Relevant bibliographies by topics / American poetry – Translations into Greek (Modern)

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Academic literature on the topic 'American poetry – Translations into Greek (Modern)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "American poetry – Translations into Greek (Modern)"

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Nogueras Valdivieso, Enrique J., and Lourdes Sánchez Rodrigo. "Els poetes com a traductors: Kavafis en català, Kavafis en castellà." Zeitschrift für Katalanistik 7 (July 1, 1994): 117–29. http://dx.doi.org/10.46586/zfk.1994.117-129.

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This essay examines the translations made by poets of the poetry of the modern Greek writer Konstantinos Kavafis. The authors decide between technical and lyrical translations; Greek culture played a crucial role in the development of the latter. The differences between the two types of translation are methodological and aesthetic. The "poet-translator" always remains a poet and must therefore be careful not to change the original text too far. The most important Kavafis translations by the poets J. M. Álvarez (into Spanish) and Carles Riba (into Catalan) are compared; they are based on variou
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Padel, Ruth. "Homer's Reader: A reading of George Seferis." Proceedings of the Cambridge Philological Society 31 (1985): 74–132. http://dx.doi.org/10.1017/s0068673500004764.

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The reader I have in mind is a poet. My immediate interest is the example he provides of a writer's relationship with her or his reading. My aim is double: to suggest both that Homer illuminates the work of the later poet and that the later poetry can function as an interpretation of Homer which offers even to a scholar valuable ways of reading the epics, especially the Odyssey. Accordingly, I shall usually offer translations both of the modern and of the ancient Greek, since not all classicists know modern Greek intimately and those who study modern Greek do not always know the ancient langua
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Freydberg, Bernard. "Hearkening to Thalia: Toward the Rebirth of Comedy in Continental Philosophy." Research in Phenomenology 39, no. 3 (2009): 401–15. http://dx.doi.org/10.1163/008555509x12472022364163.

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AbstractThis paper discloses and furthers the rebirth of comedy in Continental philosophy in three stages. The first treats Greek comedy, bringing forth the comic contours in Plato and exploring the philosophical content of Aristophanic comedy. The second examines certain German encounters with comedy, from the staid Wieland translations of Aristophanes through the thoughtful discussions of Schiller, Hegel, and Nietzsche. The third investigates twentieth-century American comedy and its connection to American Continental philosophy, and includes a close analysis of the Marx Brothers' Horsefeath
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ZINOVIEVA, ALEXANDRA YU. "THE POETICS OF RESERVE: ON GREEK MODERNISTS (IN MEMORY OF IRINA IGOREVNA KOVALJOVA)KOVALJOVA I.I. IN CAVAFY’S WORKSHOP AND OTHER STUDIES OF GREEK MODERNISM. M.: MGU, 2006. 200 P.KOVALJOVA IRINA. MY POETS. SELECTED TRANSLATIONS FROM ENGLISH AND GREEK. M.: ITAKA - KOMMENTARII, 2006. 108 P." Lomonosov Journal of Philology, no. 2, 2023 (May 1, 2023): 225–32. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-2-17.

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Theimportant part of critical works and poetic translations of the poet and philologist Irina Igorevna Kovaljova (1961-2007), who worked at the Department of Classical Studies of the Faculty of Philology (MSU), is devoted to the understanding of Greek poetical modernism, as well as to presenting it to Russian readers. The books published in the course of the last year of I.I. Kovaljova’s life reveal a mature view of such poets as C.P. Cavafy, G. Seferis, M. Sachtouris. I.I. Kovaljova studies the distance between the word said and unsaid in Cavafy’s poems, reflects on Seferis’s attitude towards
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Oborneva, Zinaida E., та Natalya V. Savel’eva. "Ιnterpretations to Tetrastichae sententiae by Gregory the Theologian in Anthologion (1660): Text and its Greek source". Vestnik of Saint Petersburg University. Language and Literature 19, № 2 (2022): 353–62. http://dx.doi.org/10.21638/spbu09.2022.209.

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The article examines the work of Arseniy Grek, a corrector of the Moscow Printing Yard (Pechatniy dvor), on the translation of interpretations to the poetic sententiae by Gregory the Theologian; these verses and comments to them were published in 1660 as part of the Moscow collection Anthologion. These scholias are written on the margins of the manuscript to the poems of Gregory the Theologian do not find analogues among the known interpretations. A comparative analysis of the translations of verses and commentaries allowed us to draw a conclusion about the creative approach of Arseniy Grek. T
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Al-Zubbaidi, Asst Prof Dr Haitham K. Eidan. "Dramatizing Modern American and Arabic Poetry A Study in Selected Poems by Kenneth Koch and Yousif Al-Sayegh." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 4 (2019): 95–118. http://dx.doi.org/10.36473/ujhss.v58i4.1021.

