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Dissertations / Theses on the topic 'Anima'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

McDaniel, Matthew Grant. "De Anima, DNA." Lynchburg, Va. : Liberty University, 2010. http://digitalcommons.liberty.edu.

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2

GIUFFRIDA, Pietro. "Movimento, anima, intelletto. Dal De anima al De motu animalium di Aristotele." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91226.

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3

Kitunen, S. (Sakari). "Die Anima in Eschenbachs Parzival." Master's thesis, University of Oulu, 2014. http://urn.fi/URN:NBN:fi:oulu-201405291608.

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In meiner Pro-Gradu -Arbeit untersuche ich die Darstellung und Entwicklung des Jungschen Animabegriffes im Parzival von Wolfram von Eschenbach. Ich werde die in Parzival vorkommenden Charaktere als Anima- und Animus-Figuren analysieren und untersuchen, wie die Interaktion zwischen ihnen die Entwicklung des Helden beeinflusst. Viele Werke, die das Thema Frauen bzw. Weiblichkeit im Mittelalter behandeln, gehen oft davon aus, dass die Frauen in der mittelalterlichen Literatur als Objekte behandelt worden sind. Diese Arbeit will diese Darstellung umkehren und untersuchen, inwiefern die weiblichen
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4

Spirit, Congregation of the Holy. "Anima Una: Building on a Rock." Congregation of the Holy Spirit, 2009. http://digital.library.duq.edu/u?/spiritanbook,17949.

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Anima Una No. 62 -- March 2009 -- Contents – Introduction -- (p. 3) -- I. Implementation of the Chapter of Torre D’Aguilha 2004 -- 1.1 A General Synthesis of Responses -- (p. 5) -- 1.2 Justice, Peace and the Integrity of Creation -- (p. 8) -- II. Consolidation of the Congregation -- 2.1 Mission Appointments -- (p. 11) -- 2.2 Organisation of the Congregation: Unions of Circumscriptions, Pluri-National Circumscriptions, SRL 184.1 -- (p. 16) -- 2.3 Spiritan Presence in Latin America, Asia, Africa -- (p. 18) -- 2.4 Financial Matters -- (p. 23) -- III. Belonging to the Congregation -- 3.1 Spiritual
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5

Nogueira, Gisela Gomes Pupo. "A viola con anima: uma construção simbólica." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-15052009-140811/.

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As pesquisas históricas sobre as violas brasileiras foram delimitadas pelas referências textuais e iconográficas ao instrumento musical e à sua utilização na produção musical, particularmente da segunda metade do século XVIII ao início do XIX, com pequena citação de César das Neves em s eu Cancioneiro de Músicas Populares, cujo primeiro volume é datado de 1893. Usualmente confundida com alaúdes, cistros e violões, a literatura histórica deixa lacunas sobre a descrição do instrumento. Fato é que, não raro, os violeiros brasileiros de hoje ignoram se tratar de uma guitarra barroca. A primeira pa
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6

Gévaudan, Amand. "Cassiodore, De Anima : introduction, traduction,et notes." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30054/document.

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Le De anima marque un tournant dans la vie de Cassiodore, aristocrate romain, né vers 484, dont la famille s'était mise au service des rois Goths. Ayant terminé son parcours politique, il a fait ce qu' il a appelé sa« conversion » qui l'amènera à fonder le monastère de Vivarium et à s'y retirer. C'est au moment de ce changement de vie qu'il écrivit un traité sur l'âme et ses vertus, réflexion anthropologique, psychologique et morale, qui s'appuyait sur des écrits philosophiques, des écrits physiologiques empruntés à la tradition médicale, mais aussi sur les écrits scripturaires et l'œuvre de s
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7

Spirit, Congregation of the Holy. "Anima Una: Living the Vow of Poverty Today." Congregation of the Holy Spirit, 2008. http://digital.library.duq.edu/u?/spiritanbook,17894.

