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Journal articles on the topic 'Art gallery'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Alexander, Olga. "Art Gallery." Frontiers: A Journal of Women Studies 43, no. 2 (2022): 202–7. http://dx.doi.org/10.1353/fro.2022.0020.

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Asia, Simone. "Art Gallery." Frontiers: A Journal of Women Studies 45, no. 2 (2024): 231–36. http://dx.doi.org/10.1353/fro.2024.a935663.

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Burbano, Andrés, Ernest Edmonds, Daniel Cardoso Llach, et al. "Art Gallery." Leonardo 51, no. 4 (2018): 426–45. http://dx.doi.org/10.1162/leon_a_01694.

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Stradling, Bob. "Art gallery." Critical Perspectives on Accounting 15, no. 4-5 (2004): 542. http://dx.doi.org/10.1016/j.cpa.2003.11.003.

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Hazarika, Maya. "Art Gallery." Frontiers: A Journal of Women Studies 45, no. 3 (2024): 209–14. https://doi.org/10.1353/fro.2024.a952262.

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Abhilasha, Jaiswal. "ONLINE ART GALLERY." International Journal of Research - Granthaalayah 6, no. 6 (2018): 403–6. https://doi.org/10.5281/zenodo.1311028.

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An online art gallery is new concept of selling and purchasing art works, both digital prints and traditional paintings are available on online sites. Basically, it is a user interface kind of web page on which buyer and seller both gets a platform for their jobs. Online art gallery is a time, energy and money saving web site concept. By this artist also can host their works and art curator can arrange auctions for art works.

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Bennett, James. "Islamic Art at The Art Gallery of South Australia." SUHUF 2, no. 2 (2015): 285–90. http://dx.doi.org/10.22548/shf.v2i2.93.

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OVERÂ the past ten years, Australia has increasingly aware of Muslim cultures yet today there is still only one permanent public display dedicated to Islamic art in this country.Â Perhaps it is not surprising that the Art Gallery of South Australia in Adelaide made the pioneer decision in 2003 to present Islamic art as a special feature for visitors to this art museum. Adelaide has a long history of contact with Islam. Following the Art Galleryâ€™s establishment in 1881, the oldest mosque in Australia was opened in 1888 in the city for use by Afghan cameleers who were important in assisting in

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Jaiswal, Abhilasha. "ONLINE ART GALLERY." International Journal of Research -GRANTHAALAYAH 6, no. 6 (2018): 403–6. http://dx.doi.org/10.29121/granthaalayah.v6.i6.2018.1386.

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An online art gallery is new concept of selling and purchasing art works, both digital prints and traditional paintings are available on online sites. Basically, it is a user interface kind of web page on which buyer and seller both gets a platform for their jobs. Online art gallery is a time, energy and money saving web site concept. By this artist also can host their works and art curator can arrange auctions for art works.

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9

Wolfe, Rosalee J., Jodi Giroux-Lang, Lynn Pocock, and Karen Sullivan. "Student art Gallery." ACM SIGGRAPH Computer Graphics 32, no. 1 (1998): 30–33. http://dx.doi.org/10.1145/279389.564624.

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Wolfe, Rosalee J., Jodi Giroux, Lynn Pocock, and Karen Sullivan. "Student art gallery." ACM SIGGRAPH Computer Graphics 32, no. 3 (1998): 32–34. http://dx.doi.org/10.1145/281278.564627.

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11

Bila, Vonani. "Baloyi's art gallery." New England Review 38, no. 4 (2017): 11–12. http://dx.doi.org/10.1353/ner.2017.0088.

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Merkel, Jayne. "Yale Art Gallery." Architectural Design 77, no. 3 (2007): 110–15. http://dx.doi.org/10.1002/ad.469.

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Brucker-Cohen, Jonah, Tine Bech, Anthony Rowe, et al. "Data Materialities Art Gallery: Introduction and Gallery." Leonardo 49, no. 4 (2016): 352–74. http://dx.doi.org/10.1162/leon_a_01289.

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Tyquiengco, Marina. "Defying Empire: The Third National Indigenous Art Triennial: National Gallery of Australia, May 26 – September 10, 2017." Contemporaneity: Historical Presence in Visual Culture 6 (November 30, 2017): 113–19. http://dx.doi.org/10.5195/contemp.2017.232.

