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Journal articles on the topic 'Architecture, modern – 19th century – philosophy'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Ye, Nanqi, Minglu Zhang, and Jianming Su. "Bridging the Philosophy of Science and Architecture: An Analysis Through Sou Fujimoto." Buildings 15, no. 10 (2025): 1646. https://doi.org/10.3390/buildings15101646.

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Architecture in each era is profoundly shaped by its prevailing scientific and technological context, just as architects’ intellectual frameworks are influenced by contemporaneous philosophies of science. Since the 19th century, rapid scientific and technological advances have coincided with the parallel development of scientific–philosophical thought, giving rise to the modern and postmodern architectural movements. This paper reviews a century’s philosophy of science development and traces its impact on architectural thought, mapping the co-evolution of “philosophy of science—architecture” w

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Rubantcova, Tamara. "The Problem of Choosing the Path of Development of Russia in the Philosophy of Westerners and Slavophiles in the 19th Century." Ideas and Ideals 15, no. 2-2 (2023): 409–19. http://dx.doi.org/10.17212/2075-0862-2023-15.2.2-409-419.

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In the philosophical discussions of Russia in the 19th century, an important place was given to the problem of the formation of a national idea, the search for new ways of civilizational development of Russia. This topic is still relevant today, it does not lose its problematic nature, since at present, just as in the 19th century, the process of comprehending Russia's place in the world is underway and the problem is being solved: “Which way to go? Choose your own, national path or follow the European tradition in the formation of modern Russian society? These questions were already raised in

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Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired

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Adam Broughton, M. Yusuf A., Mazlan Mohd Tahir, Mastor Surat, and Ismar MS Usman. "The Uniqueness in Form and Space Layout Planning of Malay Heritage Houses Based on 19th Century Orientalists’ Perspectives." Jurnal Kejuruteraan si6, no. 1 (2023): 339–52. http://dx.doi.org/10.17576/jkukm-2023-si6(1)-29.

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The architecture of Malay heritage houses is a manifestation of the greatness and wisdom of Malays in the past in building and creating their places of abode. The subtle philosophy, beliefs and rituals behind the erection process, in addition to the design features of the dwelling structures that are responsive and adaptive to the local tropical climate which creates thermal comfort and passive cooling within the interior spaces of the house. These unique elements and features have been regularly highlighted in various scientific studies on Malay heritage architecture by both local and foreign

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Yu, Minghuang. "A Critical Study of The Emperor Jones and The Yama Chao from the Perspective of Expressionism." Journal of Social Science and Humanities 7, no. 3 (2025): 12–14. https://doi.org/10.53469/jssh.2025.7(03).03.

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Expressionism is an important genre of modernism that comes arise at the beginning of 20th Century in Europe. It is a philosophical movement due to the modern industrialization, urbanization, social transformation and the World War which brought the shock to traditional culture and humanity from late 19th century to early 20th century in Western society. Expressionism generally includes the activities and creations of art, literature, drama, philosophy, architecture that fit the new culture, economic, society, politic of modern industrialize world. In China, after the New Cultural Movement in

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Grinchenko, Viktor, and Oleksandr Chornyi. "The family estate of Kudashevych's princes in Mala Vyska." PEREIASLAV CHRONICLE, no. 14 (November 30, 2018): 36–43. https://doi.org/10.5281/zenodo.2267860.

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The article is devoted to the family estate of the Kudashevs’ princes, which is located in Mala Vyska in the Kirovograd region. The Malavyska branch of the noble Tatar family originates from Prince Danylo Kudashev, who, with his family, settled in Mala Vyska in the late 18th century. His descendants owned the estate until the early 80’s of the 19th century. The genus of the Kudashevs gave the national history a number of sign figures that have done a lot for military and political history, science, technology and culture. Among the well-known representatives of

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Tubić, Dejan. "The theme and symbolism of the bridge in European and Serbian early modernist painting." Zbornik radova Filozofskog fakulteta u Pristini 55, no. 2 (2025): 343–70. https://doi.org/10.5937/zrffp55-57379.