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"Information Documentation" (I/D) is now "Anima Una" -- Anima Una No. 61 -- December 2008 -- I. The Vow of Poverty as a Means to Overcome Poverty -- 1.1 Intolerable Situations of Poverty -- (p. 2) -- 1.2 In the Light of the Gospel and Our Founders -- (p. 3) -- 1.3 The Struggle Against Poverty -- (p. 5) -- 1.4 Where Are We? -- (p. 8) -- 1.4.1 On a Personal Level -- (p. 8) -- 1.4.2 On a Community Level -- (p. 8) -- 1.4.3 At Circumscription Level -- (p. 8) -- II. Taking the Vow of Poverty to be Like Christ -- (p. 9) -- 2.1 How do People Look Upon Us? -- (p. 9) -- 2.2 Evangelical Self-emptying --
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8

Spirit, Congregation of the Holy. "Anima Una: Living the Vow of Obedience Today." Congregation of the Holy Spirit, 2010. http://digital.library.duq.edu/u?/spiritanbook,17992.

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Anima Una No. 63 -- October 2011 -- Contents -- Introduction -- (p. 3) -- I. Obedience -- Learning to Listen -- (p. 5) -- 1.1 Dialoque of the Deaf and Constructive Dialogue -- (p. 5) -- 1.2 Looking at the Obedient Christ -- (p. 6) -- 1.3 Learning to Listen -- (p. 7) -- 1.4 So Where Are We At? -- II. Obedience, School of Liberty -- (p. 12) -- 2.1 Fulfilment and Individual Liberty -- (p. 12) -- 2.2 A Look at the Renunciation Practiced by Claude Poullart des Places -- (p. 13) -- 2.3 Obedience and Freedom -- (p. 15) -- 2.4 So Where Are We At? -- (p. 20) -- III. Obedience: The Path of Communion --
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9

Silva, Fernanda Pereira Augusto da. "Senso-percepção no de anima b de Aristóteles." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/5582.

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Made available in DSpace on 2015-05-14T12:11:40Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 826436 bytes, checksum: 8639b71de3887dfd39597dc73cc31adb (MD5) Previous issue date: 2011-03-11<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The analysis of sense-perception is fundamental for understanding Aristotle&#8223;s cognitive proposal as well as for the efficiency of the cognition complex. To understand it, one shall begin by studying the relationship between body and soul as integrated parts of hylomorphic theory constituting concepts matter, form, act and potency. H
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10

Silva, Thiago Quirino da. "O projeto hilemórfico do De Anima de Aristóteles." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/167587.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Filosofia, Florianópolis, 2016<br>Made available in DSpace on 2016-09-20T04:01:14Z (GMT). No. of bitstreams: 1 340423.pdf: 623918 bytes, checksum: effbf43316c6f1c28336ad6934fa7b81 (MD5) Previous issue date: 2016<br>Esta dissertação tem por objetivo propor um ensaio interpretativo para os problemas suscitados pelo emprego da explicação hilemórfica à investigação sobre a alma apresentada no De anima de Aristóteles. Embora estabeleça em suas primeiras consideraçõ
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11

Otal, Milan. "Philopon et la tradition exégétique du De Anima." Electronic Thesis or Diss., Montpellier 3, 2019. http://www.theses.fr/2019MON30097.

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Sous le nom de Jean Philopon nous sont parvenus deux commentaires au De anima, l’un en grec, l’autre dans une traduction latine médiévale. Ces deux ouvrages nous permettent de rendre compte de la gnoséologie telle qu’elle était enseignée dans l’école néoplatonicienne d’Alexandrie à l’aube du VIe siècle. Ils jettent aussi un éclairage nouveau sur la transmission des textes et permettent de questionner la méthode exégétique de leur auteur. Nous avons donc sélectionné dans ces commentaires trois sections qui concernent la connaissance rationnelle (le Prologue, le Livre III et le De intellectu) et
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12

Kye, Hee-seng. "The third voice : anima as drama in Mozart's operas." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2015. http://hdl.handle.net/10722/212609.

