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Books on the topic 'Ancient Roman visual arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Trimble, Jennifer. Women and visual replication in Roman imperial art and culture: Visual replication and urban elites. Cambridge University Press, 2011.

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2

R, Clarke John. Looking at laughter: Humor, power, and transgression in Roman visual culture, 100 B.C.-A.D. 250. University of California Press, 2007.

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3

Hayes, Elizabeth R. The evolution of visual, literary, and performing arts from tribal cultures through the Middle Ages. BYU Academic Pub., 2009.

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4

Martin, Henig, ed. A handbook of Roman art: A survey of the visual arts of the Roman world. Phaidon Press, 1995.

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5

Archaeological Institute of America. General Meeting, ed. Ateliers and artisans in Roman art and archaeology. Journal of Roman Archaeology, 2012.

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6

Touati, Anne-Marie Leander. Ancient sculptures in the Royal Museum. Swedish National Art Museums, 1998.

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7

Sheila, Dillon, and Welch Katherine E, eds. Representations of war in ancient Rome. Cambridge University Press, 2006.

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8

France) Congrès international du GRIMH (6th 2008 Lyon. Image et manipulation: Actes du 6e Congrès international du GRIMH, Lyon, 20-21-22 novembre 2008 : hommage à Roman Gubern. Université Lumière-Lyon 2, 2009.

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9

Touati, Anne-Marie Leander. Ancient sculptures in the Royal Museum: The Eighteenth-century Collection in Stockholm. Swedish National Art Museums, 1998.

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10

Johns, Catherine. The jewellery of Roman Britain: Celtic and classical traditions. University of Michigan Press, 1996.

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11

E, Enenkel K. A., Jong Jan L. de, Landtsheer J. de, and Montoya Alicia, eds. Recreating ancient history: Episodes from the Greek and Roman past in the arts and literature of the Early Modern Period. Brill, 2001.

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12

Gudenrath, William. Catalogue of Greek and Roman glass in the British Museum. British Museum, 2002.

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13

Müller-Brockmann, Josef. A history of visual communication =: Geschichte der visuellen Kommunikation. From the dawn of barter in the ancient world to the visualized conception of today = Von den Anfängen der Menschheit, vom Tauschhandel im Altertum bis zur visualisierten Konzeption der Gegenwart. Gerd Hatke, 1986.

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14

Fiero, Gloria K. The humanistic tradition. 2nd ed. WCB Brown & Benchmark Publishers, 1995.

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15

Fiero, Gloria K. The humanistic tradition. 2nd ed. WCB Brown & Benchmark, 1995.

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16

AESTHETICS OF EMULATION IN THE VISUAL ARTS OF ANCIENT ROME. CAMBRIDGE UNIV PRESS, 2005.

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17

Perry, Ellen. The Aesthetics of Emulation in the Visual Arts of Ancient Rome. Cambridge University Press, 2011.

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18

Hölscher, Tonio. Visual Power in Ancient Greece and Rome. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294936.001.0001.

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This book aims to explore the aspects of visuality in Greek and Roman culture, comprising the visual appearance of images as well as the reality of the social world. The face-to-face societies of ancient Greece and Rome were to a high degree based on civic presence and direct, immediate social interaction in which visual appearance and experience of beings and things was of paramount importance. The six chapters of the book are dedicated to action in space, memory over time, the appearance of the person, conceptualization of reality, and, finally, presentification and decor as fundamental cate

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19

Globalised Visual Culture?: Towards a Geography of Late Antique Art. Oxbow Books, Limited, 2020.

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20

Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity. de Gruyter GmbH, Walter, 2018.

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21

Squire, Michael, and Nikolaus Dietrich. Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity. de Gruyter GmbH, Walter, 2018.

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22

Squire, Michael, and Nikolaus Dietrich. Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity. de Gruyter GmbH, Walter, 2018.

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23

Barrett, Caitlín Eilís. Egypt in Roman Visual and Material Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935390.013.18.

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This review article addresses current controversies and opportunities in research on the roles, uses, and meanings of “Egypt” in ancient Roman visual and material culture. Accordingly, the article investigates problems of definition and interpretation; provides a critical review of current scholarly approaches; and analyzes the field’s intersections with current intellectual developments in the broader fields of archaeology and art history. It is argued that research on Roman Aegyptiaca can gain much from, and is poised to contribute substantially to, (1) 21st-century archaeology’s “material t

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24

Pollini, John. From Republic to Empire: Rhetoric, Religion, and Power in the Visual Culture of Ancient Rome. University of Oklahoma Press, 2012.

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25

From republic to empire: Rhetoric, religion, and power in the visual culture of ancient Rome. University of Oklahoma Press, 2012.

