Academic literature on the topic 'Artistic formats'

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Journal articles on the topic "Artistic formats"

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Dobovšek, Zala. "Formats and Potentials of Local Small Arts (Kleinkunst)." Amfiteater 10, no. 2 (2022): 138–39. http://dx.doi.org/10.51937/amfiteater-2022-2/138-139.

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The article focuses on the phenomena, developments and potentials of small arts (Kleinkunst) in the Slovenian space. Small arts are a form of artistic response that, through diverse performance genres – such as cabaret, new burlesque, improvisational theatre, stand-up, interventions in public space, contemporary circus, drag, queer and LGBTQI+ stage events – provides a social commentary on the existing traditionalist, heteronormative, patriarchal and capitalist society. The article elaborates the term small arts and its artistic and social elements and tries to identify it concretely in the lo
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Soreanu, Cătălin, and Lavinia German. "5. From an Exhibition Gallery to a Space for Contemporary Art Projects. Aparte Gallery of Unage Iași." Review of Artistic Education 1, no. 24 (2022): 204–14. http://dx.doi.org/10.2478/rae-2022-0025.

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Abstract This research aims to analyze the exhibitions activity of the Aparte Gallery of “George Enescu” National University of the Arts in Iași, from 2005 to 2020, respectively artistic projects created by students, teachers or guest artists of the Faculty of Visual Arts and Design. The multitude of artistic events formats includes exhibitions, workshops, conferences, book launches, residencies, bachelor and dissertation exams, and highlights the versatility of the gallery that has evolved, over time, into a real space of contemporary artistic projects, which encourages the artistic research
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Shahmohammadi, Nayereh. "Examining the Degree of Conformity of media formats and artistic aspects of Roshd Nojavan Magazine with the Needs of Students." Journal of Adolescent and Youth Psychological Studies 4, no. 2 (2023): 63–73. http://dx.doi.org/10.61838/kman.jayps.4.2.8.

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Background and Aim: This research aimed to investigate the degree of adaptation of media formats and artistic aspects of Roshd Nojavan magazine to the media needs and interests of first-year high school students. Methods: This study is exploratory research in which a qualitative method (content analysis) and a survey (survey of students) were used. The sample in the qualitative part included nine issues of Roshd Nojavan Magazine published during the three years of 2020, 2021, and 2022, and the quantitative was 708 high school students. The research tools were content Checklist forms and semi-s
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Schultz, Laura Luise. "Whole Body Treatment." Peripeti 13, no. 25 (2021): 50–52. http://dx.doi.org/10.7146/peri.v13i25.109575.

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A performance essay with stage directions. An artistic reflection on working with the performance series Whole Body Treatment version 1 - 4. The performance explores new formats like theater on the body, the series, the 1:1 performance. The performance essay reflects on the different experiences with these new formats.
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Dockerty, Kelly. "Using video as a form of artistic communication: preparing for undergraduate assessment in Initial Teacher Education (ITE)." Research on Education and Media 12, no. 1 (2020): 22–33. http://dx.doi.org/10.2478/rem-2020-0004.

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Abstract In a fast-evolving Higher Education (HE) landscape amid the COVID-19 pandemic, the need for a Lecturer in Education to be dynamic and innovative with assessment pedagogy is no longer a desired skill but mandatory. In response to the demand from students as consumers and other key stakeholders, our innovative and somewhat artistic license in the learning context. At the student-facing edge of HE, Lecturers react to the ever-changing landscape with dynamism to positively impact the student experience. These continued efforts to provide the best student experience, enables HE institution
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Karas, Hanna. "USE OF INTERDISCIPLINARITY AS AN INNOVATIVE APPROACH IN THE EDUCATIONAL PROCESS OF ART INSTITUTIONS OF HIGHER EDUCATION." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 18–22. http://dx.doi.org/10.36550/2415-7988-2021-1-195-18-22.

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The article is devoted to the use of interdisciplinarity as an innovative approach in the educational process of art institutions of higher education on the example of studying the discipline «Evolution of artistic styles in art» included in educational master's programs. This discipline is based on the theory and practice of professional development of a teacher-musician, who provides the Master of Arts education process, shapes their professional development necessary for their future musical and pedagogical creativity, skills, and pedagogical culture. The content of the discipline consists
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Lavrennikova, Dasha. "Haptic Thinking and Experience through Collective Artistic Research." POIÉSIS 20, no. 34 (2019): 159. http://dx.doi.org/10.22409/poiesis.v20i34.38294.

