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Journal articles on the topic 'Art China History 18th century'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Neglinskaya, M. A. "Часовая коллекция Цяньлуна (1736–1795): первое собрание европейского искусства в Китае". Iskusstvo Evrazii [The Art of Eurasia], № 4(19) (30 грудня 2020): 168–75. http://dx.doi.org/10.46748/arteuras.2020.04.014.

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Many of European clocks in the Beijing’s Palace Museum (Gugong) were made in second half of the 18th century, by the Qing Emperor Qianlong’s governing (1736–1795), when an exotic “Chinese style” (chinoiserie) in the decorative arts was at its height. The research methodology proposed below, which combines art history and cultural analysis, allows us to see, that the Palace Collection’s mix determined evolution of the clock’s industry in China and some European lands, who took part in the international clock and watch market. In forms and decor of Chinese clocks the 18th century were reflected

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Feng, Lisi. "Developing Encounters between Chinese and Western Art: The Contribution of Two Jesuits in China in the Seventeenth and Eighteenth Centuries." Religions 15, no. 1 (2024): 129. http://dx.doi.org/10.3390/rel15010129.

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This article explores the introduction and influence of Western art in China during the Ming and Qing dynasties, focusing on the role of the Jesuits—especially Matteo Ricci (1552–1610), one of the founders of Catholic missionary work in China—and the most famous and influential Western figure in China’s art history, Giuseppe Castiglione (1688–1766). The Jesuits recognized art’s potential in their missionary efforts. The article examines the varied responses of Chinese literati to Western art theories in the 17th and 18th centuries, and how Jesuit-introduced artistic concepts were assimilated w

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Ani Margaryan. "The General Image of the Armenian Merchant Projected Through the Sino-Armenian Socio-cultural Relations and the Case Study of the Revival of Merchant Traditional Costume." Journal of Information Systems Engineering and Management 10, no. 29s (2025): 48–57. https://doi.org/10.52783/jisem.v10i29s.4446.

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Armenian communities have had a notable historical presence in various regions of China since the 16th century, with particularly thriving settlements in Canton, Macao, Shanghai, and Hong Kong. During the 17th and 18th centuries, Armenians in China occupied influential positions, receiving endorsement from Chinese authorities. Their impact on Chinese society and East-West commerce is evidenced through their active promotion and patronage of Chinese-manufactured visual art objects. Notably, Jesuit preachers seeking unrestricted access to the country adopted Armenian attire as a strategic approa

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Fekete, Albert, and Peter Gyori. "Chinese pavilions in the early landscape gardens of Europe." Landscape architecture and art 18 (October 7, 2021): 78–87. http://dx.doi.org/10.22616/j.landarchart.2021.18.08.

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The image of China perceived by the Europeans in the 17th to 18th century was based on the travelogues of the travellers and missionaries. Despite the fact that the first descriptions did not include any pictures of the world, people and landscapes described, the far exotic country with its history and tangible heritage became very popular. This article deals with Chinese pavilions (pagodas, teahouses) built in the early European landscape gardens before 1750 without any architectural plans, using only sketches based on descriptions and travelogues, since in the first half of the 18th century,

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VAMPELJ SUHADOLNIK, Nataša. "Ferdinand Augustin Hallerstein on Giuseppe Castiglione`s Art." Asian Studies 3, no. 2 (2015): 33–56. http://dx.doi.org/10.4312/as.2015.3.2.33-56.

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Ferdinand Augustin Hallerstein (1703–1774) (Chinese name Liu Songling) was a Slovenian Jesuit, astronomer and mathematician who made an important contribution to the development of science and astronomy in 18th century China. He arrived in Beijing in 1739, and in 1746 was appointed to succeed Ignatius Kogler as Head of the Imperial Board of Astronomy, a position he would hold until his own death nearly 30 years later. Throughout his four decades in China, Hallerstein maintained a rich correspondence with family members, other Jesuits in Europe, and even with the Queen of Portugal, Maria Anna.

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De Winter, Wim. "European perceptions of religion and society in 18th-century China & Bengal, and their subverted gaze in local art and encounter." Religion 50, no. 2 (2020): 278–98. http://dx.doi.org/10.1080/0048721x.2020.1713518.

