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Dissertations / Theses on the topic 'Architetti'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Clementoni, Antonella <1967&gt. "Gli architetti e l'archeologia: Roma 1922-1938." Doctoral thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10366.

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Attraverso l’analisi di documenti custoditi negli archivi della capitale, sono stati presi in esame una serie di interventi e di progetti che hanno coinvolto le aree archeologiche di Roma nel periodo 1922-1938, dall’avvento del fascismo fino alle due grandi mostre del 1937-1938: la Mostra Augustea della Romanità e la Mostra del Restauro dei Monumenti nell’Era Fascista, filo conduttore della ricerca. Attraverso questi due eventi si sono ripercorsi questi sedici anni in cui è stata indagata l’opera di quattro personaggi: Corrado Ricci, Alfonso Bartoli, Antonio Munoz e Gustavo Giovannoni. Dei br

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2

TESTA, FRANCESCO. "Fenomenologia del tradimento. Storie di committenti, architetti e delle loro case." Doctoral thesis, Università degli studi di Genova, 2022. https://hdl.handle.net/11567/1101296.

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L’architettura di una casa è, per il proprio committente, rappresentazione di sé. Il committente ne determina l’architettura in maniera peculiare, creando un contesto operativo unico in cui l’architetto diventa una sorta di biografo che racconta la parte che il cliente vuole mostrare di sé. Questa declinazione del tema dell’abitare sottrae il progetto dal sistema usuale d’interpretazione del programma funzionale e costruttivo rafforzando la funzione espressiva e narrativa dell’opera. Dunque, in questo quadro, il rapporto fra committente e progettista non può essere interpretato solo come una r

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3

BURATTINI, PATRIZIA. "Archivi degli architetti. Nuove fonti per la storia della città di Ancona." Doctoral thesis, Università Politecnica delle Marche, 2010. http://hdl.handle.net/11566/242198.

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4

Farina, Maria Elena <1989&gt. "Architetti e committenza a Bassano nel Settecento: il caso di villa Negri a Mussolente." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5108.

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Lo scopo è quello di delineare, attraverso una approfondita ri-contestualizzazione sociale, economica, politica e culturale dell'ambiente bassanese nella seconda metà del Settecento, contesto e circostanze che hanno favorito il sorgere di villa Negri a Mussolente, analizzando in modo particolare la committenza dell'intero complesso architettonico.

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GIANASSO, ELENA. "Il «progetto di decorazione» nella cultura post-unitaria. Architetti e maestranze a Torino (1861-1925)." Doctoral thesis, Politecnico di Torino, 2004. http://hdl.handle.net/11583/2505160.

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La tesi dal titolo "Il «progetto di decorazione» nella cultura post-unitaria. Architetti e maestranze a Torino (1861-1925)" approfondisce criticamente nella sua analisi la questione della molteplicità di professioni attive nel cantiere architettonico, nell’ambito cronologico ampio del periodo tra Otto e Novecento legato alla cultura dell’Eclettismo. Accanto alla figura professionale dell’architetto viene indagato l’ampio quadro delle maestranze attive nei cantieri aperti nel secondo Ottocento, sottolineando il rapporto tra le diverse competenze. Emerge, come motivo fondativo, la profonda uni

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6

Berkant, Cenk. "L'Impero Ottomano e l'Italia, le relazioni in architettura: Il caso di Smirne." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3421713.

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This thesis aims at analyzing and emphasizing the works of Italian architects and engineers who were active in Izmir, during a period spanning from 1850s to 1930s. The presence of Italian architects and engineers in the Ottoman Empire goes back to the Tanzimat (1839, the Ottoman Reform Movement) which provided the foundation for changes in a range of areas including urban renewal programs. It was a necessity to invite Western architects and engineers to plan new urban areas which extended existing urban settings of the time and to erect new buildings reflecting European styles. This study focu

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7

Scaglione, Giannantonio. "Cartografia tematica della città di Catania tra XVI e XIX secolo." Thesis, Università degli Studi di Catania, 2011. http://hdl.handle.net/10761/164.

