Relevant bibliographies by topics / Archive Artist Publications

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Archive Artist Publications'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Archive Artist Publications"

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Mockridge, Jessa. "Category is… The Women's Art Library: Queering metadata with the Digital Archive of Artists’ Publishing." Art Libraries Journal 49, no. 4 (2024): 148–57. https://doi.org/10.1017/alj.2024.24.

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The Digital Archive of Artists’ Publishing (DAAP) is an ethical, open source, artist-driven database of artist books and publications. DAAP recently received Heritage Lottery Funding to support the Women's Art Library (WAL) to build their own archives on the platform. Through a series of workshops, tutorials and drop-ins, artists represented in the WAL generated anecdotal, ‘gossipy’ histories which act as access points to artists’ books that may be out of print, limited in availability within institutional or public archives or libraries, or shared digitally for the first time. I will draw on
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VUONG, LÉA. "Art and Archive: Louise Bourgeois through a Feverish Gaze." Australian Journal of French Studies 59, no. 1 (2022): 46–59. http://dx.doi.org/10.3828/ajfs.2022.05.

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This article examines uses of archival documents in the work of French-American artist Louise Bourgeois (1911-2010). Jacques Derrida’s seminal essay on “Archive Fever” (1995) provides a framework for the close study of Bourgeois’s multi-modal archives. The article discusses how the artist’s archives, while embedded in the site that manages them, pursue their existence outside their institutional home: displayed in exhibition spaces, reproduced in print publications and recorded on film, they are constantly moving, all the while pointing to a continuous shift in the place, value and nature of t
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Mordashova, Valeria L. "Metamorphoses in Filipp Malavin’s Works of the 1910s and the Circumstances of his Emigration." Observatory of Culture, no. 1 (February 28, 2015): 83–87. http://dx.doi.org/10.25281/2072-3156-2015-0-1-83-87.

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Results from a fundamental research on the biography and creative work of the prominent Russian artist Filipp Malyavin (1869-1940) and covers the last pre­revolutionary period of his creative activities. The research is based on the archive documents and publications including those concerned with his emigration of 1922.
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CHISELIȚĂ, Vasile. "Maestro Constantin Baranovschi, musician in the "Folclor" Orchestra: marks of a creative biography." Arta XXVIII, no. 2 (2019): 33–39. https://doi.org/10.5281/zenodo.3597230.

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In the present study, the author highlights, systematizes and analyzes, in a brief and summarizing manner, some aspects of the biography, the professional career, the creation as instrumental folk performer, arranger and composer of maestro Constantin Baranovschi, a notorious member of the great gallery of the leading artists in the professional folk “Folclor” Orchestra. As a source of inspiration in the outline of the research issues, there were, on the one hand, some data and materials, novel to a great extent, provided by the archive funds of Tele-Radio Moldova, in particular, t
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Sakharuk, Valerii. "Extended biography of Mykola Trokh." МISТ: Art, history, modernity, theory 18 (November 29, 2022): 55–63. http://dx.doi.org/10.31500/2309-7752.18.2022.271055.

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The article is dedicated to one of the most characteristic figures of Ukrainian art of the era of independence — the artist Mykola Trokh. It attempts to give a detailed reconstruction of his biography. The research is based on numerous documentary evidence stored in the Luboml Museum of Local History and the Mykola Trokh Charity Foundation archive, as well as on a number of publications made during the artist’s lifetime and after his death.
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Golman, Evgeniya. "Textile Collage as the Artistic Method to Comprehend Industrial Memory: the Analysis of the Project “Radiant City” by Elena Sharganova." Inter 16, no. 3 (2024): 33–48. http://dx.doi.org/10.19181/inter.2024.16.3.2.

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The article is focused on the sociological analysis of the project “Radiant city” of Elena Sharganova, resident of the tenth season of Open Studios at the Center of Contemporary Art Winzavod (2023/24), that is devoted to the artist’s hometown — Nelidovo — and consists of a series of textile collages, made with mixed media techniques including photo printing, cyanotype, machine seam, hand embroidery. Sociological conceptualization of the project is made based on the interview with the artist, analysis of archive publications kindly provided by the artist, and researches on social memory and ind
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Аверьянова, Мария Александровна. "“Siberian style” by Antonina Emelyanova." Искусство Евразии, no. 2(17) (June 27, 2020): 337–49. http://dx.doi.org/10.25712/astu.2518-7767.2020.022.

