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Relevant bibliographies by topics / Architecture, modern – 19th century – philosophy / Dissertations / Theses

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Dissertations / Theses on the topic 'Architecture, modern – 19th century – philosophy'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Consult the top 31 dissertations / theses for your research on the topic 'Architecture, modern – 19th century – philosophy.'

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1

Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage

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2

Tejeira-Davis, Eduardo. "Roots of modern Latin American architecture the Hispano-Caribbean region from the late 19th century to the recent past /." Heidelberg : Deutscher Akademischer Austauschdienst, 1987. http://books.google.com/books?id=LNBPAAAAMAAJ.

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3

Urbina, Gabriel Eduardo. "Baroja y Schopenhauer: Senderos del pesimismo." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187464.

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This study seeks to establish the influence of Arthur Schopenhauer over pro Baroja. In order to establish the parameters of said influence, pessimism is defined, and the world view of both philosopher and writer, their views on men and women; and common themes such as individualism, the idea of the preservation of the species, marriage, the futility of life, suicide, and education are examined. The chaotic, absurd and capricious world depicted by Schopenhauer finds its way into the writings of Baroja. The study of his protagonists and secondary characters provide an insight on how these fictio

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4

Smith, Katherine. "Continuity and Change in a 19th Century Illustrated Devi Mahatmya Manuscript From Nepal." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3564.

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In the Hindu tradition of the Indian subcontinent, worship of the goddess has long been practiced as supreme embodiment of the divine. Around the second century, a Sanskrit Purana (ancient Hindu text that extols deities) titled the Markandeya Purana details the battles of the supreme Goddess Durga against the illusions and negative energy in the universe. This textual version of the Devi Mahatmya “Praise of the Goddess” serves as the foundation for the nineteenth century Nepalese illustrated Devi Mahatmya, commissioned by Tej Bahadur Rana from Pokhara district in Nepal. Because the folios clos

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5

Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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6

Flores, Carol Ann Hrvol. "Owen Jones, architect." Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/20841.

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7

McFeat, Lin Gillian. "The architecture of colonisation : the concept of depiction : Colon : the colonisation of a(a)rchitecture : the depiction of the concept." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09PH/09phm1432.pdf.

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Includes bibliography. This thesis examines deconstructive writings, employing those strategies as a basis for re-forming approaches to architecture. A theory is posited that a distinction must be made between architecture as idiom and architecture as medium, expressed as a separation between architecture as a built form, Architecture the Idea and A(a)rchitecture as a new direction for framing an approach to its discourse.

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8

Webb, Jane Alexandra. "An analysis of the Select Committee on Arts and Manufactures of 1835-6 : anatomy, Benthamism and design." Thesis, University of Wolverhampton, 2003. http://hdl.handle.net/2436/89095.

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9

Fleischman, Lesley. "Elite environmentalism the roots of the modern environmental movement in the 19th century Whig philosophy of George Perkins Marsh /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/1005.

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10

Acar, Zeliha Burcu. "The Underground Man Of The 19th Century: A Comparative Study On Nietzsche And Marx." Phd thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615674/index.pdf.

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In this thesis I searched for an Underground Man in Nietzsche and Marx. My search depends on an epistemological ascertainment. Kant&rsquo<br>s argument that the human mind cannot achieve knowledge of the thing-in-itself lies in the background of my thesis. I think that this argument is connected with the origins of modern philosophy. My thesis is concentrated on the 19th century. I perceived that with Kant&rsquo<br>s argument the fact that we can know this world within a subjective framework is emphasized especially in this century. The emphasis on a subjective framework is grounded on Kant&rs

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11

Terakawa, Toru. "History and tradition in modern Japan : translation and commentary upon the texts of Sei'ichi Shirai." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32822.

