To see the other types of publications on this topic, follow the link: Art museum visitors – europe.

Journal articles on the topic 'Art museum visitors – europe'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Art museum visitors – europe.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Bolshakova, Yu M., S. N. Bolshakov, and N. A. Mikhalchenkova. "Assessment of the pedagogical functions and practices of modern museums." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 108–16. http://dx.doi.org/10.30725/2619-0303-2020-3-108-116.

Full text
Abstract:
This article discusses the tasks of implementation of pedagogical functions by the modern museum community. The article interprets the results of a sociological study in the field of the implementation of pedagogical tasks by museums countries of Northern Europe and the Baltic. The relevance of the study lies in the disclosure of the pedagogical potential of museums in the world. The importance of the study lies in the possibility of choosing the forms and methods of pedagogical influence on pupils and students, museum visitors. The study demonstrates the unique capabilities of the museum comm
APA, Harvard, Vancouver, ISO, and other styles
2

Komova, О. "DIRECTIONS OF REFORMING THE MUSEUM SECTOR IN EUROPE: EXPERIENCE FOR UKRAINE." Вісник Київського національного лінгвістичного університету. Серія Історія, економіка, філософія, no. 26 (January 9, 2023): 11–23. http://dx.doi.org/10.32589/2412-9321.26.2021.269853.

Full text
Abstract:
The article research the main problems of the Ukrainian museum sector, analyzes museum reforms in the EU-member states over the last 20 years, and suggests the major vectors of museum reform in Ukraine based on the best practices of the Western European museology. The article deals with the forms and methods of activity of the museum institution within the framework of this action on successful dialogue with the public, effective use of information technologies. Communication capabilities of museums are related to their ability to communicate information with real objects directly or indirectl
APA, Harvard, Vancouver, ISO, and other styles
3

Meyer, Caspar. "Ancient vases in modern vitrines: the sensory dynamics and social implications of museum display." Bulletin of the Institute of Classical Studies 63, no. 1 (2020): 91–109. http://dx.doi.org/10.1093/bics/qbaa009.

Full text
Abstract:
Abstract This contribution explores the changing sensory priorities underpinning the display of Greek painted pottery in European collections. The focus is on the introduction of glass-fronted cabinets in the purpose-designed public museums of art and archaeology of the mid-nineteenth century. Contrary to expectations, the contemporaneous debates surrounding the use of gallery furniture show that the museum stakeholders were less worried about the safety of the objects than the prospect of middle- and working-class visitors being exposed to the sexualized imagery on Athenian pottery. A survey
APA, Harvard, Vancouver, ISO, and other styles
4

Nijhoff, Michiel. "The early history of the Stedelijk Museum library: the Kloet years." Art Libraries Journal 33, no. 4 (2008): 14–16. http://dx.doi.org/10.1017/s030747220001556x.

Full text
Abstract:
On 5 May 2007, the Stedelijk Museum library in Amsterdam was exactly 50 years old – although a collection of books known as ‘the library’ began long before that in the building on the Paulus Potterstraat. Louis Kloet was the first librarian. He founded and ran the library from 1953 until 1980, a period in which the collection and the number of visitors grew steadily and it evolved into one of the most important libraries of modern art in Europe.
APA, Harvard, Vancouver, ISO, and other styles
5

Ian Shin, K. "The Chinese Art “Arms Race”." Journal of American-East Asian Relations 23, no. 3 (2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.

Full text
Abstract:
Interest in Chinese art has swelled in the United States in recent years. In 2015, the collection of the late dealer-collector Robert Hatfield Ellsworth fetched no less than $134 million at auction (much of it from Mainland Chinese buyers), while the Metropolitan Museum of Art drew over 800,000 visitors to its galleries for the blockbuster show “China: Through the Looking Glass”—the fifth most-visited exhibition in the museum’s 130-year history. The roots of this interest in Chinese art reach back to the first two decades of the 20th Century and are grounded in the geopolitical questions of th
APA, Harvard, Vancouver, ISO, and other styles
6

Rangel-de Lázaro, Gizéh, Adrián Martínez-Fernández, Armando Rangel-Rivero, and Alfonso Benito-Calvo. "Shedding light on pre-Columbian crania collections through state-of-the-art 3D scanning techniques." Virtual Archaeology Review 12, no. 24 (2021): 1. http://dx.doi.org/10.4995/var.2021.13742.