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This thesis investigates the processes through which the characters and their relationship, and the drama take shape in Mozart’s operas. In his mature operas, there are moments when music seems to say something that is not in harmony with what the words express. This discrepancy suggests that Mozart tells us, through music (vocal or instrumental), the characters’ most private thoughts that are not revealed in the text alone. I call this innermost part of the psyche that is in contact with the unconscious ‘anima’, a concept borrowed from Jungian psychology. Through anima, Mozart narrates his ve
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13

Queiroz, Rossana Baptista. "Gera??o de anima??es faciais personalizadas em avatares." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2010. http://tede2.pucrs.br/tede2/handle/tede/5145.

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Made available in DSpace on 2015-04-14T14:49:37Z (GMT). No. of bitstreams: 1 433864.pdf: 18434268 bytes, checksum: 61c6a4bdb552888fb0eab7f573b93c20 (MD5) Previous issue date: 2010-03-19<br>Neste trabalho, ? apresentado um modelo para a gera??o de anima??es faciais personalizadas em avatares. O modelo inclui duas abordagens de controle param?trico da face do avatar: baseado em scripts de a??es faciais em alto-n?vel ou usando a t?cnica de Anima??o Dirigida por Performance(PDA). A abordagem de controle por script permite a gera??o de anima??es com express?es faciais, fala sincronizada e comport
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14

Silva, Fernanda Pereira Augusto da. "O problema do pensamento no de anima de Aristóteles." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9582.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2017-09-20T12:16:23Z No. of bitstreams: 1 arquivototal.pdf: 961847 bytes, checksum: 41778a39d7358579ee917bda56066445 (MD5)<br>Made available in DSpace on 2017-09-20T12:16:23Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 961847 bytes, checksum: 41778a39d7358579ee917bda56066445 (MD5) Previous issue date: 2016-03-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The problem of the line of thought in De Anima concerns the way the human being is capable of acknowledging nature in act in view of the intellectual/thinking
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15

D'Onofrio, Sandro. "El intelecto agente según el De Anima de Aristóteles." Bachelor's thesis, Pontificia Universidad Católica del Perú, 1996. http://tesis.pucp.edu.pe/repositorio/handle/123456789/5841.

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Nuestro trabajo consiste en un análisis textual desde los presupuestos hermenéuticos de la unidad y la coherencia del pensamiento aristotélico sobre el alma y dios. Para tal fin se investigará, en primer lugar, cómo es que se habla del intelecto a lo largo del De anima, y si se menciona su separación; luego, en una segunda parte, se analizará la concepción de alma, según se presenta en el texto, en vista al problema del intelecto o alma humana; aquí mismo desarrollaremos la doble concepción de acto-potencia que Aristóteles desarrolla para aclarar lo que es el alma. En un tercer capítulo se ver
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16

La, Grasta Patrizia <1990&gt. "Robert Musil: letteratura e filosofia tra "anima ed esattezza"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18616.

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Il presente lavoro prende avvio dall’analisi delle principali opere di Robert Musil, concentrandosi in particolare sui due romanzi dell’autore, I turbamenti del giovane Törless e L’uomo senza qualità, che vengono analizzati attraverso l’opera saggistica, al fine di individuare gli elementi di una filosofia della cultura. La finalità di questo studio è riuscire a mostrare come la prosa musiliana sia il prodotto di una costante riflessione filosofica sul proprio tempo che si trasforma in una originale filosofia del soggetto. La forma delle opere prese in esame è conseguenza di questa costante r
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17

Shore, Lesley Anne. "The anima in animation| Miyazaki heroines and post-patriarchal consciousness." Thesis, Pacifica Graduate Institute, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3645282.

