Relevant bibliographies by topics / Ancient Roman visual arts

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ancient Roman visual arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Ancient Roman visual arts"

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Turković, Tin, and Nikolina Maraković. "Balnea metallicorum of ancient Domavia." Radovi Instituta za povijest umjetnosti, no. 45 (December 31, 2021): 7–28. http://dx.doi.org/10.31664/ripu.2021.45.01.

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The bathing complex in Domavia (near modern Srebrenica, Bosnia and Herzegovina), drew our attention as one of the most interesting and yet still unexplored bathing complexes at the territory of the ancient Roman province of Dalmatia. It was discovered more than a hundred years ago by Ljudevit Pogatschnig during the excavation of the site called Gradina, unearthed to a significant extent, and rather well documented by Vaclav Radimský in his reports from 1892 and 1894. Unfortunately, although this monumental and lavishly decorated bathing complex differs in many respects from the majority of anc
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Martin, Dale B. "The Construction of the Ancient Family: Methodological Considerations." Journal of Roman Studies 86 (November 1996): 40–60. http://dx.doi.org/10.2307/300422.

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A remarkable new consensus, recognized even by its critics, has emerged among classical historians that ‘the normal Roman family seems to have been a “nuclear family” like our own’. The consensus is remarkable because practically all historians who support it admit that the portrait of the Roman family that emerges from many literary accounts and is enshrined in Roman law and language is nothing like the modern nuclear family. Saller demonstrates that the Romans had no term equivalent to ‘family’ in the modern sense, that is, the father-mother-children triad of the ‘nuclear family’. The Englis
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Eshel, Ruth. "Concert Dance in Israel." Dance Research Journal 35, no. 1 (2003): 61–80. http://dx.doi.org/10.1017/s0149767700008779.

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Israel is a society of Jewish immigrants who have returned to their ancient biblical homeland. It is also a complex society made up of people of varied cultures and ideologies, enduring changing economic and political situations. For the past eighty years, Israeli dancers have reflected and helped to shape the internal dialogues of Israeli life and contributed to a global exchange of dance ideas, especially with modern dancers from Europe and America.The independence of ancient Israel came to an end in C.E. 73, when Romans destroyed the Temple in Jerusalem after fierce battles with the Jews. T
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Breeze, Andrew. "Manchester's Ancient Name." Antiquaries Journal 84 (September 2004): 353–57. http://dx.doi.org/10.1017/s0003581500045893.

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Mamucium, the Roman name of Manchester, is often explained as ‘place on the breast-shaped hill’ from the hypothetical British mamma ’breast; breast-shaped hill’. But the name of Mansfield, Nottinghamshire, suggests this is baseless. A likelier etymology is ‘place on the river called Mamma, “mother”’, apparently the old name of the River Medlock, perhaps revered as a Celtic goddess.
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Grigoropoulos, Dimitris. "THE PIRAEUS FROM 86 BC TO LATE ANTIQUITY: CONTINUITY AND CHANGE IN THE LANDSCAPE, FUNCTION AND ECONOMY OF THE PORT OF ROMAN ATHENS." Annual of the British School at Athens 111 (January 7, 2016): 239–68. http://dx.doi.org/10.1017/s0068245415000106.

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Modern perceptions of the ancient Piraeus have been monopolised by the urban image and function of the port as the naval stronghold of Classical Athens. Existing scholarship so far has tended to consider the post-Classical centuries, especially the era following the sack of the port in 86bcby the Romans, as a period of decline. Such preconceptions, based on largely superficial readings of a few ancient literary texts and a near-total disregard of the material evidence, have created a distorted image of the Piraeus and its significance in the Roman period. Drawing upon textual sources as well a
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Panteleev, Aleksey D. "Crucifixion in the Ancient Art of the Roman Period." Actual Problems of Theory and History of Art 11 (2021): 124–33. http://dx.doi.org/10.18688/aa2111-01-11.

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Hemingway, Seán. "Posthumous Copies of Ancient Greek Sculpture: Roman Taste and Techniques." Sculpture Review 51, no. 2 (2002): 27–33. http://dx.doi.org/10.1002/j.2632-3494.2002.tb00189.x.