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The interrelatedness of drama and poetry introduces one of the most exceptionally robust examples of trans-genre literature. It is further characterized by a deep-rooted tradition that dates back to ancient Greek and Roman drama, as well as a sense of circumstantial and ad hoc necessity-driven, age-oriented adaptability. The present paper assumes that this well-established sensitive relation of poetry and drama rests upon some circumstantial time-specific cultural forces or motivators that impact the ebb and flow, the expansion-contraction movements which are directly related to the temporal n
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Kornieva, Zoia, Iryna Borbenchuk, and Yuliia Baklazhenko. "TRANSLATION AND TEACHING OF CLASSICAL ANCIENT GREEK LITERATURE IN UKRAINE: CULTURAL INFLUENCE AND HISTORICAL DIMENSION." Advanced Education 11, no. 23 (2023): 4–13. http://dx.doi.org/10.20535/2410-8286.295381.

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The article studies the translation of the Ancient Greek literature into Ukrainian as an important and historically conditioned process that influenced the translation tradition in Ukraine. The authors trace the history of translation dating from the period of Kyivan Rus to modern times by applying linguistic, chronological and thematic approaches. As a result of the conducted study the authors define main directions and trends of assimilation of the classical Ancient Greek literature by the Ukrainian context through translation in its cultural and historical dimension, as well as characterize
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Stanciu, Christina. "Strangers in America: Yiddish Poetry at the Turn of the Twentieth Century and the Demands of Americanization." College English 76, no. 1 (2013): 59–83. http://dx.doi.org/10.58680/ce201324196.

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Recent translations of American Yiddish poetry into English have made an important chapter in American culture accessible both to the English scholar and to the literature student. Bringing together the work of two important literary groups of predominantly male poets with the work of one of the best-known female poets in Yiddish—whose aesthetic concerns overlapped with those of Euro-American modernism—I argue that the linguistic and aesthetic choices of Yiddish poetry in America not only bridge the distance between two geographies (the Old and New Worlds), but also forge a cultural scene for
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Karnad, Girish. "Performance, Meaning, and the Materials of Modern Indian Theatre." New Theatre Quarterly 11, no. 44 (1995): 355–70. http://dx.doi.org/10.1017/s0266464x00009337.

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Girish Karnad is not only India's leading playwright, and a practitioner across the performing arts in all that nation's media, but the first contemporary Indian writer to have achieved a major production in a regional American theatre – Naga-Mandala, seen at the Guthrie Theatre in July 1993. The following interview was recorded on the occasion of that production, and ranges widely not only over Karnad's own work and its circumstances, but the situation and problems of the Indian theatre today, and its ambivalent relationship alike to its classical and its colonial past, and to the contemporar
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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.

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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatis
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Dissertations / Theses on the topic "American poetry – Translations into Greek (Modern)"

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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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Pantopoulos, Iraklis. "The stylistic identity of the metapoet : a corpus-based comparative analysis using translations of modern Greek poetry." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3456.

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The aim of this study is to explore the stylistic identity of four translators of modern Greek poetry into English and to outline each translator’s distinct stylistic profile. In line with views on the subject expressed by Malmkjær (1996) and Baker (2000) a translator’s profile is seen as being composed by consistent patterns that can be identified throughout their work and which leave their personal mark on the text. A corpus-based methodology is used for the identification and exploration of these patterns, through a Specialized Corpus of English Translations of Modern Greek Poetry (SCETOMGP
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Platt, Mary Hartley. "Epic reduction : receptions of Homer and Virgil in modern American poetry." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9d1045f5-3134-432b-8654-868c3ef9b7de.

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The aim of this project is to account for the widespread reception of the epics of Homer and Virgil by American poets of the twentieth century. Since 1914, an unprecedented number of new poems interpreting the Iliad, Odyssey and Aeneid have appeared in the United States. The vast majority of these modern versions are short, combining epic and lyric impulses in a dialectical form of genre that is shaped, I propose, by two cultural movements of the twentieth century: Modernism, and American humanism. Modernist poetics created a focus on the fragmentary and imagistic aspects of Homer and Virgil;
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Cole, Merrill. "The other Orpheus : a poetics of modern homosexuality /." New York [u.a.] : Routledge, 2003. http://www.loc.gov/catdir/toc/ecip042/2003007030.html.