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<p> This dissertation explores how the heroines in Hayao Miyazaki animations subvert the antiquated, patriarchal models of the conquering hero that predominate Western literature and cinema. As unifying agents of change, such heroines use communal solutions to conflict by rejecting militarism, refuting stereotypical gender roles and reversing environmental destruction. Five Miyazaki animations are reviewed: <i>My Neighbor Totoro, Spirited Away, Howl's Moving Castle, Princess Mononoke and Nausicaa of the Valley of the Wind.</i> The protagonists in these films undertake a voyage of balance inspi
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18

Umeda, Guilherme Mirage. "Educação na linguagem da anima: diálogos ontológicos com a música." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-29042011-171640/.

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Há, entre educação e música, uma relação profunda que ultrapassa o ensino da arte. Partindo de uma perspectiva fenomenológica da interpretação e da escuta, encontramos na música estruturas míticas que permitem sustentá-la como chave metafórica para uma compreensão da atividade educacional, mediante a centralidade do ENCONTRO para ambas. A música compartilha com as outras formas de arte a capacidade mobilizadora do imaginário. Sua função simbólica retira-lhe do mundo da linguagem convencional e denotativa; sua manifestação está continuamente prenhe de sentido, desenrolando a expressão de maneir
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Perkams, Matthias. "Selbstbewusstein in der Spätantike : die neuplatonischen Kommentare zu Aristoteles' "De anima" /." Berlin : W. de Gruyter, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783110204926.

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20

Álvarez, San Román Mercedes. "¿Anima(fic)ción? La producción del cuerpo en la era digital." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040206.

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Ce travail propose une analyse de la construction des personnages féminins des longs-métrages d’animation produits en Espagne entre 1985-2017, dans l’intention d’apporter des pistes sur la production du corps à l’ère du numérique. Une première approche de la matérialité de l’image générée par ordinateur à travers un parcours historique a servi d’abord à établir un cadre méthodologique. Elle a été suivie par une périodisation historique de l’introduction de la 3D en Espagne, à partir du modèle économique de production et de ses répercussions sur le contenu du long-métrage. Étant la première étu
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Bishop, Charles H. "Men in the novels of Toni Morrison, sleeping with the anima." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ33343.pdf.

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Kopke, Henrique Moraes. "Anima Scribens: possibilidades para o desenvolvimento de partituras do movimento animado." Universidade Federal de Juiz de Fora (UFJF), 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/4064.

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Millet-Gérard, Dominique. "Anima et la sagesse : pour une poétique comparée de l'exégèse claudélienne." Paris 4, 1987. http://www.theses.fr/1987PA040476.

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La première partie de la thèse s'attache à démêler les effets polysémiques d'un très court texte claudélien, la "parabole d'animus et d'anima". On y voit successivement un traité de poétique, issu de la lecture de Rimbaud, une autobiographie spirituelle, nourrie d'une méditation sur la mystique dévote, et une pièce liturgique inspirée par le temps de l'avent et le mystère de l'immaculée conception. Un rapport d'analogie s'établit ainsi entre la figure profane d'anima et la sagesse de l'écriture. La seconde partie vise à mettre en lumière cet effet de reflet, en le fondant théologiquement dans
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Perkams, Matthias. "Selbstbewusstsein in der Spätantike die neuplatonischen Kommentare zu Aristoteles' "De anima"." Berlin New York, NY de Gruyter, 2006. http://d-nb.info/990069400/04.

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Millet-Gérard, Dominique. "Anima et la sagesse pour une poétique comparée de l'exégèse claudelienne /." Lille 3 : ANRT, 1992. http://catalogue.bnf.fr/ark:/12148/cb37608056x.

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Gomes, Murilo de Assis Macedo. "Entre as trevas e a luz: o percurso labiríntico em Todos os nomes de José Saramago." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-15032010-093633/.