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Exhibition ReviewExhibition catalog: Tina Baum, Defying Empire: 3rd National Indigenous Art Triennial. Canberra: National Gallery of Art, 2017. 160 pp. $39.95 (9780642334688) Exhibition schedule: National Gallery of Australia, Canberra, ACT, May 26, 2017 – September 10, 2017

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15

Toledo, Tamara. "Sur Gallery." Latin American and Latinx Visual Culture 4, no. 1 (2022): 110–21. http://dx.doi.org/10.1525/lavc.2022.4.1.110.

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This Dialogues section seeks to contribute to the scholarship on Latin American art in Canada and “Latinx Canadian art.” We aim to broaden the historical and current narratives of art and artists from Latin America north of the United States, taking into account Canada’s history of migration and its official bilingual status (French-English), multilingual and multicultural reality, and relationship with Indigenous peoples. Adding to the urgency of studying the presence of Latin American art in Canada, there is also a need to focus on the work of artists and curators with a Latin American backg

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16

Cushing, Deborah. "Art in Dispute at the Beaverbrook Art Gallery." International Journal of Cultural Property 15, no. 3 (2008): 297–320. http://dx.doi.org/10.1017/s094073910808017x.

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AbstractA long-running dispute between the Beaverbrook Art Gallery and its benefactor foundations illustrates the need for documentation of gifts or loans of artwork. At issue in this dispute is ownership of over 200 of the paintings on display at the gallery valued at up to $200 million. None of the parties to the dispute has been able to produce records to establish that the paintings were either a gift or on loan to the Beaverbrook. Instead the parties have had to rely on newspaper and magazine articles, speeches, gallery catalogues, and export documents to substantiate their positions. Cen

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Wardani, Dena Putri, Pretty Zinta Sinurat, Hana Murtiningsih, et al. "Potensi Art Gallery Sebagai Wisata Edukasi dan Sarana Terapi Mental Disorder." Journal of Tourism and Creativity 7, no. 2 (2023): 67. http://dx.doi.org/10.19184/jtc.v7i2.38687.

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Indonesia memiliki banyak kasus mental disorder, tetapi dari sekian banyak kasus tersebut, hanya beberapa saja yang memilih untuk melakukan konsultasi ke psikolog. Dengan melihat banyaknya art gallery yang terdapat di Bandung, peneliti ingin melihat potensi art gallery dalam mengatasi mental disorder serta melihat potensinya sebagai wisata edukasi yang berperan dalam peningkatan khazanah pengetahuan pengunjung. Metode yang digunakan dalam penelitian ini menggunakan pendekatan kuantitaif, dengan pengumpulan data melalui kuesioner dan observasi. Ditemukan bahwa beberapa pengunjung art gallery me

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18

Lydon, Andrea. "The right space: 150 years of housing a national gallery's library and archive collection." Art Libraries Journal 43, no. 1 (2017): 24–30. http://dx.doi.org/10.1017/alj.2017.44.

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The National Gallery of Ireland is the country's premier art institution. It houses the nation's collection of fine art in addition to a collection of library and archive material relating to the visual arts. The library and archive collections play an invaluable role supporting the work of the gallery and are regularly consulted by external researchers. Surprisingly, for more than a century there was no dedicated library space allocated to this collection. This article explores the development of the collection and the space it has occupied within the Gallery over the last 150 years, chronicl

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Kats, L. M. "Приморская государственная картинная галерея как центр художественного пространства Дальнего Востока". Iskusstvo Evrazii [The Art of Eurasia], № 4(19) (30 грудня 2020): 68–83. http://dx.doi.org/10.46748/arteuras.2020.04.006.

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The article is devoted to the last decade of exposition and exhibition activity of the Primorye State Art Gallery. The focus is on art projects that have become the result of increasingly strong inter-Museum contacts: “guest”, exchange and joint exhibitions. They are born as a result of searches for interested partners and sponsors, agreements with the heads of various institutions at forums and seminars. The patronage of Central museums is of great importance: the State Hermitage Museum, the state Tretyakov Gallery, the State Russian Museum, and others. The Primorye State Art Gallery organize

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20

Jurėnienė, Virginija, and Dovilė Peseckienė. "Art Gallery Visitors’ Motivations." Informacijos mokslai 89 (June 5, 2020): 17–33. http://dx.doi.org/10.15388/im.2020.89.37.