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Shin, Sangchel. "The History of Art Exchanges Between China and France by Jesuit Missionaries in the 18th Century : The Intellectual Foundation of French Chinoiseries and Beavais Tapestries." Art History 32 (August 31, 2016): 263. http://dx.doi.org/10.14769/jkaahe.2016.08.32.263.

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Dubrovskaya, Dinara V. "“Peacocks?!” or How James Abbot McNeal Whistler (1834–1903) Redefined Chinoiserie and Patron–Artist Relationship." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 2 (2024): 134. http://dx.doi.org/10.31857/s086919080030184-9.

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One of the illustrative examples of the intervention of Chinese art in the formulation of the most important styles of the late 19th – early 20th centuries and its creative tandem with Japanese culture, which was then extremely popular in Europe, is James Whistler’s Peacock Room, the famous masterpiece of aestheticism and “Anglo-Japanese style”. The time has come to reflect on this work not only using several familiar stylistic labels, but also by trying to understand why the famous art style is classified as an Anglo-Japanese style if the key work in the room bears the unambiguous title “Prin

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Suraeva, Natalia G. "THE IMAGE OF CHINA IN THE CORRESPONDENCE OF CATHERINE II." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 62–78. http://dx.doi.org/10.36340/2071-6818-2021-17-4-62-78.

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In 1762, Catherine II (1729-1796), Catherine le Grand, as Voltaire called her, an extraordinary woman who was destined to undergo many reforms and establish Russia’s place in the world, ascended to the Russian throne. Her reign coincided with the reign of Emperor Qianlong (1711-1799), one of the most enlightened monarchs in Chinese history; during his time, the empire achieved many military victories and brilliant achievements in the arts. By the time of Catherine’s accession to the throne, relations between the two countries were very strained. Meanwhile, the age of Enlightenment, the century

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Arman, Dedi. "Sejarah Pulau Siantan sebagai Pusat Aktivitas Bajak Laut dan Daerah Pelarian Politik pada Abad 18 M." Local History & Heritage 2, no. 1 (2022): 1–9. http://dx.doi.org/10.57251/lhh.v2i1.307.

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This paper discusses the history of Siantan Island (Anambas) in the South China Sea as a center of pirate activity (lanun and political escape areas in the 18th century. The writing uses historical historical research methods and uses library research to extract sources. From the research, it is known that a number of nobles from the Sultanate Siak, the Sultanate of Palembang and the Bugis nobility from Luwu moved to Siantan after losing the power struggle in their native area. In Siantan, the nobles gathered strength by relying on the Orang Laut. The existence of the Orang Laut became the mai

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Airapetov, O. R., L. A. Gorodilova, and A. Yu Polunov. "RUSSIAN POLICY IN THE FAR EAST AND THE “BUDDHIST QUESTION” IN THE VIEWS OF RUSSIAN SOCIETY AND THE ACTIVITIES OF THE AUTHORITIES (SECOND HALF OF THE 19th — EARLY 20th CENTURY)." LOMONOSOV HISTORY JOURNAL 65, no. 3, 2024 (2024): 45–66. https://doi.org/10.55959/msu0130-0083-8-2024-65-3-45-66.

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The Russian Empire’s relations with Buddhist populations have a complex and lengthy history. Until the mid-nineteenth century, the main regions where Buddhism spread — Eastern Siberia and the Pacific — were viewed from Saint Petersburg as distant peripheries, attracting little attention. However, this began to change when Russia sought to bolster its influence in the Far East and manage its relations with Asian countries, particularly the Qing Empire, which was experiencing internal social strife and facing Western colonial pressure. Unwilling to let European powers take the initiative in Asia

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Bhattarai, Gaurav. "Rediscovering the Contemporary Relevance of National Security Strategies in Divya Upadesh: A History-Policy Relationship." Unity Journal 3, no. 01 (2022): 165–82. http://dx.doi.org/10.3126/unityj.v3i01.43323.