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Entre as trevas e a luz: o percurso labiríntico em Todos os nomes de José Saramago é uma dissertação que visa mostrar de que modo o caminho trilhado pela personagem protagonista do romance constitui um processo de autoconhecimento em meio às múltiplas possibilidades de um espaço que se configura como labiríntico. Os conceitos de símbolo, espaço, lugar, não-lugar, individuação, anima, advindos da diversidade teórica, da qual se destacam C. G. Jung (1967/ 2000/ 2007), Gilbert Durand (2002), Marc Augé (1994), Gaston Bachelard (1988/ 1990/ 1993/ 1997/ 2001), Michel de Certeau (2001), contribuíram
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López, Alcalde Celia. "Liber novvs de anima rationali de Ramon Llull. Edición crítica y estudio." Doctoral thesis, Universitat Autònoma de Barcelona, 2012. http://hdl.handle.net/10803/98398.

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El Liber nouus de anima rationali (LNAR) fue terminado en Roma, en 1296. De acuerdo con esta fecha, el LNAR de Ramon Llull debe ser considerado el primer libro de una serie de obras que pretenden revisar y mejorar las ciencias tradicionales, la mayoría de origen aristotélico. Esto lo hará aplicando su “nuevo” y definitivo acercamiento, el Arte, a las diferentes disciplinas tradicionales como la astronomía, la física, la metafísica, etc. En el caso del LNAR, Ramon Llull dirige su mirada a la prolífica tradición psicológica, basada en el libro aristotélico De anima, un texto ampliamente comentad
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Kupreeva, Inna Veniaminovna. "Alexander of Aphrodisias on soul as form (de anima 1-26 Br.)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0021/NQ41200.pdf.

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Gramigna, Viviane Dutra. "O conceito aristotélico de phantasia deliberativa no livro III do De anima." Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/ARBZ-7SNJMS.

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Cette dissertation recherche la notion de phantasia au long du livre III de De anima, qui consiste à une explicitation de la nature exacte du rôle quacquiert la phantasia, à travers lutilisation des interprétations dAristote. Il propose dexpliquer sa différence par rapport aux autres capacités de la connaissance et comment cette notion intervient dans le mouvement des animaux et de laction humaine. Lanalyse des principes qui semblent être responsables du mouvement, comme le désir et/ou lintellect, mettent en valeur certaines solutions adoptées dans le traité, qui entraînent plusieurs difficult
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Razafindrakoto, Aimé. "Le système ANIMA : éditeur d'objets producteurs d'images, implantation d'algorithmes de simulation temps réel." Phd thesis, Grenoble 1, 1986. http://tel.archives-ouvertes.fr/tel-00322206.

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Partant de la spécification d'un univers d'objets a comportement mécanique, dynamique et visuel, le système anima propose un langage alpha-graphique a l'utilisateur pour la description de ses objets, et le moyen d'expérimenter en temps réel leur animation. On étudie l'élaboration de ressources indispensables a une phase compositionnelle, telles que mémoires de geste et mémoires d'images. Le système est vu comme la maquette d'un outil de création destine a des articles, construit autour d'un modèle général de simulation integrant les comportements vibratoires et sonores des objets.
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Gifoni, Luciana Rodrigues [UNESP]. "Música de câmara e pós-modernismo: os grups Syntagma (CE) e Anima (SP)." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/95135.

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Made available in DSpace on 2014-06-11T19:27:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-09-27Bitstream added on 2014-06-13T20:35:59Z : No. of bitstreams: 1 gifoni_lr_me_ia.pdf: 3186024 bytes, checksum: 7bfcac3a3897955d3dbe02ca60c8a168 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>A partir do interesse pelas dinâmicas artístico-culturais brasileiras e seus olhares para as tradições populares, diante do fenômeno da Pós-modernidade , observamos a atuação de dois grupos de música de câmara, objetos deste estudo: são eles o Syntagma, de Fortaleza-CE, e o
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Nascimento, Fagner Deport Ferreira do. "Entre apar?ncias e contrastes : imagin?rio do masculino nas anima??es Disney." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2018. http://tede2.pucrs.br/tede2/handle/tede/8174.