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In the period from the late 19th century to the early 20th century, the bridge motif in European and Serbian early modernist painting expanded the visual and symbolic phenomenology of the bridge. Through its architecture and symbolism, the bridge overcomes barriers, leads into the unknown and uncertain, and opens a dialogue between different spaces and times. The bridge is a path that one must cross, yet also return to. It serves as an archetypal representation of connection and separation, permanently present in human morphogenesis. The bridge establishes a correspondence between individuals,

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.

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The issue of the journal opens with an article dedicated to the formation of metrology as government regulated activity in France. The article has discussed the historical process of development of metrological activity in France. It was revealed that the history of metrology is considered as an auxiliary historical and ethnographic discipline from a social and philosophical point of view as the evolution of scientific approaches to the definition of individual units of physical quantities and branches of metrology. However, in the scientific literature, the little attention is paid to the pro

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Mácêl, Otakar. "Modern Architecture and Modern Furniture." Designing Modern Life, no. 46 (2012): 14–19. http://dx.doi.org/10.52200/46.a.9rk52tg1.

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Modern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because it was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried before to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon origin

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VLADIMIRKINA, NATALIA. "APPLICATION OF THE “PILLAR-FREE GAVIT” PRINCIPLE IN RUSSIAN CHURCH ARCHITECTURE." Университетский научный журнал, no. 78 (March 15, 2024): 99–109. http://dx.doi.org/10.25807/22225064_2024_78_99.

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The article analyses the experience of using the constructive technique of intersecting arches (according to the “gavit principle”), originating from Armenian medieval architecture, in Russian architecture of the second half of the 19th century - 20th century and at the turn of the 21st century. The author considers the experience of understanding this constructive ceiling system in the practice of modern church construction.

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Drozdova, Daria. "The History of Early Modern Philosophy in Russia. The Case of Archimandrite Gabriel." Philosophy. Journal of the Higher School of Economics VI, no. 1 (2022): 151–83. http://dx.doi.org/10.17323/2587-8719-2022-1-151-183.

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This article is the first part of a study analyzing the formation and transformation of the canon of Early modern philosophy in Russian-language philosophical literature. The canon of Early modern philosophy was fixed in European and American textbooks on the history of philosophy at the end of the 19th century. It is based on the standard narrative about two main rival epistemological traditions, i.e. rationalism, represented by Descartes, Spinoza and Leibniz, and empiricism, represented by Locke, Berkeley and Hume. However, this account of the history of Early modern philosophy emerged in a

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Peckhaus, Volker. "19th Century Logic Between Philosophy and Mathematics." Bulletin of Symbolic Logic 5, no. 4 (1999): 433–50. http://dx.doi.org/10.2307/421117.

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AbstractThe history of modern logic is usually written as the history of mathematical or, more general, symbolic logic. As such it was created by mathematicians. Not regarding its anticipations in Scholastic logic and in the rationalistic era, its continuous development began with George Boole's The Mathematical Analysis of Logic of 1847, and it became a mathematical subdiscipline in the early 20th century. This style of presentation cuts off one eminent line of development, the philosophical development of logic, although logic is evidently one of the basic disciplines of philosophy. One need

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Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and

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Smith, Justin E. H. "Hegel, China, and the 19th Century Europeanization of Philosophy." Journal of Chinese Philosophy 45, no. 1-2 (2018): 18–37. http://dx.doi.org/10.1163/15406253-0450102006.

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I clarify Hegel’s role in the Europeanization of philosophy over the course of the 19th century. I begin with an investigation of the way non-Western philosophy was conceptualized in Europe before, and after, I move on to a consideration of the debates about philosophy that emerged in late 19th century China because of European attempts, such as that of Hegel, to circumscribe the geographical and civilizational scope of this discipline. How may we see the emergence of a distinctly modern, generally nationalist, discourse about “Chinese philosophy” within China as a reflection of larger global

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Song, Zihao. "Between the Past and Future. Antwerp Zoo and the 19th Century Belgium." Technium Social Sciences Journal 37 (November 9, 2022): 461–69. http://dx.doi.org/10.47577/tssj.v37i1.7614.

