Relevant bibliographies by topics / Animated titles

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Animated titles'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Animated titles"

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Wang, Yue, and Xiaowen Ji. "A Study of Translation Strategies of Animated Film Titles from the Perspective of Eco-translatology." Journal of Language Teaching and Research 12, no. 1 (2021): 88. http://dx.doi.org/10.17507/jltr.1201.09.

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In recent years, the animated film industry is booming and attracting more and more attention. This study, under the guidance of Eco-translatology, revolves around both E-C and C-E animated film title translation, analyzing its translational eco-environment and three-dimensional transformations. Use of main translation strategies of animated film titles, which are transliteration, literal translation, free translation and creative translation, is analyzed. It is found that free translation is the mainstream in both C-E and E-C translation of animated film titles while that creative translation
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Nurani, Sri, and Fachri Helmanto. "Representation of Islamic Children's Song Themes in Omar Hana." LADU: Journal of Languages and Education 2, no. 1 (2021): 29–40. http://dx.doi.org/10.56724/ladu.v2i1.81.

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Background: Omar and Hana animated series songs can have different meanings; they can be represented. Such meanings are related to habluminallah, habluminannas, the relationship with knowledge, the relationship with animals, the relationship with plants and the relationship with the environment.
 Purpose: This study aims to determine the representation of the theme of Islamic children's songs in the animated series Omar and Hana.
 Design and methods: This research was carried out using a qualitative approach to content analysis methods with data collection techniques in the form of d
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Chuieva, Oksana, and Mykhailo Cholii. "Typographical Aspect of Animated Titles in Cinematography of the Early Digital Era." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 1 (2019): 67–80. https://doi.org/10.31866/2617-7951.2.1.2019.170358.

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The aim of the research is to distinguish the relations between animated titles and the content of feature films. The research methods. Creating animated titles is an applied process, but project preparation requires theoretical analysis of the sources closely connected with the subject of the research, namely: the study of approaches used in the work, and the tools used in design development. The scientific novelty of the research is to find out the main trends in creating animated titles on the basis of isolated samples of feature films of the digital era. Having analyzed the examples, sever
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Permyakova, T. N., and D. A. Gogoleva. "Linguacultural characteristics of Japanese anime title translations into English." Altaistics, no. 4 (January 3, 2025): 98–108. https://doi.org/10.25587/2782-6627-2024-4-98-108.

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This work aims to consider the linguacultural characteristics of translating Japanese anime titles into English. The translation of foreign filmonyms requires the consideration of extralinguistic factors, which underlines the importance of this research. It is essential to analyse not only the language itself, but also the cultural nuances of the countries in which the animated and feature films are being distributed. The theoretical section of the study covers the conceptual framework, the definition of the term “title”, the functions of filmonyms, translation strategies and types, historical
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Madej, Kacper. "Animated film as a space for presenting and contesting masculinity." Acta Universitatis Lodziensis. Folia Sociologica, no. 73 (June 30, 2020): 37–53. http://dx.doi.org/10.18778/0208-600x.73.03.

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Animated movies can be treated as one of the forms of cultural transmission that can be a source of gender stereotypes. Therefore, they are involved in the process of constructing images of femininity and masculinity, especially among young viewers. The author of this article presents what are, in his opinion, the most popular ways of categorizing masculinity, and then juxtaposes them with the typology of masculine characters presented in contemporary animated films. The empirical material used in the study is based on a qualitative content analysis carried out on the fifteen most popular titl
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Chuieva, Oksana, and Mykhailo Cholii. "Typographical Aspect of Animated Titles in Cinematography of the Early Digital Era." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 1 (2019): 67–80. http://dx.doi.org/10.31866/2617-7951.2.1.2019.170358.

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Purnomo, SF Luthfie Arguby. "Can We Call the Speech Acts of Heroes who Bounce Back from Defeat Ultimatives?" Journal of Language and Literature 24, no. 2 (2024): 631–45. http://dx.doi.org/10.24071/joll.v24i2.9017.