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This article offers a theoretical reflection and practical proposals from the HeterotRópico artistic laboratory, a nomadic laboratory - where we are investigating dance, performance, physical theater, in conjunction with other diverse social technologies. They bring tools to activate collective practices developed within open creative processes. We will focus on the seminar lab I have proposed at the Masters in Arts Practice and Visual Culture 2018-2019 in Madrid, bringing together an intercultural group of artists and thinkers of around practices of trans-disciplinary arts. Artistic laborator
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Yankovskiy, Alexander N. "Riddle as a Structural Element of the Quest Genre." Journal of Flm Arts and Film Studies 10, no. 4 (2018): 78–88. http://dx.doi.org/10.17816/vgik10478-88.

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One of the most sought after forms of contemporary mass culture is the quest, represented in various formats from video games, to cinema, to city tours, to especially equipped game spaces. What is the secret the popularity of this format whose roots can be found in archaic myths and rituals? The article establishes the interconnection between the quest with literature, cinema, video games and reality shows. The phenomenon of the riddle in the context of real virtuality has never been explored in terms of cultural studies, modern artistic game forms are just beginning to be interpreted in the a
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Cámara Toldos, Pedro Pablo, and Inés María Monreal Guerrero. "Saxophone +, beyond a stage concert format." INSAM Journal of Contemporary Music, Art and Technology, no. 14 (July 20, 2025): 9–27. https://doi.org/10.51191/issn.2637-1898.2025.8.14.9.

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The boundaries of classical music have long been blurred, with numerous artists redefining the concert as a multidisciplinary experience that integrates various arts and technologies. The research detailed in this paper explores the transformation of the traditional concert format, positioning the performer as a multifaceted artist who assumes roles beyond interpretation, such as stage direction or musical acting, expanding the expressive possibilities of musical performance. Through artistic research, this study conceives the concert as a dramaturgical space where different art forms converge
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Shirokostup, Olga. "Between River Low and Mountain High. Artistic Research and What Characterizes It." Philosophical Literary Journal Logos 34, no. 1 (2024): 63–74. http://dx.doi.org/10.17323/0869-5377-2024-1-63-74.

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This article presents an overview of the origin of the concept of “artistic research” and the discussions around it that unfolded in the artistic and academic environment. Artistic research emerged within the framework of the academy, but at the same time, as many critics emphasize with whom the author of the article agrees, it should not be colonized by it. The article examines the models of conducting artistic research with reference to the Mika Hannula’s, Juha Suoranta’s and Tere Vadén’s Artistic Research Methodology and identifies general patterns that characterize this practice in all its
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Dissertations / Theses on the topic "Artistic formats"

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Sushkova, Valeriia Volodymyrivna, and Валерія Володимирівна Сушкова. "The principles of comunication of artistic formats in digital media." Thesis, National aviation university, 2021. https://er.nau.edu.ua/handle/NAU/50055.

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1. Данилюк Д. Як комунікують українські літературні фестивалі. [Електронний ресурс]. – Режим доступу: https://bazilik.media/ 2. Ерохин С. В. Естетика цифрового компьютерного искусства / С. В. Ерохин. – СПб.: Алетейя, 2011. – 4 с. 3. Чередніченко А. Як комунікують нові мистецькі формати. [Електронний ресурс]. – Режим доступу: https://bazilik.media/<br>Communication between artistic, literary formats and the viewer has been problematic since the last century. At that time, viewers were given a limited amount of active action. They could look, listen, and react to art in physical space. Now it’s
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Li, Yuping. "Landscape painting as a critical cross-cultural art practice : exploring how the theories and methodologies in ancient Chinese painting can be fused into contemporary landscape art practice to expand existing artistic formats." Thesis, Lancaster University, 2016. http://eprints.lancs.ac.uk/83083/.

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This thesis is part of a practice-based Ph.D. study that investigates the genre of landscape painting through a cross-cultural perspective and method of practice. It attempts to link and step across the fields of ancient Chinese and contemporary Western art, with a focus on how to critically understand and use Chinese aesthetic traditions to make a contribution to contemporary landscape painting practice. This study argues that ancient Chinese art theory can provide unique insights and ways of thought, as a different interpretive strategy from the Western art tradition; and the traditional Chi
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Vermooten, Elizabeth. "Fiction writing as symbolic constructivist inquiry in ego state therapy." Diss., Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-11262008-125922.