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Antwerp zoo was established in 1843 under the management of the Zoological Society of Antwerp. As one of the oldest zoos in Belgium and Europe, the establishment, operation and development of Antwerp Zoo are closely related to Belgian society in the 19th century. At the same time, it also reflects the self-awareness of the newly independent Belgians in the face of industrial civilization and exotic nature. This article discusses how the Antwerp Zoo as a public place embodies 19th century Belgian colonial and imperial ideas from perspectives of function, architecture, visitors and animals and t

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Harpøth, A., H. Kennedy, and L. Sørensen. "Modernized architecture may reduce coercion." European Psychiatry 64, S1 (2021): S127—S128. http://dx.doi.org/10.1192/j.eurpsy.2021.357.

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IntroductionPrevention and treatment of aggression in psychiatric hospitals is achieved through appropriate medical treatment, professional skills, and optimized physical environment and architecture. Coercive measures are used as a last resort. In 2018 Aarhus University Hospital Psychiatry moved from 19th-century asylum buildings to a newly built modern psychiatric hospital. Advances within psychiatric care have rendered the old psychiatric asylum hospitals inadequate for modern treatment of mental disorders.ObjectivesTo examine if relocating from a psychiatric hospital, dating from 19th cent

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Penyaz, Tetiana. "ANALYSIS OF THE STUDY OF THE ARCHITECTURE OF ELIZABETHGRAD IN THE SECOND HALF OF THE 19TH CENTURY - THE BEGINNING OF THE 20TH CENTURY IN THE HISTORICAL AND SCIENTIFIC WORKS." Architectural Bulletin of KNUCA, no. 26-27 (September 24, 2023): 106–19. http://dx.doi.org/10.32347/2519-8661.2023.26-27.106-119.

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Specific features of the forming of architecture in the second half of the 19th - beginning of the 20th centuries of cities of the central region of Ukraine need a detailed study to understand the ways of forming modern architectural space. The article is dedicated to the analysis of the state of study of historical and scientific sources about to the architecture of Yeolysavetgrad (Kropyvnytskyi) in the second half of the 19th and early 20th centuries. In the process of studying literature, based on the received on primary information and its systematization, little-studied and unexplored pro

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Tumanik, A. G. "ARCHITECTURE AND HISTORY OF ZHYTOMYR TRANSFIGURATION CATHEDRAL." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 74–84. http://dx.doi.org/10.31675/1607-1859-2019-21-1-74-84.

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This article in the historical and professional context reconstructs the process of creating, characterizes the architectural and artistic quality of the Orthodox Cathedral in the name of the Transfiguration of Christ in Zhytomyr, created in the second half of the 19th century and is currently one of the category of the rarest monuments of the historic Russian temple architecture, but exists outside the bounds of the cultural space of modern Russia.

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Bozdoğan, Sibel. "Architecture, Modernism and Nation-Building in Kemalist Turkey." New Perspectives on Turkey 10 (1994): 37–55. http://dx.doi.org/10.1017/s0896634600000832.

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Deeply rooted in “the great transformation” brought about by capitalism, industrialization and urban life, the history of modern architecture in the West is intricately intertwined with the rise of the bourgeoisie. Modernism in architecture, before anything else, is a reaction to the social and environmental ills of the industrial city, and to the bourgeois aesthetic of the 19th century. It emerged first as a series of critical, utopian and radical movements in the first decades of the twentieth century, eventually consolidating itself into an architectural establishment by the 1930s. The diss

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Ermishin, Oleg. "The Russian Idea: Concept, Problem Field, Modern Interpretations." Voprosy Filosofii, no. 9 (September 2024): 93–103. http://dx.doi.org/10.21146/0042-8744-2024-9-93-103.

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The article is devoted to the concept of Russian idea and its interpretations in the works of Russian thinkers of the late 19th – early 21st century. At first, the author of the article analyzes the concepts of V.S. Solovyov and V.I. Ivanov, their main theses in works on the Russian idea. Then he proceeds to consider the book by N.A. Berdyaev “Russian idea”, which covers all ideological diversity in the works of Russian thinkers of the 19th – early 20th century. For N.A. Berdyaev “Russian idea” is the idea of community (“commonality”), “brotherhood of people and peoples”, turned to future uni

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Wardani, Wardani. "PERKEMBANGAN PEMIKIRAN FILSAFAT ISLAM MODERN (SEBUAH TINJAUAN UMUM)." Jurnal Ilmiah Ilmu Ushuluddin 14, no. 1 (2016): 27. http://dx.doi.org/10.18592/jiu.v14i1.680.