Full text
Abstract:
<p class="VARAbstract">During the 19<sup>th</sup> and 20<sup>th</sup> centuries, numerous museums, scientific societies, and royal academies were founded in Europe and America. In this scenario, the Anthropological Museum Montané was founded in Havana, Cuba. Its collection has grown over the years, thanks to researchers, antiquarians, and amateurs. Since its foundation, the Museum Montané has become an essential institution for anthropological and archaeological research in the region. Nowadays, the Museum Montané, like other museums in developing countries, faces
APA, Harvard, Vancouver, ISO, and other styles
7

de Chermont, Isabelle le Masne. "The architecture of museum libraries: an overview of the years 2000 to 2003." Art Libraries Journal 29, no. 3 (2004): 28–31. http://dx.doi.org/10.1017/s0307472200019039.

Full text
Abstract:
In recent years many museums and art galleries in Europe have remodelled their libraries, often funding the physical changes by means of sponsorship, while at the same time re-thinking access and the services to be provided. This article analyses some current examples in Paris, London and the Netherlands and describes a range of different approaches. But it finds most successful the British Museum’s Paul Hamlyn Library, housed in the famous circular Reading Room and open to all visitors: these will discover, that, alongside modern databases, the Library has kept its traditional links with the
APA, Harvard, Vancouver, ISO, and other styles
8

Svyrydenko, N. "Music in museum (second half of 20th century, Ukraine)." Musical art in the educological discourse, no. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.

Full text
Abstract:
Due to the process of early music revival, started in the USSR from the 60s of the 20th century, there are searches of the appropriate premises, in which early music could be perceived naturally, where one can feel a single style in combination of rooms, music, instrumentation and performance style that would increase the perception of each of the components of the creative process. Such most suitable premises are found out to be the halls of museums — former mansions, or palaces, which serve as museums in our time. The practice of conducting concerts in museums was introduced in Western Europ
APA, Harvard, Vancouver, ISO, and other styles
9

Христина, Бойко, та Бойко Марта. "Презентування, поширення та популяризація єврейської історико-культурної спадщини у просторі сучасного музею (на прикладі польського досвіду)". ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 257–372. https://doi.org/10.5281/zenodo.1313224.

Full text
Abstract:
In the article, the authors discussed the activities of Jewish museums in Ukraine and in the world. In each country, museums are created based on local traits and characteristics. The first Jewish museums in Europe are opened at the turn of the 19th and 20th centuries – in Vienna in 1893, in Prague in 1906, in Budapest and in Warsaw in 1910. In Ukraine, Judaic collections appear in the middle of the XIX century. In 1934, a Jewish Community Museum opened in Lviv, and one of the largest collections of Maximilian Goldstein's Jewish art in Poland was also accessible to visitors. After th
APA, Harvard, Vancouver, ISO, and other styles
10

Petrov, Julia. "Visitors to Versailles (1682–1789) Metropolitan Museum of Art, New York, NY April 16–July 29, 2018 Casanova’s Europe: Art, Pleasure, and Power in the 18th Century Museum of Fine Arts, Boston, MA July 8–October 8, 2018." Dress 45, no. 1 (2019): 99–102. http://dx.doi.org/10.1080/03612112.2019.1565655.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Thouki, Alexis. "The Role of Ontology in Religious Tourism Education—Exploring the Application of the Postmodern Cultural Paradigm in European Religious Sites." Religions 10, no. 12 (2019): 649. http://dx.doi.org/10.3390/rel10120649.

Full text
Abstract:
The cultural and spiritual repository of religion is an indispensable resource for shaping public and cultural life in a post-secular era. Although the floods of culturally intrigued ‘pilgrims’ and spiritually ‘captivated’ tourists have marked religious sites on nationwide cultural maps, religious sites have yet to achieve a holistic interpretative experience which will reveal the deeper meanings of ecclesiastical art. The absence of ‘holistic interpretations’ from European Christian churches, addressing the tangible and intangible (faith) aspect of Christian tradition, run the risk of undermi
APA, Harvard, Vancouver, ISO, and other styles
12

Akimov, Dmytro. "The Venice Biennale, French porcelain and historical retrospective on marketing and expertise in the field of fine arts." Collection of scientific works “Notes on Art Criticism” 24, no. 1 (2024): 33–44. http://dx.doi.org/10.63009/noac/1.2024.33.

Full text
Abstract:
The relevance of this article is based on shaping new modern world’s market relations one of which is the art market. The aim of the research is the analysis of the marketing interrelations and tendencies in the market of the 20th-21st centuries together with the previous historical periods. In order to hit the goal of the research, theoretical, empirical and comparative researching methods have been used. It sets theoretical foundations of the visual arts marketing and the ways of their practical application. Already before the modern art market as an element of a total capitalistic market ca
APA, Harvard, Vancouver, ISO, and other styles
13

Thorgersen, Ketil. "Editorial - Seventh issue of the European Journal of Philosophy in Arts Education." European Journal of Philosophy in Arts Education 05, no. 01 (2020): 2–6. https://doi.org/10.5281/zenodo.3940994.