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В статье рассматривается творческое наследие ученицы Иркутской художественной мастерской-студии И.Л. Копылова Антонины Емельяновой. Она принимала активное участие в культурной жизни Иркутска 1920-х, была отмечена своим учителем, а также художественными критиками как перспективный график и один из представителей «сибирского стиля» в искусстве. Предпринята попытка обобщить разрозненный материал о художнице, встречающийся в искусствоведческой литературе, дополнить его новыми сведениями, полученными в процессе работы с источниками: документами, хранящимися в архиве Иркутского областного художестве
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Аверьянова, Мария Александровна. "“Siberian style” by Antonina Emelyanova." Искусство Евразии, no. 2(17) (June 27, 2020): 337–49. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.022.

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В статье рассматривается творческое наследие ученицы Иркутской художественной мастерской-студии И.Л. Копылова Антонины Емельяновой. Она принимала активное участие в культурной жизни Иркутска 1920-х, была отмечена своим учителем, а также художественными критиками как перспективный график и один из представителей «сибирского стиля» в искусстве. Предпринята попытка обобщить разрозненный материал о художнице, встречающийся в искусствоведческой литературе, дополнить его новыми сведениями, полученными в процессе работы с источниками: документами, хранящимися в архиве Иркутского областного художестве
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Derbyshire, Harry. "‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a Case Study in Reception." New Theatre Quarterly 29, no. 3 (2013): 209–19. http://dx.doi.org/10.1017/s0266464x13000419.

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The first major posthumous London revival of a play by Harold Pinter was Moonlight at the Donmar Warehouse in April 2011. There was a striking difference between the critical reception of this production and the way the play had been greeted on its 1993 premiere, when Moonlight – then framed as Pinter's return after fifteen fallow years and a number of increasingly controversial political interventions – prompted an extremely mixed response. In 2011, by contrast, the critical community was more or less united. This progression can be seen to illustrate more than just the benefits of hindsight,
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Mikhnovets, Mariia, and Irina Andrianova. "The Lost Letter of E. F. Junge to F. M. Dostoevsky." Неизвестный Достоевский 10, no. 3 (2023): 63–88. http://dx.doi.org/10.15393/j10.art.2023.6782.

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The article aims to explore the correspondence between F. M. Dostoevsky and the famous artist and memoirist E. F. Junge, who was the wife of ophthalmologist Dr. E. A. Junge. Dostoevsky was Dr. Junge’s patient in the 1860s and 1870s. E. F. Junge met the writer in the last year of his life, and she was an admirer of his talent, as well as a correspondent. Two letters from E. F. Junge to the writer, sent in March and April of 1880, are known to exist. There are also two letters from Dostoevsky, one in draft form and the other a clean copy, dated April 10 and April 11 of the same year. The study p
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Dissertations / Theses on the topic "Archive Artist Publications"

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Tremblin, Mathieu. "Pratiques artistiques urbaines et création-recherche : récits d'expériences, dialogues et enjeux." Thesis, Strasbourg, 2021. https://publication-theses.unistra.fr/restreint/theses_doctorat/2021/Tremblin_Mathieu_2021_ED520.pdf.

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L’objet de cette recherche-création doctorale en arts est d’apporter un éclairage spécifique sur lespratiques artistiques urbaines, commissionnées ou non, et de développer un champ deconnaissances sur la manière dont elles instruisent un mode d’interaction — entre usage,appropriation et partage — avec les espaces publics et leurs usagers. En partant de mon parcours, ils’agit de proposer une analyse des pratiques artistiques d’intervention artistique, afin d’en dégagerles perspectives, en conversation et en collaboration avec cette communauté d’artistes et d’acteursen miroir de l’émergence de l
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Подоляка, Надія Степанівна, Надежда Степановна Подоляка, Nadiia Stepanivna Podoliaka та М. Лагута. "Літературно-художні журнали: особливості їх форми та змісту в порівнянні друкованої версії та електронного сайту". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/49207.

