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Dissertations / Theses on the topic 'Art museum visitors – europe'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Kravchyna, Victoria. "Information Needs of Art Museum Visitors: Real and Virtual." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4692/.

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Museums and libraries are considered large repositories of human knowledge and human culture. They have similar missions and goals in distributing accumulated knowledge to society. Current digitization projects allow both, museums and libraries to reach a broader audience, share their resources with a variety of users. While studies of information seeking behavior, retrieval systems and metadata in library science have a long history; such research studies in museum environments are at their early experimental stage. There are few studies concerning information seeking behavior and needs of v

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Kellogg, Smith Martha. "Viewer tagging in art museums: Comparisons to concepts and vocabularies of art museum visitors." dLIST, 2006. http://hdl.handle.net/10150/105154.

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As one important experiment in the social or user-generated classification of online cultural heritage resources collections, art museums are leading the effort to elicit keyword descriptions of artwork images from online museum visitors. The motivations for having online viewers - presumably largely non-art-specialists - describe art images are (a) to generate keywords for image and object records in museum information retrieval systems in a cost-effective way and (b) to engage online visitors with the artworks and with each other by inviting visitors to express themselves and share their de

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Smith, Martha Kellogg. "Art information use and needs of non-specialists : evidence in art museum visitor studies /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/7182.

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4

Mbuyi, Ruddy. "Who are the visitors to the National Museum in Stockholm?Sweden's museum of art and design." Thesis, Södertörns högskola, Turismvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39873.

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The purpose of the research study was to find about who the National Museum visitors are and what is their five reasons and motives to visit the National Museum. To get a better understanding about finding out who are the National Museum visitors a qualitative method was used in the form of a questionnaire that dealt with questions about the respondent’s demographic background and open questions related to finding out more details about the respondents’ reasons to visit the National Museum that is an art and design museum. The data that was gathered from the questionnaire was analysed through

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Sbarra, Wendy M. "New Ways of Seeing: Examining Musuem Accessibility for Visitors with Vision Impairments." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/121.

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While I have always loved to go to the art museum I have often found it difficult to convince friends and family to go with me. It seems to be a particularly daunting task for visitors with disabilities and specifically those with vision impairments. This study surveys the accessibility of the programming for visitors with visual impairments at 25 art museums in the United States of America and how they communicate that information to potential visitors. It highlights museums that go beyond what is required by the Americans with Disabilities Act and create programming that is enjoyable for all

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Tam, Cheung On. "Understanding museum visitors' experience of paintings : a phenomenological study of adult non-art specialists." Thesis, University College London (University of London), 2006. http://discovery.ucl.ac.uk/10006676/.

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7

Penzel, Joachim. "Der Betrachter ist im Text : Konversations- und Lesekultur in deutschen Gemäldegalerien zwischen 1700 und 1914." Münster LIT, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2919099&prov=M&dokv̲ar=1&doke̲xt=htm.

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Sweney, Barbara Zollinger. "Student learning in an art museum: a study of docent-led tours and changes in docent training to improve visitors' experiences." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1068230273.

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Evans, Laura E. "Eating Our Words: How Museum Visitors and a Sample of Women Narratively React to and Interpret Lauren Greenfield's THIN." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299860725.

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Aljuidan, Hanan Abdulaziz M. "Building a Collaborative Smartphone Application for Blind and Low Vision Visitors at the Dallas Museum of Art." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505223/.

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The goal of my study is to develop a mobile application to enable all visitors, including blind and low-vision visitors, to autonomously gather and share information about interpretations of art and to have a fully independent museum-going experience. With an application, blind visitors have more access to opportunities and tools in the museum, which empowers their museum experience. My study used a qualitative, mixed-methods approach to research how blind and low vision museum visitors might increase their independence in the museum space and discover ways to equalize their access without rel

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Sweeney, Barbara Zollinger. "Student learning in an art museum: a study of docent-led tours and changes in docent training to improve visitors' experiences." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1068230273.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains xix, 359 p.; also includes graphics. Includes abstract and vita. Advisor: Terry Barrett, Dept. of Art Education. Includes bibliographical references (p. 436-458).

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Axelsen, Megan Lena. "Do the motivations of people attending short-term art exhibitions differ from those of general gallery visitors? : a case study of the Queensland Art Gallery's Asia Pacific Triennial /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17781.pdf.