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Reuter, Victoria. "Penelope differently : feminist re-visions of myth." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4f1ffe10-d690-441d-8726-7fe1df896cb4.

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This thesis examines feminist rewritings of the Penelope myth and the intersections between poetry, myth, and feminist theory. The theoretical framework develops from Rosi Braidotti’s theory of memory and subjectivity which has its roots in the work of Michel Foucault. In Braidotti’s understanding, subjectivity is constructed through narratives of the past including myth. In order to support new, minority, and dissident subjectivities, a re-remembering of mythical narratives needs to happen. This process is linked to Judith Butler’s recent work on narrating the self and to Adrienne Rich’s idea
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Books on the topic "American poetry – Translations into Greek (Modern)"

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Papangelou, Roēs. Antipodes, Eliot, Larkin, Lēvi: Emmetres apodoseis sta hellēnika kai analytika scholia. Diogenēs, 1986.

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translator, Ēliopoulou Katerina, ed. Xenē, xeno, xenitia. Ekdoseis Melani, 2013.

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Whitman, Walt. Stē galazia ochthē tēs Ontario. 2nd ed. Ypsilon/Vivlia, 1999.

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Doxiadēs, Apostolos K. Legontas kai xanalegontas: Hē logotechnia, ho mystēriōdēs Patroklos Giatras, kai hoi metamorphōseis tēs Erēmēs Chōras. Ikaros, 2017.

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Homer. Translations in verse from Homer and Virgil. Dawson Bros., 1993.

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Kinshuk, Rudra. Sampratik Greek Kavita: Bengali Translations of Modern Greek Poetry. Kabita Pakshik, 2011.

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Nanos, Valaōritēs, and Maskaleris Thanasis, eds. Modern Greek poetry: An anthology. Talisman House, 2003.

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Aravanēs, Spyros. Almanak Poiein 2009. Poiein, 2010.

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Homer. The Iliad. The Johns Hopkins University Press, 2012.

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Homer. Iliad. Hackett Pub. Co., 1997.

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Book chapters on the topic "American poetry – Translations into Greek (Modern)"

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Kłosowska, Anna. "Transmission by Sponge." In Speculative Medievalisms. punctum books, 2013. https://doi.org/10.21983/p3.0021.1.13.

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The history of transmission of Aristotle in the West is surpris-ingly complex, and it attaches (but what doesn’t?) to period distinctions between medieval and modern. For instance, the propagation of Aristotle’s Physics is contemporary with the rise of instrumentaria, that is, making things to measure other things, but also production of musical instruments. The first graduated thermometers appear throughout Europe around the turn of the sixteenth century, roughly the same time when the writing of poetry and playing musical instruments become both more popular and more specialized. In that per
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RuKeyser, Muriel. "Modern Trends: American Poetry (1932)." In The Muriel Rukeyser Era, edited by Eric Keenaghan and Rowena Kennedy-Epstein. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501771743.003.0021.

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This chapter assesses how contemporary American poetry had divided itself into three trends: acceptance, despair, and hope towards something new and effective or towards death. These motions had their origins in three poets—Archibald MacLeish, T. S. Eliot, and Robinson Jeffers—and in reaction to the temperature of the century's first fifteen years. MacLeish's poetry is not wild with sound nor involute in fragmentary meanings, but one feels the bravery of his comprehension, the daring that allows him to face the implications of his race, and breed, and culture. Meanwhile, T. S. Eliot had decide
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Colley, John. "Greek in the English Quattrocento." In Humanism, English Literature, and the Translation of Greek, 1430–1560. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198952565.003.0003.

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Abstract This chapter opens with John Skelton (c.1460–1529), who seems to mark a watershed moment in the history of English vernacular Greek translation: Skelton’s translation from Diodorus Siculus’ Bibliotheke historike is the first substantial, humanist-derived translation into English of an authentic Ancient Greek text. However, by analysing Skelton’s Bibliotheca alongside his other poetry and prose, the chapter shows that Skelton’s approach to Greek ultimately reflects the influence both of the studia humanitatis and of the Lydgatean idea of Greek as something distant and inaccessible. The
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Hurst, Isobel. "‘We’ll all be Penelopes then’: Art and Domesticity in American Women’s Poetry, 1958–1996." In Living Classics. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199233731.003.0017.

