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Journal articles on the topic 'Armenian Epic literature'

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1

Menemshyan, A. R., N. N. Martirosyan, and T. R. Danielyan. "Conversion of Epic Works into Media Texts: Animated Film “Daredevils of Sassoun”." Nauchnyi dialog 13, no. 9 (2024): 206–20. http://dx.doi.org/10.24224/2227-1295-2024-13-9-206-220.

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This article explores the conversion of epic literature into media texts, focusing on the Armenian epic as a case study. It identifies the factors influencing the substantive, formal, and value-based transformations of the original text through the lens of the animated film "The Daredevils of Sassoun." This choice is motivated by the fact that the film is one of only two feature-length animated productions from Armenia and stands as one of the most renowned and cherished works of the Armenian people. The Armenian epic has also found expression in visual, monumental, and musical arts, having be
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2

Mu, Azhen. "About the Heroic Image in the Epic «David of Sasun»." Litera, no. 10 (October 2022): 115–27. http://dx.doi.org/10.25136/2409-8698.2022.10.38675.

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The article is devoted to the heroic image in the national epic «David of Sasun», which is an ancient Armenian heroic epic, as well as the pinnacle of Armenian classical folk literature. The subject of the study is the heroic image of four generations of Sasun. The purpose of this study is to study the typological features of the heroes of Sasun, to explain their origin and the transformation of characters due to territorial features. The article shows that to a large extent they are similar to the images of early ancient Homer's heroes with primitive colors, noble origin and mighty power. The
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3

DOLUKHANYAN, AELITA. "NERSES SHNORHALI IN THE EVALUATION OF FRENCH AND FRENCH-SPEAKING FOREIGN ARMENOLOGISTS." JOURNAL FOR ARMENIAN STUDIES 3, no. 62 (2023): 82–97. http://dx.doi.org/10.24234/journalforarmenianstudies.v3i62.60.

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French and French-speaking foreign scholars studying Armenian medieval literature could not help but pay special attention to the literary heritage of Nerses Shnorhali. Firstly, the fame of Shnorhali went beyond the borders of both Cilician Armenia and Greater Armenia. Secondly, he was a prominent theologian, politician and chronicler who brought great innovations to Armenian literature. Certain types of Shnorhali’s works are closely related to early Renaissance thinking. As writes Frederic Feidy, the most prominent armenologist of the second half of the twentieth century, in the preface to th
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4

Petrs-Bartsumian, А. "The “Yerevan epic” in Russian Soviet literature of the first half of the 20th century: Andrei Bely, Marietta Shaginyan, Osip Mandelstam." Urbis et Orbis Microhistory and Semiotics of the City 5, no. 1 (2025): 24–57. https://doi.org/10.34680/urbis-2025-5(1)-24-57.

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The literature and culture of Eastern Armenia and Russia have been intertwined since the 19th century, when Eastern Armenia became part of the Russian Empire in 1828. During this period, Armenian themes became an integral aspect of Russian literature, with many writers, including Alexander Pushkin, Marietta Shaginyan, Andrei Bely, and Osip Mandelstam, drawing on Armenian motifs in their works. This study focuses on analyzing Yerevan's image in the works of these authors, comparing their perceptions of the city and its cultural significance in Russian literature, particularly within the framewo
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5

SAHITZHANOVA, Z., G. ARIPZHAN, and R. SERIMBETOVA. "THE İMAGE SYSTEM OF THE ENGLİSH AND KAZAKH VERSİONS OF THE EPIC “KORUGLY”." Iasaýı ýnıversıtetіnіń habarshysy 130 (December 2023): 30–44. http://dx.doi.org/10.47526/2023-4/2664-0686.03.

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The epic “Korugly” is one of the most popular folklore works in the world. Poems about Korugly, descended from the Turkmen Teke tribe, are ethnically, linguistically and religiously diverse in Kazakh, Turkish, Azerbaijani, Armenian, Georgian, Uzbek, Turkmen, Tajik, Kurdish, Tatar, Abkhaz, Kumuk, Karakalpak and other languages. It has been sung in the folklore of nations for centuries and has become a favorite work of the people. In addition, it is known that the epic “Korugly” has been studied by many scholars in accordance with the motivational and plot features. This article describes the pe
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6

Oturgasheva, Natalya V. "Post-Soviet history in the “mirror” of literature: Experience in narrative analysis." Tekst. Kniga. Knigoizdanie, no. 30 (2022): 22–36. http://dx.doi.org/10.17223/23062061/30/2.

