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Journal articles on the topic 'Arthurian Romance in Verse'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Sarah E. Gordon. "The Man with No Name: Identity in French Arthurian Verse Romance." Arthuriana 18, no. 2 (2008): 69–81. http://dx.doi.org/10.1353/art.0.0001.

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2

Luttrell, Claude, Beate Schmolke-Hasselmann, Roger Middleton, and Margaret Middleton. "The Evolution of Arthurian Romance: The Verse Tradition from Chretien to Froissart." Modern Language Review 94, no. 4 (1999): 1095. http://dx.doi.org/10.2307/3737260.

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3

Morris, Rosemary, and Beate Schmolke-Hasselmann. "The Evolution of Arthurian Romance: The Verse Tradition from Chretien to Froissart." Albion: A Quarterly Journal Concerned with British Studies 31, no. 3 (1999): 442. http://dx.doi.org/10.2307/4052962.

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4

James-Raoul, Danièle. "La voix et la lettre dans les romans arthuriens de la seconde moitié du XIIe siècle." Journal of the International Arthurian Society 8, no. 1 (2020): 79–106. http://dx.doi.org/10.1515/jias-2020-0005.

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AbstractThe perplexing question of the interrelations between hearing and sight looms large in the verse novel of the second half of the twelfth century, a newly promoted genre of literary fiction, no longer sung but written and intended for public reading in small circles, it seems, permanently shaped by the written word, yet brought to life by a fleeting voice. In what is commonly and sometimes abusively referred to as the Arthurian romance in verse of the second half of the twelfth century – the Arthurian part of Wace’s romance of Brut (in fact, a text between the chronicle and the romance

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5

Sayers, William. "Anglo-Norman verse on New Ross and its founders." Irish Historical Studies 28, no. 110 (1992): 113–23. http://dx.doi.org/10.1017/s002112140001066x.

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Literary evidence for political and social developments in medieval Ireland comes down to us in a variety of languages: Latin; a rich and — by European standards — early production in the Irish vernacular; Old Norse; Middle English; with sparser reference in Old English, Welsh and other nearby linguistic communities. Some of this evidence, tightly circumscribed in time, is also in Anglo-Norman French, and reflects a very different Ireland from that of Arthurian romance. These Anglo-Norman works, composed in Ireland or in Britain on the basis of eye-witness testimony, constitute a unique body o

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6

Drukker, Tamar. "A Thirteenth-Century Arthurian Tale in Hebrew: A Unique Literary Exchange." Medieval Encounters 15, no. 1 (2009): 114–29. http://dx.doi.org/10.1163/138078508x286888.

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AbstractA single fragment of a thirteenth-century Hebrew translation of an Arthurian romance is testimony to the familiarity of Jews in Italy with the popular tales of King Arthur. The translator is a learned jew, well-versed in Hebrew, scripture and exegesis, and yet his translation is a classic example of a chivalric romance set in a culture far removed from that of its translator and its possible readers.

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7

Rhinisperger, Selena. "Erzählend erinnern." Volume 60 · 2019 60, no. 1 (2019): 63–85. http://dx.doi.org/10.3790/ljb.60.1.63.

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This paper analyses how Heinrich von dem Türlin creates a metadiscourse about generic issues and conventions of Arthurian tales in his Romance Diu Crône by outlining the importance of narration itself for the Arthurian court. Based on two scenes where first the Arthurian court and than Gawein as main character of the tale are on the verge of forgetting themselves, the anaysis shows how processes of telling one’s own story are crucial not only for memoria but even for one’s own existence. By shifting these observations from the level of the narrated world to the narration itself the close conne

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8

MORRIS, ROSEMARY. "ASPECTS OF TIME AND PLACE IN THE FRENCH ARTHURIAN VERSE ROMANCES." French Studies XLII, no. 3 (1988): 257–77. http://dx.doi.org/10.1093/fs/xlii.3.257.

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9

MORRIS, R. "Aspects of Time and Place in the French Arthurian Verse Romances." French Studies 42, no. 3 (1988): 257–77. http://dx.doi.org/10.1093/fs/42.3.257.

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10

Lacy, Norris J. "Beate Schmolke-Hasselmann, The Evolution of Arthurian Romance: The Verse Tradition from Chrétien to Froissart, trans. Margaret and Roger Middleton." Romance Philology 52, no. 2 (1999): 163–66. http://dx.doi.org/10.1484/j.rph.2.304318.

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11

Clason, Christopher R. "Stephanie Cain Van D’Elden. Tristan and Isolde: Medieval Illustrations of the Verse Romances. Turnhout, Belgium: Brepols, 2016. 462 pp., 538 Ill." Mediaevistik 32, no. 1 (2020): 332–33. http://dx.doi.org/10.3726/med.2019.01.51.

