spanish Neutrality in the First World War." MGIMO Review of International Relations, no. 4(37) (August 28, 2014): 26–34. http://dx.doi.org/10.24833/2071-8160-2014-4-37-26-34.

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The article deals with an insufficiently studied problem, Spanish neutrality during the First World War. The author analyzes its historical significance in the international context, as well in the context of political, economical and social evolution of Spain. Spain was one of the few major European Powers that maintained its neutrality throughout the First World War. Although all Spanish governments during the conflict declared strict neutrality, it was, in actual fact, benevolent towards the Entente Powers, and by the end of hostilities Spain turned into "neutral ally" of Entente. This bene

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20

Buffington, Robert, and Pablo Piccato. "Tales of Two Women: The Narrative Construal of Porfirian Reality." Americas 55, no. 3 (1999): 391–424. http://dx.doi.org/10.2307/1007648.

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It was the perfect murder, really. Illicit passions: two beautiful women-of-the-night feuding over a dashing young rake, a masked ball, casual taunts, thwarted assaults, escalating threats. Heinous crime: the lover's borrowed gun, midnight bordello visit, fighting words, a gun shot, a maid's scream, a young woman's tragic death. Cruel punishment: suicidal remorse (by some accounts), humiliating public trial, twenty lost years (the maximum sentence for a woman) in Mexico City's squalid Belem jail. The Tarasquillo Street murder had it all!And so it happened that, in an era enamored of all things

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21

Park Ji Hyun. "The ‘Qifufu’(齊夫婦) Volume of Alfonso Vagnoni’s(高一志) Xixueqijia(西學齊家) - The ethics between husband and wife as a missionary strategy -". Journal of Humanities, Seoul National University ll, № 67 (2012): 511–50. http://dx.doi.org/10.17326/jhsnu..67.201206.511.

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Filipová, Marta. "“What Shall We Do With It?” Finding A Place for Alfons Mucha and His Slav Epic." Austrian History Yearbook 46 (April 2015): 203–27. http://dx.doi.org/10.1017/s0067237814000174.

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Not very often does a work of art, which provoked very mixed reactions at the time of its completion, continue to stir the political and cultural waters nearly one hundred years later. The Slav Epic, a series of twenty large canvases created by Alfons Mucha (1860–1939) between 1909 and 1926 on the topic of Slavic history and myth, is such a work, and it has provoked critical comments from Czech art historians, politicians, and journalists. The most recent disputes, which have arisen in the last couple of years, concern the city council of Prague, which has expressed a wish to house the work so

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CARRILHO, Paulo Eduardo Mestrinelli, and Ricardo NITRINI. "The controversial Third Reich history of Hans Creutzfeldt: was he a supporter or just another adept of the “hand washing policy”?" Arquivos de Neuro-Psiquiatria 79, no. 1 (2021): 84–87. http://dx.doi.org/10.1590/0004-282x-anp-2020-0274.

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ABSTRACT Creutzfeldt-Jakob disease (CJD) is a transmissible spongiform encephalopathy whose initial description is associated with two German authors, Alfons Maria Jakob and Hans Gerhard Creutzfeldt. As polemic as the issue about the Creutzfeldt’s merit in the first description of the disease, is his history during the Third Reich. Some evidence pointed to the idea that he was essentially against the Nazi ideology, though some did not. He was an official member of the SS, but his own wife was convicted by a Nazi court. Some authors have argued that Creutzfeldt helped save many patients during

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24

Schiltz, Katelijne. "GIOSEFFO ZARLINO AND THE MISERERE TRADITION: A FERRARESE CONNECTION?" Early Music History 27 (October 2008): 181–216. http://dx.doi.org/10.1017/s0261127908000314.

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Through Patrick Macey’s extensive research on Josquin des Prez’s Miserere mei Deus, the historical context of this monumental motet, especially its connection with the Savonarolan reform movement and its repercussions at the Este court of Ferrara, has received major attention. Above all, Macey has shown how this piece generated a whole cluster of compositions throughout the sixteenth century that bear musical, structural and/or textual references to Josquin’s work. One of the main elements of this intertextual web includes the use of Josquin’s soggetto ostinato – either literally or with sligh

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Vollmert, Christina. "Staging Technology: The International Electrotechnical Exhibition in Frankfurt am Main, 1891." Nineteenth Century Theatre and Film 45, no. 2 (2018): 212–31. http://dx.doi.org/10.1177/1748372719828182.

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The 1891 International Electrotechnical Exhibition in Frankfurt am Main displayed a wide range of technological inventions and advancements from around the world. Inspired by the big world fairs, organisers staged spectacular arrangements of exhibits and technological inventions combined with theatrical entertainment. This article will take as its focus a specific performative aspect of a water spectacle, called ‘Tatzelwurm’ – a fantastical environment inspired by the poem ‘ Zum feurigen Tatzelwurm’ by German novelist Joseph von Scheffel, which was dedicated to a Bavarian tavern on top of a wa

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Jaroszewicz, Zbigniew, Eugeniusz Czech, and Tomasz Osuch. "Diffractive gratings with varying period’s shape." Photonics Letters of Poland 11, no. 2 (2019): 41. http://dx.doi.org/10.4302/plp.v11i2.904.