Full text
Abstract:
In really worrying times such as these, the arts and arts education proves more important than ever. When a pandemic stirs the lives of everyone, overtaking, at least for some time, the even greater climate crisis, people need something to provide meaning. People need to express themselves, communicate, create, process, enjoy, flee, protest… These human and social functions are among the most central for the arts – as a vehicle for meaning; personally and socially. In this issue I have the great pleasure of presenting three very different articles that were all written before the
APA, Harvard, Vancouver, ISO, and other styles
14

Majhosev, Darko. "CHARACTERISTICS OF THE CITY TOURISM WITH ACCENT ТО ТHE CITY TOURISM IN THE REPUBLIC OF MACEDONIA". KNOWLEDGE INTERNATIONAL JOURNAL 30, № 1 (2019): 267–75. http://dx.doi.org/10.35120/kij3001267m.

Full text
Abstract:
With their cultural and historical contents, cities have always attracted tourists, thus contributing to creating a new kind of tourism - city tourism. The potentials of cities have contributed to creating other types of tourism such as fair, cultural, congressional, sports, religious tourism, etc. City breaks have become a contemporary trend and a phenomenon in world tourism, which an increasing number of tourists is becoming more interested in, and these tourists want to spend their short breaks, holidays or weekends in them. Comprehensive and short visits to major cities offer an opportunit
APA, Harvard, Vancouver, ISO, and other styles
15

Whittington, Vanessa. "Decolonising the museum?" Culture Unbound 13, no. 2 (2022): 245–69. http://dx.doi.org/10.3384/cu.3296.

Full text
Abstract:
As institutions that arose during the European age of imperial expansion to glorify and display the achievements of empire, museums have historically been deeply implicated in the colonial enterprise. However if we understand coloniality not as a residue of the age of imperialism, but rather an ongoing structural feature of global dynamics, the challenge faced by museums in decolonising their practice must be viewed as ongoing. This is the case not just in former centres of empire, but in settler-colonial nations such as Australia, where “the colonisers did not go home” (Moreton-Robinson 2015:
APA, Harvard, Vancouver, ISO, and other styles
16

Ajayi, Joseph Babatunde. "Importance of Art Museum and its Influence on Behavioral Intention of Visitors." Advances in Multidisciplinary & Scientific Research Journal Publications 12 (2024): 2–30. http://dx.doi.org/10.22624/aims/humanities/v12n2p3x.

Full text
Abstract:
This study aimed to investigate the importance of art museum and its influence on behavioural intention of visitors. Well-structured questionnaire directed at two hundred visitors who were willing to participate in the study was used to gather data for analysis. Data was analyzed descriptively through tables, charts and inferentially through Chi Square and Pearson correlation. Results revealed that “I gained new knowledge from my experience visiting art museum” had the highest mean value (4.21) of perception about art museums. Also, the visitors were willing to visit more art museums and they
APA, Harvard, Vancouver, ISO, and other styles
17

Ajayi, Joseph Babatunde. "Importance of Art Museum and its Influence on Behavioral Intention of Visitors." Advances in Multidisciplinary and scientific Research Journal Publication 12 (2024): 23–30. http://dx.doi.org/10.22624/aims/humanities/v12n2p3.

Full text
Abstract:
This study aimed to investigate the importance of art museum and its influence on behavioural intention of visitors. Well-structured questionnaire directed at two hundred visitors who were willing to participate in the study was used to gather data for analysis. Data was analyzed descriptively through tables, charts and inferentially through Chi Square and Pearson correlation. Results revealed that “I gained new knowledge from my experience visiting art museum” had the highest mean value (4.21) of perception about art museums. Also, the visitors were willing to visit more art museums and they
APA, Harvard, Vancouver, ISO, and other styles
18

Falk, John H. "Viewing Art Museum Visitors Through the Lens of Identity." Visual Arts Research 34, no. 2 (2008): 25–34. http://dx.doi.org/10.2307/20715472.

Full text
Abstract:
Abstract Based upon the findings of hundreds of long-term interviews with museum visitors, Falk observes that museum visits generate complex, personally rich meanings for people. He hypothesizes that visitors have a working model of what an art museum affords and self-select to use the museum based on a limited set of identity-related self-aspects—traits, roles, attitudes, and group memberships associated with self-identification. He further hypothesizes that visitors utilize these self-aspects both prospectively in justifying their visit, revealed through self-defined visit motivations, and a
APA, Harvard, Vancouver, ISO, and other styles
19

Fitriana, Rina, Nurima Rahmitasari, and Marcelina Yoseli. "Analisis Motivasi Pengunjung Museum Macan Jakarta." Jurnal Ilmiah Pariwisata 25, no. 1 (2020): 76. http://dx.doi.org/10.30647/jip.v25i1.1362.