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Stephanie Cain Van D’Elden’s prodigious volume on illustrations of the Tristan materials fills a gap in research on the Tristan illustrations by providing a single, authoritative resource for them. As the author explains, its purpose is quite simply “to list all the extant manuscripts, artefacts, and objets d’art, and to describe all the scenes depicted on them” (3). Building upon previous studies of illustrations by literary critics and art historians over the past century, including works by Hella Frühmorgen-Voss, Norbert H. Ott, and Robert Sherman and Laura Hibbard Loomis, as well as the ex

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12

Breeze, Andrew. "Arthur, la mer et la guerre, ed. Alban Gautier, Marc Rolland, and Michelle Szkilnik. Rencontres 289: Série Civilisation médiévale, 26. Paris: Classiques Garnier, 2017, 345 pp." Mediaevistik 32, no. 1 (2020): 283–84. http://dx.doi.org/10.3726/med.2019.01.28.

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Fifteen essays in English or French, the actes of a colloque international at Boulogne in 2014, offer novel approaches to Arthur vis-à-vis war and the sea. Simon Esmonde-Cleary (after an introduction by the editors) relates these entities to the historical Arthur; Stéphane Lebecq then considers Celt and Saxon in the mers de l’Ouest of the Dark Ages. Alban Gautier informs us on early Anglo-Saxons and the sea; Krista Kapphahn discusses Celtic Otherworld voyages and the Irish Sea; Charlotte Wulf attends to Geoffrey of Monmouth and his contemporaries on Channel crossings. Michelle Szkilnik describ

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13

Baumgartner, Emmanuèle. "The Evolution of Arthurian Romance: The Verse Tradition from Chrétien to Froissart [Der arturische Versroman von Chrestien bis Froissart]. Margaret Middleton , Roger Middleton , Max Niemeyer." Speculum 77, no. 2 (2002): 634–36. http://dx.doi.org/10.2307/3301424.

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14

Morris, Rosemary. "Beate Schmolke-Hasselmann. The Evolution of Arthurian Romance: The Verse Tradition from Chretien to Froissart. (Cambridge Studies in Medieval Literature, vol. 35.) New York; Cambridge University Press. 1998. Pp. xlix, 321. $59.95. ISBN 0-521-41153-X." Albion 31, no. 3 (1999): 442–43. http://dx.doi.org/10.1017/s0095139000070666.

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15

Rand, P. "The Evolution of Arthurian Romance: The Verse Tradition from Chretien to Froissart. By Beate Schmolke-Hasselmann. Translated by Margaret and Roger Middleton. (Cambridge Studies in Medieval Literature, 35). Cambridge University Press, 1998. xlix+321 pp. Hb 37.50." French Studies 54, no. 3 (2000): 342–43. http://dx.doi.org/10.1093/fs/54.3.342.

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16

Hunt, Tony, and Roger Middleton. "Arthurian Romance." Modern Language Review 89, no. 3 (1994): 755. http://dx.doi.org/10.2307/3735172.

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17

Manuwald, Henrike. "Fictionality and Pleasure. Traces of a Practice of Fictionality in Medieval German Short Verse Narratives?" Journal of Literary Theory 14, no. 2 (2020): 215–40. http://dx.doi.org/10.1515/jlt-2020-2005.

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AbstractDespite an intense debate over the past decades the question of whether the concept of fictionality can be regarded as universal or whether it needs to be historicised is still unresolved. The same question applies to the practice (or practices?) of fictionality, which come into focus once an institutional theory of fictionality is applied. In addition to the problem that literary practices can only be reconstructed incompletely for past epochs, it is methodically difficult to determine which practices should be identified, given that the practice of fictionality might have changed ove

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18

Mills, Maldwyn, and John Darrah. "Paganism in Arthurian Romance." Modern Language Review 92, no. 2 (1997): 425. http://dx.doi.org/10.2307/3734831.

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19

KENNEDY. "FAILURE IN ARTHURIAN ROMANCE." Medium Ævum 60, no. 1 (1991): 16. http://dx.doi.org/10.2307/43629380.

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20

Mcclain, Lee Tobin. "Gender Anxiety in Arthurian Romance." Extrapolation 38, no. 3 (1997): 193–99. http://dx.doi.org/10.3828/extr.1997.38.3.193.

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21

Jambeck, Kathy Shaughnessy, and Derek Pearsall. "Arthurian Romance: A Short Introduction." Modern Language Review 99, no. 4 (2004): 1020. http://dx.doi.org/10.2307/3738516.

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22

Busby, Keith. "Post-Chrétien Verse Romance." Cahiers de recherches médiévales et humanistes, no. 14 (December 15, 2007): 11–24. http://dx.doi.org/10.4000/crm.2646.