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The aim of this short review is to recall various designs of diffraction gratings when the condition of the period’s identity is relaxed and to mention resulting thus some of their applications. Among others the apodization function can be implemented as a variable diffraction efficiency due to the gradual change of the period’s shape. Another possible application is the passive achromatization of the diffraction efficiency of the blazed gratings by randomizing their blaze angle. Full Text: PDF ReferencesP. Jacquinot and B. Roizen-Dossier, "II Apodisation", Prog. Opt. 3, 29 (1964). CrossRef H.

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27

Ruiter, Michael. "“Alfonso X of Castile: Alfonso the Tolerant?”." Constellations 4, no. 2 (2013). http://dx.doi.org/10.29173/cons19666.

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Mediaeval Iberia was rife with inter-religious conflict between Christians, Jews, and Muslims that incited forced conversions and culminated in mass expulsions. Yet, in the midst of such a harrowing time in the peninsula’s history, there were occasional elements of harmony between these three groups, made all the more impressive in their rarity. King Alfonso X, the Wise, was a man whose rule exhibited a relative tranquility in inter-religious relations some have even suggested is deserving of altering his sobriquet to Alfonso the Tolerant. Through an examination of his law code, the Siete Part

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28

Finan, Alicia. "The Astrological Texts of King Alfonso X of Spain, and His Contribution to Modern Science." Inquiry@Queen's Undergraduate Research Conference Proceedings, November 15, 2017. http://dx.doi.org/10.24908/iqurcp.7482.

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In modern Western society the study of astrology is not taken seriously by the majority of people. However, in the medieval period astrology was held to be a hard science. Astrology was studied in the East long before it came to be pursued by Western scholars. The 8th century A.D. Moslem invasion of Spain meant that much of this knowledge was brought to Europe. One of the key figures in the reacquisition of this knowledge was King Alfonso X, known as El Sabio, or The Wise, for his love of learning. Shortly after his coronation he established groups of translators at his court in Toledo who wer

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29

Martínez Vela, José Antonio. "El contrato de "locatio conductio" : notas sobre su recepción en el derecho castellano medieval : con especial referencia al código de "las Partidas"." Revista de Derecho de la UNED (RDUNED), no. 11 (July 1, 2012). http://dx.doi.org/10.5944/rduned.11.2012.11145.

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El Derecho Español en la época altomedieval se encuentra muy condicionado por el proceso de la Reconquista, el cual supuso la existencia en la Península Ibérica de diversos sistemas jurídicos: la pervivencia en ciertos territorios del Derecho visigótico a través del Liber Iudiciorum, el régimen de Fazañas y el régimen de Fueros locales. Se debe a Alfonso X el Sabio, a mediados del siglo XIII, el primer intento de realizar un auténtico Código jurídico que tuviera una aplicación general a todo el territorio: las Partidas, si bien previamente ya había elaborado otras obras jurídicas como el Espéc

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Suárez, Fernando Moreno. "Roma y Netflix: ganando premios y rompiendo reglas." AVANCA | CINEMA, May 10, 2020. http://dx.doi.org/10.37390/ac.v0i0.51.

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Five years after his International consecration in the 86th American Motion Picture Academy awards, in which his film ‘Gravity’ rose with 7 Oscar awards, Mexican filmaker Alfonso Cuarón keeps gaining atention and winning prizes with his new movie ‘Roma’.Shooted entirely in Mexico, the 8th movie of this Mexico City born and raised filmaker is much more that a return to his homeland, it has become an innovative case, critic and distribution wise, that deserves analysis.Heightened within a context in which cinema produced in Mexico has a complicated distribution and a nearly impossible exhibition

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Aurov, Oleg. "Образ Рима в средневековой Европе (падение римской республики в «Истории Испании» Альфонсо Х Мудрого) (The Image of Rome in Medieval Europe (The Fall of the Roman Republic in the “History of Spain” by Alfonso X the Wise))". SSRN Electronic Journal, 2019. http://dx.doi.org/10.2139/ssrn.3391090.

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"Israel J. Katz, John E. Keller, Samuel G. Armistead, and Joseph T. Snow, eds. Studies on the “Cantigas de Santa Maria”: Art, Music, and Poetry. Proceedings of the International Symposium on the Cantigas de Santa Maria of Alfonso X, el Sabio (1221–1284), in Commemoration of Its 700th Anniversary Year — 1981 (New York, November 19–21). Madison, Wise: Hispanic Seminary of Medieval Studies, 1987. Pp. 521; numerous black-and-white illustrations." Speculum 64, no. 01 (1989): 249–50. http://dx.doi.org/10.1017/s0038713400161391.

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