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Journal articles on the topic 'Anton Shammas'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Balaban, Avraham. "Anton Shammas: Torn between Two Languages." World Literature Today 63, no. 3 (1989): 418. http://dx.doi.org/10.2307/40145315.

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2

Shakour, Adel, and Abdallah Tarabeih. "Hebrew Neologisms in the Writings of Anton Shammas." Hebrew Studies 56, no. 1 (2015): 295–314. http://dx.doi.org/10.1353/hbr.2015.0031.

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3

Palumbo-Liu, David. "Ethics before Comparison." Comparative Literature 72, no. 3 (2020): 259–71. http://dx.doi.org/10.1215/00104124-8255295.

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Abstract Palumbo-Liu explores the relation of literature and ethics, noting that literature is always about “something else.” Drawing from a number of specific cases, including the Rohingya refugee crisis, he connects material histories with cultural practices that defy simple thematization. With reference to Anton Shammas, Bessie Head, and John Berger, he reflects critically on the practice of comparison as embedded in the ethics of knowledge production.

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4

Hadar, David. "Reassembling a World Literature: Anton Shammas' Arabesques between Iowa and the Galilee." ariel: A Review of International English Literature 49, no. 2-3 (2018): 63–87. http://dx.doi.org/10.1353/ari.2018.0013.

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5

Brenner, Rachel Feldhay. "The Search for Identity in Israeli Arab Fiction: Atallah Mansour, Emile Habiby, and Anton Shammas." Israel Studies 6, no. 3 (2001): 91–112. http://dx.doi.org/10.2979/isr.2001.6.3.91.

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6

Brenner, Rachel Feldhay. "The Search for Identity in Israeli Arab Fiction: Atallah Mansour, Emile Habiby, and Anton Shammas." Israel Studies 6, no. 3 (2001): 91–112. http://dx.doi.org/10.1353/is.2001.0025.

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7

Kayyal, Mahmoud. "From left to right and from right to left." Babel. Revue internationale de la traduction / International Journal of Translation 57, no. 1 (2011): 76–98. http://dx.doi.org/10.1075/babel.57.1.05kay.

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The present paper discusses Anton Shammas’s translations of Modern Hebrew literature into Arabic and of Modern Arabic literature into Hebrew. The discussion focuses on the connection between hegemony and translation, particularly in light of the fact that these translations were carried out in the shadow of the political, social and economic hegemony of the Jewish majority over the Arab-Palestinian minority in Israel. Shammas began his translation activities with a series of translations from Hebrew into Arabic, but after establishing his status in Hebrew literature and journalism, he began to

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8

Shakour, Adel. "Arab authors in Israel writing in Hebrew." Language Problems and Language Planning 37, no. 1 (2013): 1–17. http://dx.doi.org/10.1075/lplp.37.1.01sha.

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This article reports on the phenomenon of Arab authors in Israel writing in Hebrew. “Writing in Hebrew” refers to literary works originally written in Hebrew or translated from Arabic to Hebrew. The article examines the status of Arabic for Israeli Arabs, the scale of the phenomenon of writing in Hebrew, the bilingual literary works of Arab authors in Israel, and Israeli society’s acceptance of Arab authors writing in Hebrew. Some ten Arab novelists are currently writing in Hebrew in Israel, an apparently growing trend among Arab authors. The choice of these Arab authors to write in Hebrew is

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9

Levy. "Nation, Village, Cave: A Spatial Reading of 1948 in Three Novels of Anton Shammas, Emile Habiby, and Elias Khoury." Jewish Social Studies 18, no. 3 (2012): 10. http://dx.doi.org/10.2979/jewisocistud.18.3.10.

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10

ALI, Baydaa Abbas. "TRANSLATE ARABIC LITERATURE INTO HEBREW... REASONS AND MOTIVES." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 142–56. http://dx.doi.org/10.47832/2717-8293.1-3.12.

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Arab literature is undoubtedly the focus of attention of Jewish critics and translators, and their areas of interest in the modern era. And translate it or not realize it. Therefore, the Jewish translators used to translate many of the Arab literary products as the most vital means on the ground, which contribute greatly to the knowledge of the essence of Arab societies and the social transformations therein, so that literature is a mirror of the social, intellectual and political transformations that societies witness. Our research will focus on three prominent translators who have adopted un

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11

ALI, Baydaa Abbas. "TRANSLATE ARABIC LITERATURE INTO HEBREW... REASONS AND MOTIVES." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 142–56. http://dx.doi.org/10.47832/2717-8293.1-3.12.

