Relevant bibliographies by topics / Art Cologne (19th : 1984)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Art Cologne (19th : 1984)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Art Cologne (19th : 1984)"

1

Sijka, Katarzyna. "Losy Sakramentarza Tynieckiego podczas II wojny światowej." Saeculum Christianum 25 (April 25, 2019): 327–40. http://dx.doi.org/10.21697/sc.2018.25.25.

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The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows: a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. T
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2

Jin, Zichun. "The Influence of Bauhaus "Minimalist" Style on Contemporary Art Production and Consumption." International Journal of Finance and Investment 1, no. 1 (2024): 75–77. https://doi.org/10.54097/tkgh9553.

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This article primarily discusses the challenges posed by new architecture to traditional architectural concepts from the late 19th century to the outbreak of World War I, as well as how Bauhaus, as a representative modernist architectural style, influenced modern architecture and art. The article highlights the theoretical debate between traditional craftsmanship and modernist design, especially the ideological conflict during the "Cologne Debate." It also examines the impact of Walter Gropius' idealism and Hannes Meyer's communist ideals on Bauhaus. The simplicity and practicality of the Bauh
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3

Acocella, Alessandra. "Mario Bellini e il progetto di allestimento della mostra 'Il Tesoro di San Marco' presentato dalla Olivetti (1984-1987)." Opus Incertum 10 (December 24, 2024): 28–37. https://doi.org/10.36253/opus-15832.

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The 1980s marked a period of intense collaboration between Mario Bellini and the Olivetti company, encompassing the creation of both design objects and display solutions. Among these was the design for the Treasure of St. Mark exhibition, inaugurated in Paris in March 1984 and subsequently toured in Cologne, London, New York, Los Angeles, Dallas, Chicago, Rome, Milan, and Venice. The event was part of Olivetti’s broader initiative aimed to the preservation and enhancement of the Italian cultural heritage, showcasing a selection of some of the most valuable artifacts from Venice’s collection of
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4

Ivaniuk, O., and Y. Bilodid. "WHILE SAILING ALONG THE RHINE, I HELD IN MY HANDS THE 'RHENISH SAGAS' BOUGHT IN COLOGNE AND READ THEM, CHECKING THE PLACES MENTIONED IN THEM IN NATURE ITSELF." THE VIEWS OF TRAVELLERS FROM THE NADDNIPRIANS ON GERMAN LANDS IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES." Bulletin of Mariupol State University Series History Political Studies 13, no. 35-36 (2023): 34–49. http://dx.doi.org/10.34079/2226-2830-2023-13-35-36-34-49.

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The article considers a range of issues related to travel to Germany in the 19 th – the beginning of the 20th century. Attention is drawn to the purpose of travel, routes, choice of objects for review, interethnic cultural contacts. It was established that the purpose of the trips to Germany were rest, treatment and education. Travelers got to Germany in different ways: by steamboat from Saint Petersburg through Sweden or overland through Radzivyliv, Lemberg and the Czech or Polish lands. Guidebooks printed in Germany became useful for travelers. They helped to develop of the travel route, cho
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5

Малаева, З. А. "On the question of how to form a model range of “cabinet casting” at the Kasli factory in the second half of the 19th – early 20th centuries." Iskusstvo Evrazii [The Art of Eurasia], no. 1(32) (March 30, 2024): 160–73. http://dx.doi.org/10.46748/arteuras.2024.01.012.

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Пути поступления на Каслинский завод моделей для «кабинетного литья» из чугуна во второй половине XIX – начала XX века в научной литературе практически мало изучены. Монографическая выставка «Каслинское художественное литье» во Всероссийском музее декоративно-прикладного и народного искусства в Москве в 1984 году с активным участием в ней завода, его администрации, главного скульптора и рабочих цеха художественного литья дала сильную мотивацию музейным специалистам для целенаправленного изучения истории этого предприятия, имеющего прямое отношение к русской художественной промышленности. До ко
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6

Lamb, Robert J. "Robert Rosenblum and H.W. Janson, 19th Century Art. Harry N. Abrams Inc., 1984. 527 pp., 413 illus., 89 colour pl., $63.00 (cloth)." RACAR : Revue d'art canadienne 13, no. 1 (1986): 85. http://dx.doi.org/10.7202/1073570ar.

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Kohama, Yoshimitsu, Hajime Ishikawa, Akira Matsuo, Koichi Kindo, Nic Shannon, and Zenji Hiroi. "Possible observation of quantum spin-nematic phase in a frustrated magnet." Proceedings of the National Academy of Sciences 116, no. 22 (2019): 10686–90. http://dx.doi.org/10.1073/pnas.1821969116.

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Water freezes into ice in winter and evaporates into vapor in summer. Scientifically, the transformations between solid, liquid, and gas are called phase transitions and can be classified through the changes in symmetry which occur in each case. A fourth phase of matter was discovered late in the 19th century: the liquid crystal nematic, in which rod- or disk-shaped molecules align like the atoms in a solid, while continuing to flow like a liquid. Here we report thermodynamic evidence of a quantum analog of the classical nematic phase, the quantum spin nematic (SN). In an SN, the spins of a qu
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8

Damsté, P. H. "De geschiedenis van het portret van Jaspar Schade door Frans Hals1." Oud Holland - Quarterly for Dutch Art History 99, no. 1 (1985): 30–42. http://dx.doi.org/10.1163/187501785x00035.