Full text
Abstract:
MACAN Museum (Museum of Modern and Contemporary Art in Nusantara) has a wide collection of modern and contemporary Indonesian arts up to the first international scale in Indonesia, and is one of the tourist attractions in Jakarta that is preferred by various circles. The collection is packaged with the concept of art shows and exhibitions that can be enjoyed by every visitor. This research aims to analyze the motivation of visitors coming to the museum using quantitative descriptive methods. Unit of analysis is the visitors of MACAN museum, meanwhile the independent variable is the visitors’ m
APA, Harvard, Vancouver, ISO, and other styles
20

Lemaire, Alice. "BHL and the Pandemic: An accelerator of digital advances and transformation." Biodiversity Information Science and Standards 5 (September 7, 2021): e74061. https://doi.org/10.3897/biss.5.74061.

Full text
Abstract:
Committed to the Biodiversity Heritage Library (BHL) since 2016, the National Natural History Museum (MNHN) library encountered opportunities and new challenges during the COVID-19 pandemic.The origins of MNHN date back to 1635, with the foundation of a royal garden for medicinal and teaching purposes, by King Louis XIII. It became the National Natural History Museum in 1793 during the French Revolution.The MNHN collections today include about seventy million specimens. These collections constitute a global archive and a major research infrastructure. Being a very important center of research
APA, Harvard, Vancouver, ISO, and other styles
21

Roth, Emily. "Open to all museum visitors: the Uris Library in the Metropolitan Museum of Art." Art Libraries Journal 24, no. 4 (1999): 26–28. http://dx.doi.org/10.1017/s0307472200019775.

Full text
Abstract:
The Uris Library and Teacher Resource Center is the only library in the Metropolitan Museum of Art open to all Museum visitors. Its 6,000 books, 900 videos and growing numbers of CD-ROMs and electronic resources serve ever increasing numbers of the Museum’s public. Students and teachers, Museum members, Museum educators and volunteers, as well as general Museum visitors all use the Library.
APA, Harvard, Vancouver, ISO, and other styles
22

최성희. "Visitors' Narrative Identities at an Art Museum." Journal of Research in Art Education 9, no. 1 (2008): 135–49. http://dx.doi.org/10.20977/kkosea.2008.9.1.135.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Yi, Taeha, Hao-yun Lee, Joosun Yum, and Ji-Hyun Lee. "The influence of visitor-based social contextual information on visitors’ museum experience." PLOS ONE 17, no. 5 (2022): e0266856. http://dx.doi.org/10.1371/journal.pone.0266856.

Full text
Abstract:
Visitor-centered approaches have been widely discussed in the museum experience research field. One notable approach was suggested by Falk and Dierking, who defined museum visitor experience as having a physical, personal, and social context. Many studies have been conducted based on this approach, yet the interactions between personal and social contexts have not been fully researched. Since previous studies related to these interactions have focused on the face-to-face conversation of visitor groups, attempts to provide the social information contributed by visitors have not progressed. To f
APA, Harvard, Vancouver, ISO, and other styles
24

Željka Miklošević, Željka. "Fostering inclusion in art museums through mobile digital content." Muzeológia a kultúrne dedičstvo 9, no. 4 (2021): 5–19. http://dx.doi.org/10.46284/mkd.2021.9.4.1.

Full text
Abstract:
This paper deals with digitally mediated museum experiences of novice visitors at the Kunsthistorisches Museum in Vienna and discusses them in the context of museum inclusion. Research participants included families with young children and members of minority communities in Vienna whose visit was facilitated by two app-based guided tours developed for children. The research goal was to explore the impact of the mobile guide’s digital content and modes of communication on the visitors’ interaction with the guide, with the museum space and objects, and with family members. The families’ interact
APA, Harvard, Vancouver, ISO, and other styles
25

PARK, Jieun, and Sunah KIM. "A Narrative Inquiry into the Continuity of Life and the Experience of Appreciation: Focusing on the Experiences of Art Majors." Society for Art Education of Korea 93 (March 1, 2025): 95–119. https://doi.org/10.25297/aer.2025.93.95.