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This article is aimed to deal with the development of Islamic philosophy in modern era in many countries, both in theEast and the West, in the world commonly, and in Indonesia particularly. Islamic philosophy in this era has grownthrough four stages. Firstly, at the beginning of 19th century, when the modernization in Muslim countries has beeninitiated by Jaml al-Dn al-Afghn. Secondly, since 19th until 20th century, when some orientalists among Jews havestudied the Islamic philosophy. Thirdly, post-World War II, when the Islamic philosophy has become the concern ofthe Eastern and Western schol

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M. Takács, Péter. "Rethinking Mackinder’s Thoughts: The ‟Heartland” in the 21st Century Geopolitics." Jogelméleti Szemle, no. 1 (April 20, 2023): 28–43. http://dx.doi.org/10.59558/jesz.2023.1.28.

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The concept of political science, political philosophy and geopolitics of classical war has been reevaluated or restructured from the 19th century to the 21st century. How applicable, implementable, and adaptable is Halford John Mackinder’s “Heartland” theory in resolving modern and premodern geopolitical conflicts? How can Mackinder’s thoughts be interpreted in modern political science and geopolitics today? These questions form the core of my study.

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Jokubaitis, Linas. "The Transformation of Scientific Political Philosophy into a Speculative Philosophy of History." Problemos 97 (April 21, 2020): 24–35. http://dx.doi.org/10.15388/problemos.97.2.

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The paper presents an analysis of the three stages of the development of political philosophy since the 17th century. The rise of modern political theory was marked by attempts to develop a philosophy along the lines of natural sciences. These attempts lead to the development of highly speculative and abstract doctrines; political philosophy ceased being a practical discipline. The paper argues that an important aspect of the traditionalist political thought of the 18th century was an attempt to reestablish the link between theory and practice. In the 19th century, the interest in history was

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Polak, Paweł. "The Paradigm Shift in the 19th-century Polish Philosophy of Mathematics." Studia Historiae Scientiarum 21 (August 26, 2022): 217–35. https://doi.org/10.4467/2543702XSHS.22.006.15972.

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The Polish philosophy of mathematics in the 19th century had its origins in the Romantic period under the influence of the then-predominant idealist philosophies. The decline of Romantic philosophy precipitated changes in general philosophy, but what is less well known is how it triggered changes in the philosophy of mathematics. In this paper, we discuss how the Polish philosophy of mathematics evolved from the metaphysical approach that had been formed during the Romantic era to the more modern positivistic paradigm. These changes are attributed to the philosophers Henryk Struve, Antoni Moli

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Lei, Ao, and Zheng Xin. "British architectural theory during the early modern architecture period in the 19th century." IOP Conference Series: Earth and Environmental Science 242 (April 1, 2019): 062018. http://dx.doi.org/10.1088/1755-1315/242/6/062018.

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Baitenov, E. M., and A. S. Espenbet. "«STONE» MOSQUES OF EASTERN KAZAKHSTAN: TO THE PROBLEM OF SOURCES FOR MODERN REGIONAL ARCHITECTURE." BULLETIN of D. Serikbayev EKTU 4 (December 10, 2024): 216–27. https://doi.org/10.51885/1561-4212_2024_4_216.

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The «stone» mosques, i.e. constructed from burnt brick in cities of Eastern Kazakhstan, represent a distinctive phenomenon of regional architecture, of the period - 19th-the early 20th century. Moreover, even in conjunction with wooden mosques, built before the "stone" ones, they represent variations within well-established tradition. Nevertheless, the renewed construction of mosques in cities of Eastern Kazakhstan since the 1990s completely disregards this tradition legitimized by centuries. The article is devoted to this regional phenomenon, analyses architecture of mosques in terms of its u

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Curran, Kathleen. "The German Rundbogenstil and Reflections on the American Round-Arched Style." Journal of the Society of Architectural Historians 47, no. 4 (1988): 351–73. http://dx.doi.org/10.2307/990381.