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Meirinhos, José Francisco. "A fundamentação do conhecimento na Scientia Libri de Anima de Pedro Hispano Portugalense." Master's thesis, Porto : Universidade do Porto. Faculdade de Letras, 1989. http://hdl.handle.net/10216/7031.

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Gifoni, Luciana Rodrigues. "Música de câmara e pós-modernismo : os grups Syntagma (CE) e Anima (SP) /." São Paulo, 2008. http://hdl.handle.net/11449/95135.

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Orientador: Alberto Tsuyoshi Ikeda<br>Banca: Marisa Trench de Oliveira Fonterrada<br>Banca: Flávia Camargo Toni<br>Resumo: A partir do interesse pelas dinâmicas artístico-culturais brasileiras e seus olhares para as tradições populares, diante do fenômeno da Pós-modernidade , observamos a atuação de dois grupos de música de câmara, objetos deste estudo: são eles o Syntagma, de Fortaleza-CE, e o Anima, de Campinas-SP. Iniciadas com propostas similares, voltadas para o repertório de Música Antiga européia - medieval renascentista e barroca - e utilização de réplicas de instrumentos históricos, c
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Agazzi, Anna Claudia [UNESP]. "Con anima: instalações pianísticas : proposta artística na interface artes visuais e interpretação musical." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/154682.

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Made available in DSpace on 2018-07-27T18:26:03Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-07-21. Added 1 bitstream(s) on 2018-07-27T18:30:03Z : No. of bitstreams: 1 000848024.pdf: 4816889 bytes, checksum: 6025629bd348ed2ae3a1a2339df5de83 (MD5)<br>Partindo de obras do repertório pianístico, o trabalho experimenta expandir os limites tradicionais da interpretação ao piano e discute convenções relativas à interpretação e à difusão da música de concerto. Propõe rever o papel do pianista enquanto intérprete e difusor da obra. Apresenta reflexão quanto ao conceito de repertório e sua
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Agazzi, Anna Claudia 1969. "Con anima : instalações pianísticas : proposta artística na interface artes visuais e interpretação musical /." São Paulo, 2015. http://hdl.handle.net/11449/154682.

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Orientador: Pelópidas Cypriano de Oliveira<br>Banca: André Luis Rangel<br>Banca: José Spaniol<br>Banca: Carlos Roberto de Souza<br>Banca: Rubens Toledo<br>Resumo: Partindo de obras do repertório pianístico, o trabalho experimenta expandir os limites tradicionais da interpretação ao piano e discute convenções relativas à interpretação e à difusão da música de concerto. Propõe rever o papel do pianista enquanto intérprete e difusor da obra. Apresenta reflexão quanto ao conceito de repertório e sua importância na concepção da Interpretação Musical e estabelece paralelos com a curadoria nas Artes
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Carter, Jason W. "First principles in Aristotle's psychology : the science of soul in De Anima 1." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:5321c889-bce7-4e4f-a3f8-860b286c3380.

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This thesis analyses the method, purpose, and results of Aristotle's treatment of a select number of Presocratic and Platonic theses about the soul within the context of De Anima 1. Contrary to a prevalent interpretation of De Anima 1 which sees Aristotle's treatment of his predecessors' psychological views as dialectical, I argue that Aristotle treats his predecessors as having offered potentially viable hypotheses about the nature of the soul, and that these hypotheses are treated as attempts to explain the soul's basic powers. I further show that, in order to test the explanatory limits of
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Razafindrakoto, Aimé Bolliet Louis. "Le système ANIMA éditeur d'objets producteurs d'images, implantation d'algorithmes de simulation temps réel /." S.l. : Université Grenoble 1, 2008. http://tel.archives-ouvertes.fr/tel-00322206.