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Abstract Mythical characters or plots offer writers a distinctive perspective on the language and ideas of their own day, enabling them to explore contemporary life with some critical distance. Poets may produce a literal translation of an ancient text, create a poem which refers to a classical text but is also a new and influential work, rework familiar stories (often in a different genre), or challenge the interpretation and value attached to a particular classical text, suggesting questions which have not previously been asked or have been forgotten. These strategies have proved particularl
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Efthymiou, Angeliki. "The Interaction between Borrowing and Word Formation: Evidence from Modern Greek Prefixes." In The Interaction of Borrowing and Word Formation. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448208.003.0010.

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This chapter discusses two cases of Modern Greek prefixes whose extensive use in loan translations from foreign languages reveals a complex interplay between borrowing and word formation. The prefixes υπερ‎- and αντι‎- derive from the Ancient Greek prepositions υπέρ‎ (‘over, beyond’) and αντί‎ (‘in front of, instead of’), respectively, but, in the course of their grammaticalization into prefixes, they have also developed some additional non-locational meanings, e.g. ‘excess’ (υπερ‎-εργασία‎ [ipererγ‎asía] ‘overwork’), ‘against, opposing’ (αντι‎-αμερικανικός‎ [andiamerikanikós] ‘anti-american’)
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Finnegan, Ruth. "Oral Poetry." In Folklore, Cultural Performances, And Popular Entertainments. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0015.

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Abstract Poems that are unwritten either because the cultures in which they occur are partially or wholly nonliterate (like the traditional native cultures of Africa, Australia, Oceania, and America) or because oral forms are cherished despite a population’s overall literacy. The exact scope of the term is disputed, but it usually also includes poetry originally composed and per formed orally that has reached us through written transmission, like some of the early epics. Some scholars also include poetry transmitted or performed by nonwritten media, such as broadcast performances or modern pop
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Dykman, Aminadav. "The Reception of Classical Literature in Hebrew." In Classics Transformed in Jewish, Israeli, and Palestinian Receptions. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191989148.003.0012.

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Abstract This chapter presents major developments in the modern history of Hebrew translation of Greek and Latin texts. When texts began to be translated for their aesthetic value, the Hebrew rendering was based on radical ‘Hebraization’, as in the case of M. H. Letteris (1800–71), who turned book 6 of the Iliad into a quasi-biblical epic about the fall of the First Temple. An important turning point in the history of Hebrew translations of classical poetry was the work of Aharon-Armand Kaminka, Shaul Tchernichovsky, and Shlomo Dykman, who promoted the idea of ‘bridging between Athens and Jeru
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"Lucy Hastings, Née Davies, Countess of Huntingdon (b. 1613)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0087.

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Abstract She was The daughter of Eleanor Audley (The prophetess) and her first husband, Sir John Davies of Englefield, Berks, and spent her early years in Ireland, where her faTher was Attorney General. She married Ferdin ando, son and heir of Henry Hastings, fifth Earl of Huntingdon, in 1623, at Englefield. Bathsua Makin, in her Essay, p. ro, indicates that she acted as The Countess’s private tutor: ‘I am forbidden to mention The Countess Dowager of Huntington (instructed sometimes by Mrs Makin) how well she understands Latin, Greek, Hebrew, French, and Spanish; or what a proficient she is in
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Johnson, Ronna C. "Harold Norse Under the Sign of William Carlos Williams." In Harold Norse. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0009.

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This essay studies Harold Norse's 10-year literary tutelage with William Carlos Williams primarily through a vibrant correspondence collected in The American Idiom: A Correspondence. Their poetics debates center on and expand understandings of Williams's American idiom and enigmatic "variable foot," which can be traced back to Whitman, assessed with a view toward explaining how Norse became a "Beat poet" in light of their shared skepticism of the Beats. Special emphasis on Norse's pre-postmodernism, his straddling of the modern-postmodern "Great Divide" as identified by Andreas Huyssen sharpen
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Prins, Yopie. "Sapphic Stanzas: How Can We Read the Rhythm?" In Critical Rhythm. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.003.0012.

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This essay asks if, and how, we can read the rhythms of Sappho’s poetry as if it could be heard, still. The Sapphic stanza is a poetic form that has gone through a long history of transformations, from a powerful metrical imaginary in Victorian poetics (graphing Sapphic meter as a musical form) into an idealization of “Sapphic rhythm” in twentieth-century prosody (naturalizing the rhythms of speech). By comparing metrical translations of Sapphic fragment 16 (“The Anactoria Poem,” discovered in 1914), the essay proposes “metametrical” reading as a model for critical reflection on the complex di
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