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This article investigates the German Rundbogenstil and its influence on the American "round-arched style." A stylistic and theoretical phenomenon of the 19th century, the German Rundbogenstil held both a specific and a generic meaning: as a contemporary building style and as a term for historical round-arched architecture. In modern scholarship, the Rundbogenstil has come to denote any round-arched building with Romanesque or Italianate features designed by certain early to mid-19th-century German architects. A general contextual analysis of the complex nature of the 19th-century round-arched

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Menshikova, Ekaterine A. "Ethno-pedagogical theories of the 19th century and Slavophile philosophy." European Scientific e-Journal 6, 1, no. 6 (2020): 37–46. https://doi.org/10.47451/ped2020-09-002.

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The current social processes taking place in the world are diverse and contradictory. Globalization on the one hand and ultra-national movements on the other. How much the presence or absence of a national, Russian origin in children’s pedagogy, in his environment, brought up in him a love for the Motherland, for Russia. How unique and necessary is folk pedagogy in the formation of a Russian person. The author of the article examines the main ethno-pedagogical theories of the 19th century and their relationship with the philosophy of the Slavophiles. The author concludes that the philoso

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Sopandi, Setiadi, Yoshiyuki Yamana, Johannes Widodo, and Shin Muramatsu. "Modern Architecture in Southeast Asia, an Introduction. Asia, North-South-West-East." Modern Southeast Asia, no. 57 (2017): 4–11. http://dx.doi.org/10.52200/57.a.475sor25.

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The Asian economy began to rebound in the early 2000s. Cities were, once again, expanding along with the population and industrialization. Architectural projects, after having halted for a few years, were coming back providing new opportunities for Asian practices. Sharing optimism as well as anxieties, Asian architects and scholars were looking forward to the future as well as once again taking a glimpse back at their recent architectural past, roughly from the late 19th century and throughout the 20th century. With this opportunity, they decided to take a moment to reflect on how Asian citie

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Mioduszewska, Zofia. "Historia bloku mieszkalnego jako koncepcji antropologicznej." Kultura i Społeczeństwo 53, no. 2 (2009): 3–19. http://dx.doi.org/10.35757/kis.2009.53.2.1.

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This analysis is a chronological presentation of the proposals for architecture that would solve the problem of housing for the masses as well as concepts that influenced the designs of post-war housing estates — from patronage housing estate and the 19th century utopian ideas (phalanstery) through 20th century concepts of a neighbourhood unit (social housing estate), up to a modern block of flats. The prototypes of blocks of flats were on the one hand the first workers’ housing estates and the spatial concepts created by utopian socialism, and on the other the social housing realized in the 1

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Dvoretsky, Yevgeniy V., Oksana V. Bakulina, and Konstantin V. Kozlov. "Conceptualization of the ideas of prosociality in the Russian humanitarian thought of the 19th century." Perspectives of Science and Education 64, no. 4 (2023): 574–88. http://dx.doi.org/10.32744/pse.2023.4.35.

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Introduction. The relevance of the study is determined by the demand for prosocial values while maintaining and developing the unity and cohesion of Russian society, as well as by the need to refer to the Russian historical experience, including aspects that have not attracted sufficient attention from researchers. This study aims to consider the genesis, evolution, and content of prosocial ideas in the Russian humanitarian thought of the 19th century. Materials and methods. The study used data from an extensive list of pedagogical, psychological, journalistic, philosophical, and other works o

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Demchenko, A. I. "Romanticism (the First Half of the 19th Century). The Pathos of Individualism." IKONI / ICONI, no. 1 (2022): 7–38. http://dx.doi.org/10.33779/2658-4824.2022.1.007-038.

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The essence of the series of essays published by the journal is that with the maximum compactness of the presentation it provides a summary of the main phenomena of world artistic culture, covered in general both from the point of view of the overall historical process and in relation to the various forms of art (literature, fine arts, architecture, music, theater and cinema). At the same time, there is a tendency to overcome the customary categorization of national schools and the division into separate forms of art with the genre specification inherent in each of them, which meets the positi

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Colijn, Bram. "The Concept of Religion in Modern China: A Grassroots Perspective." Exchange 47, no. 1 (2018): 53–70. http://dx.doi.org/10.1163/1572543x-12341467.