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In animated films and video games, there is always a scene where the heroes bounce back from defeat and charge the villains with a final strike. I argue that this particular scene has a specific speech act – ultimative. To prove this claim, I employed apostrophe as a dramatic device by Wagener (1931), speech act markers by Zeevat (2003), speech act formula by Pawley (2009), and invocation by Frankfurter (2019) on twenty titles of animated films and video games to indicate the presence of ultimatives. The findings indicate that ultimatives have distinctive traits. Speech act markers of sudden c
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Danilović Jeremić, Jelena. "BLEND-O-RAMA: BLENDING IN THE TITLES OF EPISODES OF ANIMATED TELEVISION SERIES FOR CHILDREN." Nasledje Kragujevac 18, no. 48 (2021): 53–69. http://dx.doi.org/10.46793/naskg2148.053dj.

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Often defined as a marginal word-formation process whose governing principles remain a matter of controversy, lexical blending has been examined from various perspectives over the past fifty years or so. Lexical blends have thus been described as (mostly) ephemeral linguistic creations, playful and witty, that are likely to occur in popular press, advertising, and product naming (Bryant 1974; Lieber 2010). Although we can nowadays understand the key characteristics of blends, in terms of their semantic, phonological and orthographic features, corpus-based studies of blends associated with part
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Hatchell, Rusty. "‘We prefer protégé’: The temporal function of sidekicks in Young Justice and Titans." Australasian Journal of Popular Culture 12, no. 1 (2023): 83–97. http://dx.doi.org/10.1386/ajpc_00070_1.

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Over the past four decades, since the transition of Robin into the Nightwing superhero persona in DC’s Tales of the Teen Titans #44 (July 1984), sidekick characters have become increasingly relevant in their narrative function for DC’s overall superhero storytelling and world-building strategies. By examining the comic book and television narratives across Teen Titans and Young Justice titles, this article argues for a critical examination in how sidekicks mature into independent superheroes and how this impacts the broader storytelling paradigm for DC and their related media. The animated You
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Linsih, Renia Astria, Kadek Yudi Murdana, and Milia Panna Santi. "Nilai Moral Film Animasi Buddhis Pada Laman Facebook Daai Tv Indonesia: Sebuah Analisis Semiotika." Jurnal Nyanadassana: Jurnal Penelitian Pendidikan, Sosial dan Keagamaan 2, no. 1 (2023): 33–40. http://dx.doi.org/10.59291/jnd.v2i1.33.

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Abstract: Movies are mass communication tool that utilizes depictions of societies’s real-life scenarios as a means to convey specific messages or information. One kind of films is animation that replete with symbols, emblems, and profound meanings. Animations showcased on the Facebook platform by DAAI TV INDONESIA portray captivating Buddhist tales which is rich in moral values. The aim of this research is to identify the implied moral values within three animated films by DAAI TV INDONESIA. The research method used in this research is qualitative descriptive, utilizing a semiotic analysis ap
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Dissertations / Theses on the topic "Animated titles"

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Diebler, Matthew David. "THE MODELS OF EMPOWERED FEMININITY WE OFFER YOUNG BOYS: AMERICAN ANIMATED ACTION TEAMS AND THE TOKEN FEMALE." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174684882.

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Books on the topic "Animated titles"

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Martin, Francesca. Los cazadores de miel: Un cuento tradicional de Africa. Ediciones Ekaré, 1992.

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Riordan, Rick. Percy Jackson: Der Fluch des Titanen. Carlsen Verlag GmbH, 2010.

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Riordan, Rick. Percy Jackson and the Titan's Curse. Puffin, 2008.

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Riordan, Rick. Boxi Jiekesen: Taitan mo zhou. Yuan liu chu ban shi ye gu fen you xian gong si, 2009.

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Riordan, Rick. Lời nguyền của thần Titan. NXB Thời đại, 2010.