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23

Sandler, Florence. "A Jewish Encounter with Arthurian Romance." Arthuriana 12, no. 2 (2002): 69–77. http://dx.doi.org/10.1353/art.2002.0041.

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24

Weiss, J. "Review: Arthurian Romance. A Short Introduction." Notes and Queries 51, no. 2 (2004): 185–86. http://dx.doi.org/10.1093/nq/51.2.185.

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25

Weiss, Judith. "Review: Arthurian Romance. A Short Introduction." Notes and Queries 51, no. 2 (2004): 185–86. http://dx.doi.org/10.1093/nq/510185.

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26

Braswell, Mary Flowers. "Arthurian Romance: A Short Introduction. Derek Pearsall." Speculum 81, no. 1 (2006): 251–53. http://dx.doi.org/10.1017/s0038713400020121.

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27

Withrington, John. "Paganism in Arthurian Romance by John Darrah." Arthuriana 5, no. 3 (1995): 130–32. http://dx.doi.org/10.1353/art.1995.0037.

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28

Joseph M. Sullivan. "Middle High German Arthurian Romance: New Readings." Arthuriana 20, no. 3 (2010): 3–5. http://dx.doi.org/10.1353/art.2010.0002.

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29

Arden, Heather, and Kathryn Lorenz. "The Harry Potter Stories and French Arthurian Romance." Arthuriana 13, no. 2 (2003): 54–68. http://dx.doi.org/10.1353/art.2003.0005.

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30

Kennedy, Edward Donald. "Nicholas Seare's Rude Tales and Glorious: Arthurian Romance?" Arthuriana 14, no. 1 (2004): 77–79. http://dx.doi.org/10.1353/art.2004.0091.

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31

PUTTER. "FINDING TIME FOR ROMANCE: MEDIAEVAL ARTHURIAN LITERARY HISTORY." Medium Ævum 63, no. 1 (1994): 1. http://dx.doi.org/10.2307/43629612.

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32

Harrison, Ann Tukey. "Jaufre: An Occitan Arthurian Romance (review)." Tenso 10, no. 1 (1994): 47–48. http://dx.doi.org/10.1353/ten.1994.0015.

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33

Firestone, Ruth H., and Alexandra Sterling-Hellenbrand. "Topographies of Gender in Middle High German Arthurian Romance." German Studies Review 27, no. 2 (2004): 363. http://dx.doi.org/10.2307/1433089.

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34

Holsinger, B. "Sovereign Fantasies: Arthurian Romance and the Making of Britain." Modern Language Quarterly 66, no. 1 (2005): 119–24. http://dx.doi.org/10.1215/00267929-66-1-119.

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35

Phillips, Helen. "Malory and His Contemporaries: Adapting Late Arthurian Romance Collections." Folklore 129, no. 4 (2018): 425–26. http://dx.doi.org/10.1080/0015587x.2017.1418261.

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36

Allen, Rosamund. "Sovereign Fantasies: Arthurian Romance and the Making of Britain." Notes and Queries 50, no. 1 (2003): 97–98. http://dx.doi.org/10.1093/nq/500097.

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37

Allen, R. "Sovereign Fantasies: Arthurian Romance and the Making of Britain." Notes and Queries 50, no. 1 (2003): 97–98. http://dx.doi.org/10.1093/nq/50.1.97.

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38

Green, D. H., and Alexandra Stirling-Hellenbrand. "Topographies of Gender in Middle High German Arthurian Romance." Modern Language Review 99, no. 1 (2004): 239. http://dx.doi.org/10.2307/3738946.

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39

Lodén, Sofia. "Female Arthurians in Scandinavia: Eufemia, Christina and the Modern Female Scholar." Journal of the International Arthurian Society 7, no. 1 (2019): 42–60. http://dx.doi.org/10.1515/jias-2019-0003.

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Abstract This article traces the line between the medieval female reader of Arthurian romance in Scandinavia and the female scholar of today. It draws attention to a number of female patrons and readers of Arthuriana in the Middle Ages, as well as to Queen Christina of Sweden in the seventeenth century. It also discusses the contribution of Scandinavian women to the scholarly field of Arthurian literary study.

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40

Clancy, Matt. "The Lost Tomb of Arthur and Guinevere at Glastonbury Abbey." Journal of the International Arthurian Society 6, no. 1 (2018): 123–43. http://dx.doi.org/10.1515/jias-2018-0007.