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Abstract Modern Chinese history offers scholars plenty of reasons to abandon the state-imposed neologism of ‘religion’. For its popularization in the late 19th century marked the start of multiple cycles of violence against ‘superstition’, its ideological twin. To the contrary, this article explores how ‘religion’ (zongjiao) is deployed by ordinary people in contemporary Southern Fujian. Through three case studies I demonstrate that ‘religion’ has become part of the ways ordinary people in contemporary Southern Fujian harmonize their conflicting ritual practices and ideas about the world. A mo

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Evlampiev, I. I. "Vladimir Solovyov – great Gnostic thinker." Solov’evskie issledovaniya, no. 3 (September 30, 2024): 68–75. http://dx.doi.org/10.17588/2076-9210.2024.3.068-075.

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The article examines the well-known negative assessment of the philosophy of Vladimir Solovyov, associated with the fact that he developed the ideas of German philosophy of the 19th century, and did not follow the path of creating “Orthodox philosophy”. Within the framework of the assumption that since the middle of the 2nd century there were two interpretations of the teachings of Jesus Christ – Gnostic and Orthodox, it is proved that in the history of European philosophy from Origen to Schopenhauer, the tradition of mystical pantheism based on Gnostic Christianity absolutely prevailed. There

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Sakai, Naotaka. "Keyboard Span in Old Musical Instruments: Concerning Hand Span and Overuse Problems in Pianists." Medical Problems of Performing Artists 23, no. 4 (2008): 169–71. http://dx.doi.org/10.21091/mppa.2008.4034.

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The keyboard spans (i.e., octave spans) of old keyboard instruments was compared with those of modern pianos to explore whether the relationship between keyboard span and hand span is a contributory factor in overuse problems among pianists. The distance on the keyboard between the left side of the C4 key and the right side of the C5 key was measured in 120 old keyboard instruments, including 26 harpsichords, 8 clavichords, 7 spinets, 4 virginals, 75 pianofortes, and 20 square pianos, manufactured from 1559 through 1929. The oldest harpsichords and pianoforte showed a keyboard span equal to th

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Nowicka, Elżbieta. "Norwid i dziedzictwo Herkulesa." Ruch Literacki 53, no. 3 (2012): 283–93. http://dx.doi.org/10.2478/v10273-012-0017-z.

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Summary In the 19th century Hercules lost his position as a favourite hero of cultural and anthropological foundation myths; in this role was displaced by Prometheus and Odysseus. However, a close look at Cyprian Kamil Norwid’s poems from his lyrics to ‘The Album’ reveals that despite his far-reaching transformation of the mythic history, its fundamental, received senses remain intact. In Norwid’s philosophy of history and anthropology Hercules is both a wanderer who epitomizes the values of the Mediterranean world and the at the same time a character afflicted by modern (ie. 19th-century) anx

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Іван, Студницький. "Типові проекти середніх вокзалів України другої половини ХІХ – першої третини ХХ ст.: історія, просторово-планувальна структура та художньо-стилістичні особливості". ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 201–19. https://doi.org/10.5281/zenodo.1313150.

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The purpose of the article is to analyze typical design projects of medium-sized railway stations of Ukraine of the second half of the 19th century – the first third of the 20th century based on the abundant factual data. Using specific historical objects as an example, the author proposes his typology of the architectural composition of medium-sized railway stations. The article describes the historical context of construction of railway stations, analyzes spatial and planning structure, artistic and stylistic aspects of the architecture of medium-sized railway stations. The research di

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Walid, Benaissa. "THE SPECIFICS OF THE FORMATION OF MODERN ARCHITECTURAL EDUCATION IN ALGERIA." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 71–77. http://dx.doi.org/10.32347/2519-8661.2021.22-23.71-77.

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The process of formation of a modern architectural school in Algeria, which took place during the last third of the 19th and 20th centuries, and led to the emergence of new approaches and principles in the field of its application, is considered. The article presents the results of a historical analysis of the evolution of the educational model of Algeria in the field of architecture, which depended on the political and socio-cultural influence of the metropolis on the development of the architectural knowledge of the colonial region. The author also considers the paths along which the formati

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Aldaher, Rama. "Traditional Architecture of Maaloula." Periodica Polytechnica Architecture 52, no. 2 (2021): 146–54. http://dx.doi.org/10.3311/ppar.17162.