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13

D’, Alba Adriana. "Analyzing Visitors’ Discourse, Attitudes, Perceptions, and Knowledge Acquisition in an Art Museum Tour After Using a 3D Virtual Environment." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115062/.

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The main purpose of this mixed methods research was to explore and analyze visitors’ overall experience while they attended a museum exhibition, and examine how this experience was affected by previously using a virtual 3dimensional representation of the museum itself. The research measured knowledge acquisition in a virtual museum, and compared this knowledge acquired between a virtual museum versus a real one, employing a series of questionnaires, unobtrusive observations, surveys, personal and group interviews related to the exhibition and the artist. A group of twenty-seven undergraduate s

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Betancourt, Veronica Elena. "Visiting while Latinx: An Intersectional Analysis of the Experiences of Subjectivity among Latinx Visitors to Encyclopedic Art Museums." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1561819806003679.

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Kohl, Manuela. "Kunstmuseen und ihre Besucher : eine lebensstilvergleichende Studie /." Wiesbaden : Dt. Univ.-Verl, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2865968&prov=M&dokv̲ar=1&doke̲xt=htm.

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Hou, Yue. "An investigation into visitors' satisfaction with Port Elizabeth's heritage museums." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1250.

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Cultural and heritage tourism, one of the fastest growing segments of the tourism industry, is becoming a major pillar in the tourism strategy of many countries. Like elsewhere in the world, museums play a significant role in heritage tourism. South Africa has a rich history of intangible cultural heritage which manifests itself in oral history, traditional music and dance, social practices and indigenous knowledge systems. It is becoming more important for museum managers to identify the variables that will enhance the attraction and retention of museum visitors. The aim of the study was to d

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Tengblad, Johanna. "”Inte som att läsa hemma direkt” : Faktorer som påverkar besökares tillgänglighet till introducerande konstutställningstexter." Thesis, Uppsala universitet, Institutionen för ABM, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-448310.

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This thesis investigates the factors that influence whether visitors to art exhibitions experience accessible introductory art labels or not. From the need of making art exhibitions and their communication available to more people of society the aim with this study is to increase awareness about the factors that influence accessibility and generate ideas about useful theory concerning accessible labels. By connecting theory concerning the purpose of art exhibitions, the social context of art exhibitions, orientation and disorientation and different views related to exhibition labels the author

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Gevart, Louis. "La sculpture et la terre : histoire artistique et sociale du jardin de sculpture en Europe (1901-1968)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100016.

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Établir que la sculpture et le jardin suivent une longue histoire commune relève du lieucommun. Au XXe siècle pourtant, le jardin de sculpture est devenu un espace porteur dansl’évolution des arts plastiques. Lieu intermédiaire entre la ville et le paysage, le jardin est un champ d’expérimentation formelle pour les artistes en même temps qu’une propositionmuséale ouverte. La première partie de l’étude porte sur le temps des prototypes (1901-1945),marqué par la diversité des pratiques : le plein air attire autant les sculpteurs questionnant leur rapport à la tradition et à la nature que les col

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Thate, Heidrun. "La fondation des musées sous Napoléon : culture et politique dans les territoires frontaliers annexés : Bruxelles, Genève et Mayence." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H042.

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Cette recherche retrace l’histoire des envois de tableaux de l’État englobant les périodes du Directoire, du Consulat et de l’Empire. Grâce au dépouillement des archives publiques, la correspondance entre les acteurs locaux (maire et préfet, d’un côté) et les pouvoirs centraux(administration muséale et ministère de l’Intérieur, d’un autre côté) a pu être en grande partie reconstituée ; elle retrace la genèse de la naissance des musées de province. La suite chronologique de ces envois d’État de 1798 à 1814 prouve qu’il y a différents moments et différents types d’envois de tableaux. Seuls les e

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Bosch, i. Darné Roser. ""Puzzled by all dots" La presencia de los acrílicos sobre tela de los desiertos Central y Occidental australianos en el espacio museísitico europeo: 1982-2012." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/378041.

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El presente estudio tiene por objetivo analizar la presencia del movimiento artístico de acrílicos sobre tela de los desiertos Central y Occidental australianos en el espacio museístico europeo. El marco temporal abarcado es de 1982-2012. En particular, se investiga dicha presencia, por un lado, a través de compilar las iniciativas de exposición temporal de dicho movimiento; y, por el otro, del análisis del proceso curatorial y de la materialización en el espacio físico del macro encargo de obras Aborígenes contemporáneas que se insertan hoy en el complejo arquitectónico del Musée du Quai Bran

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Ruoso, Carolina. "Nid de frelons : neuf temps pour neuf atlas : histoire d'un musée d'art brésilien (1961-2011)." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H059/document.