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This thesis examines the concepts of history and tradition in modern Japan, with an emphasis on the writings of Sei'ichi Shirai (1905--1983). Although Shirai has been considered as one of the most important architects of 20th century Japan, he has also been treated as an obscure figure, no doubt partly because of the enigmatic quality of his writings. A major element that contributed to his obscure status and set him apart from his contemporaries was his understanding of history and tradition.<br>The introductory essay examines the concept of tradition prevalent around Shirai's time: how it wa

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12

Hurtado, Peggy Lyne. "The philosophy of William James as related to Charles Renouvier, Henri Bergson, Maurice Blondel and Emile Boutroux." PDXScholar, 1987. https://pdxscholar.library.pdx.edu/open_access_etds/3713.

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This thesis argues two issues: William James' philosophy was-to a great extent derived from his interaction with the French philosophers, Charles Renouvier, Henri Bergson, Maurice Blondel and Emile Boutroux. Correlative to the fact that these five figures have an intellectual relationship with one another, I also argue that in order to understand James, he must be placed within the context of these relations. These five philosophers, as a group, can be clearly seen and understood in the context of an identifiable movement. Each one was a part of a whole reality with their own slightly differen

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13

Rhodes, Anthony. "Jacob Burckhardt: History and the Greeks in the Modern Context." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/279.

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In the following study I reappraise the nineteenth century Swiss historian Jacob Burckhardt (1818-1897). Burckhardt is traditionally known for having served as the elder colleague and one-time muse of Friedrich Nietzsche at the University of Basel and so his ideas are often considered, by comparison, outmoded or inapposite to contemporary currents of thought. My research explodes this conception by abandoning the presumption that Burckhardt was in some sense "out of touch" with modernity. By following and significantly expanding upon the ideas of historians such as Allan Megill, Lionel Gossman

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14

Burniat, Patrick. "Le plan libre, syncrétisme de la modernité corbuséenne: essai de clarification du concept de plan libre dans l'oeuvre architectural de Le Corbusier." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210512.

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Le sujet de la thèse —la clarification du concept de plan libre dans l’œuvre architectural de Le Corbusier— s’inscrit dans un cadre général de recherches portant sur les modes de conception architecturale en contexte de modernité. Cette préoccupation prend comme horizon la compréhension des processus qui servent l’architecture comme construction d’idées et qui permettent d’en articuler les différentes phases, depuis l’amont des intentions exprimées par le concepteur, jusqu’à l’aval des expressions prises par la solution, en passant par les moyens qui, précisément, permettent d’articuler une pe

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15

Roodt, Vasti. "Amor fati, amor mundi : Nietzsche and Arendt on overcoming modernity." Thesis, Link to the online version, 2005. http://hdl.handle.net/10019.1/1230.

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16

Mann, Georgia M. "Eugéne-Emmanuel Viollet-le-Duc (1814-1879) and the Romantic Reform Movement In Architecture." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500411/.

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This thesis examines French architect Eugene-Emmanuel Viollet-le-Duc (1814-1879), who combined eighteenth-century Rationalism with the historicist, anti-academic message of Romanticism, which was impelling the nineteenth-century architectural reform movement into the industrial age. Sources used include Viollet-le-Duc's architectural drawings and published works, particularly volume one of his Entretiens sur l'Architecture. The study is arranged chronologically, and it discusses his career, his restoration work, and his demands for reform of architectural education. One chapter contains a deta

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17

Heron, Jason Andrew. "The Analogia Communitatis: Leo XIII and the Modern Quest for Fraternity." University of Dayton / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1481178007118711.

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18

Marbehant, Sylvain. "Concevoir le contexte de l'architecture: réalité habitée et réalité projetée dans trois doctrines du 20e siècle." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209176.

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Cette thèse de doctorat développe un questionnement de nature épistémologique à propos du domaine architectural et des connaissances qui lui sont associées. La théorie architecturale se distingue par la grande diversité de ses formes, par la multiplicité des acteurs qui la mobilisent et surtout par la grande complexité de l'objet qu'elle vise :l'œuvre architecturale. Pour pouvoir aborder de manière lucide ces différents filtres, nous proposons d'en décoder les origines pour une notion théorique particulière: le contexte de l'œuvre architecturale.<p>Le contexte d'une œuvre rassemble l'ensemble

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19

Durante, Felipe dos Santos 1985. "Virtude, direito, moralidade e justiça em Schopenhauer." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279160.