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In questo lavoro abbiamo cercato di ricostruire e analizzare le caratteristiche peculiari della morfologia urbana e della società cittadina della città di Catania tra XVI e XIX secolo utilizzando, oltre alla documentazione archivistica e bibliografica, anche le "tracce" grafiche e le elaborazioni cartografiche. Le premesse metodologiche alla base del presente lavoro sono rappresentate dai recenti contributi di storia urbana e di cartografia storica e tematica volti a restituire autonomia e consistenza alla dimensione spaziale nell' indagine storica (E. Iachello, 2010). Bernard Lepetit sottoli

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8

BONOMETTO, VINICIO. "Gli architetti della (dis)continuita : bilancio progettuale su una generazione in costante conflitto tra innovazione e tradizione." Doctoral thesis, Università IUAV di Venezia, 2004. http://hdl.handle.net/11578/278478.

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9

Ortolan, Cinzia <1983&gt. "Gli architetti nei luoghi della moda: collaborazioni e contaminazioni tra archistar e fashion designer. Il caso Prada." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6390.

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Il territorio della moda è, da sempre, teatro di contaminazioni in cui diversi linguaggi creativi concorrono e competono nel creare una “corporate image” che dia valore al brand del couturier o dello stilista. Questo elaborato analizza dunque l’interazione dei fashion designers con l’ambito architettonico, indagando come i più noti stilisti si servano anche dei punti vendita per dare valore alle loro creazioni. Dalla nascita delle prime maisons di moda al recente fenomeno dei flagship stores, vengono presi in considerazione i progetti di alcuni negozi firmati da note archistar per internaziona

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10

Trigona, Monica <1977&gt. "La sintesi delle arti negli allestimenti della IX Triennale di Milano : alcuni aspetti del confronto tra artisti, architetti e designer." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/6535.

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Il lavoro ha preso avvio dall’esigenza di uno studio di quegli ambienti che, progettati da noti architetti e artisti durante la IX Triennale di Milano del 1951 per occasioni espositive temporanee, liberi da vincoli di committenza, non più visibili ad oggi e giammai ricostruiti successivamente per mostre retrospettive, quindi non recuperabili nei loro materiali originari, si distinsero per essere rappresentativi di una “nuova unità delle arti”.

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11

Bruzzese, S. "PER L'EDIZIONE DELLE 'MEMORIE PER SERVIRE ALLA STORIA DE' PITTORI, SCULTORI E ARCHITETTI MILANESI': DA GIUSEPPE ALLEGRANZA AD ANTON FRANCESCO ALBUZZI." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/157458.

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The topic of my research is a manuscript composed in the seventies of the eighteenth century and remained unpublished until the twentieth century. It concerns the Memorie per servire alla storia dei pittori, scultori e architetti milanesi by Antonio Francesco Albuzzi (1738-1802): a work of great importance which is the first attempt to reconstruct the history of the ancient art schools in Milan. Similarly, Albuzzi’s work represents the first attempt for a revaluation of the opus of painters called "primitive" regarding the Lombardy region. Anyone who has undertaken some research on the Lomb

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12

Du, Preez Jaco Andries. "Understanding the architect in enterprise architecture : the Daedulus Instrument for architects." Thesis, University of Pretoria, 2016. http://hdl.handle.net/2263/57172.

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With numerous enterprise architecture management (EAM) methodologies, frameworks, and tools, there is still no universally accepted standard on what Enterprise Architecture (EA) really means to practicing architects. Traditionally practitioners concentrated on specific aspects of EA, such as tools, repositories, components and frameworks. However, little attention was given to the architect, who completes this trio of system perspectives (people, process & technology). This thesis reports on the research findings from multiple studies that investigated diverse factors and attributes that

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13

Decommer, Maxime. "Les architectes au travail : les conditions d'apparition, d'évolution et d'uniformisation des lieux et des structures d'activités des architectes, 1795-1940." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST1014.

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De la libéralisation des métiers lors de la Révolution à la fondation de l'ordre des architectes en 1940, le milieu de l'architecture est traversé d'actions, de débats et de combats tendant à l'institutionnalisation de la profession d'architecte. Ce long processus, visant la réglementation de l'accès à la profession et l'obtention du monopole sur l'architecture à partir de la définition et de l'affirmation d'une identité sociale et professionnelle unique de l'architecte, est marqué par plusieurs étapes inhérentes au processus de professionnalisation, parmi lesquelles la revendication de l'exer

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14

Guillerm, Elise. "L'architecte Jean Dubuisson (1914-2011) : le dessin à l'épreuve des usages." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010590.

