Academic literature on the topic 'Armenian Epic literature'

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Journal articles on the topic "Armenian Epic literature"

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Menemshyan, A. R., N. N. Martirosyan, and T. R. Danielyan. "Conversion of Epic Works into Media Texts: Animated Film “Daredevils of Sassoun”." Nauchnyi dialog 13, no. 9 (2024): 206–20. http://dx.doi.org/10.24224/2227-1295-2024-13-9-206-220.

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This article explores the conversion of epic literature into media texts, focusing on the Armenian epic as a case study. It identifies the factors influencing the substantive, formal, and value-based transformations of the original text through the lens of the animated film "The Daredevils of Sassoun." This choice is motivated by the fact that the film is one of only two feature-length animated productions from Armenia and stands as one of the most renowned and cherished works of the Armenian people. The Armenian epic has also found expression in visual, monumental, and musical arts, having be
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2

Mu, Azhen. "About the Heroic Image in the Epic «David of Sasun»." Litera, no. 10 (October 2022): 115–27. http://dx.doi.org/10.25136/2409-8698.2022.10.38675.

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The article is devoted to the heroic image in the national epic «David of Sasun», which is an ancient Armenian heroic epic, as well as the pinnacle of Armenian classical folk literature. The subject of the study is the heroic image of four generations of Sasun. The purpose of this study is to study the typological features of the heroes of Sasun, to explain their origin and the transformation of characters due to territorial features. The article shows that to a large extent they are similar to the images of early ancient Homer's heroes with primitive colors, noble origin and mighty power. The
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DOLUKHANYAN, AELITA. "NERSES SHNORHALI IN THE EVALUATION OF FRENCH AND FRENCH-SPEAKING FOREIGN ARMENOLOGISTS." JOURNAL FOR ARMENIAN STUDIES 3, no. 62 (2023): 82–97. http://dx.doi.org/10.24234/journalforarmenianstudies.v3i62.60.

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French and French-speaking foreign scholars studying Armenian medieval literature could not help but pay special attention to the literary heritage of Nerses Shnorhali. Firstly, the fame of Shnorhali went beyond the borders of both Cilician Armenia and Greater Armenia. Secondly, he was a prominent theologian, politician and chronicler who brought great innovations to Armenian literature. Certain types of Shnorhali’s works are closely related to early Renaissance thinking. As writes Frederic Feidy, the most prominent armenologist of the second half of the twentieth century, in the preface to th
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4

Petrs-Bartsumian, А. "The “Yerevan epic” in Russian Soviet literature of the first half of the 20th century: Andrei Bely, Marietta Shaginyan, Osip Mandelstam." Urbis et Orbis Microhistory and Semiotics of the City 5, no. 1 (2025): 24–57. https://doi.org/10.34680/urbis-2025-5(1)-24-57.

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The literature and culture of Eastern Armenia and Russia have been intertwined since the 19th century, when Eastern Armenia became part of the Russian Empire in 1828. During this period, Armenian themes became an integral aspect of Russian literature, with many writers, including Alexander Pushkin, Marietta Shaginyan, Andrei Bely, and Osip Mandelstam, drawing on Armenian motifs in their works. This study focuses on analyzing Yerevan's image in the works of these authors, comparing their perceptions of the city and its cultural significance in Russian literature, particularly within the framewo
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SAHITZHANOVA, Z., G. ARIPZHAN, and R. SERIMBETOVA. "THE İMAGE SYSTEM OF THE ENGLİSH AND KAZAKH VERSİONS OF THE EPIC “KORUGLY”." Iasaýı ýnıversıtetіnіń habarshysy 130 (December 2023): 30–44. http://dx.doi.org/10.47526/2023-4/2664-0686.03.

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The epic “Korugly” is one of the most popular folklore works in the world. Poems about Korugly, descended from the Turkmen Teke tribe, are ethnically, linguistically and religiously diverse in Kazakh, Turkish, Azerbaijani, Armenian, Georgian, Uzbek, Turkmen, Tajik, Kurdish, Tatar, Abkhaz, Kumuk, Karakalpak and other languages. It has been sung in the folklore of nations for centuries and has become a favorite work of the people. In addition, it is known that the epic “Korugly” has been studied by many scholars in accordance with the motivational and plot features. This article describes the pe
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Oturgasheva, Natalya V. "Post-Soviet history in the “mirror” of literature: Experience in narrative analysis." Tekst. Kniga. Knigoizdanie, no. 30 (2022): 22–36. http://dx.doi.org/10.17223/23062061/30/2.

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Narrative analysis of literary works enables to interpret present-day narrative texts in all their multi-level depth making use of the tools accumulated in science -especially if those texts concern current and topical political events, which are usually spoken about in the language of media discourse. Change in the state (inner and outer) and presence of a narrator having his/her personal viewpoint and, consequently, the specific language of his/her message are signs of a narrative structure. The subject for consideration in this article based on Zakhkhok by Vladimir Medvedev and To Live On b
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Chkhaidze, Elena K. "‘Russia is always ahead of time…’ Аndrey Bitov on himself, the empire, the Russian language and literature". Voprosy literatury, № 6 (20 грудня 2019): 117–32. http://dx.doi.org/10.31425/0042-8795-2019-6-117-132.