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26

Lorenz, Katharina. Ancient Mythological Images and Their Interpretation: An Introduction to Iconology, Semiotics and Image Studies in Classical Art History. Cambridge University Press, 2016.

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27

Visual Power in Ancient Greece and Rome: Between Art and Social Reality. University of California Press, 2018.

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28

Visual Power in Ancient Greece and Rome: Between Art and Social Reality. University of California Press, 2018.

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29

Halmi, Nicholas. The Greco-Roman Revival. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.42.

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During the eighteenth century an emergent historicism, which differentiated modernity radically from past ages, questioned the traditional notion of a ‘classical tradition’ of timeless values exemplified in Greek and Roman works. Classical antiquity began to be understood as a repository of historical artefacts associated, in part nostalgically, with ‘primitive’ ways of thought. Such recognition of the distance between modernity and antiquity paradoxically encouraged identification with the latter, since antiquarian research permitted increasingly accurate imitation of classical forms in the v

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30

Carlson, Deborah N. The Seafarers and Shipwrecks of Ancient Greece and Rome. Edited by Ben Ford, Donny L. Hamilton, and Alexis Catsambis. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199336005.013.0017.

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Classical archaeology comprises of the study of Greek and Roman cultures and the result is a mix of textual, visual, and material evidence. Underwater archaeology as a discipline has increased the understanding of cargoes, construction, and size of Greco-Roman ships. The raw archaeology data is helpful in drawing conclusions about maritime trade and economy. Maritime archaeological evidence for the ancient art trade first came to light in the early twentieth century. New methods to extract new information from old objects and shipwreck archaeology are being continuously developed. At the same

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31

Ancient Mythological Images and Their Interpretation: An Introduction to Iconology, Semiotics and Image Studies in Classical Art History. Cambridge University Press, 2016.

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32

Lorenz, Katharina. Ancient Mythological Images and Their Interpretation: An Introduction to Iconology, Semiotics and Image Studies in Classical Art History. Cambridge University Press, 2016.

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33

De Temmerman, Koen, ed. The Oxford Handbook of Ancient Biography. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198703013.001.0001.

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Biography is one of the most widespread literary genres worldwide. This book offers the first wide-ranging, multi-authored survey on biography in Antiquity from its earliest representatives to Late Antiquity. It aims to be a broad introduction and a reference tool on the one hand, and to move significantly beyond the state-of-the-art on the other. To this dual end, it addresses conceptual questions about this sprawling genre, provides both in-depth readings of key-texts and diachronic studies, and deals with the reception of ancient biography in subsequent eras up to today. In addition, it app

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34

Franks, Hallie M. Ancient Sculpture and Twentieth-Century American Womanhood. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350469891.

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This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century.In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of suc

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35

Ancient Rome. Hermes House, 2008.

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36

CHILDREN IN THE VISUAL ARTS OF IMPERIAL ROME. CAMBRIDGE UNIV PRESS, 2005.

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37

Gedacht, Daniel C. Art and Religion in Ancient Rome (Primary Sources of Ancient Civilizations. Rome). PowerKids Press, 2004.

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38

The origins of Roman historical commemoration in visual arts. Cambridge University Press, 2002.

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39

Rodgers, Nigel. Ancient Rome: An Illustrated History. Lorenz Books, 2018.

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40

Holliday, Peter J. The Origins of Roman Historical Commemoration in the Visual Arts. Cambridge University Press, 2002.

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41

Uzzi, Jeannine Diddle. Children in the Visual Arts of Imperial Rome. Cambridge University Press, 2005.

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42

Uzzi, Jeannine Diddle. Children in the Visual Arts of Imperial Rome. University of Cambridge ESOL Examinations, 2011.

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43

Turner, Lee Ann. Caves to Cathedrals: Visual Arts in Ancient and Medieval Texts. Cognella Academic Publishing, 2017.

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44

Benediktson, D. Thomas. Literature and the Visual Arts in Ancient Greece and Rome. University of Oklahoma Press, 2000.

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45

Literature and the visual arts in ancient Greece and Rome. University of Oklahoma Press, 2000.

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46

Celtic Pattern: Visual Rhythms of the Ancient Mind. Bloomsbury Publishing USA, 2013.

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47

Tetlow, Adam. Celtic Pattern: Visual Rhythms of the Ancient Mind. Wooden Books, 2021.

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48

Tetlow, Adam. Celtic Pattern: Visual Rhythms of the Ancient Mind. Wooden Books, 2013.

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49

The myth of Marsyas in the Roman visual arts: An iconographic study. B.A.R., 1987.

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50

Artigianato e produzione nella Cisalpina. All'insegna del giglio, 2004.

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