Relevant bibliographies by topics / Arthurian Romance in Verse

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Arthurian Romance in Verse'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Arthurian Romance in Verse"

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Sarah E. Gordon. "The Man with No Name: Identity in French Arthurian Verse Romance." Arthuriana 18, no. 2 (2008): 69–81. http://dx.doi.org/10.1353/art.0.0001.

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Luttrell, Claude, Beate Schmolke-Hasselmann, Roger Middleton, and Margaret Middleton. "The Evolution of Arthurian Romance: The Verse Tradition from Chretien to Froissart." Modern Language Review 94, no. 4 (1999): 1095. http://dx.doi.org/10.2307/3737260.

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Morris, Rosemary, and Beate Schmolke-Hasselmann. "The Evolution of Arthurian Romance: The Verse Tradition from Chretien to Froissart." Albion: A Quarterly Journal Concerned with British Studies 31, no. 3 (1999): 442. http://dx.doi.org/10.2307/4052962.

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James-Raoul, Danièle. "La voix et la lettre dans les romans arthuriens de la seconde moitié du XIIe siècle." Journal of the International Arthurian Society 8, no. 1 (2020): 79–106. http://dx.doi.org/10.1515/jias-2020-0005.

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AbstractThe perplexing question of the interrelations between hearing and sight looms large in the verse novel of the second half of the twelfth century, a newly promoted genre of literary fiction, no longer sung but written and intended for public reading in small circles, it seems, permanently shaped by the written word, yet brought to life by a fleeting voice. In what is commonly and sometimes abusively referred to as the Arthurian romance in verse of the second half of the twelfth century – the Arthurian part of Wace’s romance of Brut (in fact, a text between the chronicle and the romance
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Sayers, William. "Anglo-Norman verse on New Ross and its founders." Irish Historical Studies 28, no. 110 (1992): 113–23. http://dx.doi.org/10.1017/s002112140001066x.

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Literary evidence for political and social developments in medieval Ireland comes down to us in a variety of languages: Latin; a rich and — by European standards — early production in the Irish vernacular; Old Norse; Middle English; with sparser reference in Old English, Welsh and other nearby linguistic communities. Some of this evidence, tightly circumscribed in time, is also in Anglo-Norman French, and reflects a very different Ireland from that of Arthurian romance. These Anglo-Norman works, composed in Ireland or in Britain on the basis of eye-witness testimony, constitute a unique body o
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Drukker, Tamar. "A Thirteenth-Century Arthurian Tale in Hebrew: A Unique Literary Exchange." Medieval Encounters 15, no. 1 (2009): 114–29. http://dx.doi.org/10.1163/138078508x286888.

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AbstractA single fragment of a thirteenth-century Hebrew translation of an Arthurian romance is testimony to the familiarity of Jews in Italy with the popular tales of King Arthur. The translator is a learned jew, well-versed in Hebrew, scripture and exegesis, and yet his translation is a classic example of a chivalric romance set in a culture far removed from that of its translator and its possible readers.
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Rhinisperger, Selena. "Erzählend erinnern." Volume 60 · 2019 60, no. 1 (2019): 63–85. http://dx.doi.org/10.3790/ljb.60.1.63.

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This paper analyses how Heinrich von dem Türlin creates a metadiscourse about generic issues and conventions of Arthurian tales in his Romance Diu Crône by outlining the importance of narration itself for the Arthurian court. Based on two scenes where first the Arthurian court and than Gawein as main character of the tale are on the verge of forgetting themselves, the anaysis shows how processes of telling one’s own story are crucial not only for memoria but even for one’s own existence. By shifting these observations from the level of the narrated world to the narration itself the close conne
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MORRIS, ROSEMARY. "ASPECTS OF TIME AND PLACE IN THE FRENCH ARTHURIAN VERSE ROMANCES." French Studies XLII, no. 3 (1988): 257–77. http://dx.doi.org/10.1093/fs/xlii.3.257.

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MORRIS, R. "Aspects of Time and Place in the French Arthurian Verse Romances." French Studies 42, no. 3 (1988): 257–77. http://dx.doi.org/10.1093/fs/42.3.257.