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Cette recherche cherche à comprendre comment le musée d'art de l'université du Ceara (MAUC) est devenu un nid de frelons. Afin d'étudier ce phénomène, nous avons analysé les cinquante premières années de sa trajectoire (1961-2011), en partant de l'intrigue sur les modèles de musée en dispute à la fin du XXème siècle dans la ville de Fortaleza, et aussi à parti des controverses autour de sa mémoire. Nous avons organisé notre récit en Neuf temps pour neuf Atlas, en analysant ce nid de frelons de l'intérieur et de l'extérieur, en le prenant à l'envers à rebrousse-poil. Pour cette raison, nous pré

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Choi, Eunjung. "Museum visitors' experiences of viewing Korean art." 2012. http://hdl.handle.net/2152/19657.

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This research focuses on revealing the entrance narratives that visitors bring into the process of viewing Korean art. This qualitative case study is based on the Arts of Korea gallery at the Museum of Fine Arts, Houston. Using semi-structured interview as the tool, I gathered narratives related to the Korean artworks on display from sixteen visitors as well as the curator in charge of the gallery. The analysis of the responses shows how visitors’ personal interest, taste, experience, and cultural background affect the viewing of Korean art. The study corroborates the notion that visitors enga

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Chen, Shin-Chung, and 陳信中. "Illustration Creation and Research of Mirror Image between Art Museum and Museum Visitors." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/50052649371917812870.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>103<br>The purpose of this creation is to explore the relationship between exhibition spaces and visitors. By using illustrations and working with space arrangement, we want to make the whole space a part of the creation, and the visitors as well when they look around. In the literature, we will explore the impact of cultural industries on exhibitions, image expression and visual cognition theory. The figures in this article are mainly about the image composition and the camera language collected from drawing books and comic books. The concept of this creation come

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Neumann, Sara Tess. "Visitor interaction with video art." 2012. http://hdl.handle.net/2152/19672.

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The purpose of this study was to see how visitors to the Landmarks Video media station in the Art Building at The University of Texas at Austin described how they make meaning while watching video art and what learning models those visitors drew on in their responses. I conducted a qualitative case study using semi-structured interviews to see how visitors described their meaning making process. I used discourse analysis to compare the visitor’s responses to art and film theories to see where the responses and the existing theories overlapped. I applied the results of the discourse analysis to

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Lo, Mei-lan, and 羅美蘭. "The Study of Relationship between Art Museum Visitors'''''''' Characteristics and Art Appreciation Ability." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/62087108591834487477.

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Arens, Meghan. "Missing! : visitor service in art museums : if found, please call-- /." 2004. http://library2.jfku.edu/Museum_Studies/Missing!_Visitor_Services_in_Art_Museums.pdf.

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Bruemmer, Lisa M. "Towards a visitor-friendly guard experience in U.S. art museums /." 2005. http://library2.jfku.edu/Museum_Studies/Towards_a_Visitor_Friendly.pdf.

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Chiu, Tzu-Yu, and 邱子育. "A Case Study of Keelung YM Oceanic Culture & Art Museum Community Non-visitors' Museum Experience and Imagination." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/51360528111457386538.

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碩士<br>輔仁大學<br>博物館學研究所碩士班<br>97<br>This qualitative research is a case study of the YM Oceanic Culture & Art Museum (hereafter referred to as OCAM), located in the inner Keelung Port. This research aims to present non-visitors’ voices to inspire museums in the future planning, and to remind that museum professionals should listen to the various voices from the communities while planning the interpretation programme and exhibition. In order to explore the views of different generations, eight participants, age above 48-year-old and below 38-year-old, agreed to participant the interviews and ob

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Pai, Shao-Chi, and 白少琦. "The Study of Visitors' Art life styles and Leisure Satisfaction:A Case Study in Taipei Fine Art Museum." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/24458651892826387600.