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Rediscovering the past to build a secure future is better realized by understanding the role of history in policy making. Today, while Nepal’s national security policies remain silent about the geopolitical threats, it is timely to rediscover the guidelines on national security strategies introduced in Divya Upadesh, a Divine Counsel of the Great King Prithivi Narayan Shah. Currently, Nepal inability in escaping the geostrategic challenge of accommodating the interest of major powers is explicitly visible in the fiasco created by the Nepali political parties in the context of Nepal’s uncertain

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Lee, Byung-Ho. "Ethnic Distinctions, Legal Connotations: Chinese Patterns of Boundary Making and Crossing." SAGE Open 11, no. 3 (2021): 215824402110439. http://dx.doi.org/10.1177/21582440211043930.

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This study analyzes, from a comparative and historical perspective, the clash between state statutory law and native customary law and the consequential effects of that rivalry on ethno-legal categories. It adopts a long-term perspective on Chinese society, with a particular focus on its history over the last three centuries. Although the imperial Chinese state had a centralized legal code, many non-Han subjects followed different legal standards and systems. Such conditions became the basis of legal pluralism and the structural constraint for full-fledged legal uniformity. It is argued that s

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Batmaev, Maksim M. "Из истории внешнеполитических отношений Калмыцкого ханства. Лоузанг-Шоно". Монголоведение (Монгол судлал) 14, № 2 (2022): 264–80. http://dx.doi.org/10.22162/2500-1523-2022-2-264-280.

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Introduction. The article examines a significant early-to-mid 18th-century episode of Kalmyk-Chinese and Kalmyk-Dzungar relations to have been controlled by the Russian Government. This very period was witnessing deepest processes across Central Asia that would subsequently result in dramatic ethnic and political transformations in the region. Goals. The work aims at revealing plans and intentions of the involved governments and groups, outlining the actual sequence of events under the observed conditions, showing efforts of certain individuals had been initially determined by their personal w

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Burganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 18, no. 1 (2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-1-6-9.

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Dear readers, We are pleased to present to you Issue 1. 2022, of the scientific and analytical journal Burganov House. The Space of Culture. Upon the recommendation of the Expert Council of the Higher Attestation Commission, the journal is included in the List of Leading Peer-reviewed Scientific Journals and Publications in which the main scientific results of theses for the academic degrees of doctor and candidate of science must be published. The journal publishes scientific articles by leading specialists in various humanitarian fields, doctoral students, and graduate students. Research are

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Kunts, Evgeny. "“Republic of literature” on the banks of the Neva: from the history of public self-awareness of the Russian nobility in the last third of the 18th century (according to the letters of M.N. Muravyov to his father and sister, 1777—1778)." OOO "Zhurnal "Voprosy Istorii" 2022, no. 3-1 (2022): 51–58. http://dx.doi.org/10.31166/voprosyistorii202203statyi05.

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In the second half of the 18th century, Russian nobles showed attention to the problems of personality, morality, human dignity, culture, art, science. In the article, based on the correspondence of M.N. Muravyov with his relatives, the features of the system of interpersonal communications in the capital’s literary environment of the second half of the 70s of the 18th century are considered. It is concluded that the literary community served as an important channel for the dissemination of the ideas of the Enlightenment.

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Gouzi, Christine. "L’Annonciation dans l’espace ecclésial parisien au XVIIIe siècle : liturgie française et modèle italien." Studiolo 10, no. 1 (2013): 128–49. http://dx.doi.org/10.3406/studi.2013.896.

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The Annunciation in the Ecclesial Settings of 18th century Paris : French Liturgy and the Italian Model. In the late 17th century and throughout the 18th century, the Annunciation was one of the most popular subject matters for Parisian altarpieces. Adopted for specific liturgical purposes following the revocation of the Edict of Nantes, it also served as the basis for a new aesthetic in ecclesial decoration. The Annunciation played a key role in 18th-century theological writings as well as in the theoretical debates of the 1750s on the Italian model, and thus occupies an unprecedented place a

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Wang, Xinchi. "Enlightenment Response: A Study of Rational Spirit in the Works of Jean-Honoré Fragonard." International Journal of Arts and Humanities Studies 3, no. 4 (2023): 48–59. http://dx.doi.org/10.32996/ijahs.2023.3.4.7.