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Jones, W. LaBier. "GEMME NUMMARIE." Sculpture Review 49, no. 2 (2000): 20–23. http://dx.doi.org/10.1002/j.2632-3494.2000.tb00132.x.

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The use of coins as personal adornments began at the end of the first century in ancient Rome when the imperial coinage was mounted as jewels. These were worn in rings, pendants, and brooches, conveying class and cultural distinction. In modern times Bulgari, one of the world's most highly regarded jewelry firms, continues this tradition of using ancient Greek and Roman coins in its designs. Bulgari refers to these as gemme nummarie, or coin gems.
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Brännstedt, Lovisa, and Lewis Webb. "Review artice. Gender in ancient Rome: New directions and voices." Opuscula. Annual of the Swedish Institutes at Athens and Rome 16 (November 15, 2023): 249–55. http://dx.doi.org/10.30549/opathrom-16-11.

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Books reviewed R. Ancona & G. Tsouvala, eds., New directions in the study of women in Greco-Roman antiquity, New York: Oxford University Press 2021. xvi + 278 pp., 11 figs, 8 colour pls. ISBN 9780190937638 https://doi.org/10.1093/oso/9780190937638.001.0001 B. Longfellow & M. Swetnam-Burland, eds., Women’s lives, women’s voices. Roman material culture and female agency in the Bay of Naples, Austin: University of Texas Press 2021. 408 pp., 76 figs, 16 colour pls. ISBN 9781477323588 https://doi.org/10.7560/323588 F. Rohr Vio, Powerful matrons. New political actors in the Late Roman Republ
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Bergmann, Bettina. "Review: Ancient Roman Villa Gardens by Elisabeth Blair MacDougall." Journal of the Society of Architectural Historians 48, no. 4 (1989): 387–89. http://dx.doi.org/10.2307/990456.

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Dissertations / Theses on the topic "Ancient Roman visual arts"

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Georgiou, Andriani. "The cult of Flavia Iulia Helena in Byzantium : an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4175/.

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The symbolic role of Helena throughout the Byzantine period has never been considered in any detail. Many of the literary sources, particularly historiographical and hagiological texts, are not easily accessible and have not been translated. The visual sources referring to Helena, such as works of late Roman and Byzantine art, coinage, illustrated manuscripts, reliquaries, and wall paintings, have never been collected. My thesis collects and re-evaluates the textual and visual evidence from the fourth to the fifteenth century in order to explore the origins and development of Helena's cult; th
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Levine, Adam. "The image of Christ in Late Antiquity : a case study in religious interaction." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:bf630377-9f51-4e53-bb6f-d60d750745d3.

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This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defined as the three centuries between AD 200 and 500. The cultural dynamics of this period left a distinct impression on Christian art, and this dissertation traces that impact. Unlike other studies that attempt to resolve ambiguity within the corpus of Christ images, the argument here maintains that ambiguity was a key component in the creation and subsequent interpretation of the Late Antique Christian iconography. The dissertation proceeds in three parts, each comprising two chapters. In the firs
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Auanger, Lisa. "A catalog of images of women in the official arts of ancient Rome /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841130.

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Rawson, P. B. "The myth of Marsyas in the Roman visual arts." Thesis, University of Manchester, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377677.

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Newby, Zahara Louise. "Educated fantasies : interpreting the visual arts in the Second Sophistic." Thesis, Courtauld Institute of Art (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312041.

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Ardis, Carla. "Ancient Roman coarse ware in the Regio X and beyond: an archaeological approach to distribution and trade." Thesis, IMT Alti Studi Lucca, 2019. http://e-theses.imtlucca.it/271/1/Ardis_phdthesis.pdf.

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Long neglected by archaeological research, coarse ware has been recognised as important source of information on ancient living practices, technological know-how and the organisation of production and trade in ancient communities only from the second half of the 20th century. Deeply rooted within this background, this research concretely explores the possibility of using coarse ware to retrieve complex data for refined socio-economic analysis. In details, focusing on the territory of the Roman colony of Aquileia, inserted in the broader framework of the Regio X Italica and of the who
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Browne, Alexander. "An Automated Digital Analysis of Depictions of Child Maltreatment in Ancient Roman Writings." Thesis, Uppsala universitet, Teologiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-398413.