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碩士<br>國立臺灣師範大學<br>社會教育學系在職進修碩士班<br>100<br>The main purpose of this study is to understand visitors’ art life styles, leisure satisfaction, and the status of their relations at the Taipei Fine Art Museum. The convenience sampling method is conducted. To collect data of this study, 400 questionnaires are sent. 385 of them are effective. Descriptive statistics, t-test, reliability analysis, one-way ANONA, Pearson product-moment correlation and Simple regression analysis are utilized to analyze data. The conclusions and suggestions were listed as follows. 1. Conclusions (1) visitors’ art life st

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Li, Feng-yi, and 李鳳儀. "A Research on the Phenomena and Theories of the Art Museum Visitors'' Abnormal Behaviorism." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/82957289247900711424.

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碩士<br>南華大學<br>美學與藝術管理研究所<br>93<br>The thesis contains five chapters. Chapter 1 (The Introduction) states the research motive, purpose, method, structure, scope, limits, literature review, and term explanation, and so on, of the thesis. Chapter 2 (The Theory on the Museum Visitors'' Abnormal Behavior) states that a visit to the museum is a trend and then discusses if the museum visitors'' abnormal behavior, including hallucination, fantasy, self-infliction, and even self-murder, violates the law, and how the museum staff should take emergency measures towards this kind of behavior. It further a

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Moody, Leslie Ann. "Meaning making and the Blanton Museum of Art : a case study." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1886.

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This case study explores the collaborative conversation between curators and educators in the Blanton Museum of Art at the University of Texas at Austin, and how these conversations affect didactic texts in the museum galleries. By situating the Blanton Museum in a larger historical framework, the focus of this study maps out the historical perspectives informing the museum during a pivotal integration of collecting areas, including Latin American and American modern and contemporary collections, and explores how the Blanton Museum attempted to facilitate learning and meaning-making for the vi

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HSIEH, YU-TING, and 謝宇婷. "Representation of Trauma and Visitors’ Interpretations in Contemporary Art: A Case Study of “Rosa’s Wound” at Museum of Contemporary Art, Taipei." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/4p8zys.

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碩士<br>國立臺北藝術大學<br>博物館研究所<br>107<br>This thesis takes "Rosa’s Wound", an exhibition held in Museum of Contemporary Art, Taipei, in 2017, as a case study to explore how contemporary art exhibition represents and transforms historical and national trauma of Asia as well as how Taiwanese audience understand and interpret this kind of exhibition. The methodology I utilized includes exhibition analysis, curator interview and focus group interview, in which I invited young audience with and without artistic backgrounds to compare how they comprehend and interpret the exhibition. In "Rosa’s Wound", C

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CHEN, TING-TING, and 陳婷婷. "A Study on the Exhibition Strategy and Family Visitors’ Experiential Learning in the Children’s Museum of Art." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/70151703724881643366.

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博士<br>國立高雄師範大學<br>工業科技教育學系<br>105<br>In this study, the Kaohsiung Children’s Museum of Art is used as an example to explore the exhibition strategy of a children’s museum of art, analyze which kind of experiential learning a children’s museum of art can bring for family visitors, and investigate how to promote scaffolding learning and parent-child co-learning. Based on a hybrid research design, this study consists of a quantitative analysis first and then a qualitative analysis with its focus on the latter. The data acquired from the quantitative analysis were used as the sampling guidelines a

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Kuo, Chiao-Chen, and 郭巧蓁. "A study of Label and Memory from the Viewpoint of Adult Visitors in the Denver Art Museum." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/88154516703402730074.

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碩士<br>國立臺南藝術大學<br>博物館學與古物維護研究所<br>99<br>As the major art educational institution, art museums provide audio and physical tours and exhibit labels to assist visitors in their appreciation of the art. Among those tools, texts is the most convenient and accessible one, which meets visitors’ learning need at the first time. The art museum label plays an important communicative role between the artwork and visitors, labels function to remind and explain and it can achieve the visitors’ learning effect. This study aimed to explore the appropriateness of art museum label reading and visitors’ memory.

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Feng, Yung-Chih, and 酆詠之. "Family visitors'' text reading behavior in educational exhibitions of art museum - A case study of NTMoFA." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/86543761783140080398.