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Maaloula is a Christian village with exceptional architecture and location. It has a world reputation due to its dialect; people converse and write in the Aramaic language. It is one of the Qalamoun's three villages with Bakhaa and Jabaden. Consequently, the village has attracted linguists worldwide; moreover, it has been the goal of many travellers since the 19th century. Like many of the traditional sites, Maaloula was affected by modern lifestyles and changing needs. These factors altered the village's architecture and construction techniques. This paper highlights the main characteristics

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Syukri, Fuad. "Bias Filsafat Barat dalam Tafsir Modern Muhammad ‘Abduh." JOURNAL OF QUR'AN AND HADITH STUDIES 3, no. 2 (2014): 265–95. http://dx.doi.org/10.15408/quhas.v3i2.1158.

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Contrary to the views of some scholars which state that Muhammad ‘Abduh’s rational interpretation of the Qur’an was influenced by Mu‘tazilah, this article reveals that some interpretations which have emerged in the 19th century, especially related to al-Kauniyah verses, have been influenced by the Positivism paradigm. In order to prove that, the writer discusses ‘Abduh’s Tafsir al-Qur’an al-Karim Juz’ ‘Amma and shows how his interpretation was based on the philosophy of Positivism.

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Starzyński, Wojciech. "Three Enlightenments of Modernity in the Historico-Philosophical Conception of Kazimierz Twardowski." Dialogue and Universalism 32, no. 1 (2022): 147–64. http://dx.doi.org/10.5840/du20223219.

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The aim of this article is to discuss the reflection on the history of philosophy conceived as a cycle of enlightenments in the thought of Kazimierz Twardowski. In 1895 Twardowski adopts Franz Brentano’s model of the cyclical character of the history of philosophy. In the cycle of modern philosophy, the traditional Enlightenment period of the 18th century is shown critically as the one in which the original forces of the scientific revolution of the 17th century weakened, while the philosophy of the beginning of modernity is to be seen as the proper Enlightenment. Critical reflections are crow

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Quintanilla, Pablo. "Origins and Development of Peruvian Philosophy." Sententiae 44, no. 1 (2025): 28–41. https://doi.org/10.31649/sent44.01.028.

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This paper argues that there were five distinct periods of Peruvian philosophy after the arrival of the first Europeans: 1- The reception of scholasticism during the 16th and 17th centuries and the Peruvian philosophy produced under its influence. 2- From the 18th century until the mid-19th century, there was a move away from scholasticism and the Peruvian reception of modern European philosophers. 3- The paper focuses mainly on the ideas developed from the mid-19th century to the beginning of the 20th century when Peruvian philosophers were mainly influenced by French and English Positivism (

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Balovnev, Daniil A. "GENESIS AND CONCEPTUALISATION OF PHILOSOPHICAL AND ANTHROPOLOGICAL KNOWLEDGE IN THE IDEOLOGICAL CONTEXT OF THE 19th CENTURY." Научное мнение, no. 3 (March 20, 2024): 42–48. http://dx.doi.org/10.25807/22224378_2024_3_42.

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The author of the paper proves the thesis that the most fundamentally significant anthropic turn in the understanding of man in philosophy occurred (contrary to the widespread point of view) not in the Renaissance epoch, but in the 19th century. This thesis is demonstrated by constructing models of worldviews of historical epochs in European culture and philosophy. The paper demonstrates that the Renaissance era was the most important step towards anthropocentrism on the path of “deification” of man in a number of very influential philosophical teachings of the 19th century. This approach make

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TIUTINA, L. V., and A. M. DAVYDOV. "TYPOLOGY OF THE LATEST FACADE SYSTEMS AND THEIR INFLUENCE ON THE PLASTIC LANGUAGE OF ARCHITECTURE OF THE XXI CENTURY." Ukrainian Journal of Civil Engineering and Architecture, no. 1 (June 24, 2021): 102–8. http://dx.doi.org/10.30838/j.bpsacea.2312.230221.103.724.

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Raising the problem. The article reveals the issues of the evolution of means and techniques that affect the expression of the artistic and tectonic properties of architecture of the XXI century. The article notes the influence of the factors of the mid-19th − early 20th centuries, which gave impetus to the manifestation of the facade as a separate autonomous structure of the building body. The question of determining the typology of the latest modern systems is becoming increasingly important. The review and classification analysis of innovative facade systems of the XXI century has been litt

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Teyssot, Georges. "The Ur-Forms of Modernism. On 19th Century Hospitalized and Hygienic Dimensions of Architecture." Cure and Care, no. 62 (2020): 18–27. http://dx.doi.org/10.52200/62.a.izo61seb.