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The article discusses the motivational factors of visual art institution consumers. Analysis includes Falk’s identity-related theory of motivation for visiting art institutions that discusses how visitors’ experience begins before visiting a museum and is focused on the consumer’s attitude (identity) validation. Consumers’ motivation to visit an art institution depends on not only the proposals provided by the institution and their value to the consumer, but also on accessibility, the environment, and the personnel’s communication. The article introduces the motivations, expectations of consum

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21

Blair, Jennifer. "Art Museum Image Gallery." Charleston Advisor 21, no. 3 (2020): 15–19. http://dx.doi.org/10.5260/chara.21.3.15.

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Art Museum Image Gallery provides access through a subscription to museum collections of over 156,000 high-quality images sourced from the Art Archive of Picture Desk, Inc. and includes paintings, prints, ceramics, sculpture, and other art. The images span from 3000 B.C. to the present, with an emphasis on cultural and area studies. The price varies and is based on subscribers’ overlap with packages and other factors unique to institution needs, but primarily is on bracket determined by number of users. The interface could use improvement in its limiters. But individual item displays surpass s

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22

Tucker, Alan. "The Art Gallery Problem." Math Horizons 1, no. 2 (1994): 24–26. http://dx.doi.org/10.1080/10724117.1994.11974883.

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23

Murdoch, Antoinette. "The Johannesburg Art Gallery." de arte 46, no. 83 (2011): 77–82. http://dx.doi.org/10.1080/00043389.2011.11877145.

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24

Wong, John, Jieliang Luo, Weidi Zhang, et al. "SIGGRAPH 2019 Art Gallery." Leonardo 52, no. 4 (2019): 400–422. http://dx.doi.org/10.1162/leon_a_01783.

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25

Art Gallery, Ateneo. "Ateneo Art Gallery Retrospective." Perspectives in the Arts and Humanities Asia 4, no. 1 (2014): 156. http://dx.doi.org/10.13185/1857.

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26

Smith, Sarah-Neel. "The Semiperipheral Art Gallery." Third Text 34, no. 2 (2020): 271–90. http://dx.doi.org/10.1080/09528822.2020.1757239.

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27

Bîrzeanu, Adriana Cristiana, Paul Stefan Popescu, and Cristian Mihaescu. "Smart Web Art Gallery." International Joural of User-System Interaction 16, no. 4 (2023): 117–32. https://doi.org/10.37789/ijusi.2023.16.4.2.

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28

Woodson-Boulton, Amy. "The art of compromise: the founding of the National Gallery of British, Art, 1890-1892." Museum and Society 1, no. 3 (2033): 147–69. https://doi.org/10.29311/mas.v1i3.41.

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This article argues that the press played a key role in defining the Tate Gallery by facilitating a national debate about the siting, nature, and purpose of the proposed National Gallery of British Art. Art critics, politicians, journalists and a variety of newspaper editors weighed in on whether Britain should create a museum of modern art, a museum of national art, or both. The understanding of British art as quintessentially modern at the time of the founding of the Gallery meant that from the beginning the Tate Gallery was founded as both the National Gallery of British Art and a museum of

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29

Shih, Tsui-Yii, and Zhi-An Liu. "Wrong Gallery." Journal of Cases on Information Technology 18, no. 3 (2016): 13–28. http://dx.doi.org/10.4018/jcit.2016070102.

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This case gives a depiction of how the founder of Wrong Gallery, Ron, when facing the competition and operational mode of the traditional art gallery industry in Taiwan, capitalizes on the latest trend of emergent social media, and leads his team to break through the shackles or consumers' stereotypical impression. Ron has set up a brand-new age of art space with the brand thinking and innovative approaches, becoming a practical case in regard of the new-pattern art space. In an era where the total value of output from cultural and creative industries worldwide is rapidly increasing, this case

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30

Honoris, Robby, and Andalucia . "Design of North Sumatera Paradise Gallery in Medan City (Metaphor Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 91–99. http://dx.doi.org/10.32734/ijau.v1i1.266.

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The purpose of this Art Gallery designing is for giving space for the local artist to place and promote their art products. It’s because Medan city has not decent gallery according to the national standard. The surplus of this art gallery out of showing fine art is giving room experience impression to support fine art showcase. The theme of the building is a metaphor of water ripple to represent Babura river, so the art installation to the building is using water concept that gives unique aspect to building and can be art identity of Medan city. This gallery building is hoped to fulfill galler

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31

Sitorus, Nova, Juliana Juliana, and Chaterine Kho. "ANALYSIS OF MARKETING ASPECT IN FEASIBILITY STUDY OF ASIAN CULTURE GALLERY IN WEST JAKARTA." JELAJAH: Journal of Tourism and Hospitality 3, no. 1 (2021): 58–67. http://dx.doi.org/10.33830/jelajah.v3i1.1864.