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碩士<br>國立臺灣大學<br>圖書資訊學研究所<br>104<br>This research focuses on the family visitors'' text reading requirements in art museum. It is a case study in “Follow the lines on a journey” exhibition of the National Taiwan museum of Fine Arts. The purposes of this research are: (1) to understand the family visitors’ motivations and requirements on visiting art museum. (2) to analysis family visitors’ reading and using text behavior. (3) according to the family visitors’ motivations, text reading behavior, satisfactions and the meaning of art museum education to generalize the principles of text

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Émond, Anne-Marie. "The effects of viewing historical art and contemporary art on cognitive dissonance and consonance as verbalized by adult visitors in a fine arts museum." Thesis, 2002. http://spectrum.library.concordia.ca/1763/1/NQ73360.pdf.

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This study explored the impact of two very different art forms on the production of cognitive dissonance and consonance by museum visitors. It involved an investigation of the verbalizations expressed by adult participants in reaction to the moments of conflict and enjoyment that they experienced while viewing historical and contemporary art. The research methodology adopted for this study centred on the Thinking Aloud approach, which was used to collect visitor responses to artworks. The twelve subjects of this research were frequent art museum visitors, that is, people who visited museums a

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Yang, Ya-Ju, and 楊雅如. "The Roles and Functions of Worksheets in Art Museum:An Action Research of Designing Worksheets for Family Visitors in the Museum of Contemporary Art, Taipei." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/u5rx2q.

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碩士<br>國立臺北藝術大學<br>博物館研究所碩士班<br>104<br>The diverse educational programs targeted for audience of different ages are very important for art museum education. Among them, the worksheet plays the role as museum educator. How does the art museum design educational worksheets to assist family visitors to learn contemporary art? What are the features of worksheets designed for family visitors? Theories of Multiple Intelligences and Five Windows proposed by Howard Gardner will be discussed in this study, and the methods of action research and content analysis are applied to analyze worksheets of the M

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Riley, Caroline M. ""Ambassador of Good Will" The Museum of Modern Art's "Three Centuries of American Art" in 1930s Europe and the United States." Thesis, 2016. https://hdl.handle.net/2144/17711.

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This dissertation examines the powerful role that museums played in constructing national art-historical narratives during the 1930s. By concentrating on Three Centuries of American Art—the 1938 exhibition organized by the Museum of Modern Art (MoMA) for viewing in Paris—I argue that the intertwining of art, political diplomacy, and canon formation uncovered by an analysis of the exhibition reveals American art’s unique role in supporting shared 1930s cultural ideologies. MoMA’s curators created the most comprehensive exhibition to date of the history of American art with works from 1590 throu

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Chen, Hsiao-Jan, and 陳曉然. "A Case Study on the Youth Visitors’ Learning Experiences of the Display-Related Workshops at the Taipei Museum of Contemporary Art." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/t9ktbd.

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碩士<br>國立臺北藝術大學<br>藝術與人文教育研究所碩士班<br>99<br>Abstract Located in Taipei, the Museum of Contemporary Art can always bring new issues and forms by its exhibition. Visitors are mostly young audience; in recent years, it has organized a lot of art education programs, attempting to help people understand the meaning and contemporary art issues by the diversity of educational activities. Among the activities, the weekend workshop which is interesting and inspiring is based on elements and issues of current exhibition. The museum staff or workshop teacher will lead participants to explore the exhibiti

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Hung, Chung-Chien, and 洪仲謙. "Applying IPA to Explore Visitors’ Feelings Over Exhibition – Taking 2015 Asian Art Biennial Held in National Taiwan Museum as an Example." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/ke8w6c.

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碩士<br>朝陽科技大學<br>企業管理系<br>104<br>Owing to the growing popularity of new museology movement, focusing on “Human-centered,” using to be “Heritage-centered,” dominates the thoughts on museums. Consequently, it does become the core work in museums. Recently, the museums around Taiwan like bamboo shooting after a spring rain have constantly grown their prosperity. Thus, everyone has gradually considered that the main purposes of museums existing around us are not just only for preserving some ancient items stemming from the past, but also for positively constructing the appropriate environment for e

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Reis, Catarina Alexandra Gonçalves dos. "Digital technology as mediation in European fine art museums." Master's thesis, 2019. http://hdl.handle.net/10400.14/32928.

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In order to fully understand museums in their current state and the changes that are undergoing, it is crucial to observe their evolution through history. First museums appeared many years ago and nowadays these institutions are present all around the world in different typologies. Museums have been founded to promote civic pride, identity and feelings of belonging, as recreational facilities, educational resources, means to improve quality of life, and to attract tourism. Nowadays, museums are facing some challenges, and the overall trend is to democratize the access. From two decades until n

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Cheng, Ya-Ping, and 鄭亞萍. "Interaction between Visitors and Panel Text: A Case Study of Alphonse Mucha – Art Nouveau & Utopia at the Kaohsiung Museum of Fine Arts." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/82aj7d.