Full text
Abstract:
This narrative inquiry explores how museum visitors' internal changes during art encounters connect to their lives and enhance qualitative appreciation, emphasizing the need for vivid personal expressions. Focusing on a single impactful experience per participant, the study examines the elements influencing art perception, its connection to life, and its meaning and value. Two art professionals with ongoing museum engagement participated, and Clandinin and Connelly’s three-dimensional narrative space was used as the analytical framework. The findings reveal that viewing experiences connect to
APA, Harvard, Vancouver, ISO, and other styles
26

Vesci, Massimiliano, Emanuela Conti, Chiara Rossato, and Paola Castellani. "The mediating role of visitor satisfaction in the relationship between museum experience and word of mouth: evidence from Italy." TQM Journal 33, no. 1 (2020): 141–62. http://dx.doi.org/10.1108/tqm-02-2020-0022.

Full text
Abstract:
PurposeThis paper aims to analyse the quality of experience in the Italian art museum context and to understand the mediating role of satisfaction between museum experiences and visitors' word-of-mouth (WOM) behavioural intentions.Design/methodology/approachThis exploratory study adopted a quantitative methodology. Visitors to Italian art museums were interviewed, and the results were examined using exploratory factor analysis and regression analysis.FindingsThe analysis shows that the following museum experience dimensions were present in the Italian art museum context: aesthetics, escapism a
APA, Harvard, Vancouver, ISO, and other styles
27

Jurėnienė, Virginija, and Dovilė Peseckienė. "Art Gallery Visitors’ Motivations." Informacijos mokslai 89 (June 5, 2020): 17–33. http://dx.doi.org/10.15388/im.2020.89.37.

Full text
Abstract:
The article discusses the motivational factors of visual art institution consumers. Analysis includes Falk’s identity-related theory of motivation for visiting art institutions that discusses how visitors’ experience begins before visiting a museum and is focused on the consumer’s attitude (identity) validation. Consumers’ motivation to visit an art institution depends on not only the proposals provided by the institution and their value to the consumer, but also on accessibility, the environment, and the personnel’s communication. The article introduces the motivations, expectations of consum
APA, Harvard, Vancouver, ISO, and other styles
28

Kharchenko, Olena. "Theoretical Aspects of Cultural and Educational Work with Visitors of Different Age: Museum Psychology Development in Museums of Arts." Bulletin of Kyiv National University of Culture and Arts. Series in Museology and Monumental Studies 3, no. 1 (2020): 21–32. https://doi.org/10.31866/2617-7943.3.1.2020.205314.

Full text
Abstract:
The purpose of the article is to analyze contemporary problems of cultural and educational activity in museums of the artistic profile, to determine the role and effectiveness of psychological methods, in the context of working with visitors of different ages. Research methodology. An interdisciplinary approach has been applied, using analysis, synthesis and generalizations methods. The scientific novelty of the research is that this article launches an analysis of cultural and educational activities of art museums from the standpoint of museum psychology in Ukrainian museu
APA, Harvard, Vancouver, ISO, and other styles
29

Carobbio, Gabriella, and Alessandra Lombardi. "Kunst kindgerecht erklärt – eine Fallstudie zu museumspädagogischen Erklärvideos." Linguistik Online 124, no. 6 (2023): 85–111. http://dx.doi.org/10.13092/lo.124.10716.

Full text
Abstract:
As young visitors represent “the museum audience of the future”, museums should be particularly committed to engaging children in museum experiences pursuing a child-oriented approach to art communication and education. The analysis of museum communication from a linguistic perspective seems thus a promising way of exploring the target-group-specificity of museum educational resources explicitly designed for addressing young audiences. Explanatory videos featured on museum websites which present the museum itself or masterpieces of its collections are examples of digital tools employed by muse
APA, Harvard, Vancouver, ISO, and other styles
30

Mangione, Gemma. "Making Sense of Things: Constructing Aesthetic Experience in Museum Gardens and Galleries." Museum and Society 14, no. 1 (2017): 33–51. http://dx.doi.org/10.29311/mas.v14i1.624.

Full text
Abstract:
Studies of museum behaviour in sociology often examine how external environments shape organizational practice. Through an ethnographic study, this article considers programmes for visitors with disabilities at a major metropolitan art museum and botanical garden to ask how ‘sensory conventions’ vary across museums, and with what effects. I trace how museum staff construct the aesthetic experience of art and nature differently to shape how visitors use their senses, and which senses they use, when interacting with museum collections. Examining aesthetic meanings across different kinds of museu
APA, Harvard, Vancouver, ISO, and other styles
31

Yoo, Arim, and Sae June Kim. "A Study on Museum Visitors’ Emotion by Visitors’ Art Exhibition Experience." Korean Arts Association of Arts Management 48 (October 30, 2018): 5–45. http://dx.doi.org/10.52564/jamp.2018.48.5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Vykhodtsev, E. P. "TELEGRAM AS A MEANS OF COMMUNICATION WITH ART MUSEUM VISITORS." Topical Issues of Culture, Art, Education 39, no. 1 (2024): 16–23. http://dx.doi.org/10.32340/2949-2912-2024-1-16-23.

