Academic literature on the topic 'Arch of Nero (Rome, Italy)'

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Journal articles on the topic "Arch of Nero (Rome, Italy)"

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Boatwright, Mary T., and Fred S. Kleiner. "The Arch of Nero in Rome. A Study of the Roman Honorary Arch before and under Nero." American Journal of Archaeology 90, no. 4 (1986): 492. http://dx.doi.org/10.2307/506053.

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Romer, F. E., and Fred S. Kleiner. "The Arch of Nero in Rome: A Study of the Roman Honorary Arch before and under Nero." Classical World 80, no. 6 (1987): 464. http://dx.doi.org/10.2307/4350121.

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Kaufman, Peter Iver. "Augustine, Martyrs, and Misery." Church History 63, no. 1 (1994): 1–14. http://dx.doi.org/10.2307/3167829.

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Augustine said that Rome fell frequently, all too often into “utter moral depravity,” occasionally into the hands of the city's enemies. Maybe Aeneas was to blame. He had shown poor judgment, hauling to Italy the gods that failed to save Troy. Subsequently, when the Gauls came to Rome's gates, those divine and purportedly vigilant protectors did remarkably little protecting. They later offered no resistance when Nero reduced Rome to rubble. Augustine held Aeneas's humiliations all the more demoralizing; Virgil misled citizens, suggesting that Rome would stand forever. Christians should have kn
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Bradley, Mark. "Colour and marble in early imperial Rome." Cambridge Classical Journal 52 (2006): 1–22. http://dx.doi.org/10.1017/s1750270500000440.

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The proliferation of white and coloured marbles in Rome and the provinces has received detailed attention from archaeologists, and the symbolism underlying the use and distribution of these marbles has been discussed at length by art historians. In addition, there are now several important catalogues of ancient Roman marbles. Their stones are presented attractively in full glory, using state-of-the-art printing technology, page after page of dazzling colour. In case the full extent of the polychromy is lost on the reader, descriptions and labels (particulary those coined in nineteenth-century
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Manferdini, Anna Maria, Sofia Gasperoni, Federica Guidi, and Marinella Marchesi. "Unveiling Damnatio Memoriae. The use of 3D digital technologies for the virtual reconstruction of archaeological finds and artefacts." Virtual Archaeology Review 7, no. 15 (2016): 9. http://dx.doi.org/10.4995/var.2016.5871.

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<p class="VARAbstract">In ancient Rome, <em>damnatio memoriae</em> was a practice of erasing the memory of condemned persons from historical records after their death. This practice was usually addressed by the Senate to Roman elites and emperors who were declared enemies of the State, in order to preserve the honour of Rome. This condemnation usually included practices such as, for example, the erasure of names sculpted on inscriptions and the destruction or reworking of statues and of any other image of the person. Emperor Nero, for example, was condemned to this practice i
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Lampinen, Antti. "Breaching the Alps." History in flux 3, no. 3 (2021): 7–28. http://dx.doi.org/10.32728/flux.2021.3.1.

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The Roman preoccupation with the Alps as the tutamen of Italy owed its epistemic immediacy to a much more recent event—the Cimbric Wars (113-101 BCE). This traumatic episode had reawakened imagery of the northern enemies penetrating the “Wall of Italy,” which in some cases went all the way back to the Mid-Republican narrative traditions of the Gallic Invasions and the much more frequently debated shock of Hannibal’s invasion. The significance of this imagery continued even beyond the Augustan era, so that remnants of the same Roman insecurity about the “Wall of Italy” being breached, especiall
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Holzman, Samuel. "Concealing Structural Innovation in Greek Architecture: Flat-Arch Construction in the Third-Century BCE Stoa on Samothrace." Journal of the Society of Architectural Historians 82, no. 3 (2023): 275–93. http://dx.doi.org/10.1525/jsah.2023.82.3.275.

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Abstract New fieldwork at the Sanctuary of the Great Gods on the Greek island of Samothrace has uncovered the remains of flat arches in the Doric frieze of the Stoa, a long portico built in the second quarter of the third century BCE. The keystone frieze was used prominently in large-scale building in Rome and exemplifies how Roman architecture creatively combined Greek trabeated aesthetics with the structural potential of the arch. The keystone frieze discovered on Samothrace, however, predates by one and a half centuries examples known in Italy. This article queries whether flat relieving ar
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Germano’, Germano. "Ancient metrology in architecture: a new approach in the study of the Roman bridge of Canosa di Puglia (Italy)." ACTA IMEKO 11, no. 1 (2022): 7. http://dx.doi.org/10.21014/acta_imeko.v11i1.1092.

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<p class="Abstract">The bridge of Canosa di Puglia (Italy) was originally built in the 2nd century CE to cross the Ofanto river along the <em>Via Traiana</em>, the route built at the behest of Emperor Trajan that connected Rome with the port of Brindisi, on the Adriatic Sea. Restorations, collapses and architectural transformations have deeply altered its original structure over the centuries, making it lose the traces of a monumental central arch. Archival and field research, conducted through various surveys, has produced new data that has provided an update of the bridge's
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Ko, Han-Seok. "The Political Meaning of the Construction of Roman Monuments in the Northern Provinces: focused on 16-7 BCE." Korea Association of World History and Culture 74 (March 31, 2025): 85–116. https://doi.org/10.32961/jwhc.2025.03.74.85.