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Riordan, Rick. Percy Jackson and the battle of the labyrinth. Galaxy, 2010.

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Riordan, Rick. Cuộc chiến chốn Mê Cung. NXB Thời đại, 2011.

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Riordan, Rick. The Battle of the Labyrinth. Edited by Saresha Hampher. Hyperion Books for Children, an imprint of Disney Book Group, 2008.

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Riordan, Rick. The Battle of the Labyrinth. Penguin Group UK, 2009.

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Riordan, Rick. The battle of the Labyrinth. Thorndike Press, 2008.

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Book chapters on the topic "Animated titles"

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D’Andrea, Bruno. "En voyage avec la poule." In Circulations animales et zoogéographie en Méditerranée. Publications de l’École française de Rome, 2024. https://doi.org/10.4000/12we2.

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Cette contribution se propose d’examiner l’introduction progressive de Gallus gallus domesticus dans la Méditerranée occidentale au cours du Ier millénaire av. J.-C. en se focalisant sur les communautés phéniciennes et puniques et en analysant les sources archéologiques, archéozoologiques, épigraphiques et iconographiques. Les voyages évoqués dans le titre sont des voyages au sens propre, les Phéniciens étant parmi les principaux acteurs des réseaux méditerranéens de cette époque, mais recouvrent aussi les circulations de représentations et d’imaginaires, compte tenu du rôle que Gallus a vrais
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Larsen, Darl. "SCENE THREE. ANIMATED OPENING TITLES." In A Book about the Film Monty Python's The Meaning of Life. Rowman & Littlefield Publishers, 2020. http://dx.doi.org/10.5771/9781538115978-83.

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Contois, Emily J. H. "Crafting Dude Food Media." In Diners, Dudes, and Diets. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660745.003.0002.

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Dude food is a culinary genre of playful excess, sentiments animated by the dude and closely related to the mid-2010s phenomenon of the dad bod. Food brands exploited the tensions of dude food as they marketed convenience, packaged, snack, and fast food to men. Contemporary cookbooks written for men also deployed conventionally manly and millennial dude tropes to convince men that cooking at home would not diminish their masculinity. The chapter considers these cookbooks’ titles, imagery, recipes, headnotes, and organizational structure.
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Dixon, Bryony. "Titles and translation in the field of film restoration." In The Translation of Films, 1900-1950. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266434.003.0002.

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Between the last years of the 1890s and roughly 1929 when full talkies arrived, films were generally a combination of picture and title cards, or intertitles, which began to be used in the early 1900s. As the film trade was international in nature from its earliest days, intertitles needed to be translated. This chapter offers a brief chronology of the intertitle in film, highlighting the difficulties of translating and adapting title cards with decorative backgrounds and sophisticated animated sequences, either at the time the films were made or today for restoration. It also provides three c
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Ashton, John. "Messenger Of God." In Understanding The Fourth Gospel. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199297610.003.0013.

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Abstract Lying behind the probing questions of the preceding three chapters, each concerned with one of the three titles assigned to Jesus in the Gospel, is an even more fundamental and urgent problem that has animated and activated these. Raymond Brown noted the need to account for the appearance of what he called ‘the higher christology’ of the Johannine community, that is to say, those sayings of Jesus that were interpreted by his adversaries to mean that he was claiming equality with God. That he made such a claim, or rather that such claims were made on his behalf, is clear from the Gospe
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Morton, Drew. "“There, That Looks Much Better”: The Joker, Sin City, The Spirit, and the Dialogical Process of Remediation." In Panel to the Screen. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496809780.003.0007.

