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Books on the topic 'Animated photography'

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1

3D and animated lenticular photography: Between Utopia and entertainment. Walter De Gruyter GmbH, 2015.

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2

Matuszewski, Bolesław. A n ew source of history. Animated photography, what it is, what it should be. Filmoteka Narodowa, 1999.

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3

al-Rusūm al-mutaḥarrikah fī mīzān al-sharīʻah. s.n., 2011.

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4

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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5

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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6

Beck, Jeanine. Los animales: An introduction to commonly used Spanish words and phrases about animal friends, with more than 425 lively photographs. Southwater, 2008.

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7

Braun, Marta. Picturing time: The work of Etienne-Jules Marey (1830-1904). University of Chicago Press, 1992.

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8

Muybridge, Eadweard. Animals in motion. Dover Publications, 1994.

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9

Swinburne, Stephen R. Muchas, muchísimas rayas de cebra =: Lots and lots of zebra stripes. Boyds Mill Press, 2008.

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10

Making an Animated Movie. North Star Editions, 2020.

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11

Making an Animated Movie. North Star Editions, 2020.

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12

Lanier, Wendy Hinote. Making an Animated Movie. North Star Editions, 2020.

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13

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

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This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Civil War photography before turning to photographs of unknown soldiers at the Battle of Antietam. It also considers how the most permanent of absences were seemingly erased by the mysterious appearance of the apparent spirits of deceased family and friends in photographic portraits. During a period in which the collective grief of the “republic of suffering” vividly animated public life, those who read both war and spirit photographs recognized the medium's capacity for producing presence in the face of the most traumatic of absences.
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14

Shor, Thomas K. Sculpture Garden of the Gods: Animated Landscape Photography from the Greek Island of Ikaria. City Lion Press, 2018.

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15

Anime: A History. British Film Institute, 2013.

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16

Luttrell, Wendy. Children Framing Childhoods. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447352853.001.0001.

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Urban educational research, practice, and policy is preoccupied with problems, brokenness, stigma, and blame. As a result, too many people are unable to recognize the capacities and desires of children and youth growing up in working-class communities. This book offers an alternative angle of vision—animated by young people's own photographs, videos, and perspectives over time. It shows how a racially, ethnically, and linguistically diverse community of young people in Worcester, Massachusetts, used cameras at different ages to capture and value the centrality of care in their lives, homes, and classrooms. The book's layered analysis of the young people's images and narratives boldly refutes biased assumptions about working-class childhoods and re-envisions schools as inclusive, imaginative, and “careful” spaces. The book challenges us to see differently and, thus, set our sights on a better future.
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17

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830-1904) (1830-1904). University Of Chicago Press, 1995.

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18

Dallmeier, Francisco, Adriana Bravo, and Michael Tweddle. Amarakaeri: Connecting Biodiversity | Conectando la Biodiversidad. Open Monographs, 2021. http://dx.doi.org/10.5479/si.16847062.

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<p><b><i>This digital monograph is made available by the publisher. Print copies are available for purchase through our distributor, Penguin Random House and on Amazon.com</i></b></p> <p><em><b> </b></em></p><p>Highlighting the enormous biodiversity of the Amarakaeri Communal Reserve (ACR) and the critical role this protected area plays in the conservation of Madre de Dios, in southeastern Peru, with more than 1,700 vivid photographs, <i>Amarakaeri: Connecting Biodiversity</i> offers readers a glimpse into the extensive research conducted by scholars from the Smithsonian National Zoo and Conservation Biology Institute and their Peruvian counterparts. For three years, scientists and local experts had the extraordinary opportunity to collect data at the premontane forests of the ACR to determine potential impacts of an exploratory gas platform on selected animal and plant groups. <i>Amarakaeri</i> also portrays the main threats to the ACR and presents a vision for the region’s future.</p><p>Destacando la enorme biodiversidad de la Reserva Comunal de Amarakaeri (RCA) y el papel crítico que esta área protegida juega en la conservación de Madre de Dios, en el sureste de Perú, <i>Amarakaeri: Conectando la Biodiversidad</i> ofrece a los lectores una mirada rápida a la extensa investigación realizada por académicos del Smithsonian National Zoo y del Conservation Biology Institute junto con sus homólogos peruanos. Durante tres años, los científicos y expertos locales tuvieron la extraordinaria oportunidad de compilar datos en los bosques premontanos de la RCA para determinar los posibles impactos de una plataforma exploratoria de gas en grupos seleccionados de animales y plantas. <i>Amarakaeri</i> además retrata las principales amenazas a la reserva y presenta una visión para el futuro de la región.<br></p><div></div>
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19

Curious George: Dinosaur Tracks. HMH, 2011.

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