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This article discusses the political significance of Roman monuments built in Gaul and the Alpine region, focusing on the middle of the reign of Augustus, c. 16-7 BCE. With the outbreak of war in Germania and the Alpine region, Gaul was important as bases for war. However, the Gallic people rebelled against Roman policies, especially taxation. Nero Drusus, stepson of Augustus, suppressed the Gallic resistance and started to build monument. Around 12 BCE, he built the sanctuaries of the Three Gauls on a hill overlooking Lugdunum. Although it served as a meeting place for Gallic tribes, the Roma
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Tucci, Pier Luigi. "A funerary monument on the Capitoline: architecture and painting in mid-Republican Rome, between Etruria and Greece." Journal of Roman Archaeology 31 (2018): 30–52. http://dx.doi.org/10.1017/s104775941800123x.

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The debate on the relationships between Rome, Italy, and the Mediterranean world in the Archaic and mid-Republican periods remains very lively. Complementing the most recent discoveries and interpretations, I present two unknown mid-Republican documents from the Arx, the N summit of the Capitoline hill (fig. 1). Excavations for the Monument to Victor Emmanuel II brought to light after 1887 many walls and artifacts, which have been studied almost exclusively to produce archaeological maps or catalogues of objects, but the structures sealed beneath the basilica of Santa Maria in Aracoeli toward
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Dissertations / Theses on the topic "Arch of Nero (Rome, Italy)"

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Marlowe, Elizabeth. ""That customary magnificence which is your due " Constantine and the symbolic capital of Rome /." 2004. http://books.google.com/books?id=aOnVAAAAMAAJ.

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Books on the topic "Arch of Nero (Rome, Italy)"

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Roberto, Valeriani, ed. Venti bozzetti in cera rossa raffiguranti rilievi dell'Arco di Costantino in Roma. W. Padovani antiquario, 2003.

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Cola, Valeria Di. L'arco di Druso sulla Via Appia. Edipuglia, 2019.

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Yarden, Leon. The spoils of Jerusalem on the Arch of Titus: A re-investigation. Svenska Institutet i Rom, 1991.

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Luisa, Vertova, ed. L'arco di Costantino: O della decadenza della forma. Abscondita, 2007.

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Letizia, Conforto Maria, ed. Adriano e Costantino: Le due fasi dell'arco nella valle del Colosseo. Electa, 2001.

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L, Conforto M., and Italy. Soprintendenza archeologica per il Lazio., eds. Adriano e Costantino: Le due fasi dell'arco nella valle del Colosseo. Electa, 2001.

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L, Conforto M., ed. Adriano e Costantino: Le due fasi dell'arco nella valle del Colosseo. Electa, 2001.

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8

The arch of Nero in Rome: A study of the Roman honorary arch before and under Nero. G. Bretschneider, 1985.

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Rome Is Burning: Nero and the Fire That Ended a Dynasty. Princeton University Press, 2022.

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Barrett, Anthony A. Rome Is Burning: Nero and the Fire That Ended a Dynasty. Princeton University Press, 2020.

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Book chapters on the topic "Arch of Nero (Rome, Italy)"

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"ROME and ITALY." In Tiberius to Nero, 2nd ed. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009382830.011.

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Stothard, Peter. "Tutor in vice." In Palatine. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197555286.003.0041.

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Abstract The last time that an emperor had left Italy was when Claudius went to Britain in 43 CE, leaving Lucius Vitellius to manage Rome. Almost a quarter of a century later, when Nero left for a singing tour of Greece, Aulus did not get the chance to match his father. Every member of Nero’s entourage was in the wrong place to sense events that would bring Nero’s suicide and the year when four men were emperors, none of them an heir of Julius Caesar. The planners’ focus was instead that all the main Greek festivals should be rearranged. Nero had to win every possible prize in the shortest tim
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Bunson, Matthew. "R." In A Dictionary Of the Roman Empire. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195102338.003.0018.

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Abstract RABIRIUS (fl. late 1st century A.O.) Architect whose masterpiece of design was produced at the order of Emperor Domitian, who hired him to create the DOMUS FLAVIA. He was a friend of MARTIAL. RADAGAISUS (d. 406 A.D.) Barbarian ruler of a loose confederation of tribes, mostly composed of VANDALS, who led two invasions of imperial provinces in the West, in 401 and 405 A.D.. The first onslaught by Radagaisus came at the same time that ALARIC and the Visigoths were threatening Italy and Rome. Advancing into Raetia and Noricum, Radagaisus was attached by the MAGISTER MILITUM. STILICHO and
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Conference papers on the topic "Arch of Nero (Rome, Italy)"

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Capellán, Guillermo, Juan Jose Arenas, Enzo Siviero, Roberto Di Marco, Fabio Di Marco, and Gianni Ascarelli. "Design of Ponte dei Congressi in Rome, Italy." In IABSE Congress, Stockholm 2016: Challenges in Design and Construction of an Innovative and Sustainable Built Environment. International Association for Bridge and Structural Engineering (IABSE), 2016. http://dx.doi.org/10.2749/stockholm.2016.2290.

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The Ponte dei Congressi is a new bridge designed for the city of Rome over the River Tiber. This design is developed by the professional association of engineers and architects who won the international design competition held for this bridge in 2001. 15 years later this project is becoming a reality, with construction due to start in 2016. The design has been adapted and renewed according to the new conditions of the road and traffic design planned in the area. The new design is a steel bowstring arch bridge with 175 m main span, which holds a 24,5 m wide deck, and two side footbridges that a
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