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Based on the data and explanation above, the writer decided to make a business feasibility study from the marketing aspect of an art gallery. The art gallery that will be discussed in this business feasibility study is entitled Asian Culture Gallery. The Asian Culture Gallery, located in West Jakarta, is an art gallery that displays various paintings and explanations of traditional culture, such as traditional dances, special foods, official languages and also traditional clothing from various countries in Asia. These countries include South Korea, Japan, Indonesia, India and the Middle East

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32

Gollifer, Sue. "Art Space: ACM SIGGRAPH Art Gallery 2014." Digital Creativity 25, no. 4 (2014): 360–68. http://dx.doi.org/10.1080/14626268.2014.972060.

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33

Tirohl, Blu. "@art electronic gallery http://gertrude.art.uiuc.edu/@art/gallery.html." Convergence: The International Journal of Research into New Media Technologies 1, no. 1 (1995): 133–34. http://dx.doi.org/10.1177/135485659500100114.

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34

Kaye, Peter. "International Jurisdiction over Companies. When is an Art Gallery not an Art Gallery?" International Journal of Cultural Property 1, no. 1 (1992): 185–92. http://dx.doi.org/10.1017/s0940739192000146.

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35

Li, Xiaotong. "The Impact of Virtual Gallery-Assisted Learning on Middle School Students Interested in Art." Lecture Notes in Education Psychology and Public Media 74, no. 1 (2024): 27–33. http://dx.doi.org/10.54254/2753-7048/74/2024bo0008.

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This paper aims to discuss the impact of virtual gallery-assisted learning on the learning interests of middle school students interested in art. With the rapid development of science and technology, virtual reality, an emerging tool for assisted learning, has become a highly regarded new approach in art education. This study examines how virtual galleries can effectively enhance art education for middle school students through their extensive visual resources and interactive features, significantly improving students' engagement, creativity, and critical thinking. By deeply analyzing the virt

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36

Wong, Neng Lee. "THE SIGNIFICANCE OF A PUBLIC ART GALLERY AS AN EDUCATION CENTRE IN KUCHING, SARAWAK." International Journal of Applied and Creative Arts 1, no. 1 (2018): 42–56. http://dx.doi.org/10.33736/ijaca.839.2018.

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Building a Public Art Gallery is a dream of many individuals in Kuching, Sarawak. Kuching possesses colourful multicultural identities and has been producing different types of art that reflect the uniqueness of these identities. However, until now no public art gallery serves as a platform for Sarawakian artists, particularly in Kuching, to display their artworks and crafts and at the same time educate the community. This paper compiles the literature review on the importance of a public art gallery as an education centre for the society. The data was collected using the qualitative method, f

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37

Mukarommah, Amirah Salwa, and Meylani Tuti. "THE IMPACT OF LIFESTYLE, ART COLLECTION, AND HEDONIC LIVING ON VISIT INTENTION, VISIT DECISION AND REVISIT INTENTION AT THE NATIONAL GALLERY." Journal of Management : Small and Medium Enterprises (SMEs) 16, no. 2 (2023): 397–411. http://dx.doi.org/10.35508/jom.v16i2.11247.

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The National Gallery hosts several local and foreign travelers for art exhibitions and events. It is intriguing to look at the lifestyle characteristics, gallery art collections, and hedonic factors that affect tourists' decisions to visit the National Gallery. The purpose of this study was to determine the impact of Lifestyle, Art Collection, and Hedonic Living on Visit Intention, Visit Decision, and Revisit Intention in the National Gallery. Purposive sampling was used to collect data on 152 National Gallery visitors in December 2022 for this study. The analytical method employed is the Stru

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38

Pane, Imam Faisal, and Rahmita Dewi Lubis. "Museum and Gallery of Contemporary Art Medan (Contemporary Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 82–90. http://dx.doi.org/10.32734/ijau.v1i1.265.