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Meirinhos, José Francisco. "A fundamentação do conhecimento na Scientia Libri de Anima de Pedro Hispano Portugalense." Dissertação, Porto : Universidade do Porto. Faculdade de Letras, 1989. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000062420.

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Ferrari, E. "«LA DIVERSITÉ DES NOS PASSIONS!»: CORPO, ANIMA E SAGGEZZA NEGLI ESSAIS DI MONTAIGNE." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/158940.

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The study of the emotions in the Essais of Montaigne shows a complex phenomenon, which demonstrate the great assumption of the Montaigne’s anthropology: man is an undividable unity of body and soul. Like human being, the emotion is a mixture experience that has a double aetiology: it raise in the body and in the soul. For his particular constitution, man is naturally subject to « nombre infiny des passions », and the wisdom of the Essais is nothing else that the ability of governing and harmonising the emotional forces, for realise the only human possible perfection: enjoy the proper life in h
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Williams, Bryn Rhys. "Imagining and reasoning : an attempt to define a clear conceptual distinction between two cognitive strategies available for the manipulation of information." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324495.

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In this study, I attempt to identify a distinct role for the imagination in manipulating and organising information states. To this end, I begin with an exegesis of Aristotle's account of phantasia in De Anima. I argue against two established views of the nature of Aristotle's phantasia-the view that phantasia is merely a faculty for apprehending appearances, and the view that it is a special catch all faculty for having "non-paradigmatic sensory experiences". I then continue to argue that for Aristotle, phantasia was a distinct faculty that discriminates between experiences by virtue of recog
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Pereira, Junior Getulio. "O comentario de Tomas de Aquino ao Livro I do "De Anima" de Aristoteles." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281972.

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Orientador: Francisco Benjamin Souza Netto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-06T22:33:05Z (GMT). No. of bitstreams: 1 PereiraJunior_Getulio_M.pdf: 2475281 bytes, checksum: f41e2ed64411fed287e68d1717aa2593 (MD5) Previous issue date: 2006<br>Resumo: Nosso trabalho consiste em uma tradução dos capítulos 1-4 do Livro I do Comentário de Tomás de Aquino ao De Anima de Aristóteles. A tradução é acompanhada de uma breve introdução ao texto. Nela apresentamos um pouco da trajetória tanto do t
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Braun, Adriana. "Aprendizado e utiliza??o do estilo de movimento facial na anima??o de avatares." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/5267.

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Made available in DSpace on 2015-04-14T14:50:16Z (GMT). No. of bitstreams: 1 461608.pdf: 5223181 bytes, checksum: 86fc9cfeddfa54c5f8407987d8286ee5 (MD5) Previous issue date: 2014-08-08<br>This work presents a methodology, named Persona, for learning and transfer of facial motion style of an actor in order to provide parameters for avatar facial animation. Through this methodology, we can drive the facial animation of avatars using the motion style of a particular actor, through the performance of any user. Thus, the avatar can express the facial movements that the user is performing, but rep
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GHIONE, MARCO. "Natura di Anima e Numero nella letteratura aritmologica italiana del secondo Rinascimento (1500-1630)." Doctoral thesis, Università degli studi di Genova, 2021. http://hdl.handle.net/11567/1046269.

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The dissertation aims to survey the ontological and cognitive relationships between soul and number in the framework of late Renaissance thought, during XVI and XVII Centuries, the crucial age of development and progressive affirmation of modern science. Mainly receiving the doctrines of Neoplatonic philosophers, especially Porphyry, Iamblichus and Proclus, during the Renaissance emerges a current of thought that combines metaphysical investigation on the soul and theories about numerical, geometrical and harmonic proportions. After a general introduction and a presentation of the status
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Tache, Olivier. "Conception d'un instrumentarium pour la création musicale à l'aide des modèles physiques CORDIS-ANIMA." Grenoble INPG, 2008. http://www.theses.fr/2008INPG0169.