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L'œuvre de l'architecte Jean Dubuisson prend appui sur une culture artistique familiale et un cursus honorum, couronné d'un Grand Prix de Rome en 1945. Ce parcours académique et sa connaissance de l'avant-garde internationale sont ses principaux atouts face à la multiplication des demandes de l'après-guerre. Sa production vise à concilier deux champs apparemment contradictoires, l'héritage de l'École des Beaux-arts et une modernité affirmée. Marqué par Mies van der Rohe ou Jean Prouvé, il développe une architecture graphique, épurée et innovante, grâce à l'usage de l'aluminium et de matériaux

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15

White, John Philip Jr. "Architect / Builder: Builder / Architect." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/41299.

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Throughout architectural history, the relationship between builder and architect has been ever-changing. Architects traditionally evolved from the building trades with a fundamental understanding of the principals behind construction. Architects have since evolved into a profession based in academics, not in actual tacit knowledge. The current relationship between architects and builders is complex. The Architect questions the ability of the builder. The builder questions the knowledge of the architect. Collaboration has become very difficult. These buildings are an attempt to use the buil

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16

Cirfi, Walton Mirella. "Antonio Federighi, architetto." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ46509.pdf.

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17

Chelini, Emanuele <1993&gt. "Matteo Lucchesi architetto veneziano." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15294.

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18

Rosenbaum, Laura. "La condition internationale des architectes : le monde en référence : représentations, pratiques et parcours." Thesis, Bordeaux, 2017. http://www.theses.fr/2017BORD0605/document.

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Les architectes forment en France une profession originale et à forte identité professionnelle. Denombreux travaux de recherches ont rendu compte d’évolutions, de mutations, d’adaptations à descontextes d’action régulièrement renouvelés. Au-delà de la révolution environnementale ounumérique, de processus de conception qui associent les populations, de conditions économiques etréglementaires plus contraignantes, l’un des phénomènes majeurs de ces deux dernières décenniesest une internationalisation des cursus de formation et des pratiques professionnelles. Bienqu’historiquement en France une ma

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19

Bulfone, Lorenzo. "Von Neumann: non solo architetto." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7909/.

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20

SPINAZZI, ALBERTO. "Tommaso Temanza: architetto, lettore, scrittore." Doctoral thesis, Università IUAV di Venezia, 2009. http://hdl.handle.net/11578/278585.

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21

Guidoboni, Francesco. "Giovanni Niccolo' Servandoni (1695-1766) : architetto." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010621.

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Il s’agit d’un projet de thèse doctorale en cotutelle – entre la «Sapienza» Università de Roma et l’Université de Paris I «Panthéon- Sorbonne » – visant à étudier la vie et l’oeuvre architecturale de Jean-Nicolas Servandoni, une figure d’artiste parmi les plus emblématiques et moins connues du XVIIIe siècle. Peintre, architecte et décorateur, Servandoni est connu pour avoir remporté le concours pour le projet de la façade principale de l’église Saint-Sulpice de Paris, et pour le grand nombre des décors réalisés d’abord pour l’Opéra, puis pour la Salle des Machines des Tuileries. Au cours de sa

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22

Rush-Ossenbeck, Cody T. "The Architect." University of Akron / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=akron1314715765.

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23

Hambraeus, Victorson Mattias. "After the Architects." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-159201.

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Developed from a desire to explore alternative ways of addressing aspects of architecture, the project After the Architects tells the story of the KTH School of Architecture building through the eyes of me - one of its many users. The project consists of a film, an exhibition and a hand book with mental excercises. Investigating the tools we have at hands as architects in the context of storytelling as a mean of communication, I wanted to dissect the many layers of interpretation and experiences a building consists of. It is often said that the core of a building is what it does and how it doe

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Schmidt, Annette. "Ludwig Eisenlohr ein architektonischer Weg vom Historismus zur Moderne ; Stuttgarter Architektur um 1900 /." Stuttgart : Kommissionsverlag : Hohenheim, 2006. http://catalog.hathitrust.org/api/volumes/oclc/70574079.html.

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Slightly revised version of the author's dissertation as acccepted by the Universität Stuttgart in 2005.<br>Copyright 2006 Archiv der Stadt Stuttgart. Includes bibliographical references (p. 625-640).

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ZINI, SILVIA. "PKC: Paffard Keatinge-Clay architetto itinerante." Doctoral thesis, Università IUAV di Venezia, 2015. http://hdl.handle.net/11578/278352.

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ROGNONI, FRANCESCA. "Cola dell’amatrice Architetto nei Cantieri Ascolani." Doctoral thesis, Università IUAV di Venezia, 2019. http://hdl.handle.net/11578/282398.