Full text
Abstract:
The article is devoted to the analysis of the possibilities of using the Telegram messenger as part of the information activities of an art museum. Various aspects of the integration of this digital tool into the information museum space and its impact on the audience are considered, as well as the potential opportunities and challenges associated with this process are assessed. The article focuses on the importance of social media and messengers as tools to increase accessibility and expand the audience of art museums. The focus is on the ways Telegram can stimulate interactive learning, pers
APA, Harvard, Vancouver, ISO, and other styles
33

Jensen, Kirsten, and Karen Grøn. "The Kaleidoscope of Culture: expanding the museum experience and the museum narrative by inviting visitors into the curatorial process." Museum and Society 13, no. 3 (2015): 385–95. http://dx.doi.org/10.29311/mas.v13i3.337.

Full text
Abstract:
Traditional art museum exhibitions are planned according to art-historical elements. At Trapholt – a museum of modern Danish art, design and applied art in Denmark, we are interested in exploring what happens when ordinary visitors are invited to curate personal exhibitions in the museum space. This paper analyses the project The Kaleidoscope of Culture, where people with no art historical background were invited to curate exhibitions based on the Trapholt collection of art and their own cultural backgrounds and experiences. The main argument is that, by allowing these personal voices in the m
APA, Harvard, Vancouver, ISO, and other styles
34

Hutama, Gusti Ngurah Kade Wahyu Ari, and I. Gusti Agung Oka Mahagangga. "Pengaruh Tanggapan Di Media Sosial Terhadap Pilihan Koleksi Bagi Pengunjung Interactive Art Museum Bali, Kota Denpasar." JURNAL DESTINASI PARIWISATA 6, no. 2 (2019): 335. http://dx.doi.org/10.24843/jdepar.2018.v06.i02.p21.

Full text
Abstract:
Interactive Art Museum Bali is the new one of tourists attraction in Denpasar City. Although classified as a new tourist attraction, but tourists visit the Interactive Art Museum Bali is always increasing every month. Based on that situation, the research is conducted for analyzing the influence of responses in social media on the collection options for visitors at the tourist attraction of Interactive Art Museum Bali, Denpasar City. 
 The data used in this research is quantitative data. Data analysis techniques used in this study are correlation analysis. The collected data in this study
APA, Harvard, Vancouver, ISO, and other styles
35

Mastandrea, Stefano, Gabriella Bartoli, and Giuseppe Bove. "Learning through Ancient Art and Experiencing Emotions with Contemporary Art: Comparing Visits in Two Different Museums." Empirical Studies of the Arts 25, no. 2 (2007): 173–91. http://dx.doi.org/10.2190/r784-4504-37m3-2370.

Full text
Abstract:
The aim of the present research was to explore possible differences between visitor experiences in two different kinds of art museums according to the art styles of the collections hosted: the Museum Borghese of Rome (ancient art) and the Peggy Guggenheim Collection of Venice (contemporary art). Two questionnaires were administered to 500 Italian participants before and after their visit to one of the museums. Questions (Likert scales and multiple choice) assessed how much visitors liked and were satisfied with the museum and their visit, and the motivations, expectations and preference that d
APA, Harvard, Vancouver, ISO, and other styles
36

López Sintas, Jordi, Ercilia García Álvarez, and Elena Pérez Rubiales. "Art museum visitors: interaction strategies for sharing experiences." Museum Management and Curatorship 29, no. 3 (2014): 241–59. http://dx.doi.org/10.1080/09647775.2014.919175.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Hall, Margery J. "Information presentation format preferences of art museum visitors." Journal of Business and Psychology 2, no. 3 (1988): 279–84. http://dx.doi.org/10.1007/bf01014045.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Hyun, Hyowon, Jungkun Park, Tianbao Ren, and Hyunjin Kim. "The role of ambiances and aesthetics on millennials’ museum visiting behavior." Arts and the Market 8, no. 2 (2018): 152–67. http://dx.doi.org/10.1108/aam-04-2017-0006.

Full text
Abstract:
Purpose The purpose of this paper is to establish a framework for millennials’ museum visiting behaviour and to explore the moderating effects of aesthetics and ambience for visiting art museums. This study uses the Stimulus–Organism–Response (S–O–R) model (Mehrabian and Russell, 1974) in order to confirm the relationship among variables. Design/methodology/approach The data were collected using online surveys from millennial art museum visitors who had visited a museum within three months. In all, 287 responses were collected. Structural equation modelling was used to analyse the model. Findi
APA, Harvard, Vancouver, ISO, and other styles
39

Casano, Jonathan D. L., Jenilyn L. Agapito, Abigail S. Moreno, and Ma Mercedes T. Rodrigo. "INF-Based Tracking and Characterization of Museum Visitor Paths and Behaviors Using Bluetooth Low Energy Beacons." Journal on Computing and Cultural Heritage 15, no. 2 (2022): 1–22. http://dx.doi.org/10.1145/3474830.