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Rubio, Paula. "Pequeño formato." Tesis, Universidad de Chile, 1990. http://www.repositorio.uchile.cl/handle/2250/101568.

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Escultura armable, de aluminio, de 12cm x 11 cm x 16 cm, que guarda en su interior versos y reflexiones personales de la autora, distribuidos en 7 piezas de aluminio de 7,5 x 9,5 cm., las cuales se guardan atornilladas dentro de la escultura.<br>Prefabricated sculpture, of aluminum, 12cm x 11 cm x 16 cm, that keeps in their interior verses and personal reflections of the author, distributed in 7 aluminum pieces of 7.5 xs 9.5 cm., which keep screwed within the sculpture.
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MOREIRA, P. L. "PRÁTICAS SOCIAIS: OUTRAS FORMAS DE SER ARTISTA." Universidade Federal do Espírito Santo, 2016. http://repositorio.ufes.br/handle/10/8487.

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Made available in DSpace on 2018-08-01T23:30:09Z (GMT). No. of bitstreams: 1 tese_10484_Prática Social - Outras Formas de ser artitista 2016.pdf: 1921768 bytes, checksum: e0cfb15d3f42dfb931c91cbd96b143c0 (MD5) Previous issue date: 2016-12-06<br>Escrevemos a arte em um novo patamar e relação criativa, destacadas recentemente suas apuradas metodologias de ação e recepção: relacionais, participativas, comunitárias, sociais, anti-mercadológicas e transdisciplinares. Temos como matéria originária de pesquisa a cooperação e a colaboração entre artistas e usuários da obra de arte no seu processo
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ARRIGONI, Luigi Ernesto. "La metrica di Alfonso Gatto. Strutture formali e paradigmi artistici." Doctoral thesis, Università degli studi di Bergamo, 2010. http://hdl.handle.net/10446/598.

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The thesis focuses on the metrical forms in Alfonso Gatto’s poetry. The work analyses Gatto’s entire production from the first book, Isola, dated 1932, up to the posthumous volume, Desinenze, published in 1977, one year after the writer’ s death. It is fundamental, in a global perspective on the metrical aspects, to delve on the interaction between art and literature. Gatto wrote several essays about painting, sculpture, architecture, theatre and cinema. His books were often illustrated by contemporary artists, like Fulvio Bianconi (Allegretto, 1957), Carlo Carrà (Venezia, 1964) and Graziana P
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Silvana, Grujić. "Umetnička igra na televiziji:оblikotvorni principi stvaranja i realizacije televizijskog baleta". Phd thesis, Univerzitet u Novom Sadu, Doktorske disertacije iz interdisciplinarne odnosno multidisciplinarne oblasti na Univerzitetu u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107281&source=NDLTD&language=en.

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Osnovna oblast razmatranja u ovoj disertaciji odnosi se na načine na koje televizija prihvata balet i različite pojavnosti umetničke igre, sa jasnom distinkcijom izmeĎu realizacije prenosa baletske predstave i kreativnog procesa formiranja specifičnog formata, televizijskog baleta. U strukturalnom pogledu disertacija je podeljena na tri celine koje sadrže sedam poglavlja. To su teorijski, istorijsko-deskriptivno-analitički deo i komparativni deo, uz uvod, zaključak, literaturu, priloge i biografiju autora. U prvom delu pod nazivom &bdquo;Umetnička igra i televizija&ldquo;, prvo poglavlje odnos
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Laidler, Paul Anthony. "Collaborative digital and wide format printing : methods and considerations for the artist and master printer." Thesis, University of the West of England, Bristol, 2011. http://eprints.uwe.ac.uk/16563/.

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This thesis investigates the collaborative production of fine art digital prints for artists,a process which is used by many contemporary practitioners including Richard Hamilton and Damien Hirst. Digital print as a fine art process has emerged over the last twenty years, and as yet, there is no in depth evidence on the collaborative endeavour and production process which is central to the digital Master Printer’s role. The investigation first establishes the historical context and significance of the Master and Printer in traditional printmaking, and the more recent development of the digital
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Pizà, Airas Sira. "El Artista como obra: formas de autoproducción online y offline en el arte contemporáneo 2000-2006, Barcelona - Berlín." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/565909.