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EUSEBIO, FLAVIO. "GIACOMO TAZZINI, ARCHITETTO DI TRE CORTI." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/172807.

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Giacomo Tazzini, architect of three courts. Life and work by a versatile architect-engineer in Milan, from Repubblica Cisalpina to Italian Unification. PhD thesis by Flavio Eusebio The name of Giacomo Tazzini often comes out in many documents of restoration of buildings in Milan, Monza and other Lombard sites. Nonetheless it hasn’t been never realized a specific research about his work. Tazzini doesn't represent only a stylistic and professional continuances with his master Luigi Canonica. In forty years he creates some extraordinary works, for the aesthetic and the technique, that have cha

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Caycedo, Juan C. "The City Architect." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/216.

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It could be the most powerful tool any community might have to develop their built environment. Yet, due to political, social/cultural or economic factors, in most cities, it has been relegated to a secondary role or eliminated altogether. The ?City Architect? or ?Urban Design Director? is an underestimated area of professional expertise that can perform a missing role in the implementation of community visions, plans, and codes. The lack of proper tools and community design expertise in planning and architecture has produced a fragmented, flawed ?design? through ad hoc roles in shaping piec

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Flores, Carol Ann Hrvol. "Owen Jones, architect." Diss., Georgia Institute of Technology, 1996. http://hdl.handle.net/1853/20841.

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Svoboda, Jiří. "Architekt Jiří Voženílek ve Zlíně." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-233229.

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Jiří Voženílek was born on August 14th, 1909 in Holešov. He attended high school in Prague, where he also studied architecture at the ČVUT and he became a university professor at this institution in the 1960’s. Later, he became the main architect of The Capital of Prague. He started to work for the Baťa Company on April 20th, 1937. His first task was to assist the architect Vladimír Karfík on the Roman Catholic Church project in Otrokovice-Baťov. Then he became the leader of the collective 276, Construction Department no. 8 and the head architect as well. He cooperated with architect Jaroslav

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Barreau, Joëlle. "Être architecte au XVIIe siècle : Libéral Bruand, architecte et ingénieur du roi." Paris 4, 2004. http://www.theses.fr/2003PA040271.

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Libéral Bruand (1631-1697) fut à la fois architecte, ingénieur du roi et l'un des premiers membres de l'Académie royale d'architecture. Son grand œuvre est l'Hôtel royal des Invalides qu'il bâtit de 1671 à 1676. Par ailleurs, il a bâti des maisons et des hôtels destinés à des commanditaires aisés (aristocrates ou financiers). Il a contribué à créer la typologie de la "maison de maître" en y introduisant les innovations techniques et distributives des hôtels des années 1630-1650. Son art privilégie le respect du programme, la clarté de l'ordonnance et la sobriété de l'ornement. Cette étude est

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Gudelytė, Indrė. "Architekto Justino Šeiboko kūryba." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100803_110143-32939.

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Baigiamajame darbe ne tik nagrinėjama J. Šeiboko kūryba, bet ir perteikiamos architekto įžvalgos skirtingų sociokultūrinių laikmečių kontekste, nušviečiama J. Šeiboko pedagoginė veikla, pateikiami kolegų komentarai analizuojamais klausimais. Darbas atskleidžia architekto kūrybinius principus, J. Šeiboko kūrybos vertę ir jai kylančias išlikimo grėsmes. Yra daroma išvada, kad J. Šeiboko kūriniai - vertingi architektūriniu, meniniu požiūriu ir tai yra svarus indėlis į šiuolaikinę Lietuvos architrektūrą. Baigiamojo darbo įvade aprašomas darbo aktualumas ir ištirtumas, tikslas, tyrimo uždaviniai, į

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Hill, Jonathan. "Creative users, illegal architects." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312161.

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The central message of this thesis is that architecture is made by use and by design. To use a building is to alter it, by for example physically transforming it, using it in unexpected ways, or conceiving of it anew. The user can be passive, reactive or creative, whatever the character of the space he or she inhabits, but space can affect use, and each design suggests a certain user. Questioning the binary opposition of the architect and the user this thesis proposes a third entity: the creative user who can also be an 'illegal architect'. As a design strategy which recognises the creative ro

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Pannier, Olivier. "Jean-Camille Formigé, architecte." Versailles-St Quentin en Yvelines, 2004. http://www.theses.fr/2004VERS031S.