Full text
Abstract:
This article presents a study that analyzes the visitor experience by using location data collected through Bluetooth Low-Energy (BLE) beacons. A visual analysis of the visitors’ behavior and interactions with the artworks at the Ateneo Art Gallery, the first museum of modern art in the Philippines, was conducted. The Immediate, Near, Far (INF) framework was built on top of earlier studies to provide a finer approximation of the visitors’ location in an enclosed space. It was used to operationalize the different metrics used to characterize visitors’ behaviors and such behaviors vis-á-vis trac
APA, Harvard, Vancouver, ISO, and other styles
40

Aumann, Antony. "In Defense of Art Museum Audio Guides." Journal of Aesthetic Education 58, no. 2 (2024): 43–63. http://dx.doi.org/10.5406/15437809.58.2.04.

Full text
Abstract:
Abstract This article aims to defend the value of art museum audio guides. Modern guides have many functions, but I will focus on two that pertain directly to art appreciation. First, audio guides offer tours that direct visitors’ attention to museum highlights. Second, they have individual stops that offer commentary and criticism about individual works of art. I will concede that the tours do not serve the interests of all visitors. However, I will defend the merits of the individual stops. In particular, I will argue that they provide information about the associated works that it would be
APA, Harvard, Vancouver, ISO, and other styles
41

Hayhoe, Simon. "Expanding Our Vision of Museum Education and Perception: An Analysis of Three Case Studies of Independent Blind Arts Learners." Harvard Educational Review 83, no. 1 (2013): 67–86. http://dx.doi.org/10.17763/haer.83.1.48170l3472530554.

Full text
Abstract:
In this study, Simon Hayhoe investigates the experiences of blind museum visitors in the context of the relationships between the artworks they learned about in museums, those they experienced when younger, and the social, cultural, and emotional influences of their museum experiences. The three case studies he presents support his hypothesis that, for blind visitors, proximity to works of art is at least as important as perceiving the art itself. This finding questions Gombrich's theory of the economy of vision and Jay's theory of scopics and supports the notion that exclusion from art in thi
APA, Harvard, Vancouver, ISO, and other styles
42

Carbon, Claus-Christian. "Art Perception in the Museum: How We Spend Time and Space in Art Exhibitions." i-Perception 8, no. 1 (2017): 204166951769418. http://dx.doi.org/10.1177/2041669517694184.

Full text
Abstract:
Aesthetics research aiming at understanding art experience is an emerging field; however, most research is conducted in labs without access to real artworks, without the social context of a museum and without the presence of other persons. The present article replicates and complements key findings of art perception in museum contexts. When observing museum visitors ( N = 225; 126 female, M(age) = 43.3 years) while perceiving a series of six Gerhard Richter paintings of various sizes (0.26–3.20 sq. m) in a temporary art exhibition in January and February 2015 showing 28 paintings in total, we
APA, Harvard, Vancouver, ISO, and other styles
43

Pal, Chandrani. "Museum and Tourism." Journal of Heritage, Archaeology & Management(JHAM) 3, no. II (2023): 59–723. https://doi.org/10.5281/zenodo.11487044.

Full text
Abstract:
Tourism and museums play integral roles in preserving culture, history, and heritage. They serve as gateways for people to explore and understand different societies, traditions, and art forms. Additionally, they contribute significantly to local economies by attracting visitors and generating revenue. Museum curate exhibitions, interactive displays, and guided tours, museums offer visitors the opportunity to explore diverse facets of civilization, from ancient civilizations to contemporary societies. These institutions not only safeguard invaluable artefacts and artworks but also serve as edu
APA, Harvard, Vancouver, ISO, and other styles
44

Hanquinet, Laurie. "Place and Cultural Capital: Art Museum Visitors Across Space." Museum and Society 14, no. 1 (2017): 65–81. http://dx.doi.org/10.29311/mas.v14i1.677.

Full text
Abstract:
In the establishment of people’s lifestyles, places, and especially cities, havebecome central arenas for display and consumption, and have become part ofthe aesthetic experience itself. These changes have affected the composition ofcultural capital, which may have then taken an urban dimension. Art museumvisitors, often associated with highbrow culture, constitute an excellent case studyto explore the links between cultural capital and place. Based on a survey of 1900visitors of the six main museums of modern and contemporary art in Belgium,this article will focus on the distribution of the a
APA, Harvard, Vancouver, ISO, and other styles
45

Yi, Qiong juan, and Wan Jamarul Imran Bin Wan Abdullah Thani. "THE SIGNIFICANCE OF THE ART MUSEUM SPACE AS EMOTIONAL HEALING." International Journal of Applied and Creative Arts 6, no. 1 (2023): 49–64. http://dx.doi.org/10.33736/ijaca.5644.2023.