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Historians, mostly engaging with written evidence, have argued that the Christianisation of the Roman Empire resulted in changes in both attitudes and behaviour towards children, resulting in a decrease in their maltreatment by society. I begin with a working hypothesis that this attitude-change was real and resulted in a reduction in the maltreatment of children; and that this reduction in maltreatment is evident in the literature. The approach to investigating this hypothesis belongs to the emerging field of digital humanities: by using programming techniques developed in the field of sentim
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Burks, Andrew Mason. "Roman Slavery: A Study of Roman Society and Its Dependence on slaves." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1951.

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Rome's dependence upon slaves has been well established in terms of economics and general society. This paper, however, seeks to demonstrate this dependence, during the end of the Republic and the beginning of the Empire, through detailed examples of slave use in various areas of Roman life. The areas covered include agriculture, industry, domestic life, the state, entertainment, intellectual life, military, religion, and the use of female slaves. A look at manumission demonstrates Rome's growing awareness of this dependence. Through this discussion, it becomes apparent that Roman society exis
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Jordan, Stephanie Ann. "Roman women : a study of public sculpture and its significance in the autgustan program of cultural reform." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1093.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Art History
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Saxby, Michael Stephen. "Remilitarising the Byzantine Imperial image : a study of numismatic evidence and other visual media, 1042-1453." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8431/.

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The messages in the imagery on Byzantine coins, although often neglected by scholars, were a key means of projecting imperial power. Emperors could project power via dress, ceremonial, and displays, but these methods would not have reached all subjects. Byzantine coins had the advantage of reaching all subjects, as the Byzantine economy was fundamentally monetized. Military symbols (figures, dress, and weapons), whose study has been rather overlooked, formed an important part of this imagery. Whilst military symbols disappeared from Byzantine coins in the early eighth century, and were absent
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Books on the topic "Ancient Roman visual arts"

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Trimble, Jennifer. Women and visual replication in Roman imperial art and culture: Visual replication and urban elites. Cambridge University Press, 2011.

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R, Clarke John. Looking at laughter: Humor, power, and transgression in Roman visual culture, 100 B.C.-A.D. 250. University of California Press, 2007.

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Hayes, Elizabeth R. The evolution of visual, literary, and performing arts from tribal cultures through the Middle Ages. BYU Academic Pub., 2009.

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Martin, Henig, ed. A handbook of Roman art: A survey of the visual arts of the Roman world. Phaidon Press, 1995.

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Archaeological Institute of America. General Meeting, ed. Ateliers and artisans in Roman art and archaeology. Journal of Roman Archaeology, 2012.

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Touati, Anne-Marie Leander. Ancient sculptures in the Royal Museum. Swedish National Art Museums, 1998.

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Sheila, Dillon, and Welch Katherine E, eds. Representations of war in ancient Rome. Cambridge University Press, 2006.

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France) Congrès international du GRIMH (6th 2008 Lyon. Image et manipulation: Actes du 6e Congrès international du GRIMH, Lyon, 20-21-22 novembre 2008 : hommage à Roman Gubern. Université Lumière-Lyon 2, 2009.

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Touati, Anne-Marie Leander. Ancient sculptures in the Royal Museum: The Eighteenth-century Collection in Stockholm. Swedish National Art Museums, 1998.

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Johns, Catherine. The jewellery of Roman Britain: Celtic and classical traditions. University of Michigan Press, 1996.

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Book chapters on the topic "Ancient Roman visual arts"

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Clarke, John R. "Before Pornography: Sexual Representation in Ancient Roman Visual Culture." In Pornographic Art and the Aesthetics of Pornography. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137367938_8.

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Squire, Michael. "Conceptualizing the (Visual) “Arts”." In A Companion to Ancient Aesthetics. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch20.

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Pollitt, Jerome J. "Education in the Visual Arts." In A Companion to Ancient Education. John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119023913.ch25.