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This paper utilizes Jean-Honoré Fragonard’s paintings, housed in collections across Europe and North America, as primary source material. Employing methods from art history, social art history, literary analysis, and intellectual history, the study aims to explore the connections between Fragonard’s artistic philosophy, the social context of 18th-century France, and the cultural trends of the time. The paper investigates Fragonard’s response to Enlightenment and rationality through his paintings. The results indicate that, situated in an era oscillating between Rococo and realistic styles, Fra

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Lyashenko, Ekaterina S. "Transbaikal Painting of the 18th — the Early 20th Centuries: Periodization Problems." Vestnik of Saint Petersburg University. Arts 13, no. 3 (2023): 467–88. http://dx.doi.org/10.21638/spbu15.2023.305.

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The article is devoted to the research of Transbaikal painting history in the context of regional fine arts formation, artistic direction development. The Transbaikal art features are connected with region’s distance from cultural centers. Transbaikal painting has formed as result of penetration Russian art traditions and influence of regional national cultures. It’s possible to conditionally distinguish several stages in the history of Transbaikal painting. The first stage of formation (18th–19th centuries) was associated with creativity of visiting artists and with emergence of self-educated

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Krasnoshchyokov, Vladimir A. "Visualization of Fashion in European Engravings of the 16th — Early 18th Century." Observatory of Culture 21, no. 5 (2024): 502–15. http://dx.doi.org/10.25281/2072-3156-2024-21-5-502-515.

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Images of people from different countries in their traditional costumes as a genre emerged in the second half of the 16th century and actively existed in the form of prints until the first fashion magazines appeared in the late 18th century. The article attempts to build a chronology of iconic examples of costume prints of the 16th — early 18th century on the basis of a number of sources of theoretical, historical and pictorial nature. The functions it fulfilled as a kind of graphic art in its time and artistic and technological features of its creation are defined. The study considers the wor

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Jabbarov, Botirsher Ghulomovich, and Barnokhan Nasirjon kizi Tolibova. "ART AND CULTURE OF THE TIMURID PERIOD." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 468–74. https://doi.org/10.5281/zenodo.7468851.

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This article gives the information about the art and culture of the Timurids, which left an indelible mark in world history and is considered the golden age. It is stated that the rise of Movorounnahr and Khorasan from the second half of the 13th century to the end of the 18th century determined not only the cultural and spiritual development of Central Asia, but also influenced the cultural life of India, Afghanistan, Iran and European countries.

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Almelek İşman, Sibel. "Portrait historié: Ladies as goddesses in the 18th century European art." Journal of Human Sciences 14, no. 1 (2017): 396. http://dx.doi.org/10.14687/jhs.v14i1.4198.

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Portrait historié is a term that describes portrayals of known individuals in different roles such as characters taken from the bible, mythology or literature. These portraits were especially widespread in the 18th century French and English art. In the hierarchy of genres established by the Academy, history painting was at the top and portraiture came next. Artists aspired to elevate the importance of portraits by combining it with history. This article will focus on goddesses selected by history portrait artists. Ladies of the nobility and female members of the royal families have been depic

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Khromov, Oleg. "TWO PRINTS BY LEONTY BUNIN IN THE 18TH CENTURY SERBIAN GRAPHIC." Scientific and analytical journal Burganov House. The space of culture 16, no. 2 (2020): 100–113. http://dx.doi.org/10.36340/2071-6818-2020-16-2-100-113.

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The article is devoted to two engravings depicting Jesus Christ and the Mother of God in lush ornamental cartouches. They are well known to Serbian art critics and are published in the catalogs of Serbian metal engravings of the 18th century. Copper engraved boards of these engravings, which Serbian researchers attribute to the end of the 18th or the beginning of the 19th century, are preserved in the Krka Monastery. Prints from them of the 18th-19th centuries are unknown in Serbian collections. In Serbia, the first prints from these boards were made in the 20th century. However, prints from t

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Martinón-Torres, Marcos, David Knight, Sacha Tomic, et al. "Laboratories of Art. Alchemy and Art Technology from Antiquity to the 18th Century." Ambix 62, no. 4 (2015): 386–96. http://dx.doi.org/10.1080/00026980.2015.1129853.