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У роботі зроблено аналіз структури, наповненості та ознак, притаманних друкованим та інтернет-ЗМІ у застосуванні до літературно-художніх видань «ШО», «Всесвіт», «Дніпро», «Склянка часу».<br>In this paper, have been analyzed the structure, fullness and features inherent in print and online media as applied to literary publications «SHO», «Universe», «Dnipro», «A glass of time».
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Books on the topic "Archive Artist Publications"

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Mauler, Christoph. Christoph Mauler: Geste Film Figur : Arbeiten aus dem AAP Archive Artist Publications. icon verlag, 2018.

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Resch, Rainer, Jürgen O. Olbrich, and Béatrice Hernad. Objekt Magazine Object: Archive Artist Publications, Sammlung Hubert Kretschmer, München/Munich. Icon Verlag, 2018.

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Studienzentrum für Künstlerpublikationen (Weserburg Museum für Moderne Kunst), ed. Research Centre for Artists' Publications. Studienzentrum für Künstlerpublikationen, 2011.

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Brandigi, Eleonora, ed. Videovoci. Interviste a scrittrici. Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-277-6.

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Videovoci brings together seventeen interviews with writers and artists carried out by the Association Archivio per la memoria e la scrittura delle donne "Alessandra Contini Bonacossi" from 1998 on, within the framework of the project Archivio della scrittura delle donne in Toscana dal 1861 ad oggi (www.archiviodistato.firenze.it/memoriadonne). The publication of Videovoci. Interviste a scrittrici is in fact the result of a ten-year scientific and research project conceived with the aim of valorising the female culture, Italian and other, present in Tuscany. The result of this project takes th
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Kindikova, Nina. Altai literature. Portraits of writers and literarys. INFRA-M Academic Publishing LLC., 2017. http://dx.doi.org/10.12737/monography_59f06500853df7.57225829.

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The fate and creative activities of the Altai writers and literary are presented on the basis of archival material and a new reading of artistic works. The Altai literature has been uncovered in a historical perspective, analysed the publications of past years and examined the monographs of contemporary researchers in the Altai literature. The role of creative individuals and their contribution to the Altai literature was emphasized. The fate and literary heritage of repressed writers have been reinterpreted. This work is intended for philologists, masters, postgraduate, turcologists.The work
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Pancani, Eleonora, ed. Ruggero Jacobbi alla radio. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-664-8.

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Recent years have seen the publication of a great deal of the work of Ruggero Jacobbi, a legendary figure of Italian twentieth-century culture, thanks to a praiseworthy retrieval of unpublished material conserved in the «A. Bonsanti» contemporary archive of the Gabinetto «G.P. Vieusseux». However, despite so many new pages of poetry and translation, what was still lacking was the writer's voice. The voice which, thanks to the painstaking work of Eleonora Pancani, we can now read (if not hear), as with characteristic dexterity it intermingles verses and music, literature and theatre, politics a
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Orlov, Igor', and Nikolay Solov'ev. South French Gothic. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1844169.

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The main purpose of the monograph is to reveal the deep and complex interrelation of the religious and mystical paradigm of the original "Occitan civilization" of the South of France and the Catholic Church, which won the bloody Albigensian wars, with the artistic practice of the builders of the cult Gothic structures of the South of France. In addition to the literary sources previously used in scientific circulation, materials of little-known foreign publications, archival documents (courtesy of the Augustin Museum, the University of Toulouse and the Catholic Institute of Toulouse, the Cente
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Michael, Popham, Wikander Karen, Oxford Text Archive, and Arts and Humanities Data Service., eds. Creating and documenting electronic texts. Oxbow Books for the Arts and Humanities Data Service, 2000.

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Monteverdi, Anna Maria, Flavia Dalila D'Amico, and Vincenzo Sansone. Giacomo Verde. Attraversamenti tra teatro e video (1992-1986). Milano University Press, 2022. http://dx.doi.org/10.54103/milanoup.69.

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A little more than a year after the death of Giacomo Verde, pioneer of video/interactive art, techno-theatre and Italian "artivist", the corpus of unpublished drawings and sketches in pencil, pastel and collage for videos, video installations and video performances by the artist from the period 1986-1992 is published. This is the first publication from the Giacomo Verde Archive and it illustrates Verde's first "techno-artistic" phase: a well-documented and creatively rich period, when in 1983 he arrived, self-taught, from popular and street theatre to video art, works and installations whose c
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Archive für Künstlerpublikationen der 1960er bis 1980er Jahre. Salon, 2008.