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Fine, Steven. "Polychromy and Jewish Visual Culture of Roman Antiquity." In A Companion to the Archaeology of Religion in the Ancient World. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886809.ch10.

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Ishisaka Yreijo, Estefania Alexandra Ami, and Byungkeun Oh. "Application of Vernacular Design for Emotional Communication: Focus on Visual Arts of Ancient Peruvian Inca." In [ ] With Design: Reinventing Design Modes. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4472-7_15.

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Hölscher, Tonio. "The Dignity of Reality." In Visual Power in Ancient Greece and Rome. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294936.003.0005.

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Greek art is traditionally considered the birthplace and highpoint of artistic idealism; the same judgment is applied, with the exception of portraits and historical reliefs, to Roman art. In addition, recent art theory strongly emphasizes the fundamentally constructing character of the visual arts. Yet the Greeks and Romans themselves considered their art as basically mimetic. In order to overcome this contradiction, the notions of conceptual realism and conceptual reality are introduced. The real world, as it is formed and perceived by human beings, is conceptually constructed; figurative ar
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Fine, Steven. "“Well-Being” and “Flourishing” in the Ancient Synagogue." In Visual Arts and Human Flourishing. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197748985.003.0011.

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Abstract This chapter covers the notions of well-being and flourishing among the remains of Jewish visual culture from Roman antiquity. It then explores the art, vision, and experience of Holiness. The decoration and furnishing of specific synagogue remains express the theology and cosmology of specific local Jewish communities, particularly the third-century synagogue at Dura Europos in Syria, and fifth- to sixth-century synagogue remains from Israel. History is a place where factuality matters, but facts are dead without people’s own creative process. The chapter cites that history provides
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Hölscher, Tonio. "Decor." In Visual Power in Ancient Greece and Rome. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294936.003.0007.

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The category of decor concerns a highly controversial aspect of the visual arts that has provoked much perplexity among scholars. Works of “applied art” of very different character—such as the column of Trajan, statue decoration of public architecture, Pompeian wall decoration, or Roman coin series—are designed with elaborate image programs but present themselves with a very reduced visibility. A solution to this paradox is offered in the notion of decor: not in the debased modern sense of meaningless decoration, but in the ancient meaning of adequate form. Decor serves the fundamental purpose
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Hölscher, Tonio. "Person, Identity, and Images." In Visual Power in Ancient Greece and Rome. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294936.003.0004.

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Within the ancient culture of “immediate acting” the visual appearance and behavior of individual persons was of paramount importance. The result was a particularly strong interrelation between persons and images: Greek politicians, Hellenistic kings, and Roman generals and emperors styled themselves into “living images,” whereas portrait statues made these persons corporally “present” in public spaces and served as models of public behavior. Yet, while recent scholarship has underlined the ideal features in Greek and Roman portraiture, exemplifying normative virtues, the aim in this chapter i
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Wells, Peter S. "The Visuality of Objects, Past and Present." In How Ancient Europeans Saw the World. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691143385.003.0013.

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This chapter argues that the “Roman conquest” of parts of temperate Europe was not as all-changing as most history books would suggest. The idea of a “Roman Europe,” in the sense of European provinces practicing Roman culture—in particular, Roman ways of seeing—needs considerable revision. Much evidence suggests that Middle Iron Age modes of visual perception and ways of crafting objects continued throughout the period of Roman political domination to reemerge in the so-called “early Germanic” style of the early Middle Ages, as well as in “Celtic” objects such as the Book of Kells and the trad
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Conference papers on the topic "Ancient Roman visual arts"

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Wiebel, Alexander, Oliver Gloger, and Hella Eckardt. "MillefioriAnalyzer: Machine Learning, Computer Vision and Visual Analytics for Provenance Research of Ancient Roman Artefacts." In 16th International Conference on Information Visualization Theory and Applications. SCITEPRESS - Science and Technology Publications, 2025. https://doi.org/10.5220/0013098900003912.