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Vinokurov, Sergey Evgenievich. "Chinoiserie in the Radziwill Castles of the 18th Century. Luxury in Oriental Style." Design. Art. Industry, no. 11 (November 13, 2024): 87–90. http://dx.doi.org/10.56900/2312-6116_2024_11_87.

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The monograph by Doctor of Art History Olga Dmitrievna Bazhenova is devoted to the problem of interpreting the artistic traditions of the East in the culture of Belarus in the 18th century, namely the embodiment of the ideas of the chinoiserie style (Chinese style) in the decorative programs of the Radziwill castles and masterpieces created at the princely manufactories of the 18th century. The central place in the book is occupied by the study of the album of drawn projects of furniture, weapons, ceramics of the court artist Fischer. As the author convincingly shows, the artist's graphic proj

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Ainutdinov, A. S. "Addresses of the First St. Petersburg Artists in 1703–1741." Art & Culture Studies, no. 4 (December 2023): 274–309. http://dx.doi.org/10.51678/2226-0072-2023-4-274-309.

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The foundation of St. Petersburg as the new capital of the Russian state in the 18th century was inextricably linked with the attraction of artists who brought social, cultural and propaganda benefits, being a special category of urban residents performing important work. Over the decades, as the city grew, on its map there appeared addresses related to the life and work of numerous painters, graphic artists, sculptors, and architects who cast their lot with St. Petersburg for a limited time or forever. In this article, for the first time in Russian art history and St. Petersburg local history

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Spalva, Rita. "Ballet Art Reforms During the Enlightenment." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 2 (May 17, 2015): 436. http://dx.doi.org/10.17770/sie2015vol2.427.

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<p><strong>T<em>he article focuses on</em></strong><em> identifying the essence of the 18th century ballet reform within the context of contemporary ballet art. <strong>The chosen topic </strong>is explored through the monographs of Sergey Hudekov and Vera Krasovska, works of Jury Sloņimsky, Richard Kraus, Sarah Chapman Hilsendager, Brenda Dixon, B. and other dance researchers. In Latvia this topic has been addressed by R. Spalva in the monograph Classical Dance and Ballet in European Culture. <strong>The aim of the article </strong>i

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Liščák, Vladimír. "Franciscan Missions to China and the Czech Crown Lands (from the 16th Century to the 18th Century)." Archiv orientální 82, no. 3 (2014): 515–38. http://dx.doi.org/10.47979/aror.j.82.3.515-538.

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The article examines the Franciscan missions in China in modern times, with a specific focus on the members of the Bohemian Franciscan Province. The 16th and 17th centuries were periods of significant success for Roman Catholic missions, including the Franciscans. These two centuries differ from the preceding period, as evidenced in the radical changes that took place in relation to the organization of missions and their relationship with their European bases. The world was divided into areas under the Portuguese padroado and areas under the Spanish patronato. The system was later completed by

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Susidko, Irina P. "Venice and Opera in the 18th Century." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (2024): 55–68. http://dx.doi.org/10.56620/2782-3598.2024.2.055-068.

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The author of the article disputes the established opinion according to which the great tradition of 17th century Venetian opera lost its significance in the European musical theater a century later. Emphasis is made of the vanguard role of opera in Venice in the first half of the 18th century, which has been marked by a set of phenomena. They include: the birth of heroic opera, the base of which was the Teatro San Govanni Crisostomo; the stake on virtuoso singers made by the Teatro San Cassiano; the productions of comic intermezzi initiated by the Teatro Can Cassiano; and the creation of the

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Karyakina, Tatyana Dmitrievna. "The Allegorical and Symbolic Meaning in West European Porcelain Craft of the 18th Century." Исторический журнал: научные исследования, no. 2 (February 2020): 30–37. http://dx.doi.org/10.7256/2454-0609.2020.2.32607.

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The article takes a look at the works of various porcelain manufactories: Italian Docchia, German Meissen and Nymphenburg, Viennese and French S&egrave;vres. These works are subject to allegorical interpretation and symbolic meaning. This content feature is one of the characteristic features of Baroque and Rococo art. The author pays particular attention to the identification of allegorical attributes and specific elements of form and decor that carry symbolic meaning. Porcelain artifacts, the authors of which are prominent European masters (Soldani, K&auml;ndler, Eberlein, Bustelli, N

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Lin, Zhiyu. "18th CENTURY CHINOISERIE: THE ORIENTALIST RELATIONSHIP BETWEEN CHINA AND THE WEST SHAPED THROUGH ART." European Journal of Humanities and Social Sciences, no. 1 (2023): 3–14. http://dx.doi.org/10.29013/ejhss-23-1-3-14.

