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Journal articles on the topic 'Arch of Nero (Rome, Italy)'

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1

Boatwright, Mary T., and Fred S. Kleiner. "The Arch of Nero in Rome. A Study of the Roman Honorary Arch before and under Nero." American Journal of Archaeology 90, no. 4 (1986): 492. http://dx.doi.org/10.2307/506053.

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2

Romer, F. E., and Fred S. Kleiner. "The Arch of Nero in Rome: A Study of the Roman Honorary Arch before and under Nero." Classical World 80, no. 6 (1987): 464. http://dx.doi.org/10.2307/4350121.

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3

Kaufman, Peter Iver. "Augustine, Martyrs, and Misery." Church History 63, no. 1 (1994): 1–14. http://dx.doi.org/10.2307/3167829.

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Augustine said that Rome fell frequently, all too often into “utter moral depravity,” occasionally into the hands of the city's enemies. Maybe Aeneas was to blame. He had shown poor judgment, hauling to Italy the gods that failed to save Troy. Subsequently, when the Gauls came to Rome's gates, those divine and purportedly vigilant protectors did remarkably little protecting. They later offered no resistance when Nero reduced Rome to rubble. Augustine held Aeneas's humiliations all the more demoralizing; Virgil misled citizens, suggesting that Rome would stand forever. Christians should have kn
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4

Bradley, Mark. "Colour and marble in early imperial Rome." Cambridge Classical Journal 52 (2006): 1–22. http://dx.doi.org/10.1017/s1750270500000440.

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The proliferation of white and coloured marbles in Rome and the provinces has received detailed attention from archaeologists, and the symbolism underlying the use and distribution of these marbles has been discussed at length by art historians. In addition, there are now several important catalogues of ancient Roman marbles. Their stones are presented attractively in full glory, using state-of-the-art printing technology, page after page of dazzling colour. In case the full extent of the polychromy is lost on the reader, descriptions and labels (particulary those coined in nineteenth-century
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5

Manferdini, Anna Maria, Sofia Gasperoni, Federica Guidi, and Marinella Marchesi. "Unveiling Damnatio Memoriae. The use of 3D digital technologies for the virtual reconstruction of archaeological finds and artefacts." Virtual Archaeology Review 7, no. 15 (2016): 9. http://dx.doi.org/10.4995/var.2016.5871.

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<p class="VARAbstract">In ancient Rome, <em>damnatio memoriae</em> was a practice of erasing the memory of condemned persons from historical records after their death. This practice was usually addressed by the Senate to Roman elites and emperors who were declared enemies of the State, in order to preserve the honour of Rome. This condemnation usually included practices such as, for example, the erasure of names sculpted on inscriptions and the destruction or reworking of statues and of any other image of the person. Emperor Nero, for example, was condemned to this practice i
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6

Lampinen, Antti. "Breaching the Alps." History in flux 3, no. 3 (2021): 7–28. http://dx.doi.org/10.32728/flux.2021.3.1.

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The Roman preoccupation with the Alps as the tutamen of Italy owed its epistemic immediacy to a much more recent event—the Cimbric Wars (113-101 BCE). This traumatic episode had reawakened imagery of the northern enemies penetrating the “Wall of Italy,” which in some cases went all the way back to the Mid-Republican narrative traditions of the Gallic Invasions and the much more frequently debated shock of Hannibal’s invasion. The significance of this imagery continued even beyond the Augustan era, so that remnants of the same Roman insecurity about the “Wall of Italy” being breached, especiall
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7

Holzman, Samuel. "Concealing Structural Innovation in Greek Architecture: Flat-Arch Construction in the Third-Century BCE Stoa on Samothrace." Journal of the Society of Architectural Historians 82, no. 3 (2023): 275–93. http://dx.doi.org/10.1525/jsah.2023.82.3.275.

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Abstract New fieldwork at the Sanctuary of the Great Gods on the Greek island of Samothrace has uncovered the remains of flat arches in the Doric frieze of the Stoa, a long portico built in the second quarter of the third century BCE. The keystone frieze was used prominently in large-scale building in Rome and exemplifies how Roman architecture creatively combined Greek trabeated aesthetics with the structural potential of the arch. The keystone frieze discovered on Samothrace, however, predates by one and a half centuries examples known in Italy. This article queries whether flat relieving ar
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8

Germano’, Germano. "Ancient metrology in architecture: a new approach in the study of the Roman bridge of Canosa di Puglia (Italy)." ACTA IMEKO 11, no. 1 (2022): 7. http://dx.doi.org/10.21014/acta_imeko.v11i1.1092.