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Yousuf, M. Khalid, Kristi Larzelere, Ty Hutchinson, and James Greene. "Combating Graffiti with Silicone Elastomeric Coatings." In Paint and Coatings Expo (PACE) 2010. SSPC, 2010. https://doi.org/10.5006/s2010-00056.

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Abstract Graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire. In recent times, Graffiti has gained widespread visual attention, most of it unwanted. Graffiti vandals may believe that their actions harm no one, yet the reality is that their work invites gang violence and a sharp decline in property values. Although definitive figures for clean up costs are difficult to come by, figures from a variety of cities across USA suggest that graffiti clean up costs communities anywhere from $1 to $3 per person. In a 2006 survey of 88 cities, Caltra
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Marussi, Giovanna, Ilaria Carlomagno, Giuliana Aquilanti, et al. "Synchrotron x-ray fluorescence on ancient gold coins: how trace elements can give insight into the Roman Empire." In Optics for Arts, Architecture, and Archaeology (O3A) VIII, edited by Roger Groves and Haida Liang. SPIE, 2021. http://dx.doi.org/10.1117/12.2593807.

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Allegranti, Ivan. "PROPERTY LAW: CASE STUDIES AND JURISPRUDENTIAL PROBLEMS IN RELATION TO THE WORLD OF JEWELS DURING THE ANCIENT ROMAN ERA." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s01.008.

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Rietveld, Dr Kyra A. "The Empty Shell of A goddess: Representations of Artemis Based on Literature in the Graeco-Roman period." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-066.

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In antiquity, a push occurred for a universal Greek identity after the Persian wars. The Greek pantheon was used to support this new sense of nationality, relying on the shared mythology and understanding of the gods. Images of the goddess Artemis started to appear that reflected this, promoting a universalized system of religion relating to the changing political situation to give ancient Greek citizens stability within their vast, shifting world. I argue that the representation of the goddess Artemis which followed the universalizing trend, underwent a significant change during the Graeco-Ro
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Zhang, Xinlei, Chao Zheng, Yichen Zeng, Xinhao Zhan, Li Cheng Xie, and Bingkun Qiu. "Visualization and Visual Communication of Tibetan Music." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003369.

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Tibetan music is a unique and ancient music form, which retains the original music characteristics and humanistic connotation, has unique Tibetan regional characteristics and cultural factors, and has high artistic value and aesthetic interest. Because of the restriction of the traditional national structure and modern communication system, Tibetan music can not be developed effectively in modern society. One is how to spread and inherit Tibetan music culture in the present and future society, and the other is how to spread and propagate Tibetan culture through music to attract more people to
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Sookkaew, Jirawat, Apiwat Puntatong, and Wisoot Kaenmueang. "Learning to use of the structure of base 3d structures and point cloud structures from ancient artifact constructions in visual arts experience via virtual reality tool." In 2023 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT & NCON). IEEE, 2023. http://dx.doi.org/10.1109/ectidamtncon57770.2023.10138937.

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Ponomareva, Anna. "The Avant-Garde on a Planetary Scale: in the Middle of Colours." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8942.

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The turn of the 20th century and the first several years of the new millennium was the time of great experiments in Arts related to adding unusual novel facets to their traditional artistic forms. As contemporary artists and composers, literary figures took part in similar trials and mixed the verbal with the visual in their texts. This article is going to illustrate the use of colours by two Symbolist writers, Andrey Bely (1880-1934) and Grigol Robakidze (1880-1962), and to explain the importance of the light paradigm in creating multi-layered meaningful messages in their novels of 1926, Bely
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Franco, Jorge. "A Decolonized Mood of Creating a Three-dimensional Digital Space Based on Integrating Transdisciplinary Knowledge." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.66.

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This experimental artwork has attempted to produce a decolonized mood of researching and creating Three-dimensional (3D) Virtual Reality (VR) digital spaces based on using and integrating transdisciplinary knowledge. These research and creative 3DVR digital spaces processes have been connected with applying the concept of Digital Transformation (DX) within Educative Computational Practice (ECP) proceedings, addressing the idea of empowering people. The mentioned ECP proceedings have occurred through designing and carrying out 3DVR digital spaces by using 3D computer graphics programming techni
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