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Patroeva, Natal'ia V., and Aleksandr A. Lebedev. "Book review: Feofan Prokopovich. Ten books on rhetorical art / translated by G. A. Stratanovsky; text preparation by S. I. Nikolaev; text eds by E. V. Markasova, S. I. Nikolaev; comments by E. V. Markasova; scientific editorial translation by E. V. Vvedenskaya. Moscow, St. Petersburg, Alliance-Archeo Publ., 2020. 288 p." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 348–53. http://dx.doi.org/10.37816/2073-9567-2022-63-348-353.

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The monograph is a commented translation of the most important monument of Russian aesthetic thought of the first quarter of the 18th century — “Rhetoric” by Feofan Prokopovich. The translation was made by the classical philologist G. A. Stratanovsky (1901–1986) in the mid-1960s. The introduction of a previously unknown Russian translation of a rhetorical treatise into the scientific circulation will give a new impetus to the study of Russian literature of the 18th century, and will also make it possible to enrich the ideas of philologists about the study of Russian rhetoric in the Soviet peri

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Alyabieva, Valentina. "From the History of Combinatorial Analysis: From Idea to Research Schools." Вестник Пермского университета. Математика. Механика. Информатика, no. 2(57) (2022): 14–25. http://dx.doi.org/10.17072/1993-0550-2022-2-14-25.

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The article explores the development of combinatorial analysis from the idea to scientific schools. Combinatorial research was stimulated by G.W. Leibniz's ideas about combinatorial art and special geometric analysis – Analysis Situs in the 17th century. Various combinatorial problems were solved by L. Euler in the XVIII century. The first scientific school of combinatorial analysis arose by K.F. Hindenburg in the second half of the 18th century in Germany. Combinatorial-geometric configurations were studied in the 19th century. A. Cayley and J. Sylvester coined the term tactics for a special

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Rajavee, Holger. "Jean-Baptiste Du Bos: Reflections on Genius and Art." Baltic Journal of Art History 24 (August 22, 2023): 81–92. http://dx.doi.org/10.12697/bjah.2022.24.03.

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In 1719 Jean-Baptiste Du Bos publishes his treatise Réflexions Critiquessur la Poésia et sur la Peinture, which Voltaire has called ‘the mostuseful book that has ever be written on the subject by any Europeannation’. In his book the author deals with the problem of artisticgenius, a phenomenon that was in focus from late 17th century inmany treatises on theory of art, especially in France and England.This article concentrates on the interpretation of this particularidea in the work of Du Bos, who tries to explain it through a widerange of empirical examples, using the latest achievements fromd

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Demicheva, Taisiia. "French goose games of the mid 18th century as sources for the study of the anthropology of power (based on the State Hermitage collection) in Modern history." Metamorphoses of history, no. 27 (2023): 0. http://dx.doi.org/10.37490/s230861810023856-1.

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In this article we will focus on French board games of the mid-18th century – the Fortification Game and the New Marine Game. The purpose of this study is to analyze the discourse and symbolism of these engravings and consider the ideas that they conveyed. In this study, we are primarily interested not in the mechanics and rules of the game of goose, but in the symbolism and iconography used in XVIII century France. Our goal will be to analyze the discourse of the goose board game of the middle of the 18th century. The sources on which the study is based are kept in the Department of Western E

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Lanszki-Széles, Gabriella. "Egyházi öltözékek, miseruhák Gölle és Kisgyalán községekben a 18–21. században." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 7 (2020): 305–20. http://dx.doi.org/10.26080/krrmkozl.2020.7.305.