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Esta investigación parte del análisis crítico de obras de arte contemporáneo que cuestionan la definición de la labor del artista, su estatus en una estructura de producción, y la naturaleza de su trabajo, a través de estrategias y formas de autorrepresentación. La pregunta central gira entorno a la figura del artista contemporáneo como paradigmática del sujeto autoproducido en la era digital y en la sociedad de la información en red y el trabajo inmaterial, y la tesis desarrolla un marco teórico que sitúa los conceptos implicados en el discurso actual sobre la cuestión del arte como trabajo.
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Silva, Sofia Maria Estrela Conde e. "O lugar onde habita a arte. Habitar a arte que habita. Formas contemporâneas de apropriação numa residencia de artistas." Master's thesis, Faculdade de Arquitectura de Lisboa, 2012. http://hdl.handle.net/10400.5/5435.

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Books on the topic "Artistic formats"

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Steinmueller, Uwe. The art of raw conversion: How to produce art-quality photos with Adobe Photoshop CS2 and leading raw converters. No Starch Press, 2005.

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Harrington, Elda. Las formas de la piel. Municipalidad de la Ciudad, Secretaría de Cultura, Dirección General de Museos, 1995.

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Dexter Sinister (Group of artists). Portable document format. Lukas & Sternberg, 2009.

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Matics, K. I. Cambodian silver animals: A long tradition of artistic heritage. Chulalongkorn University Press, 2002.

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Henny, Brandt, Hartmann, Erich, 1886 (Jan. 7)-1974., and Küster Bernd 1952-, eds. Erich Hartmann: Die kleinen Formate. Worpsweder Verlag, 1995.

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Donzelli, Ferdinando. L' Ottocento italiano nel piccolo formato: 115 artisti rappresentati, 400 dipinti riprodotti. Opus libri, 2001.

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Vilma, Margheri, ed. L' Ottocento italiano: Nel piccolo formato : 115 artisti rappresentati, 400 dipinti riprodotti. Opus libri, 2001.

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Giovanna, Bonasegale Pittei, Lux Simonetta 1943-, Pražský hrad, and Galleria comunale d'arte moderna e contemporanea (Rome, Italy), eds. Forma 1 e i suoi artisti, 1947-1997. Argos, 1998.

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Donzelli, Ferdinando. L' Ottocento italiano nel piccolo formato, secondo volume: 140 artisti rappresentati, 400 dipinti riprodotti. Artigraf, 2006.

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1954-, Victoroff Gregory T., and Beverly Hills Bar Association. Committee for the Arts., eds. The visual artist's business and legal guide. Prentice Hall, 1995.

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Book chapters on the topic "Artistic formats"

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Green, Charles, Belinda Smaill, and Seán Cubitt. "Iconographies of Climate Catastrophe: The Representation of Climate Change in Art and Film." In Arts, Research, Innovation and Society. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56114-6_8.

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AbstractThis chapter reviews visual representations of climate in art and film across the last few decades, exploring shifting artistic, cinematic, televisual and narrative practices that have more recently shaped the communication of the climate emergency. It explores the iconographies that artists and filmmakers have used in the shift from representing contemporaneous and local environmental challenges to depicting the future consequences of climate warming, including widespread biospheric change. The authors sketch the shifting screen media formulations that imagine climate catastrophes, ob
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Ahmed, Dana, Margherita Paola Poto, and Stéphanie Heckman. "Ocean Literacy Accessibility." In The Ocean Incubator Network Learning Toolkit. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-78062-2_7.

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Abstract (English) This chapter explores the practical aspects of accessibility in ocean literacy, embodying the principles of Dana Ahmed’s approach to blue education as demonstrated in her project, EcoSpectrum. The focus is on pragmatic strategies to enhance inclusivity and accessibility within the realm of ocean education, ensuring that learning about the ocean is an opportunity available to all. Central to the chapter is the embedded ocean literacy activity designed to foster inclusion within educational settings. This activity serves as a practical example of how educators and facilitators
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Götz, Magdalena. "Queer Reading, Writing and Performing Text with the Young Girl Reading Group." In Doing Research - Wissenschaftspraktiken zwischen Positionierung und Suchanfrage. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839456323-005.

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Looking at an artistic workshop by the Young Girl Reading Group (YGRG), this text conceptualizes collective practices of reading, writing and performing .txt (text) with smartphones as queering practices and as doing .txt. Focusing on the entanglements between media, technology, non/human actors and queer/feminist practices, situates .txt as media format, artistic material and practice, form and method, as standardizing and ordering but also potentially disordering and transforming.
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Barton, Roman Alexander, Julia Böckling, Sarah Link, and Anne Rüggemeier. "Introduction: Epistemic and Artistic List-Making." In Forms of List-Making: Epistemic, Literary, and Visual Enumeration. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76970-3_1.

