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Relevant bibliographies by topics / Art and the environment

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Dissertations / Theses

Academic literature on the topic 'Art and the environment'

Author: Grafiati

Published: 11 December 2022

Last updated: 27 January 2023

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Dissertations / Theses on the topic "Art and the environment"

1

Hannold, Allan. "Sculpture and environment." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/724982.

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The purpose of this creative project was to further the development of the artist's personal style. Also to produce an exhibition of sculpture that relate to each other through common themes and techniques. The exhibition would become a unique environment for the viewer.The artist used steel as a medium in the creation of his sculptures. Various types of steel where cut, forged, welded, and fabricated in order to produce and extend the vocabulary of the sculptures. Steel was used experimentally with line, texture, and bright color. The exhibited works were successful because they concentrated

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2

Sadokierska, Iwona, and Fanny Stålnäbb. "Bildskapande i förskolemiljö - Art in preschool environment." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-32164.

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Detta examensarbete syftar till att undersöka och synliggöra hur det arbetas med tvådimensionellt bildskapande. Vi har för avsikt att utforska vad barn och pedagoger säger om bildskapandet på förskolan. Med utgångpunkt i Reggio Emilias pedagogisk filosofi och Vygotskijs teorier om skapande och utveckling vill vi få förståelse för vad skapande innebär i förskolan. Med hjälp av intervjuer med både pedagoger och barn visar vi hur två förskolor utan uttalad specifik pedagogisk inriktning arbetar med bildskapande. Resultatet av intervjuerna behandlats utifrån tre olika områden; bildskapande, ma

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3

Rose, Kathleen A. "Environment "atmosphere" /." Online version of thesis, 1989. http://hdl.handle.net/1850/11084.

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4

Meier, Lori T., Huili Hong, Millie P. Robinson, and Edward J. Dwyer. "Encouraging Awareness of Environment through Art and Print." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3326.

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5

Iordanidou, Chrysavgi. "Daylight openings in art museum galleries : A link between art and the outdoor environment." Thesis, KTH, Ljusdesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-215338.

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This thesis is investigating how the typology of daylight openings in art museum galleries is affecting the connection to the outdoor environment. Museum architecture nowadays emphasizes on the museum’s public role and interaction with the urban context, with transparency as the key to this approach. Considering the benefits and challenges of introducing natural light in art museum galleries, its controlled use enhances the experience of both the artworks and the space. The different typologies of daylighting and their design parameters have a direct impact on the connection to the outdoor env

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6

Leclerc, Pierre E. (Pierre Emile). "Architectural definition of an environment suitable for contemporary art." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/79013.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.<br>Supervised by Fernando Domeyko.<br>Includes bibliographical references (p. 111).<br>The title of this thesis implies a critical consideration of the subject. i.e how do we create. show and consume the product of art today. which environment suits it the best and why. The term itself, contemporary art is actually too vague and encompasses such a long historical period that I will restate its period. for the purpose of this project. to the actual; and its actors: those who are affecting the art community no

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7

Cilliers, Pieter Lafras. "Usurping architecture : sculptural resistance to the built environment." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8206.

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Includes bibliographical references (p. 70-71).<br>Usurping Architecture is a study in three parts. Part One explores the historical and theoretical basis that has informed my body of work. In this section, I explore the perfection of the depiction of the three-dimensional structure on a two-dimensional plane. This is specifically related to architecture. I then examine the role of geometric abstraction, as developed on the two-dimensional format, in sculptural strategies and their insertion in the lived, everyday environment.The role of geometric formalism is expanded on in the chapters on mi

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8

Kirshner, David. "Language games in a visual environment." Thesis, University of Brighton, 2000. https://research.brighton.ac.uk/en/studentTheses/44bc3b22-4f71-4a8a-8501-63425e15e9ed.

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This Ph.D. submission is in two parts : a dissertation : a series of visual works. The two parts of the submission are complimentary. Neither should be thought of as a 'commentary' on each other. The subject of the dissertation is the relationship of the visual to the discursive and its subsequent effect on the notion of the 'Plan'. The opening of the dissertation builds up a view of the different relationships these two may have, and how it is possible to discuss these relationships in different ways. As a model for these relationships I have used Diderot's Salon of 1767. In this essay Didero

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9

Jeng, Taesung. "A vital environment /." Online version of thesis, 2009. http://hdl.handle.net/1850/10978.

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10

Steele, Nancy Joanne. "Etched images of the human form in relation to society and environment." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941715.

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The vitality of the human figure has been an unending source of curiosity for artists from the beginning to now. Although many artists have focused their creativity to searching for the perfect, in fact, beautiful, human form, others have striven to convey the human experience within the spirit of their own era. The latter is true of this creative project, which has addressed the following problem: hog: could large-scale intaglio printmaking be used to 02arify the negative impact our rigid contemporary notion of beauty can have on individual women? The project was inspired by the work of Kaeth

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