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Lacy, Norris J. "Beate Schmolke-Hasselmann, The Evolution of Arthurian Romance: The Verse Tradition from Chrétien to Froissart, trans. Margaret and Roger Middleton." Romance Philology 52, no. 2 (1999): 163–66. http://dx.doi.org/10.1484/j.rph.2.304318.

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Dissertations / Theses on the topic "Arthurian Romance in Verse"

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Toniutti, Géraldine. "Les derniers vers du roman arthurien ˸ trajectoire d'un genre, anachronisme d'une forme." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA061.

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Qu’implique le choix du vers dans le roman, à une époque où la prose s’est déjà imposée comme forme privilégiée du genre ? C’est à cette question que nous soumettons le corpus des derniers romans arthuriens en vers, rédigés entre 1260 et 1380. Le choix atypique du vers dans le roman interroge les valeurs esthétiques attribuées à chaque forme au cours de ces siècles de mutation que sont le XIIIe et le XIVe siècle : l’écriture en vers résiste, mais est en décalage avec la forme irrémédiablement favorisée. Le corpus des derniers romans arthuriens en vers permet de tracer l’abandon du vers au prof
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Sassi, Sana. "Du vers à la prose et de prose en prose : les réécritures de la "Charette", du "Cligès" et de l'"Érec et Énide" de Chrétien de Troyes dans les proses des XIIIe, XIVe et XVe siècles." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030011.

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Les romans de Chrétien de Troyes ont suscité beaucoup de réécritures. A partir du XIIIè et jusqu’au XVè siècle, plusieurs romanciers ont repris la trame du Champenois en dépassant l’écriture en vers et en adoptant une écriture en prose jugée mieux garante de la véridicité et de la vraisemblance de l’histoire. Les versions se font concurrence, mêlant différents styles et différentes stratégies et célébrant un phénomène qui s’épanouit surtout dans la prose du Lancelot, l’entrelacement. La langue évolue aussi au fil des siècles. Cette évolution se fait remarquer dans des mises en prose qui sont m
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Latimier, Ionoff Adeline. "Lire le nom propre dans le roman médiéval : onomastique et poétique dans le roman arthurien tardif en vers (Les Merveilles de Rigomer, Claris et Laris, Floriant et Florete, Cristal et Clarie, Melyador)." Thesis, Rennes 2, 2016. http://www.theses.fr/2016REN20039.

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Les XIIe et XIIIe siècles voient se développer les romans arthuriens, en vers puis en prose, qui connaissent encore un vif succès à la fin du Moyen Âge. Alors qu’une mode arthurienne croît dans certaines cours, le roman arthurien doit se renouveler et les auteurs sont pris entre deux exigences. La cohérence de la matière arthurienne reposant en particulier sur une onomastique (toponymes et anthroponymes) sans cesse reprise, les auteurs doivent à la fois conserver uneonomastique identifiable et renouveler personnages et lieux en introduisant de nouveaux noms propres. Nous étudierons ainsi les m
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Sullivan, Joseph Martin. "Counsel in Middle High German Arthurian romance /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Poellinger, Michele. "Violence in later Middle English Arthurian romance." Thesis, University of Leeds, 2013. http://etheses.whiterose.ac.uk/5233/.

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Understanding the representations of violence in Middle English romance is key to understanding the texts themselves; the authors were aware of the cultural and spiritual resonances of violent language, and they often utilised their potential to direct their own meaning. This thesis explores the language of these representations in Middle English literature, from British chronicles to affective Passion narratives, in order to analyse the combat and warfare of Arthurian romances in their literary and social context. In particular, I study the borrowing of violent language between literatures, a
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Hyttenrauch, David Edward. "Ladies and their knights in Middle English Arthurian romance." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239380.

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Muth, Miriam Anna. "Adapting late Arthurian romance collections : Malory and his European contemporaries." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610481.

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Zhang, Suxue. "Romance motifs and ethics in Malory's 'Book of Sir Tristram'." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276148.