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During the 19th century, a shift in the meaning of the notion of type took place, accompanied by the idea of an explicit inscription of habits and needs in space. A new correlation between the architectural type and the habitual was established. If only tentatively, esthetics and planning could now be harmoniously reunited through the introduction of new habits in order to generate a collective way of living. As a result, the object of architecture became to moralize and to reform. The “dream” of this period was that of a purely technological solution for civil building and housing. It would f

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Graus, Andrea. "Mysticism in the courtroom in 19th-century Europe." History of the Human Sciences 31, no. 3 (2018): 21–40. http://dx.doi.org/10.1177/0952695118761499.

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This article examines how and why criminal proceedings were brought against alleged cases of Catholic mysticism in several European countries during modernity. In particular, it explores how criminal charges were derived from mystical experiences and shows how these charges were examined inside the courtroom. To bring a lawsuit against supposed mystics, justice systems had to reduce their mysticism to ‘facts’ or actions involving a breach of the law, usually fraud. Such accusations were not the main reason why alleged mystics were taken to court, however. Focusing on three representative examp

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Adeyemi, Akande. "Introduction of Glass as Fenestration in 19th Century Lagos, Nigeria: A Brief History." African Journal of Social Sciences and Humanities Research 4, no. 3 (2021): 33–43. http://dx.doi.org/10.52589/ajsshr-p8hrbcij.

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While glass as a material has been known to the people of western Nigerian for hundreds of years, it was only in the late 19th century that it became integrated into building and construction practice in Lagos. For the most part, early local architecture made little effort, if any at all, at covering window spaces with any material of permanence as the primary purpose of these orifices was more to let air in rather than light. Early European missionaries and colonial agents saw the situation differently. Their horrid fear for tropical bugs and matters of security and privacy necessitated a res

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Litvinov, Denis V., and Alevtina V. Yashina. "Adjustment and reconstruction of red brick monuments of 19th century architecture in the modern Loft style." Urban construction and architecture 13, no. 1 (2023): 114–20. http://dx.doi.org/10.17673/vestnik.2023.01.15.

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The article analyzes examples of renovation of red-brick architectural monuments as a result of their adaptation and reconstruction for current functions. In many large cities, the red brick architecture of the XIX century has been preserved, but unfortunately, there is not always the opportunity and funding to maintain the preservation of monuments in its original historical form. In addition, it often happens that the original function of the building loses its relevance, or the building itself ceases to fit the planning standards, here the question arises which approach to use in the recons

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Eroshkina, O. O., O. M. Ivanov, and D. Yu Vintaev. "CONDITIONS FOR THE FORMATION OF THE SLOBOZHAN SCHOOL OF CULTURAL ARCHITECTURE OF THE 17TH-FIRST THIRD OF THE 19TH CENTURY." Municipal economy of cities 3, no. 191 (2025): 100–104. https://doi.org/10.33042/2522-1809-2025-3-191-100-104.

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However, having gone through the same basic stages as national architecture, the religious architecture of Slobozhanshchyna revealed in its formation a number of features and traditions that allow us to speak of the "phenomenon" of the Slobozhanshchyna school of religious architecture. Like any dialectical unity, the Slobozhansk school of religious architecture developed according to the same laws as the entire architecture of Ukraine, being its integral part. The historical development of Slobodsk Ukraine was determined by a number of factors that were crucial for the formation of the school

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Česálková, Lucie. "Cvičení žákovského vidění: didaktický obraz, diapozitiv a film v mediálním kontextu konce 19. století." Teorie vědy / Theory of Science 33, no. 2 (2011): 251–69. http://dx.doi.org/10.46938/tv.2011.83.

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The studyexamines themodes of representationand communication of information through illustrativeteachingaidsin the 19thcentury. It focuses primarily on the didactic wall paintings and the tradition of lectures with slides and notes, how could the experience of these types of collectively observed images influence impressions and expectations of early film audiences. Didacticimagesare here analyzedprimarilyinterms oftheir compositional features (the arrangement of displayed objects within the frame), but in an effort to explain how processuality penetrated into the didactic image of the 19th c

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