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This chapter examines the dialogical aspects of stylistic remediation by focusing on Batman's arch-nemesis the Joker and Frank Miller's Sin City, and The Spirit. It first considers how the graphical remediation of the Joker character have been altered in response to the success of other titles in the franchise before describing the career trajectory of Miller from Sin City to The Spirit. In particular, it explores how Sin City and The Spirit remediated the stylistic devices of film noir. It shows that Joker's cinematic representation was informed by the comics, which in turn influenced an anim
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Miller, Giulia. "How to Define Waltz with Bashir: Animated Documentary or Animated Fiction, or Both?" In Studying Waltz with Bashir. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325154.003.0002.

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This chapter looks at the form of Ari Folman's Waltz with Bashir and confirms whether it is an animated work of fiction or an animated documentary, or even both. It discusses how Waltz with Bashir was never originally promoted as a documentary and analyses the original Hebrew movie poster that simply gives the film's title, while the English language version says in small print 'based on a true story'. It also discloses how Waltz with Bashir has been praised for accurately portraying the more unreliable psychological state of the traumatised soldier through animated dreams and flashbacks. The
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Spalding, Frances. "Dorothy Brett’s Umbrellas (1917)." In Katherine Mansfield and Translation. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474400381.003.0013.

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This brief article examines the painting titled Umbrellas, painted in 1917 by the Hon. Dorothy Brett. The painting depicts the world of talented individuals, composed of artists, writers and intellectuals, who used to gather at Garsington, the country home of Lady Ottoline Morrell. Although primarily an animated portrait of people Brett knew well, the painting is artfully structured around the abstract shapes created by the umbrellas, which wheel about and help frame the sitters. Ottoline presides at the centre, and opposite her is in the bottom left of the painting, is Aldous Huxley. Also dep
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Alizad Oghyanous, Farid. "Nanoparticles in Wastewater Treatment." In Water Conservation - Inevitable Strategy [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.100239.

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Water plays a crucial role in every animate life. There are a multitude of problems that can be occurred without water; thereafter, mankind’s lives can be extinct. Several solutions should be implemented in order to protect water supplies and to treat water used in industries. Among solutions, wastewater treatment is sounded economical and convenient way to overcome water scarcity. Physical, chemical, biological, and mixed treatment systems provide ample opportunity to use water over and over again. However, by using nanotechnology in these systems wastewater treatment can reach much more qual
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Ranjan, Koushlesh. "Environmental Persistence of SARS-CoV-2 and Disinfection of Work Surfaces in View of Pandemic Outbreak of COVID-19." In Disinfection of Viruses [Working Title]. IntechOpen, 2022. http://dx.doi.org/10.5772/intechopen.104520.

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Coronavirus disease 2019 (COVID-19) is primarily a respiratory illness, caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2). The pandemic outbreak of SARS-CoV-2 across the world has been responsible for high morbidity and mortality, which emphasizes the role of the environment on virus persistence and propagation to the human population. Since environmental factors may play important roles in viral outbreaks, and the severity of the resulting diseases, it is essential to take into account the role of the environment in the COVID-19 pandemic. The SARS-CoV-2 may survive outsid
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Conference papers on the topic "Animated titles"

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Krylasova, D. N. "TRANSLATING EPISODE TITLES OF THE «RICK AND MORTY» ANIMATED SERIES: ON EQUIVALENCE LEVELS." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-49.

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Журавская, Т. М. "HAYAO MIYAZAKI'S LATEST FILM “THE BOY AND THE HERON”." In Мультимедиа: современные тенденции IX Международная научно-практическая конференция. Crossref, 2024. http://dx.doi.org/10.54874/9785605054290_36.

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Летом этого года вышел в прокат последний анимационный фильм Хаяо Миядзаки, который называют самым загадочным и интересным из всего, что создано им на студии Джибли. Фильм «Как поживаете?» создавался долго, выход его в прокат несколько раз откладывался и был овеян туманом неопределенности. «Как поживаете?» отрисован вручную и обладает целым рядом художественных особенностей, которые связаны со сложившейся авторской манерой Хаяо Миядзаки и поиском совершенствования уже найденных творческих приемов и средств выразительности. В основе лежит одноименное литературное произведение японского писателя
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