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Arab literature is undoubtedly the focus of attention of Jewish critics and translators, and their areas of interest in the modern era. And translate it or not realize it. Therefore, the Jewish translators used to translate many of the Arab literary products as the most vital means on the ground, which contribute greatly to the knowledge of the essence of Arab societies and the social transformations therein, so that literature is a mirror of the social, intellectual and political transformations that societies witness. Our research will focus on three prominent translators who have adopted un

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12

Boullata, Issa J. "The Middle East, edited by Anton Shammas. (Special issue of the Michigan Quarterly Review, Vol. XXXI, No. 4) 209 pages, illustrations. Ann Arbor: Michigan Quarterly Review, 1992. $8 (Paper) ISSN 0026-2420." Middle East Studies Association Bulletin 27, no. 2 (1993): 282–83. http://dx.doi.org/10.1017/s0026318400028182.

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13

Bitton, Simone. "Changing Guises: Arabesquot [Arabesques]. . Antun Shammas." Journal of Palestine Studies 17, no. 1 (1987): 165–67. http://dx.doi.org/10.1525/jps.1987.17.1.00p0159n.

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14

Feldman, Yael S. "Postcolonial Memory, Postmodern Intertextuality: Anton Shammas's Arabesques Revisited." PMLA/Publications of the Modern Language Association of America 114, no. 3 (1999): 373–89. http://dx.doi.org/10.2307/463377.

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This article challenges the interpretive consensus on Anton Shammas's 1986 Hebrew novel Arabesques. A narrow application of theoretical postcolonial constructs (e.g., making the events of 1948 the historical trauma that defines the collective memory of Shammas's narrative) misrepresents the complexity of the text as a whole. Analyzing the limitations of readings based solely on minority-discourse assumptions, the essay offers a counterreading, balancing the postcolonial grid with a postmodernist one. Tracing the novel's screen memories and its most daring (yet well-camouflaged) intertextuality

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15

Moore-Gilbert, Bart. "Anton Shammas’s Arabesques: Towards a “One-State” Aesthetic." Interventions 20, no. 1 (2017): 41–57. http://dx.doi.org/10.1080/1369801x.2017.1403352.

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16

Siddiq, Muhammad, and Antun Shammas. "al-Kitabah Bil-Ibriyah al-Fusha: Taqdim Riwayah Arabsik wa-Hiwar ma Antun Shammas." Alif: Journal of Comparative Poetics, no. 20 (2000): 155. http://dx.doi.org/10.2307/521962.

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17

Brenner, Rachel Feldhay. "In Search of Identity: The Israeli Arab Artist in Anton Shammas's Arabesques." Publications of the Modern Language Association of America 108, no. 3 (1993): 431–45. http://dx.doi.org/10.1632/462613.

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The autobiographical novel Arabesques presents a complex double self-portrayal of an Israeli Arab as an artist. The narrator's gravitation toward the cultural center conflicts with his loyalty to his ethnic periphery. His search for identity as a minority writer intertwines with his search for identity as an individual. The tension of the unresolved identity split emerges in the work's fragmented structure and inconsistent story line. I argue that the centrality of Hebrew in Arabesques communicates the possibility of overcoming the split. Such reconciliation requires that instability and plura

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18

Hever, Hannan, and Orin D. Gensler. "Hebrew in an Israeli Arab Hand: Six Miniatures on Anton Shammas's "Arabesques"." Cultural Critique, no. 7 (1987): 47. http://dx.doi.org/10.2307/1354150.

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19

Brenner, Rachel Feldhay. "In Search of Identity: The Israeli Arab Artist in Anton Shammas's Arabesques." PMLA 108, no. 3 (1993): 431. http://dx.doi.org/10.2307/462613.

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20

GINSBURG, S. ""The Rock of Our Very Existence": Anton Shammas's Arabesques and the Rhetoric of Hebrew Literature." Comparative Literature 58, no. 3 (2006): 187–204. http://dx.doi.org/10.1215/-58-3-187.

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21

Elhallaq, Ayman, and Akram Habeeb. "Identity Crisis of the ( I ) and ( the Other ) in Gassan Kanafani's Returning to Haifa and Anton Shammas's Arabesqu." مجلة جامعة فلسطين للأبحاث و الدراسات, no. 8 P. 1 (January 2015): 1–16. http://dx.doi.org/10.12816/0012389.

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22

Ashkenazi, Yiftach, and Omri Grinberg. ""You Prefer Your Enemies Simple and Well Defined": Reading Anton Shammas’ Arabesques as a Novel that Strategically Resists Interpellation." CLCWeb: Comparative Literature and Culture 21, no. 2 (2019). http://dx.doi.org/10.7771/1481-4374.3576.

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