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Narrative analysis of literary works enables to interpret present-day narrative texts in all their multi-level depth making use of the tools accumulated in science -especially if those texts concern current and topical political events, which are usually spoken about in the language of media discourse. Change in the state (inner and outer) and presence of a narrator having his/her personal viewpoint and, consequently, the specific language of his/her message are signs of a narrative structure. The subject for consideration in this article based on Zakhkhok by Vladimir Medvedev and To Live On b
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7

Chkhaidze, Elena K. "‘Russia is always ahead of time…’ Аndrey Bitov on himself, the empire, the Russian language and literature". Voprosy literatury, № 6 (20 грудня 2019): 117–32. http://dx.doi.org/10.31425/0042-8795-2019-6-117-132.

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One of the last interviews given by Andrey Bitov, often considered a founder of Russian Postmodernism, before his death. His books are a symbiosis of knowledge (of history, culture, and literature) and play, which is perceived as the driver of alternating meanings constantly undergoing a transformation. The idea behind the conversation was not only to clarify the questions left unanswered upon the reading of Bitov’s epic Empire in Four Dimensions [ Imperiya v chetyryokh izmereniyakh ] and other books, but also to identify the foundations of the writer’s views. In one of his last interviews, Bi
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8

Leezenberg, Michiel. "“A Rare Pearl Passed from Hand to Hand”." Journal of World Literature 5, no. 2 (2020): 253–77. http://dx.doi.org/10.1163/24056480-00502005.

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Abstract Pascale Casanova’s notion of the “world republic of letters” systematically transcends national boundaries, as well as the opposition between internalist structural analyses and externalist political reductions, arguing that individual works of literature acquire their meaning only against the background of this transnational literary field with its own, irreducibly literary forms of domination. Yet, I will argue, Casanova’s work is not yet sufficiently transnational and not sufficiently historicizing; specifically, it overlooks non-Western cosmopolitan traditions and premodern vernac
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9

Simyan, Tigran, and Albert Makaryan. "DAVID OF SASUN BY HOVHANNES TUMANYAN: FROM TEXT TO VISUALIZATION." Children's Readings: Studies in Children's Literature 24 (2023): 211–35. http://dx.doi.org/10.31860/2304-5817-2023-2-24-211-235.

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The article analyses the cultural context of the poem "David of Sasun". On the basis of critical discourse analysis, semiotics (C. S. Pearce) and reconstruction of historical memory the perception of the city of Sasun is studied, the peculiarities of historical memory and images of the enemy are reconstructed. Using the example of the poem "David of Sasun" by H. Tumanyan, the semiotic translation from sign-symbols (Tumanyan’s text) to the language of iconic signs (children’s illustrations) is analysed. The analysis of the empirical text showed that Tumanyan created his storyline without additi
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10

Galstyan, Nelli. "National Liberation Struggle as a Manifestation of National Identity Preservation in Novel “Summer Without Dawn” by Hakop Khachikyan and Jean-Yves Soucy." Scientific Proceedings of the Vanadzor State University. Humanities and Social Sciences, July 2023, 109–18. http://dx.doi.org/10.58726/27382915-2023.1-109.

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Key words: American-English writers, historical memory, preservation of the Armenian nation, Armenian history, Armenian people, indestructible spirit The novel “Summer Without Dawn” by Hakop Khachikyan and Jean-Yves Soucy is a unique voluminous work with historiographical facts and political comments, which impartially covers the passage of time, Armenian social and political relations, the struggle for the existence of the Armenian people in the the 20th century, Armenian-Turkish relations at the end of the 19th-early 20th century, the First World War, the anti-Armenian policy of the Ottoman
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11

Jumanov, B.K. "EPIC TRADITIONS IN THE WORK OF SABIR SAYKALI IN UZBEK LITERATURE." September 4, 2024. https://doi.org/10.5281/zenodo.13684973.

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<em>The traditions of Uzbek folklore and epics date back to BC. Epic writing developed through Uzbek folk books, and "traveling plots" were based on them. The geography of "Traveling Plots" was wide and was reflected in the literature of the peoples of the Middle and Near East. Similar epics in Hindi, Jewish, Urdu, Georgian, Armenian, Turkish, Kurdish, Azerbaijani, Tajik, Uzbek languages, "Yusuf and Zulayho", "Tahir and Zuhra", "Ashiq Gharib and Shahsanam", stories like "Bahrom and Gulandom", "Bahrom and Dilorom" and others were created.</em> <em>Among these epics, "Bahrom and Dilorom" (or Gul
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12

Ayvazyan, Tina. "The Mythmaking Structure of Levon Khechoyan’s Epic Narrative “King Arshak, Eunuch Drastamat”." Scientific Proceedings of Vanadzor State University. Humanities and Social Sciences, December 2024, 56–68. https://doi.org/10.58726/27382915-2024.2-56.