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Book chapters on the topic "Archive Artist Publications"

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Donoso Macaya, Ángeles. "Persistence of the Portrait." In The Insubordination of Photography. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401117.003.0002.

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The first chapter underscores the counter-archival work carried out by the Vicaría de la Solidaridad in the composition of the photographic archive of the detained-disappeared. The chapter also considers the different transformations, displacements, and disseminations endured by the portraits of the detained-disappeared. It considers the critical work of Walter Benjamin, Diana Taylor, and Ann Stoler. The analysis contemplates both the composition of the photographic archive of the portraits and the archive’s dissemination in the public space. I consider the Vicaría’s publications Solidaridad (
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Karpov, Nikolai A. "Materials for the Study of the Life and Works of Sasha Chernyi (A.M. Glikberg) in the Archives of the RSL and RGALI." In Emigrantica. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/emigr.3034-3518-2024-1-423-457.

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The article highlights the issues related to the study of the heritage of Sasha Chernyi (A.M. Glikberg): the possible dating and circumstances of the creation of a number of artistic and epistolary texts, autographs of which are kept in the collections of the RSL (Chukovskii Foundation) and the Russian State Archive of Literature and Literature; the published publications of archival materials are commented; the problem of attribution of some works attributed to Sasha Chernyi is raised. For the first time, four autographs of poems and eight letters by Sasha Chernyi are published, dating from d
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Trojanowska, Marta. "Architekt Mario Ceradini (1864-1941) i jego prace dla parafii salezjańskiej w Przemyślu do wybuchu I wojny światowej. Wstęp do badań." In 192. Historia – tożsamość – kultura. 100-lecie salezjańskiej Parafii Świętego Józefa w Przemyślu. The Francis de Sales Scientific Society, 2023. http://dx.doi.org/10.21852/tnfs.2023.1.08.

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The article aims to show the Piedmontese architect Mario Ceradini (1864 -1941), his connections with the Society of St Francis de Sales, and his work for the Salesian parish in Przemyśl from 1908 to 1914. The findings are based on Marco Spesso's monograph of the architect published in 2021, available archival materials (Ceradini's letters, his projects for Przemyśl), photographs from the archive of St Joseph parish in Przemyśl and the Salesian Archive of the Kraków Province. It is for the first time that an academic paper speaks about this topic more broadly - until now there has been no detai
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Lena, Jennifer C. "The Museum of Primitive Art, 1940–1982." In Entitled. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691158914.003.0003.

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This chapter discusses the creation of the Museum of Primitive Art (MPA). The history of Michael C. Rockefeller's primitive art collection provides an ideal case study of the process of artistic legitimation. Through a detailed analysis of the complete organizational archive—including memos, publications, journals, and administrative paperwork—one can observe this process in detail. The small group of MPA administrators fought to promote artistic interpretations of the objects in the collection against the established view that they were anthropological curiosities. However, these objects were
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Victoroff, Tatiana V. "Trans-mitting/ferring Bounine. “The Mad Artist” Translated by Maurice Parijanine." In I.A. Bunin and his time: Context of Life — History of Work. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-769-843.

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The paper deals with the work of Maurice Donzel as translator (pen-name Parijanine). A witness of the Russian Revolution, translator of Lenin and Trotsky, on returning to France he continued to collaborate with the communist press and became the first and chief translator of Ivan Bounine. Based on correspondence between M. Donzel with Ivan Bounine from the Russian archive in Leeds, of Ivan Bounine with R. Rolland and M. Donzel with M. Martinet from the manuscript collection of the Bibliothèque Nationale de Paris the paper shows efforts made not only to translate Bounine into French but also to
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Colby, Georgina. "Collage and the Anxiety of Self-description: Blood and Guts in High School." In Kathy Acker. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748683505.003.0002.