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Abstract The monks of Glastonbury Abbey excavated what they claimed were the relics of Arthur and Guinevere in 1191 and installed them in a lavish tomb inside the Abbey. This article explores the material culture of this tomb, incorporating both its use in reality and its representation in Arthurian romance texts. In doing so, it argues that the creation of the tomb directly influenced the development of the Arthurian romance tradition. A survey of the surviving evidence shows that the tomb was presented as that of a real king, suggesting that its creators sought to emulate medieval royal tomb

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41

Gebert, Bent. "Das Erbe des Lazarus." Beiträge zur Geschichte der deutschen Sprache und Literatur 142, no. 1 (2020): 23–52. http://dx.doi.org/10.1515/bgsl-2020-0002.

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AbstractFollowing the resurrection of the Arthurian knight Erec at the castle of Limors, this article attempts to review the question of the religious ties of the courtly romance by investigating figurations of re-entering life. These typological ties, when considered in detail, turn out to be ambivalent precisely when the religious horizon appears particularly affirmative, as in the case of Limors. This gets especially palpable in connection with returnees who, like Lazarus and Erec, become ambiguous between religious wonder and judicial discussion. The article explores their interferences in

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42

Polilova, Vera. "Spanish Romancero in Russian and the semantization of verse form." Studia Metrica et Poetica 5, no. 2 (2019): 77–108. http://dx.doi.org/10.12697/smp.2018.5.2.04.

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In this paper, I analyze Russian translations and close imitations of Spanish Romancero poetry composed between 1789 and the 1930s, as well as Russian original poems of the same period marked by “Spanish” motifs. I discuss the Spanish romance as an international European genre, and show how this verse form’s distinctive features were transferred into Russian poetry and how the Russian version – or, rather, several Russian versions – of this form came into being. I pay special attention to the genesis of the stanza composed of a regular sequence of feminine (F) and masculine (m) clausulae FFFm.

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43

Braun, Manuel, and Nora Ketschik. "Soziale Netzwerkanalysen zum mittelhochdeutschen Artusroman oder: Vorgreiflicher Versuch, Märchenhaftigkeit des Erzählens zu messen." Das Mittelalter 24, no. 1 (2019): 54–70. http://dx.doi.org/10.1515/mial-2019-0005.

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Abstract This article discusses the question of how complex the narrations of Arthurian romances are by comparing them to the ‘simple form’ of fairy tales. In order to achieve this, we identify properties of the European folktale, which we then compare with an Arthurian text corpus consisting of Hartmann von Aue’s ‘Erec’ and ‘Iwein’ as well as Wolfram von Eschenbach’s ‘Parzival’. The typological investigation is carried out using data-driven methods, primarily Social Network Analysis, and focuses on various aspects of characters. By doing this, we gain an in-depth understanding of the relation

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44

Kennedy, Angus J., and Anne Wilson. "The Magical Quest: The Use of Magic in Arthurian Romance." Modern Language Review 85, no. 4 (1990): 897. http://dx.doi.org/10.2307/3732652.

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45

Batt, Catherine, and Ad Putter. "'Sir Gawain and the Green Knight' and French Arthurian Romance." Modern Language Review 92, no. 3 (1997): 689. http://dx.doi.org/10.2307/3733401.

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46

Paul R. Rovang. "Hebraizing Arthurian Romance: The Originality of Melech Artus." Arthuriana 19, no. 2 (2009): 3–9. http://dx.doi.org/10.1353/art.0.0054.

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47

Szkilnik, Michelle. "Rewriting Arthurian Romance in Renaissance France by Jane H.M. Taylor." Arthuriana 26, no. 3 (2016): 155–56. http://dx.doi.org/10.1353/art.2016.0046.

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48

Besamusca. "The Prevalence of Verse in Medieval Dutch and English Arthurian Fiction." Journal of English and Germanic Philology 112, no. 4 (2013): 461. http://dx.doi.org/10.5406/jenglgermphil.112.4.0461.

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49

Câmara Simões da Silva, Rafaela. "«Do rei exemplar: alguns ecos bíblicos na oratoria do Lancelot en prose»." Revista de Literatura Medieval 29 (December 21, 2018): 81–90. http://dx.doi.org/10.37536/rpm.2017.29.0.69393.

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Resumen: O Lancelot en Prose, extenso romance que desenvolve a biografia de Lancelot, insere-se no grande ciclo de romances arturianos escrito em França durante a década de vinte do séc. XIII. Este texto testemunha, no nosso entender, uma clara exploração das potencialidades bíblicas na literatura medieval. A nossa análise incidirá essencialmente num momento discursivo que consideramos fundamental no romance, a repreensão dirigida a Artur por um preudome que se apresenta perante a corte do rei. Procuraremos identificar, através do confronto entre este excerto do Lancelot en Prose e as Escritur

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50

Forcione, Alban, and Edwin Williamson. "The Half-Way House of Fiction: Don Quixote and Arthurian Romance." Comparative Literature 39, no. 1 (1987): 86. http://dx.doi.org/10.2307/1770577.

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