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AbstractOnly a few weeks after seeing the Frans Hals portrait of Jaspar Schade in the 1962 exhibition in Haarlem, the author came upon it again in the home of Mr. and Mrs. Waller in Utrecht (Figs. 1 and 2, Note I). He learnt that this particular painting had been in Mr. Waller's family for nearly a century and that it was a copy of the one now in Prague. The story was that the latter had been sold by Mr. Waller's grandfather Beukerfrom his country-house 'Zandbergen', which he had bought in 1865, to his friend P.E.H. Praetorius, on condition that the latter had a copy painted as a replacement.
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9

Oldfield, Anna C. "The Eldarova Archive Project: Opening New Sources in Azerbaijani Musicology." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 15 (May 30, 2025): 27–34. https://doi.org/10.30819/aemr.15-3.

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This paper discusses the life and work of Azerbaijani ethnomusicologist Emina Eldarova [Əmin ə Əldarova] in the context of a new project to open her previously unexamined professional archives. Mentored by composer Uzeyir Hajibeyli in the 1930s, Eldarova was Soviet Azerbaijan’s first ashiq musicologist and spent her career researching the bardic ashiq [aşıq] genre. Starting from her student days, she conducted decades of fieldwork with the last generation of ashiqs trained by 19th-century masters. She led the active life of a public scholar, contributing general interest articles, radio, and t
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10

Ruggiero, Amanda Saba, and Luis Michal. "MoMA A&D talks: on curating architecture and design (Second part)." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 17, no. 2 (2019): 129–30. http://dx.doi.org/10.11606/issn.1984-4506.v17i2p129-130.

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During Fall 2016 we had the unique opportunity to participate in the regular internship program of the Museum of Modern Art in New York and assist with ongoing exhibition projects in the Architecture and Design Department (A&D). This Department was established in 1932 as the first curatorial department dedicated to architecture and design and built on an ambitious collection covering major figures and movement of architectural culture from mid-19th century to the present. With looking back on a rich history of influential exhibitions such as Modern Architecture: International Exhibition (1
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Dissertations / Theses on the topic "Art Cologne (19th : 1984)"

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Jacobs, Natasha Sandra Ruth. "Abstraction, ambiguity and memory in selected artworks by Ursula von Rydingsvard and Kemang wa Lehulere." Thesis, 2017. https://hdl.handle.net/10539/24461.

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A research report submitted to the Faculty of Humanities, University of the Witwatersrand, in partial fulfilment of the requirements for MA by Coursework and Research Report, Johannesburg, 2017<br>This research report explores the influences of memory in selected works by two visual artists: South African Kemang Wa Lehulere’s Remembering the Future of a Hole as a Verb 2.1 and Polish artist Ursula von Rydingsvard’s Droga. The report examines the ways in which personal memory can inform creative practice and the surface difficulties such endeavours may present. These works and writings on memory
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Books on the topic "Art Cologne (19th : 1984)"

1

Fetting, Rainer. Rainer Fetting: Bilder 1973-1984 : Raab Galerie, Berlin, Galerie Thomas, München. Raab Galerie, 1985.

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2

Ulrich, Luckhardt, and Kunstsammlung Nordrhein-Westfalen (Germany), eds. Gotthard Graubner: Malerei aus den Jahren 1984 bis 1986. Kunstsammlung Nordrhein-Westfalen, 1987.

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3

Basquiat, Jean Michel. Jean-Michel Basquiat: Bilder, 1984-86 : Galerie Thaddaeus Ropac, Salzburg, Juli-August 1986. The Gallery, 1986.

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Basquiat, Jean Michel. Jean-Michel Basquiat: Bilder 1984-86, Galerie Thaddaeus Ropac,Salzburg, Juli-August 1986. Galerie Thaddaeus Ropac, 1986.

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5

1948-, Volz Wolfgang, Yanagi Masahiko 1957-, and Jeanne-Claude 1935-, eds. Christo and Jeanne-Claude: The umbrellas, Japan-USA, 1984-91. Benedikt Taschen, 1998.

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Christo. Christo and Jeanne-Claude: The umbrellas, Japan-USA, 1984-91. Benedikt Taschen, 1998.

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7

Christo. Christo and Jeanne-Claude: The umbrellas, Japan-USA, 1984-91. Benedikt Taschen, 1998.

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8

No Problem: Cologne/New York 1984-1989. David Zwirner Books, 2015.

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9

Art Cologne: 19. Internationaler Kunstmarkt '84. Koln-Deutz, Messegelande, Rheinhallen, Donnerstag, 15. bis Mittwoch, 21. November 1984. Messe, 1985.

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10

Hanson, Duane. Duane Hanson: Selected works, 1984-1995. O'Hara Gallery, 2003.

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Book chapters on the topic "Art Cologne (19th : 1984)"

1

Maslauskaitė-Mažylienė, Sigita. "The Bell Tower of the Vilnius Cathedral – History and the Present." In 500 lat dzwonu Zygmunta. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381388627.05.

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The belfry is an element of key importance in the complex of the Vilnius Archcathedral Basilica and the Higher and Lower Castles, as well as one of the main vertical landmarks of the Old Town of Vilnius, which has become a symbol of the city. As a heritage object, the building is acclaimed for its volume, décor elements and authentic constructions. The 13th century tower originally was part of the defensive wall. Its ground floor has survived almost in its entirety. It is one of the oldest and best-preserved brickwork structures in Lithuania. In Lithuania, the appearance of large bells is rela
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