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AbstractThe first chapter offers a substantial introduction that surveys previous scholarship on lists and list-making and situates the simple but versatile form of the list in its historical, cultural, and aesthetic contexts. Starting with an etymological contextualization of the term list, the introduction presents the list as a piece in the making—a handicraft—to then embrace the literary, poetic, and cultural manifestations of list-making throughout the centuries. As it invites us to reflect on how art or knowledge is produced through enumeration, the introduction further provides a conden
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Orlandoni, Bruno. "L’arcobaleno, la luna, il fulmine. Riflessioni e ipotesi sull’arte dei popoli del sud-est congolese." In Nuances africaines. Éditions de l’Université de Lorraine, 2018. https://doi.org/10.4000/13ny8.

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Scoperta praticamente solo dopo l’indipendenza del Congo l’arte hemba è stata oggetto di ricerche e pubblicazioni sistematiche solo dalla fine degli anni Settanta del XX secolo. Da quel momento si è però imposta con assoluta chiarezza come uno degli episodi più alti e significativi di tutta la produzione artistica africana. Il saggio, partendo dagli studi condotti fino ad ora, collega l’arte hemba a quella dei popoli vicini, e, presentando per la prima volta una lunga serie di opere inedite, cerca di approfondire le problematiche legate alla produzione delle monumentali figure di antenati che
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Robine, Jean-Marie, Claire Blatz, Jean-Marie Robine, Karen Vincent Jones, Olivier Winghart, and Sonia Weyers. "Self, Artist of Contact." In Situation, Field Perspective and Formation of Forms in Gestalt Therapy, 2nd ed. Routledge, 2025. https://doi.org/10.4324/9781003515760-3.

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Roxanne, Tiara. "Revisualising Intersectionality: Conversations." In Revisualising Intersectionality. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93209-1_3.

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AbstractRoxanne introduces the “conversations” format which combined methods of artistic research and instigated the transdisciplinary research undergirding the publication of Revisualising Intersectionality. Although each conversation was dedicated to one concept, namely trans*, sameness, perception, and intimacy, in the chapter, Roxanne explains how they are all positioned as epistemologies that challenge binaries (e.g., queer theory) and categorisation (e.g., critical race theory). Via readings of Doireann O’Malley’s film Prototypes and Stephanie Comilang’s sci-fi documentary Lumapit Sa Aki
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Chaker, Sarah. "Hear - Taste - See: UISGE BEATHA - Waters of Life." In Forum Musikvermittlung - Perspektiven aus Forschung und Praxis. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839456811-013.

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A special kind of synaesthetic experience could be seen, heard and tasted at the lecture series back in 2019/2020 about the format »Works and Whiskies«, as very different tastes of Scotch whisky flavours were transformed into notes and pieces of music for contrabass clarinet by composer Petra Stump-Linshalm. These were rendered audible by musician Heinz-Peter Linshalm and found their visual equivalent in paintings by Jutta Goldgruber. Based on an interview with the artists, Sarah Chaker summarises in this article their thoughts towards this special kind of Musikvermittlung, which was retrospec
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Erel, Umut. "Collaborations Between Academics, Artists and Activists: Transforming Public Understandings and Representations of Migration Issues." In IMISCOE Research Series. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-39900-8_10.

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AbstractThis chapter reflects on collaborations between academics, artists and activists in order to explore the complexity of issues of migration and to engage with diverse audiences. It positions these collaborations within an ethical framework drawing on participatory action research values. While in recent years, migration has been a constant topic of public debate, the terms of this debate often ignore the voices and viewpoints of the migrants themselves. One way to honour migrants’ self-representations in public debates is collaboration with artists and activists, which can help to side-
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Dolzani, Francesca. "Il gioco di nessuno." In Storie della Biennale di Venezia. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/013.

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The purpose of this article is to start mapping the trajectories of artistic dispositives, exhibiting formats and reciprocal cultural influences across Europe since its economic and political foundation in the 1950s, and up until the 1980s. Lines are drawn between Venice and Paris, two of the most visually identified cities on the continent, to explore the contribution given by photography and Biennales towards a European self-representation.
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Conference papers on the topic "Artistic formats"

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Gotea, Mihaela. "�HOW DO I CONSTRUCT MY IDENTITY AS AN ARTIST?� THE USE OF STORYTELLING IN ARTIST�S ENDEAVOURS DURING A GLOBAL PANDEMIC." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/vs07/40.