Full text
Abstract:
This article explores the emotional healing function of art museum space and its potential impact on people's daily lives. Drawing on the theories of emotional therapy and art therapy, it is believed that art museum spaces can provide visitors with a unique transformation experience, helping them regulate emotions such as anxiety, boredom, and fatigue. This article explores how the layout of artist works and exhibition halls creates a visual and emotional experience through specific case studies, literature research, and questionnaire surveys. This experience is fundamentally different from th
APA, Harvard, Vancouver, ISO, and other styles
46

Anwari, Hamdan, Fian Damasdino F, and Fuadi Afif. "EDUCATING STUDENT AT MUSEUM." NUSRA: Jurnal Penelitian dan Ilmu Pendidikan 4, no. 4 (2023): 845–50. http://dx.doi.org/10.55681/nusra.v4i4.1676.

Full text
Abstract:
Museums are buildings used as storage, maintenance, security and utilization of historical relics, art and science for permanent exhibition to the public (tourists) as a tourist attraction that provides educational values to tourists or visitors. To meet the needs of visitors in the museum, competent tour guides are needed as parties who provide information or provide education about the collections owned by the museum being visited. Therefore, the purpose of this journal is to review how tourists learn in museums through tour guides and what the role of tour guides as educators is, namely gui
APA, Harvard, Vancouver, ISO, and other styles
47

Raed, Alghazawi, and Al-Manaser Ali. "Unveiling Jordan's Rock Art Legacy: The Flute Player at the Jordan Museum as a Case Study." Arqueologia Iberoamericana 54 (November 25, 2024): 110–16. https://doi.org/10.5281/zenodo.14210884.

Full text
Abstract:
This research focuses on the study of rock art found in the Jordanian Harrah, specifically comparing it to a notable artifact at the Jordan Museum. The museum's artwork depicts a woman playing the flute, which can be dated to the period between the second century BC and the second century AD. The stone bearing this art features a distinctive Safaitic inscription that includes the verb "Zamra," meaning "a flute player." The research aims to compare this artwork with other examples, exploring their historical significance and the ways they are interpreted within the museum context. It also exami
APA, Harvard, Vancouver, ISO, and other styles
48

Abbey, Heidi N. "Does a decade make a difference? Comparing the web presence of North American art museum libraries and archives in 1999 and 2011." Art Libraries Journal 37, no. 3 (2012): 34–40. http://dx.doi.org/10.1017/s0307472200017582.

Full text
Abstract:
The number of North American art museums with a presence on the internet has more than doubled since 1999. This is not surprising given the power of new media to transform the experiences that museum visitors have with our cultural institutions. Every year museums attract thousands of visitors to view, both in person and online, their specialized collections and unique exhibitions. Developing in tandem with these resources and largely unfamiliar to the general, museum-going public, the libraries and archives of these institutions have contributed to the research mission, educational programmin
APA, Harvard, Vancouver, ISO, and other styles
49

Wanttie, Megan. "Movement in museums: Using movement as embodied learning." Visual Inquiry 13, no. 1 (2024): 35–47. http://dx.doi.org/10.1386/vi_00111_1.

Full text
Abstract:
This article considers the ways that movement can be used as an affective experience for art museum visitors. In so doing, the correlation between art experience and cultural history is explored through the relationship between movement and language. This exploration can be utilized to cultivate important conversations regarding the role of the unwelcome body in the institutionalized museum space that has been difficult to recognize and articulate utilizing traditional Western histories, contexts, and methods of understanding and discussion. Here, the experience of moving with an art object, r
APA, Harvard, Vancouver, ISO, and other styles
50

Bračun Sova, Rajka. "Art Appreciation as a Learned Competence: A Museum-based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors." Center for Educational Policy Studies Journal 5, no. 4 (2015): 141–57. http://dx.doi.org/10.26529/cepsj.121.

Full text
Abstract:
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qualitative study was to examine art appreciation as a learned competence by exploring two different groups of museum visitors: art specialists and art non-specialists. The research was conducted at Moderna galerija in Ljubljana. Twenty-three adults were recruited and accompanied during their visit to the museum. Participants were requested to “think out loud”, which meant to talk about what they saw, thought, and felt about the artworks. There was a short interview conducted with each participant
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!