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The paper was written about the church attires of the two villages of Outer-Somogy County from the 18th to the 21st century, taking into account ecclesiastical art and lo-cal history aspects. During the Counter-Reformation period, Baroque art was destined to conquer believers in the Catholic religion. A good example of this is the more than 250-year-old mass chasuble, which is a latent applied art value in Gölle. This chasuble bears several common similarities with the mass dresses from Maria Theresa ‘s embroidery workshop: it is very richly embroidered with scotch, its pattern and color are a

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Agratina, E. E. "On the Formation of the Secondary Art Market in the 18th-Century Paris." Art & Culture Studies, no. 2 (June 2025): 308–33. https://doi.org/10.51678/2226-0072-2025-2-308-333.

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In the 18th-century France the secondary art market was rapidly developing. The key figures in that process were marchands, or art dealers. The article is aimed at investigating different aspects of marchands’ activity. Not only did they do their business, but they also had an influence on the entire cultural environment of the time. The author of the article refers to foreign, especially French, sources and research literature. The article is relevant due to the lack of studies of the topic under consideration in the Russian language. The works by foreign scholars are numerous but they have h

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Ivinskiy, Dmitriy P., and Vladimir L. Korovin. "HISTORY OF RUSSIAN LITERATURE OF THE 18th CENTURY: THREE CONFERENCES AT THE FACULTY OF PHILOLOGY OF LOMONOSOV MOSCOW STATE UNIVERSITY." Lomonosov Journal of Philology, no. 5, 2023 (October 23, 2023): 204–10. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-05-18.

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In 2021–2023 the Department of the History of Russian Literature at the Faculty of Philology of the Lomonosov Moscow State University organized three scholar conferences dedicated to the significant dates in the Russian literature of the 18th century. The first of them was devoted to the 310th anniversary of Mikhail Lomonosov and the 255th anniversary of Nikolay Karamzin (2021), the second — to the 250th anniversary of Nikolay Novikov’s magazine The Painter (2022) and the last of them — to the 320th anniversary of Vasiliy Trediakovsky and the 280th anniversary of Gavriil Derzhavin (2023). The

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Mashkhura Adilzhanovna Darmonova. "Khorezm school of calligraphy and its representatives." International Journal on Integrated Education 3, no. 9 (2020): 272–77. http://dx.doi.org/10.31149/ijie.v3i9.928.

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The formation of the Khorezm school of calligraphy has a long history, and in the 16th century, schools of calligraphy and writing were formed in the palace libraries of the rulers. Since the beginning of the 18th century, the art of calligraphy has developed as an independent school. The article describes the school of calligraphy that developed in Khorezm at the beginning of the 19th-20th centuries, as well as the life and spiritual heritage of its representatives.

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Shapiro, Bella L. "VASOMANIA IN EARLY VINCENNES-SÈVRES: STYLE, COLOR AND SHAPE. FROM ROCOCO TO NEOCLASSICISM." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2024): 91–107. http://dx.doi.org/10.28995/2073-6401-2024-2-91-107.

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The focus of the study is on the dynamics of vase forms characteristic of the early phase of the Vincennes-Sèvres porcelain manufactory (or Royal manufactory). The article shows that the porcelain vases produced by that manufacturer in the first fifteen years of production are a vivid illustration of the late French Rococo, its subsequent transformation and transition to Neoclassicism. The emphasis of the research is based on the analysis of the evolution in the form and color characteristic of the early vase art of Vincennes-Sèvres (1749–1764). The research is conducted in a broad cultural ba

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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (2015): 215–30. http://dx.doi.org/10.4312/ars.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”

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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (2015): 215–30. http://dx.doi.org/10.4312/ah.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”

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Tudor, Brînduşa. "The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)." Review of Artistic Education 17, no. 1 (2019): 100–105. http://dx.doi.org/10.2478/rae-2019-0010.

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Abstract The 18th century and the beginning of the 19th century mark the emergence, development and affirmation of the piano as a complex instrument that shall take, in turns, the role of soloist instrument, claiming and being able to reach the sound variety of the orchestra, that of partner in chamber music assemblies or that of orchestra member. The emergence, improvement and qualitative performance acquisition adventure of the piano represents a fascinating history about human creativity and ingenuity serving art, beauty, sound expressivity refinement and improvement.

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Jang, Jin-Youp. "The Nature of “Kal-yŏk Chap-yŏng” and its Significance : Focusing on the writing principle and method of composition." Daedong Hanmun Association 77 (December 31, 2023): 345–88. http://dx.doi.org/10.21794/ddhm.2023.77.345.