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One of the last interviews given by Andrey Bitov, often considered a founder of Russian Postmodernism, before his death. His books are a symbiosis of knowledge (of history, culture, and literature) and play, which is perceived as the driver of alternating meanings constantly undergoing a transformation. The idea behind the conversation was not only to clarify the questions left unanswered upon the reading of Bitov’s epic Empire in Four Dimensions [ Imperiya v chetyryokh izmereniyakh ] and other books, but also to identify the foundations of the writer’s views. In one of his last interviews, Bi
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8

Leezenberg, Michiel. "“A Rare Pearl Passed from Hand to Hand”." Journal of World Literature 5, no. 2 (2020): 253–77. http://dx.doi.org/10.1163/24056480-00502005.

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Abstract Pascale Casanova’s notion of the “world republic of letters” systematically transcends national boundaries, as well as the opposition between internalist structural analyses and externalist political reductions, arguing that individual works of literature acquire their meaning only against the background of this transnational literary field with its own, irreducibly literary forms of domination. Yet, I will argue, Casanova’s work is not yet sufficiently transnational and not sufficiently historicizing; specifically, it overlooks non-Western cosmopolitan traditions and premodern vernac
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9

Simyan, Tigran, and Albert Makaryan. "DAVID OF SASUN BY HOVHANNES TUMANYAN: FROM TEXT TO VISUALIZATION." Children's Readings: Studies in Children's Literature 24 (2023): 211–35. http://dx.doi.org/10.31860/2304-5817-2023-2-24-211-235.

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The article analyses the cultural context of the poem "David of Sasun". On the basis of critical discourse analysis, semiotics (C. S. Pearce) and reconstruction of historical memory the perception of the city of Sasun is studied, the peculiarities of historical memory and images of the enemy are reconstructed. Using the example of the poem "David of Sasun" by H. Tumanyan, the semiotic translation from sign-symbols (Tumanyan’s text) to the language of iconic signs (children’s illustrations) is analysed. The analysis of the empirical text showed that Tumanyan created his storyline without additi
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Galstyan, Nelli. "National Liberation Struggle as a Manifestation of National Identity Preservation in Novel “Summer Without Dawn” by Hakop Khachikyan and Jean-Yves Soucy." Scientific Proceedings of the Vanadzor State University. Humanities and Social Sciences, July 2023, 109–18. http://dx.doi.org/10.58726/27382915-2023.1-109.

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Key words: American-English writers, historical memory, preservation of the Armenian nation, Armenian history, Armenian people, indestructible spirit The novel “Summer Without Dawn” by Hakop Khachikyan and Jean-Yves Soucy is a unique voluminous work with historiographical facts and political comments, which impartially covers the passage of time, Armenian social and political relations, the struggle for the existence of the Armenian people in the the 20th century, Armenian-Turkish relations at the end of the 19th-early 20th century, the First World War, the anti-Armenian policy of the Ottoman
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Books on the topic "Armenian Epic literature"

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Sedrakyan, Vardan. Deus vult!: Kamokʻn Asttso. "Van Aryan", 2006.

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2

Kilikean, Andranik. Sasuntsʻi Dawitʻi patanutʻiwně. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Kilikean, Andranik. Sasuntsʻi Dawitʻi ew Msray Melikʻi kṛiwě. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Kilikean, Andranik. Sanasar ew Paghtasar. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Kilikean, Andranik. Aṛiwts Mher. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Chʻekʻelezyan, E. Sasna tsṛer: Hay zhoghovrdakan ēpos; matenagitutʻyun. Hayastani azgayin gradaran, 2009.

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Kilikean, Andranik. Pʻokʻr Mher. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Kilikean, Andranik. Tsovinar. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Kilikean, Andranik. Sasuntsʻi Dawitʻi mankutʻiwně. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Kilikean, Andranik. Dawitʻ ew Khandutʻ. Hayastaneaytsʻ Ekeghetsʻwoy Kʻristonēakan Dastiarakutʻean Bazhanmunkʻ, 1994.

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Book chapters on the topic "Armenian Epic literature"

1

Öz, Enes. "Millî Mücadele’de Güney Cephesi Kahramanlarından Yörük Selim Bey ve Faaliyetleri." In "Millî Mücadele’nin Yerel Tarihi 1918-1923 (Cilt 4): Kahramanmaraş, Şanlıurfa, Kilis, Gaziantep, Hatay, Mersin, Osmaniye, Adana". Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-66-5.ch12.

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"The Southern Front was one of the most vigorous fronts of the National Struggle, where epic battles were fought by the Kuvâ-yı Milliye organizations against the French and Armenians. These clashes have caused the names of countless heroes to be heard. One of these heroes is Captain Salim Kurtoğlu from Inebolu, who carried the nickname Yörük Selim Bey, and was sent to the region with Kılıç Ali Bey for the defense of Maraş in line with the order of Mustafa Kemal Pasha. Within the scope of our topic, the life and activities of Yörük Selim Bey, one of the heroes whose name was frequently heard in
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