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Sir Thomas Malory’s ‘Book of Sir Tristram’, a condensation of the Old French Tristan en prose, has not received the attention it deserves. Previous studies notice the two texts’ differences in characterisation, style, moral emphasis, structural arrangements, and so on, but no study has sufficiently demonstrated the overall strategy and the moral purposes behind Malory’s changes. This thesis offers an evaluation of both texts’ approaches to some ethical questions, including identity, violence, justice, and passion, through a close analysis of their presentation of romance motifs. The comparison
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Moll, Richard J. "Facts and fictions, chronicle, romance and Arthurian narrative in England, 1300-1470." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0003/NQ41247.pdf.

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Putter, Ad. "Narrative technique and chivalric ethos in Sir Gawain and the Green Knight and the Old French roman courtois." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259478.

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Books on the topic "Arthurian Romance in Verse"

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The evolution of Arthurian romance: The verse tradition from Chrétien to Froissart. Cambridge University Press, 1998.

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The song of Guinevere: A defense of Arthur's wife in verse. Belgrave House, 1999.

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Sir Gawain & the green knight: A new verse translation. Alfred A. Knopf, 2004.

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Guerreau-Jalabert, Anita. Index des motifs narratifs dans les romans arthuriens français en vers: XIIe-XIIIe siècles = Motif-index of French Arthurian verse romances : XIIth-XIIIth cent. Droz, 1992.

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Peter, Knapp Fritz, and Niesner Manuela, eds. Die Krone (Verse 1-12281): Nach der Handschrift 2779 der Österreichischen Nationalbibliothek nach Vorarbeiten von Alfred Ebenbauer, Klaus Zatloukal und Horst P. Pütz. Niemeyer, 2000.

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Sir Gawain and the Green Knight: A close verse translation. West Virginia University Press, 2012.

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The death of King Arthur: A new verse translation. W. W. Norton & Co., 2012.

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8

Bruckner, Matilda Tomaryn. Chrétien continued: A study of the Conte du Graal and its verse continuations. Oxford University Press, 2009.

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Chrétien continued: A study of the Conte du Graal and its verse continuations. Oxford University Press, 2009.

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Bruckner, Matilda Tomaryn. Chrétien continued: A study of the Conte du Graal and its verse continuations. Oxford University Press, 2009.

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Book chapters on the topic "Arthurian Romance in Verse"

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Field, Rosalind. "Arthurian and Courtly Romance." In A Companion to Medieval Poetry. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319095.ch17.

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Tether, Leah, and Johnny McFadyen. "Introduction: King Arthur’s Court in Medieval European Literature." In Handbook of Arthurian Romance, edited by Leah Tether and Johnny McFadyen. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110432466-001.

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Campbell, Lori. "Where Medieval Romance Meets Victorian Reality: The “Woman Question” in William Morris’s The Wood Beyond the World." In Beyond Arthurian Romances. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403981165_10.

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Garner, Katie. "Haunting Beginnings: Women’s Gothic Verse and King Arthur." In Romantic Women Writers and Arthurian Legend. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59712-0_3.

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Radulescu, Raluca. "Liminality and Gender in Middle English Arthurian Romance." In Medieval English Literature. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_3.

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Knight, Stephen. "The Social Integration of Emotion in Early Arthurian Romance." In Medieval Literature and Social Politics. Routledge, 2021. http://dx.doi.org/10.4324/9781003052548-20.

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Garner, Katie. "Arthuriana for the ‘Fair Sex’: Gender Politics and the Reception of Romance." In Romantic Women Writers and Arthurian Legend. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59712-0_2.

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Isbell, John Clairborn. "Romantic novel and verse Romance, 1750-1850: Is there a Romance continuum." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/chlel.xxiii.31isb.

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Hebert, Jill M. "Sisters of the Forest: Morgan and Her Analogues in Arthurian Romance." In Morgan Le Fay, Shapeshifter. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137022653_3.

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Garner, Katie. "Cultivating King Arthur: Women Writers and Arthurian Romance in the 1850s." In British Women's Writing from Brontë to Bloomsbury, Volume 1. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78226-3_14.

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Reports on the topic "Arthurian Romance in Verse"

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Peacock, Nora. The Redemptive Role of Chivalry in Old French Arthurian Romance (12th and 13th Centuries). Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7183.

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