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<p class="Abstract">The bridge of Canosa di Puglia (Italy) was originally built in the 2nd century CE to cross the Ofanto river along the <em>Via Traiana</em>, the route built at the behest of Emperor Trajan that connected Rome with the port of Brindisi, on the Adriatic Sea. Restorations, collapses and architectural transformations have deeply altered its original structure over the centuries, making it lose the traces of a monumental central arch. Archival and field research, conducted through various surveys, has produced new data that has provided an update of the bridge's
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9

Ko, Han-Seok. "The Political Meaning of the Construction of Roman Monuments in the Northern Provinces: focused on 16-7 BCE." Korea Association of World History and Culture 74 (March 31, 2025): 85–116. https://doi.org/10.32961/jwhc.2025.03.74.85.

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This article discusses the political significance of Roman monuments built in Gaul and the Alpine region, focusing on the middle of the reign of Augustus, c. 16-7 BCE. With the outbreak of war in Germania and the Alpine region, Gaul was important as bases for war. However, the Gallic people rebelled against Roman policies, especially taxation. Nero Drusus, stepson of Augustus, suppressed the Gallic resistance and started to build monument. Around 12 BCE, he built the sanctuaries of the Three Gauls on a hill overlooking Lugdunum. Although it served as a meeting place for Gallic tribes, the Roma
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10

Tucci, Pier Luigi. "A funerary monument on the Capitoline: architecture and painting in mid-Republican Rome, between Etruria and Greece." Journal of Roman Archaeology 31 (2018): 30–52. http://dx.doi.org/10.1017/s104775941800123x.

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The debate on the relationships between Rome, Italy, and the Mediterranean world in the Archaic and mid-Republican periods remains very lively. Complementing the most recent discoveries and interpretations, I present two unknown mid-Republican documents from the Arx, the N summit of the Capitoline hill (fig. 1). Excavations for the Monument to Victor Emmanuel II brought to light after 1887 many walls and artifacts, which have been studied almost exclusively to produce archaeological maps or catalogues of objects, but the structures sealed beneath the basilica of Santa Maria in Aracoeli toward
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11

Remus, Anna, Selman Tezcan, Jiacheng Sun, Gabriele Milani, and Renato Perucchio. "Seismic Failure Assessment Using Energy Outputs of Finite Element Analysis: A Strategy for Complex Heritage Masonry Structures Modeled with Concrete Damaged Plasticity Material." Buildings 15, no. 3 (2025): 318. https://doi.org/10.3390/buildings15030318.

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The structural assessment of masonry construction often requires the use of nonlinear 2D and 3D finite element analysis. This work describes a strategy for using energy outputs from such analyses to accurately assess failure conditions precipitated by increasing lateral load. The methodology relies on the analogy between plastic strains and fracture that is inherent to the concrete damaged plasticity (CDP) macro-model used to represent the quasi-brittle behavior of masonry material. At critical conditions, energy imparted to a structure by loading can no longer be completely stored as elastic
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12

Saraç, D. C., D. Bayraktar, D. Ozer Kaya, O. Altug-Gucenmez, and D. Oskay. "AB1257 INVESTIGATING THE ASSOCIATIONS BETWEEN THE MAXIMAL RESPIRATORY PRESSURES AND CARDIORESPIRATORY FITNESS PARAMETERS IN CHILDREN WITH JUVENILE IDIOPATHIC ARTHRITIS." Annals of the Rheumatic Diseases 81, Suppl 1 (2022): 1738.2–1738. http://dx.doi.org/10.1136/annrheumdis-2022-eular.4483.

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BackgroundThe most prominent symptom of juvenile idiopathic arthritis (JIA) is joint involvement; however, the effect of the disease is not limited to the joints. Evidence suggests that cardiopulmonary fitness is affected in children with JIA compared to their healthy peers [1].ObjectivesThis study aimed to investigate the associations between the maximal respiratory pressures and cardiorespiratory fitness parameters.MethodsSeventeen children with JIA (mean age: 15.4±2.2 years, 11 male) who have been using biological agents for at least three months were included in the study. Maximal inspirat
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13

Cidoncha Pérez, Antonio J., and María del Pilar Salazar Lozano. "Doctrina, mitos y fachadas : la promoción totalitaria de los escenarios deportivos de masas en Italia, Alemania y España en la primera mitad del siglo XX = Doctrine, mythes and facades. The totalitarian promotion of mass sports arenas in Italy, Germany and Spain in the first half of the twentieth century." Cuaderno de Notas, no. 21 (July 31, 2020): 2. http://dx.doi.org/10.20868/cn.2020.4468.