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碩士<br>國立臺南藝術大學<br>博物館學與古物維護研究所<br>101<br>Audio-guide, brochures, panels and labels are commonly employed within the field of art exhibitions to provide visitors with better understanding and therefore able to interpret or explain the content. These are generally known as the “museum text”, and have been fundamental tools in museum exhibitions. The focus of this research is on the text on panels, which is one of the earliest guiding information for visitors when they entering the museum exhibitions, leading visitors to artworks and the concept of the exhibition. By reviewing the literature, it

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Harris, Ashley D. "Everyone has a story to tell : exploring the associations and connections made by visitors at a zoo, art gallery and two museums." Thesis, 2010. http://handle.uws.edu.au:8081/1959.7/496421.

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Interpretation is commonly associated with communicating and revealing to visitors the natural, cultural and heritage significance of a landscape. Many definitions of interpretation imply that visitors will learn something as a result of the site's interpretation. This thesis challenges this assumption and argues that visitors' learning at sites is far more complex and unpredictable than indicated by the interpretation definitions. Although this thesis is concerned with the role of interpretation and visitor research at a variety of heritage, natural and cultural sites, museums have been at th

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Chen, Chu-hsuan, and 陳築萱. "A Study of the Relationship between Interaction Model and Aesthetic Experience of Parent-Child Visitors in Art Museum- Taking Two Permanent Collection Exhibitions of the TFAM For Example." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/93343324224991654359.

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碩士<br>國立新竹教育大學<br>美勞教育研究所<br>95<br>The development and change of the present artistic education, besides the attention to the social culture phenomenon, emphasize on combining experiences of life and artistic activities, enabling the daily life to be artistic. The main goal of Art Museum lays in improving the whole people's aesthetic sensibility, especially the promoting of parent-child's education which takes a deep understanding of the characteristics of the parent-child audience in Art Museum visiting. This research sets out from the common art-visit experience, probing into the various act

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Simplício, Susana. "Públicos do Museu Nacional de Arte Contemporânea: Museu do Chiado." Master's thesis, 2010. http://hdl.handle.net/10071/2330.

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É intuito deste estudo contribuir para o conhecimento dos públicos dos museus em Portugal, mais concretamente dos museus de arte contemporânea, quanto aos perfis, práticas e hábitos culturais, visitas e relação com os museus, tal como a comparação do perfil dos públicos de museus de arte contemporânea com as características dos públicos dos museus em geral, dando como ilustrativo o caso do Museu Nacional de Arte Contemporânea – Museu do Chiado. O conhecimento dos perfis dos visitantes dos museus é uma importante ferramenta para tomada de decisões neste sector, por parte dos seus responsáveis,

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Pereira, Teresa Homem de Melo de Moura. "Regimes de gratuitidade em museus nacionais: impactos nos públicos seniores." Master's thesis, 2016. http://hdl.handle.net/10071/12579.

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Esta dissertação, inserida no contexto do Mestrado em Gestão e Estudos da Cultura, foca-se nos públicos seniores do Museu Nacional de Arte Antiga, em concreto na sua relação com condições de acesso. A metodologia adotada sobretudo qualitativa (observação, entrevistas) permitiu a identificação de posicionamentos tanto do lado dos públicos como do lado da instituição que podem (ou não) contribuir para o cumprimento ou a adesão a condições de acesso consideradas vantajosas. Será que mobilizam o visitante? Os impactos identificados foram vários, inerentes a uma investigação qualitativa que p

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Ward, Lucina. "A translation of a translation: Dissemination of the Arundel Society’s chromolithographs." Phd thesis, 2016. http://hdl.handle.net/1885/101935.

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The thesis casts new light on the activities of the London-based Arundel Society (1848–1897). It examines the watercolours and chromolithographs produced for the Society made after pre-Renaissance frescoes and Northern altarpieces, the discourse around them, and the ways the prints were collected by organisations and individual subscribers. The Society’s commercial and ideological strategies, its didactic and archival programs, as well as the multi-faceted nature of its authorship are analysed. Using the notion of translation, this thesis explores h

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