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CORDIS-ANIMA est un système permettant de construire et de simuler les mouvements de modèles physiques, composés de modules représentant des éléments matériels et des interactions physiques simples. Mis en œuvre dans un environnement informatique pour la création musicale, GENESIS, il permet aussi bien d’aborder la synthèse sonore que la composition proprement dite. Nous proposons dans cette thèse une organisation générale des modèles musicaux CORDIS-ANIMA, en identifiant les fonctions élémentaires réalisées en leur sein, les différents types de composants physiques associés et les principales
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Dias, Romualdo. "Cor unum et anima una. A doutrina catolica sobre a autoridade no Brasil, 1922-1935." [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280918.

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Orientador : Roberto Romano da Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-07-18T10:10:43Z (GMT). No. of bitstreams: 1 Dias_Romualdo_D.pdf: 8146108 bytes, checksum: 1f7f7fae8a605ffd81876ea29c0cb748 (MD5) Previous issue date: 1993<br>Resumo: Não informado<br>Abstract: Not informed.<br>Doutorado<br>Doutor em Filosofia
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Czekalski, Fernando. "Juízo e discurso: uma aproximação preliminar entre o De Anima e a Retórica de Aristóteles." Pontifícia Universidade Católica do Rio Grande do Sul, 2007. http://hdl.handle.net/10923/3556.

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Made available in DSpace on 2013-08-07T18:56:16Z (GMT). No. of bitstreams: 1 000395115-Texto+Completo-0.pdf: 1186032 bytes, checksum: c8b4c670c01a70ac5656bb99ecba1173 (MD5) Previous issue date: 2007<br>The present thesis seeks to articulate the relation between judgment and discourse from the conceptions proposed by Aristotle in two of his writings: De Anima and Rhetoric. The common element that allows the approachment of both texts, of one and another understandings, consists in the Aristotelian conception of soul. As rhetoric seeks to produce judgment through discourse, it is natural that
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Rostamian, Nareh. "Carmen : Voice of the Anima and its Echoes in Literature, Opera, Film and Music Video." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-362771.

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Since its publication in 1845, Prosper Mérimée’s Carmen has been adapted many times for stage and screen. This essay focuses on the novella, Bizet’s 1875 opera, Saura’s 1983 film and Paul Van Haver’s (known by his stage name Stromae) music video. Already the novella describes Carmen’s exotic aura as a strong, enigmatic presence in her laughter, singing, dancing, magic spells, and strange Gypsy dialect–qualities of otherness that Bizet effected musically in his opera. I propose a Jungian approach to Carmen (José’s anima tainted by his anxious desires) and in particular to her voice in order to
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Zanatta, Marta Eizabeth. "Scott Fitzgerald's women: a view of the flapper as a projection of the author's anima." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106070.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1979.<br>Made available in DSpace on 2013-12-05T19:05:58Z (GMT). No. of bitstreams: 1 322080.pdf: 5750595 bytes, checksum: dc10475bc4fa30a9f6014d05d77f1246 (MD5)
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Ferrari, Federico <1986&gt. "L’antropologia di Platone : il problema della persuasione e le sue ricadute sul rapporto anima-corpo." Doctoral thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/8312.

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Il lavoro analizza in che modo la pratica della persuasione, ossia i modi in cui viene attuata, può dirci qualcosa sul rapporto tra corpo e anima nella filosofia di Platone. Si analizza la gestione della corporeità nella Repubblica e nelle Leggi, e si ipotizza che il modo in cui il legislatore educa il cittadino si fondi su una precisa psicofisiologia che descrive l’interazione fra le due dimensioni dell’uomo, quella psichica e quella fisica, in termini di trasmissione di movimenti configurati matematicamente. La ricerca analizza le concezioni platoniche della musica e della coreutica al fine
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