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The Museum is a place to see showpieces as art, artifacts, and other cultural relics. The purpose of the museum is not only for education but also as entertainment. This design takes the case study of a contemporary art museum. This museum has a gallery, which function is to sell and auction the contemporary art. This Museum and Gallery designed with contemporary architecture style, suitable for the main function of the building which is museum and gallery of contemporary art. The museum and gallery will also help to develop the tourism in Medan and to be an education facility to the public. T

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39

Ochigbo, Best, and Ime Ukim. "Achieving Excellence in Art Gallery Management in a Global Pandemic." Asian Journal of Interdisciplinary Research 5, no. 1 (2022): 19–25. http://dx.doi.org/10.54392/ajir2213.

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The recent global pandemic, Covid-19, has crippled the activities of virtually all sectors of the world’s economy, including art. This has resulted in low patronage and, in some cases, a total shutdown of art galleries in the world. Managing an art gallery has, therefore, become a herculean task. This discourse, therefore, takes a look at achieving excellence in art gallery management in a global pandemic. Its objectives are to find ways of achieving excellence in art gallery management in a global pandemic; advance possible ways or means of creating innovative management strategies, and ascer

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40

Petrova, Olga. "The art of the "naughty" at a turning point (late 1980s — early 1990s)." Culturology Ideas, no. 20 (2'2021) (2021): 90–98. http://dx.doi.org/10.37627/2311-9489-20-2021-2.90-98.

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The article presents a historiography of the non-state sector of culture and the processes that took place in the artistic life of Ukraine at the crucial time of the late 1980s — early 1990s. It shows various aspects: changes in stylistic trends, the rising of creative freedom of the young generation of artists, social changes, the economic situation and the rise of the art market, which had just appeared on the ruins of the former Soviet Union. On the case of Tiberiy Szilvashi, the "Zhyvopysnyi zapovidnyk" ("Picturesque Reserve") group, and members of the Parkomuna (Paris Commune) it is shown

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41

Yogesh, Satpute, Vishvakarma Vansh, Darwai Payal, Rai Sumit, and Chadokar Satish. "Implementations of Art Gallery Management System." Recent Trends in Cloud Computing and Web Engineering 7, no. 2 (2025): 18–21. https://doi.org/10.5281/zenodo.15266472.

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<em>This research focuses on the development of an Art Gallery Management System. The system facilitates the management of artworks, artists, and exhibitions. It enhances efficiency in operations, improves customer experience, and supports sales tracking. This paper covers system architecture, ER diagrams, DFDs, and implementation details. Art galleries have traditionally relied on manual methods for managing their data, resulting in inefficiencies, errors, and limited outreach. The proposed Art Gallery Management System provides a centralized platform to manage artists, artworks, exhibitions,

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42

Fazra Risky Nasution and Morida Siagian. "Contemporary Art Gallery (Expressionism Architecture)." International Journal of Architecture and Urbanism 4, no. 2 (2020): 174–80. http://dx.doi.org/10.32734/ijau.v4i2.4520.

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Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likenes

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43

Bull, Hank. "Radio Art in a Gallery?" TDR (1988-) 37, no. 1 (1993): 161. http://dx.doi.org/10.2307/1146277.

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Gurian, Elaine Heumann. "Kelvingrove Art Gallery and Museum." Curator: The Museum Journal 50, no. 3 (2007): 358–61. http://dx.doi.org/10.1111/j.2151-6952.2007.tb00278.x.

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Pocock, Lynn. "The SIGGRAPH 98 art gallery." ACM SIGGRAPH Computer Graphics 32, no. 4 (1998): 20–21. http://dx.doi.org/10.1145/307710.307717.

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46

Martino, Jacquelyn. "The SIGGRAPH 95 art gallery." ACM SIGGRAPH Computer Graphics 29, no. 4 (1995): 56. http://dx.doi.org/10.1145/216876.216891.

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Zoran, Amit. "Hybrid Craft: Art Gallery Curator." Leonardo 48, no. 4 (2015): 382–83. http://dx.doi.org/10.1162/leon_a_01092.

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48

Eber, Dena Elisabeth. "The SIGGRAPH 2002 art gallery." ACM SIGGRAPH Computer Graphics 36, no. 3 (2002): 33–39. http://dx.doi.org/10.1145/570332.570347.

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49

Hattingh, Frieda. "New acquisitions: Unisa Art Gallery." de arte 32, no. 55 (1997): 70–71. http://dx.doi.org/10.1080/00043389.1997.11761252.

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Kellner, Clive, Nessa Leibhammer, and Khwezi Gule. "The Johannesburg Art Gallery Collections." de arte 41, no. 74 (2006): 55–60. http://dx.doi.org/10.1080/00043389.2006.11877063.

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