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Formé à l'école des Arts décoratifs, puis à l'école des Beaux-Arts, Jean Camille Formigé (1845-1926) devient architecte en 1871. Il connait ses premiers succès comme collaborateur de Ballu et Deperthes, les architectes de l'Hôtel de ville de Paris, dont il poursuivra l'oeuvre. Très vite reconnu par ses pairs, il devient archéologue, puis urbaniste. Entouré des plus grands artistes de son époque: Garnier, Eiffel, Rodin, Laurens, Formigé réintroduit de manière magistrale la couleur, technique, l'ornement, dans une architecture toujours adaptée aux nouveaux programmes. On le consulte dans toutes

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BARBI, SIMONE. "Il carattere civile dell'Architettura: Raffaello Fagnoni Architetto." Doctoral thesis, Università IUAV di Venezia, 2017. http://hdl.handle.net/11578/278739.

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BATISTA, ANTONIO JOSE DE SENA. "ARCHITECTS WITHOUT HALO: THE ACTION OF M.M.M. ROBERTO AND HENRIQUE MINDLIN ASSOCIATED ARCHITECTS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34834@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>A historiografia da Arquitetura Moderna Brasileira tende a privilegiar a construção de uma coerência ficcional que determina grupos aos quais todos arquitetos atuantes naquele período são anexados. No entanto, uma análise mais detalhada traz à tona a existência de múltiplas formas de ação que não concorrem para tal unidade fictícia. Dentre eles estão os arquitetos que trabalham prioritariamente para o mercado da construção civil, que lhes impõe regras, meios, relações econômicas, que contaminam seu modo de operação projetual. Essa tese busc

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Eilering, Brad. "From Architect to Sculptor." Thesis, Southern Illinois University at Edwardsville, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10793975.

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<p> My thinking once privileged the logical path as my architecture training had taught me to do, has grown to include equally the emotional influences of my lived experience. The unique contributions of each of my parents have come to bear on this change in thinking and in my development as a sculptor. My mother was a maker of textiles. Within her works, she clearly communicated a message of appreciation to the wearer, as represented in the multitude of carefully crafted stitches. My father is an architect. In his drawings of buildings, I see order, form, and the expression of space clearly a

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Brun-Ozuna, Barbara Suzanna. "Marshall Robert Sanguinet, Architect." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc332820/.

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Sanguinet was one of the most important early architects in Texas. His partnership with Arthur and Howard Messer was responsible for the development of Arlington Heights, a prominent resort community. With partner Carl Staats and later partner Wyatt Hedrick, Marshall Robert Sanguinet designed most of the early towers of the Fort Worth central business district. In addition, the firm also designed residences, churches, educational facilities, courthouses, and club buildings in Fort Worth as well as in Dallas, Houston, San Antonio, and Wichita Falls, where branch offices are located.

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Lang, Jakob Evelyne Lang Evelyne. "Les premières femmes architectes de Suisse /." [S.l.] : [s.n.], 1992. http://library.epfl.ch/theses/?nr=1079.

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Scopas, Sommer Rossella. "Giacomo Zammattio (Trieste 1855 - 1927) architetto e collezionista." Doctoral thesis, Università degli studi di Trieste, 2013. http://hdl.handle.net/10077/8593.

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2011/2012<br>Analisi della collezione dell' architetto Giacomo Zammattio (Trieste 1855- 1955)conservata tuttora nella residenza familiare a Trieste attraverso l'accertamento delle modalità di formazione e la catalogazione delle opere presenti<br>XXV Ciclo<br>1958

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Grisi, Tinuccio <1964&gt. "Architettura e verità. Emil Steffann architetto di chiese." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5287/1/grisi_tinuccio_tesi.pdf.

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La ricerca pone al suo centro lo studio dell'opera architettonica di Emil Steffann (1899-1968) la cui produzione realizzata consta, nel breve arco temporale che va dal 1950 al 1968, del ragguardevole numero di trentanove chiese, rappresentando un caso emblematico di progettazione e costruzione di edifici per il culto cristiano in grado di raffigurarne concretamente i principi fondativi liturgici, estetici e morfologici. L'architettura di Steffann, profondamente ispirata dallo spirito religioso, legata a figure primigenie che plasmano lo stare-insieme della comunità nella qualità corporea dell

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Grisi, Tinuccio <1964&gt. "Architettura e verità. Emil Steffann architetto di chiese." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5287/.