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Key words: mythologization, historical novel, structuralism, ornamental prose, mythological worldview, historical thinking From the perspective of structural features and the construction of a myth-making narrative, Levon Khechoyan’s historical novel “King Arshak, Eunuch Drastamat”, published in 1995 on the eve of the 21st century, stands out in modern Armenian prose. Literary scholars who have studied this novel have emphasized its mythological character and myth-like structure. However, the epic narrative of the novel has yet to undergo structural analysis. Furthermore, no comprehensive stud
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13

Sahakyan, K., and R. Hovhannisyan. "THE LANGUAGE OF THE PSYCHOLOGICAL RECORDS OF THE ARMENIAN EPIC." SUSh Scientific Proceedings, December 30, 2024, 256–68. https://doi.org/10.54151/27382559-24.2pb-256.

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In the article, we have referred to the examination of the language of the psychological retellings of one of the branches of the epic, “The Tale of the Boy David and the Girl Khandut”, the formation of the popular world perception and linguistic thinking, the formation of speech, and several features of the imaging system. Our goal is to revive the unity of the Armenian spirit and linguistic thinking in the psycholinguistic domain by examining an orally transmitted novel version of the Armenian epic poem. The original of the story, told by Davit, a peasant from the Apostle Thadeus Monastery a
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14

Khachikyan, G., and A. Nahapetyan. "FEATURES OF LITERARY ACKNOWLEDGEMENT IN GURGEN KHANJYAN NOVEL «PANDEMIC»." SUSh Scientific Proceedings, December 28, 2023, 12–28. http://dx.doi.org/10.54151/27382559-23.2pb-12.

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In panoramic novel «Pandemic» G. Khanjyan by means of literary way presented the Armenian reality of the last decades. At the center of the epic events is the main hero Harut, who left for the United States before independence and now returns to Yerevan to sell his father’s house. The literary skill of the author, the experience of classical literature and some principles of magical realism were manifested in the novel. The theme of the hero’s behavior in extreme situations, which is preferred by existentialists, was also used. The writer has a great and successful experience in creating typic
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15

Galstyan, N. "ARMENIAN THEME IN THE PROSE OF WILLIAM SAROYAN." SUSh Scientific Proceedings, December 30, 2024, 135–46. https://doi.org/10.54151/27382559-24.2pb-135.

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William Saroyan was the first to introduce Armenian themes into American literature. The theme of the homeland, with the original characters of people who preserve their centuries-old traditions, contrasted with the leveling standards of the American way of life. Based on the challenges of time, the problem of human alienation, in the works of William Saroyan written on the Armenian theme tries to preserve the Armenian national spirit, identity, and present the centuries-old history of the Armenian people to mankind. The problems of fate and existence of Armenians abroad, their culture, the pr
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16

АБИСАЛОВА, Р. Н. "FROM PROMETHEUS TO AMRAN: ON THE CHAINED HERO IN THE OSSETIAN EPIC." Kavkaz-forum, no. 8(15) (December 15, 2021). http://dx.doi.org/10.46698/vnc.2021.15.8.009.

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В статье рассмотрен один из мотивов осетинского Даредзановского эпоса – мотив прикованного героя, еще в древности вошедший в мифологию, фольклор, литературу многих народов и получивший название «мотив Прометея». Образ Прометея относится к «вечным образам» мировой художественной культуры. История прикования и освобождения Прометея и в древнегреческой мифологии, и в трагедии Эсхила позиционируется как топонимически привязанная к Кавказу. Именно здесь сюжет о наказанном Богом и прикованном богатыре получил распространение в национальных мифах и эпических преданиях – грузинских, осетинских, кабард
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17

ALİYEVA, Pakiza. "ARİF ABDULLAZADE'NİN ŞİİRİNİN SANATÇI - FİKİR ÖZELLİKLERİ." Uluslararası Türk Dünyası Araştırmaları Dergisi, February 24, 2023. http://dx.doi.org/10.59182/tudad.1222744.

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ÖZET&#x0D; Makale, XX-ci yüzyıl Azerbaycan edebiyatının 60'lar kuşağına mensup şair, nesir yazarı, oyun yazarı, edebiyat bilgini Arif Abdullazade'nin şiirsel mirasının ideolojik-sanatsal özelliklerini incelemektedir. Çalışma, tarafımızca yürütülen geniş çaplı bir araştırma projesinin bir parçası olarak gerçekleştirilmiştir. Arif Abdullazade'nin sanatsal ve ilmi yaratıcılığı hakkında değerli yazarlar ve edebiyat eleştirmenleri çeşitli makalelerde görüş belirtmiş olsalar da, yazarın yaratıcılığının bir bütün olarak incelendiği geniş çaplı bir çalışmaya rastlanmadığını belirtmek gerekir. Makale y
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