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Orientador: Oswaldo Giacoia Junior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-19T20:57:45Z (GMT). No. of bitstreams: 1 Durante_FelipedosSantos_M.pdf: 1370879 bytes, checksum: 37b2f8153e9ff464e64d46151d34e3fd (MD5) Previous issue date: 2012<br>Resumo: O objetivo geral desta pesquisa é perscrutar a doutrina do Direito (Rechtslehre) de Arthur Schopenhauer (1788-1860), i.e., elucidar e compreender sua fundamentação, sua formulação (como o filósofo de Frankfurt consegue utilizar e assimilar fontes

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20

Raterman, Jacob Stuart. "(Mi)lieux critiques : Hybridité et hétérotopie dans La Curée et Au Bonheur des Dames." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438208762.

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21

Daskalakis, Konstantios. "Le concept répétition du possible: Heidegger, Kierkegaard, Nietzsche." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209715.

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A partir de 1919, Heidegger élabore plusieurs projets temporels grâce à une phénoménologie herméneutique caractérisée par la fonction méthodique de l’indication formelle, dont la dernière communication date de 1930. Dans ces projets, on trouve à plusieurs reprises la notion de répétition. Plusieurs commentateurs considèrent Kierkegaard comme source de la répétition heideggérienne tandis que d’autres se réfèrent à Nietzsche. Heidegger emploie le terme Wiederholung, Kierkegaard la notion Gjentagelse, et Nietzsche les notions Wiederkehr, Wiederkunft et Wiederholung. L’expression précise « répétit

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22

Rodrigues, Ana Aparecida Villanueva. "Campinas classica = a Catedral Nossa Senhora da Conceição e o engendramento de uma arquitetura monumental classica urbana no Brasil (1807-1883)." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280268.

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Orientador: Edgar Salvadori De Decca<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-15T16:23:55Z (GMT). No. of bitstreams: 1 Rodrigues_AnaAparecidaVillanueva_D.pdf: 43032794 bytes, checksum: fe63c34e1c5fd9f350e99c6956055490 (MD5) Previous issue date: 2010<br>Resumo: Esta tese é sobre a linguagem arquitetônica da fachada principal e o retábulo-mor da Catedral Nossa Senhora da Conceição de Campinas a partir da apuração dos processos de levantamento métrico e do seu desenho instrumental da época de sua co

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23

Bucknell, Clare. "Poetic genre and economic thought in the long eighteenth century : three case studies." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:71e97b4d-c009-487c-8efb-fdb71eefa080.

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During the eighteenth century, the dominant rhetorical and explanatory power of civic humanism was gradually challenged by the rise of a new organising language in political economy. Political economic thought permitted radically different descriptions of what laudable private and public behaviour might be: it proposed that self-interest was often more beneficial to society at large than public-mindedness; that luxury had its uses and might not be a threat to liberty and political integrity; that landownership was no particular guarantee of virtue or disinterest; and that there was nothing inh

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24

Jornet, Somoza Albert. "Un pensar vulnerable. El ensayo de la precariedad en el campo intelectual español de la crisis económica (2008-2018)." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/668512.

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Esta tesis analiza las transformaciones del campo intelectual español en la década inmediatamente posterior al crack financiero que a nivel mundial se dio en 2008, para ponerlo en relación con el surgimiento de una experiencia de la precariedad ―y su correspondiente exploración filosófica― que ha conllevado, según se propone, la aparición de nuevas voces intelectuales que vehiculizan un pensar vulnerable. Para ello, se dedican los dos primeros capítulos a examinar, en primer lugar, la reordenación sociológica que el ámbito cultural pudo contemplar a partir de la muerte de Franco y la gestació

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25

Salter, Mark B. "On barbarians : the discourse of ’civilization’ in international theory." Thesis, 1999. http://hdl.handle.net/2429/10090.