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“Kal-yŏk Chap-yŏng (葛驛雜詠)” is a condensed piece of Sam-yŏn Kim Ch’anghŭp’s lifelong poetic practice, and can be seen as a representative work of Sam-yŏn’s literature and of the changes in Korean classical Chinese poetry in the 18th century. This study discusses the writing principle of the work and the method of composition in order to identify the core nature of “Kal-yŏk Chap-yŏng.” “Kal-yŏk Chap-yŏng” embraces various poetic materials, but a specific writing principle runs through it. In this article, I will refer to it as “investigation of things (格物窮理)” or “attaining knowledge through inve

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Marković, Nikola. "Language innovations of contemporary architecture: From kineticism to kinetic archisculpture." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 217–38. http://dx.doi.org/10.5937/saj1602217m.

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This text provides a brief essay on the development and emergence of kinetic archisculpture with reference to the history of artistic practice and kinetic development through art and architecture over a period of 18th century to date. Special emphasis is given to the consideration of kinetic incidence of archisculpture objects as more and more present phenomenon of innovative language of contemporary architecture from the end of last and the beginning of this century. It also points to the long historical path of the earliest experiences of movement in art to the modern study of the kinetics v

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Andrews, Julia F. "Women Artists in Twentieth-Century China." positions: asia critique 28, no. 1 (2020): 19–64. http://dx.doi.org/10.1215/10679847-7913041.

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This article is a reflection on two intersecting themes, the rise of women as artists and as female subjects for art, in the context of the evolving status of women in twentieth-century China. Set in the context of the nascent modern education for women and the emergence of feminism, the two phenomena, like the art world itself, are primarily urban. After surveying the accelerating progress made between 1910 and 1940, it interrogates, in light of contemporary art world patterns and current definitions of feminism, the slowing and even regression in recognition of women as artists in subsequent

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Portnova, Irina V. "Russian Animalism in Relation to Other Genres of Fine Art in the History of Russian Culture of the 18th—19th Centuries." Observatory of Culture 17, no. 6 (2021): 606–15. http://dx.doi.org/10.25281/2072-3156-2020-17-6-606-615.

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The article deals with the historical-cultural topic of relations of the Russian animalism with other genres of fine art of the 18th and 19th centuries. When the features of animalistic art were identified as a peculiar and characteristic phenomenon open to interaction, animalism became an original page of Russian culture. The author refers to this topic in connection with the small number of complex studies in the field of animalism. The purpose of the article is to consider the specific features of animalism, as a characteristic original phenomenon of Russian artistic culture, in the context

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Chernyaeva, Irina V., and Lidiya V. Balakhnina. "On the issue of pricing works of art in the process of historical development of artistic practices." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 321–29. http://dx.doi.org/10.37816/2073-9567-2021-59-321-329.

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In modern art practice, the issue of formation of symbolic and economic value of works of art remains acute and relevant. In the history of art art historians, curators, and art critics used to determine symbolic value. The issue of formation of economic value of works of art is still debatable. The task of the study is to identify features of the pricing of works of art inherent in individual periods of the development of artistic practices in a historical context. The authors address the issue retrospectively, considering the relationships between art and market, originated in the 18th centu

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Croizier, Ralph. "Art and Society in Modern China—A Review Article." Journal of Asian Studies 49, no. 3 (1990): 587–602. http://dx.doi.org/10.1017/s0021911800051494.

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Until recently, modern Chinese art attracted little scholarly attention, either in China or in the West. Western art historians might occasionally glance at the more traditional kinds of painting in the twentieth century, but their serious publications were on the great periods of Chinese art, Ming or before. The contemporary China-watchers—social scientists and modern period historians—trained their gaze on the harder stuff of politics and economics, ideology and organization. In the United States and the West in general, art seemed to slip through the crack between ACLS- and SSRC-funded rese

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Guilmartin, J. F., and Carel de Beer. "The Art of Gunfounding: The Casting of Bronze Cannon in the Late 18th Century." Technology and Culture 34, no. 3 (1993): 693. http://dx.doi.org/10.2307/3106730.

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