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La ricerca pone al suo centro lo studio dell'opera architettonica di Emil Steffann (1899-1968) la cui produzione realizzata consta, nel breve arco temporale che va dal 1950 al 1968, del ragguardevole numero di trentanove chiese, rappresentando un caso emblematico di progettazione e costruzione di edifici per il culto cristiano in grado di raffigurarne concretamente i principi fondativi liturgici, estetici e morfologici. L'architettura di Steffann, profondamente ispirata dallo spirito religioso, legata a figure primigenie che plasmano lo stare-insieme della comunità nella qualità corporea dell

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MICHELI, SILVIA. "Un altro architetto finlandese: Erik Bryggman (1891-1955)." Doctoral thesis, Università IUAV di Venezia, 2007. http://hdl.handle.net/11578/278236.

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Gili, Viviana Maria <1986&gt. "Edoardo Arborio Mella (1808-1884), restauratore ed architetto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7398.

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L'elaborato si propone di analizzare le metodologie conservative e di restauro del conte Edoardo Arborio Mella (1808 – 1884), inserendolo all'interno del dibattito europeo sul Neogotico. La schedatura di disegni inediti conservati presso l'Archivio di Stato di Vercelli - che vanno ad integrare il fondo Arborio Mella depositato presso l'Istituto di Belle Arti cittadino - permetterà di esaminare le pratiche adottate dall'architetto nei suoi interventi.

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Kemper, Steven Thomas. "STRAIGHT, CURVING, COLORFUL: THREE ARCHITECTS." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1150983131.

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Thesis (M.M.)--Bowling Green State University, 2006.<br>Document formatted into pages; contains 1 score (vii, 27 p.) For clarinet in B♭ and violoncello, with computer for live electronic processing and pre-recorded sounds.

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Franckevičiūtė, Nora. "Universalumo idėja architekto meninėje veikloje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140620_135332-39909.

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Baigiamajame darbe nagrinėjamas universalumo fenomenas architekto meninėje veikloje. Sinkretiška kūryba būdinga įvairių laikotarpių architektams nuo seniausiųjų civilizacijų kultūrų iki šių dienų. Vis dėl to, meistro sąvoka, kuri ne tik Renesanso bet ir ankstesniaisiais laikotarpiais turėjo sinkretiško kūrėjo reikšmę, kinta ir siaurėja specializacijos bei fragmentacijos reiškinių skaidomoje visuomenėje. Gilesnis šios temos tyrimas ir aktualizavimas pasaulio ir Lietuvos architektų kūrybos kontekste reikalingas norint pabrėžti sinkretiškumo svarbą architekto veikloje. Šis akcentas svarbus ne tik

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Dousson, Xavier. "Jean Bossu, architecte, 1912-1983." Paris 1, 2010. http://www.theses.fr/2010PA010545.

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Né en 1912, l'architecte Jean Bossu a suivi un parcours professionnel atypique et étincelant. Engagé dès 1929 aux côtés de Le Corbusier, il a ensuite alterné les collaborations avec la plupart des architectes parisiens modernes de son époque. A la Libération de la France, il devient un reconstructeur original puis, multipliant les propositions singulières, un auteur qui compte dans le paysage architectural français. Il construit ses oeuvres les plus stimulantes outre-mer et dessine plusieurs propositions théoriques et/ou prospectives marquantes. En 1964, il devient le patron d'un atelier extér

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Minnaert, Jean-Baptiste. "Henri Sauvage, architecte (1873-1932)." Paris 4, 1993. http://www.theses.fr/1993PA040337.

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Henri sauvage debute dans l'art nouveau en creant des pochoirs, et sa renommee vient avec sa participation a l'exposition universelle de 1900 et avec la villa majorelle a nancy (1898-1902). Avec son associe charles sarazin, henri sauvage realise entre 1903 et 1912 six immeubles de logements ouvriers. La collaboration avec paul sarazin amene les deux architectes a realiser deux villas a biarritz, a concevoir six hotels et autres operations immobilieres. Invente en 1909, brevete en 1912, le systeme de construction en gradins est applique au luxueux immeuble de rapport du 26 rue vavin (1912-1913)

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Corroto, Carla. "Constructing architects : a critical ethnography." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1240236778.

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Hill, Nikolas Xenophon. "DEVELOPMENTAL DYSPRAXIA : Architectu(Re)sponse." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1273169020.

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