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Chapter 2 addresses Acker’s practice of collage, and the anxiety of self-description. Blood and Guts in High School is positioned in relation to both the Dadaist collage and montage practices of artists such as Hannah Höch at the beginning of the twentieth century, and the subversive publications of the 1960s and 1970s: mimeographed magazines, and the punk and post-punk medium of Xeroxed publications. The original manuscript of Blood and Guts in High School housed in the archive possesses a different materiality to the published version of the novel. The materiality of the text in its collage
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Gacheva, Anastasia G. "Literary Group “Kuznitsa”: History, Aesthetic Platform, Artistic Practice." In Codex manuscriptus. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/cm.2949-0510-2024-5-307-366.

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The article is devoted to the first period of existence of the literary group “Kuznitsa” (1920–1923), connected, on the one hand, with the formation of its aesthetic and creative face, and on the other — with the desire of the “blacksmiths” to take a leading position not just in the leadership of proletarian literature, but also in its institutional design. Relying on archival sources, periodicals of the 1920s, magazines and collective collections of the group, as well as lifetime publications and publications of members of the “Kuznitsa”, the history of the group’s emergence, the formation of
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Lawton, Pamela Harris. "Re-Discovering Graphics." In Advances in Media, Entertainment, and the Arts. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7426-3.ch005.

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This chapter presents a historical account and analysis of Discover Graphics, a defunct museum-school-community partnership developed by the Smithsonian Institution, that for 24 years provided professional level printmaking studio and museum experiences to high school students, college students, and art teachers in the Washington, DC metropolitan region. The description and impact of the program on school districts, students, teachers, artists, and museum professionals are examined through archival materials, publications, the author's narrative of experience as a student participant in the pr
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Marchesin, Giorgia. "Dell'Archivio Storico delle Arti Contemporanee «la Biblioteca n’era il principio»." In Storie della Biennale di Venezia. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/010.

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The essay aims to reconstruct the history and to provide a library analysis about one of the most important libraries of contemporary art in Italy: the Library of the Venice Biennale. The library has been the founding fulcrum of what today is ASAC: Historical Archive of Contemporary Arts of the Venice Biennale. Its long history can be reconstructed by retracing the move of which it has been the protagonist, from the beginning in a small room on the ground floor of the Palazzo Ducale, to the current location inside the Central Pavilion of the Biennale Gardens. The heritage of books is in contin
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Molotiu, Andrei. "Permanent Ink: Comic Book and Comic Strip Art as Aesthetic Object." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0005.

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Andrei Molotiu, the Senior Lecturer in the Art History Department at Indiana University, Bloomington, explores the formal characteristics of comic art and the fragmentation caused by showing framed pages that were originally created for publication and separated from their indigenous context, wondering if this separation is ultimately an act of creativity or an act of violence. This chapter explains white-out, margin notations, and how the eye is drawn to different things in an image when it’s isolated on the wall. In this 2006 essay, he focuses on the art of Jack Kirby, Ivan Brunetti’s Schizo
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Conference papers on the topic "Archive Artist Publications"

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"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

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In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both r
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Āboliņa, Daira. "Television-Commissioned Films in the History of the Riga Film Studio. Cinematic Language and Genesis of Stylistics." In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.01.

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The research is focused on the development of the means of artistic expression applied in the cinema of a specific time period (1966–1989), analysing the films made at the Riga Film Studio (Rīgas Kinostudija), commissioned by the Central Television of the USSR. Both innovative and formal solutions can be found in the films of that era, especially considering the creation of the two-part format. The current publication focuses on the genesis of the artistic and production processes of the film “Lielais dzintars” (“The Great Amber”, “Dziesma par Rīgu” / “A Song About Riga”, 1972), in the context
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Blandu, Natalia. "Moisei Kononenko – an unknown conductor: the first publication of personal data about the conductor of the Doina choral chapel from 1949 to 1957." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.02.

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This article reflects the personality of Moisei Kononenko, artistic director and chief conductor of the „Doina” Choral Chapel from 1949 to 1957. For the first time, biographical data extracted from his personal file, along with the stages of his professional and artistic career, are published and introduced into the scientific circuit. The information is supplemented with archival documents regarding the activity of the „Doina” Choral Chapel during the mentioned period. The conclusions highlight that M. Kononenko's leadership had a significant impact on the choir's evolution into a professiona
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