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Unsatisfied with critical responses to Huntington's "Clash of Civilizations?" this dissertation attempts to trace two central elements of his argument. First, "On Barbarians" traces the evolution of the civilized/ barbarian dichotomy from its origins in the nineteenth century to its recent incarnations in International Relations theory. The relevance of Europe's imperial heritage is emphasized, along with certain thematic threads in popular discourse: demography, surveillance, and the distinction between popular and elite culture. The ubiquitous self/other dichotomy, which is central to

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26

"Unseen vision." 1999. http://library.cuhk.edu.hk/record=b5895787.

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Chan Yuk Shing Brain.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report."<br>Includes bibliographical references.<br>Chapter 00 --- book<br>Chapter 00.1 --- brief ofbook<br>Chapter 002 --- design of the book´ؤbookof senses<br>Chapter 003 --- how to read<br>book [i]- writing<br>Chapter 01 --- foreplay<br>Chapter 01.1 --- acknowledgements<br>Chapter 01.2 --- preface<br>Chapter 02 --- prologue explains the thesis topic: unseen vision<br>Chapter 02.1 --- background study<br>Chapter 0211 --- sense study<br>sensation dialogue bet

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27

"Aspects of visual conceptualisation in some domestic buildings constructed in Johannesburg between 1890 and 1940." Thesis, 2015. http://hdl.handle.net/10210/14544.

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28

Penaud, Alexis. "Philosophie en pièces(s) : la poétique métaphysique dans Axël de Villiers de l’Isle-Adam." Thesis, 2020. http://hdl.handle.net/1866/25069.

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Si Platon a souvent été très critique à l’égard du théâtre et de la littérature en général, reprochant aux poètes d’introduire « un mauvais génie dans l’âme de chacun », le genre dramatique va revêtir, au XIXe siècle, une dimension philosophique nouvelle. À l’heure de la comédie de boulevard et de la « pièce bien faite », un théâtre d’idées commence à émerger et Villiers de l’Isle-Adam fait figure de précurseur de ce nouveau théâtre. Sa pièce Axël s’est rapidement imposée comme l’œuvre matricielle du drame symboliste. Dans ce mémoire, il s’agit d’étudier le caractère philosophique d’Axël, pièc

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29

Cotton, Lizotte Nicholas. "Économie de la perversité baudelairienne. Une lecture de Donner le temps de Jacques Derrida." Thèse, 2013. http://hdl.handle.net/1866/10647.

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Jacques Derrida n’a écrit qu’un seul ouvrage sur Baudelaire : Donner le temps I. La fausse monnaie (1991). Dans cette étude, il s’agit de préciser, notamment autour de la question de la perversité, les liens unissant le poète au philosophe en accordant une attention particulière aux textes « Le mauvais vitrier » (Baudelaire), « The Imp of the Perverse » (Edgar Poe), « La fausse monnaie » (Baudelaire) et Mémoires d’aveugle (Derrida). Imbriquées dans une logique de l’événement, les deux notions de perversité et de don peuvent s’éclairer mutuellement et ont des répercussions jusque dans les texte

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30

Dina, Cosmin. "La science dans l’œuvre d'Ernest Hello, source d’une poétique symbolique : anéantissement et correspondance." Thèse, 2018. http://hdl.handle.net/1866/21995.

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31

Curtin, Abby. "Rethinking Landscape Interpretation: Form, Function, and Meaning of the Garfield Farm, 1876-1905." Thesis, 2014. http://hdl.handle.net/1805/5852.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>The landscape of James A. Garfield’s Mentor, Ohio home (now preserved at James A. Garfield National Historic Site) contains multiple layers of historical meanings and values. The landscape as portrayed in political biographies, political cartoons, and other ephemera during Garfield’s 1880 presidential campaign reveals the existence of the dual cultural values of agrarian tradition and agricultural progress in the late nineteenth century. Although Garfield did not depend on farming exclusively for his livelihood, he, like many agricul

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