Relevant bibliographies by topics / Arabic drama / Dissertations / Theses
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Dissertations / Theses on the topic 'Arabic drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Consult the top 16 dissertations / theses for your research on the topic 'Arabic drama.'

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1

Khoury, Yvette K. "Shakespeare's afterlives : towards a 'customised' Arabic drama." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543660.

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2

Shalaby, Mahmoud Moustafa. "Politics and poetics in the drama of Salāḥ 'Abd al-Sabūr and Wole Soyinka." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7788.

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The originality of this study stems primarily from its comparative nature, with its substantive focus on the Egyptian playwright Salāḥ 'Abd al-Sabūr who wrote in Arabic and the Nigerian dramatist, Wole Soyinka (1934), writing in English. It thus attempts to address a gap in comparative research which has so far been largely confined to comparative studies of either Western writers and African counterparts or Western writers and Arab counterparts, but rarely combined Arab and African writers. This thesis investigates selected dramatic works of the two playwrights seeking to reveal the variou
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3

Hussein, Abdelhamid. "Griechische Mythologie im modernen arabischen Theater am Beispiel Ägyptens und Syriens /." Aachen : Shaker, 2004. http://catalog.hathitrust.org/api/volumes/oclc/56878742.html.

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4

Al-Ghafari, Hanan. "The influence of the theatre of the absurd on Arabic drama." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364452.

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5

Khazaal, Natalie Michaylova. "Sectarianism, language, and language education in Lebanese theater, television, and film." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886891&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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6

Cormack, Raphael Christian. "Oedipus on the Nile : translations and adaptations of Sophocles' Oedipus Tyrannos in Egypt, 1900-1970." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23624.

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Between 1900 and 1970 seven different versions of Sophocles’ play Oedipus Tyrannos were performed or published in Arabic in Egypt. This thesis looks at the first 71 years’ history of this iconic Greek tragedy in Arabic and the ways it can be used to think through the cultural debates of the period. The long history of contact between Greece and Egypt and the 19th and 20th century interpretations of this history can be used to look at different models of colonial and post-colonial cultural interaction. Classicism offered Egyptian writers a constructive way of looking at their cultural identity
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7

Al, Jumaili Abbas Kadhum. "Al Ta'azi performance in Iraq : a study of their literary, social and political significance." Thesis, University of Portsmouth, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311187.

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8

Elnashar, Randa. "Fragmentarische Äußerungen im Deutschen und Arabischen : funktional-pragmatische Analyse ausgewählter Dramen /." Hamburg : Kovač, 2005. http://www.verlagdrkovac.de/3-8300-1936-X.htm.

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9

Elnashar, Randa. "Fragmentarische Äusserungen im Deutschen und Arabischen funktional-pragmatische Analyse ausgewählter Dramen." Hamburg Kovač, 2002. http://www.verlagdrkovac.de/3-8300-1936-X.htm.

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10

Elnashar, Randa. "Fragmentarische Äusserungen im Deutschen und Arabischen : funktional-pragmatische Analyse ausgewählter Dramen /." Hamburg : Kovac, 2005. http://www.verlagdrkovac.de/3-8300-1936-X.htm.

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11

Hassen, Najat Essa. "Brecht-Rezeption im Irak, in Syrien und Ägypten seit den sechziger Jahren bis 2008." Berlin Logos-Verl, 2010. http://d-nb.info/1001628179/04.

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12

Potenza, Daniela. "The kaleidoscope effect. Rewriting in Alfred Faraǧ’s plays as a multifunctional strategy for a multilayered creation." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF019/document.

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Plusieurs pièces du dramaturge égyptien Alfred Faraǧ (1929-2005) réécrivent des textes préexistants. Se caractérisant de façon différente selon le genre textuel de son hypotexte, la réécriture se révèle une stratégie variable. Une comparaison entre les genres, les récits, les personnages, le style et les contenus des hypertextes et des hypotextes montre que les pièces réécrivant l’histoire se focalisent sur des aspects privés et font ainsi que le passé se mêle à des questions d’actualité ; la réécriture de la Qiṣṣat al-Zīr Sālim subvertit les valeurs de la légende en les adaptant aux goûts du
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13

Gregorio, Amélie. "L’«Arabe» dans le théâtre français, du début de la colonisation de l’Algérie aux grandes expositions coloniales (1830-1931) : de représentations en discours." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2105.

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Dès 1830, le théâtre s’empare du thème de la conquête de l’Algérie puis il accompagne l’expansion coloniale en Afrique du Nord, événements majeurs qui ont marqué la vie politique française du XIXe et du début du XXe siècle. Véritable phénomène social et culturel de masse, il a fortement contribué à imposer l’esprit colonial et l’idée d’empire dans les mentalités. Mais dans quelle mesure exacte a-t-il été un acteur culturel de cette politique d’expansion et de domination ? Avec quelle fréquence, quelles inflexions ? Quelles représentations de l’« Arabe » a-t-il véhiculé, et comment les a-t-il t
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14

Öhrn, Per-Erik. "Klädd, förklädd eller oklädd : Skepnad och transformationer i Saᵓadallāh Wannūs dramatik". Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-149143.

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Uppsatsen undersöker den yttre skepnadens betydelse i mänskliga transformationer som förekommer i Saᵓadallāh Wannūs drama "Tuqūs al-išārāt wa al-taḥawwulāt" - "Ritualer för apparition och transformation". Med skepnad menas kläder, mask och genusbetingade attribut. Undersökningen är baserad på tre teoretiska områden: Queer theory och crossdressing, klädsel och sociala koder samt kvinnan i samhället. Analysen drar också nytta av vissa begrepp av Gerard Genette och A.J. Greimas som handlar om diskursanalys. Rollfigurerna genomgår metamorfoser av psykologisk och social karaktär. Jag visar hur förä
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15

Arroues, Ben Selma Ophélie. "Yaʿqûb Ṣannûʿ, du théâtre au journalisme : L’écriture théâtrale dans Abû Naẓẓâra". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF022.

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Yaʿqûb Ṣannûʿ(1839-1912), auteur polémique de la Nahḍa, est un des pionniers du théâtre et dujournalisme arabes. La thèse se propose d’analyser, à partir des premières années de son journal AbûNaẓẓâra (1878-1910), la relation entre écriture théâtrale et écriture journalistique, l’une servant de relaisvers la seconde qui s’invente entre le patrimoine littéraire arabe et la presse européenne du XIXème siècle.Ṣannûʿ s’inspire de formes théâtrales arabes anciennes pour créer des pièces « théatro-journalistiques »qui s’emparent de l’actualité. Par ailleurs, dans Abû Naẓẓâra, le dialogue s’affirme c
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16

Lorins, Rebecca M. 1970. "Inheritance: kinship and the performance of Sudanese identities." Thesis, 2007. http://hdl.handle.net/2152/3494.

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In this project, I treat Sudan as an exemplary case study for the examination of kinship and agency in contexts of layered imperialisms. I juxtapose a contemporary postcolonial novel by Tayeb Salih (Mawsim al-hijra ila shamal / Season of Migration to the North (1966/69)), and four contemporary unpublished plays (1994 - 2002) by the Kwoto Cultural Center in Khartoum, Sudan, and ask how the texts, the performance traditions, and their creators appropriate kinship as a vehicle to discuss, uphold and/or challenge the reproduction of economic, social and political values and the dominant ideologies
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