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ResumenDesde su origen clásico, el desarrollo arquitectónico de los escenarios de masas no ha formado parte de los principales relatos de la historia de la arquitectura. No obstante, su consideración desde el punto de vista de la disciplina difiere evidentemente de su permeabilidad social, como se puede comprobar a través de la relevancia urbana de anfiteatros de la Roma imperial repartidos por Europa o en la popularidad que en el siglo XX han alcanzado de nuevo estas estructuras, a través del renacer moderno de las olimpiadas y de la popularidad mundial de deportes como el fútbol.Protagonizan
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14

Brilliant, Richard. "Roman art and Roman imperial policy - TONIO HÖLSCHER , STAATSDENKMAL UND PUBLIKUM (Xenia, Kostanzer althistorische Vorträge und Forschungen, Heft 9, 1984). Pp. 87, 64 plates. Paper, DM 39.80. ISBN 3-533-03926-9. - ROLF MICHAEL SCHNEIDER , BUNTE BARBAREN. ORIENTALENSTATUEN AUS FARBIGEM MARMOR IN DER RÖMISCHEN REPRÄSENTATIONSKUNST (Wernersche Verlag, Worms 1986). Pp. 301. ISBN 3-88462-041-X. - NIELS HANNESTAD , ROMAN ART AND IMPERIAL POLICY (Jutland Archaeological Society Publications 19, Aarhus University Press 1986). Pp. 485, 204 figs. and plates. Price DK 336. ISBN 87-7288- 043-0. - FRED S. KLEINER , THE ARCH OF NERO IN ROME. A STUDY OF THE ROMAN HONORARY ARCH BEFORE AND UNDER NERO (Archaeologica 52, G. Bretschneider , Rome 1985). Pp. 159, 34 plates. Lit. ISBN 88-7689-094-7." Journal of Roman Archaeology 1 (1988): 110–14. http://dx.doi.org/10.1017/s1047759400010059.

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15

Mahmoud, Nafie, el Maleh Haitham, Saad Farahat Mahmoud, and El Rahman M. El Maraghy Abd. "Study of the Effect of Preoperative Dexamethasone before Total Thyroidectomy on Postoperative Nausea, Vomiting, Pain and Voice Dysfunction." Biolife 8, no. 1 (2022): 1–9. https://doi.org/10.5281/zenodo.7404199.

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<strong>ABSTRACT</strong> The study was conducted in Ain Shams University Hospitals. It was a prospective randomized comparative study. Based on the results and data compared between the two groups preoperative dose of dexamethasone is recommended prior to total thyroidectomy operations, due to its beneficial effect in diminishing probability of occurrence of postoperative voice changes, pain and dyspepsia. <strong>Key words:</strong>Thyroid, Dexamethasone, cartilage, trachea, chemotherapy. <strong>REFERENCES</strong> Aburahma AF, Choueiri MA. Cranial and cervical nerve injuries after repeat c
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16

Martinelli, Salvatore. "Fascist Italy as the Heir of the Imperium Romanum Celebration of Romanism as an ideological instrument of legitimation." July 24, 2022. https://doi.org/10.5281/zenodo.6889418.

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On May 9, 1936, at 9:45 p.m., on the balcony of Palazzo Venezia, Benito Mussolini proclaimed: &ldquo;Italy, at last, has an empire of its own&ldquo; For Mussolini, revealing Italy as an &ldquo;empire&rdquo; was not just the simple use of a term. Still, it was to be the cornerstone of the large-scale adaptation of the Imperium Romanum that Fascism had made its primary goal. With this proclamation, a new era dawned for Italy, which is why the year in question was also meaningfully touted by Mussolini at the time as &ldquo;anno zero&rdquo;. However, Italy&#39;s basic idea of using the Roman Empir
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17

"VI. Later Roman Art." New Surveys in the Classics 34 (2004): 111–31. http://dx.doi.org/10.1017/s053324510002277x.

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Figure 35 shows one of the most famous of Roman monuments, the Arch of Constantine in Rome. Ironically it is largely famous for being bad art. This arch was dedicated in AD 315 to celebrate the tenth anniversary of the Emperor Constantine’s elevation to power, and more specifically his victory in a civil war which gave him control of Italy in AD 312. The inscriptions in the upper, attic portion of the arch record that it was dedicated in traditional fashion by the senate and people of Rome for Constantine’s divinely inspired defeat of his rival, the ‘tyrant’ Maxentius. Perhaps there is an allu
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18

Iori, Tullia. "Engineering Between History and Future." Hormigón y Acero, March 5, 2025. https://doi.org/10.33586/hya.2025.4102.

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My students often ask me: “Tell me, prof, what is the use of history of civil engineering?”, revisiting the question that opens Marc Bloch's famous book "The Historian's Craft". For some time now, I have been responding to their provocation (I teach civil engineering history) by telling 3 short stories: the stories of three engineers who lived in the nineteenth century, in the twentieth century and in the first century of the new millennium. The first is the story of Charles, born in 1810 in France and a graduate of the École Polytechnique. Charles tells in first person all the transformations
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