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During the COVID-19 pandemic, the arts played an important role for people while coping during lockdown and other severe social restrictions. This presentation introduces a work in progress, where the researcher conducts a self-observation of herself as an artist by constructing a brand personality through storytelling on social media. Data consisted of weekly YouTube videos during a 20-week period, followed with diary entries and self-reflections and reactions of followers (YouTube, Instagram and Facebook). Each episode had a specific theme where I intertwined stories from my own childhood, b
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VIANNA, LETICIA LEONARDI. "As performatividades dos corpos professorais." In v. 21 (2021): XI Congresso da ABRACE. Even3, 2021. http://dx.doi.org/10.29327/1428316.11-1.

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Apresento neste artigo algumas imagens de docentes para discutir sobre o corpo vibrátil desperto como um elo entre as performatividades de professores e de artistas, corpo que participa das experiências na sala de aula. Figuras como a pesquisadora professora, o professor militante, o professor performer e toda uma infinidade de possibilidades de performatividades docentes associadas à ideia de processos artístico-pedagógicos de natureza cartográfica são retomadas a fim de promover reflexões acerca de diferentes formas de percepção sobre a experiência da docência e as suas possibilidades de met
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Östlind, Niclas. "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective." In Formats of (Non)Seeing. Institute of Art History, 2024. https://doi.org/10.31664/9789533730530.07.

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Petrović, Jelena. "FICTIONAL REALITIES OF PERFORMATIVE STORYTELLING IN CONTEMPORARY ART." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.013p.

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This paper focuses on art-based storytelling practices that challenge conventional boundaries between reality and fiction, weaving pluriversal narratives that blend mythical, futuristic, and historical elements. These artistic research practices open up public spaces for critical reflection, artistic exploration, and alternative realities in response to contemporary social, political, and cultural contexts. Through the lens of performative storytelling techniques, the paper highlights how today’s artists navigate and transcend semiotic limitations imposed by language to express personal dissen
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Purg, Peter, and Kristina Pranjić. "To Know a Tree: Symbiotic Mutualism and Artistic Exploration against Anthropocentric Science." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-77-full-purg-et-al-to-know-a-tree.

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Looking across the art-science nexus, the contribution discovers an emerging symbiotic mutualism that goes against mere inter-species tolerance of the posthuman perspective. This new understanding of symbiosis may be described as a transaction, both physical or factual in scientific terms, and arguably symbolical in the artistic sense. Therefore, different combinations of art-science and human-tree relationships shall be revealed along the treatment of one primary and four secondary cases of sciartistic practice, all revolving around trees as oldest, biggest, most globally spread life forms, s
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Gomes, Genildo, Fernando Nogueira, João Gustavo Kienen, et al. "Beyond Applause: A Collaborative and Interactive Experience in Piano Concerts." In Simpósio Brasileiro de Sistemas Colaborativos. Sociedade Brasileira de Computação, 2025. https://doi.org/10.5753/sbsc.2025.8661.

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Classical piano concerts traditionally position audiences as passive observers, limiting their emotional expression and participation primarily to applause after the performance. This passive stance contrasts sharply with modern interactive events, creating a gap between audience expectations and classical concert formats. This study explores how the audience can collaboratively contribute to shaping an interactive scenic environment in piano concerts without disrupting the musician’s performance. By leveraging the FeelIt application, we introduce a novel approach that enables real-time audien
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Fortin, Moira. "Practice as Research a collective form of activism from a South American perspective." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.202.

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As a Chilean living in Aotearoa/ New Zealand I am constantly looking to Latin and South America. Living in the diaspora has allowed me to examine and reflect upon the different socio-political issues arising in the region from afar and with perspective. As an actress and researcher, I am on an ongoing exploration considering how to share research projects from a creative activist standpoint, moving beyond traditional academic research publications into forms that are situated and accessed in the exchanges of everyday relationships and resistance. Written academic outputs are primarily intended
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Mahé, Emmanuel, Elena Papadaki, Maria Ptqk, and François-Joseph Lapointe. "SYMBIOSIS – ISEA2023 PROCEEDINGS INTRODUCTION." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-1-mahe-et-al-introduction.

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Of the 660 proposals received for the academic call (and a total of 1,400 including the call for artistic projects), from over 70 countries, 230 were selected, including 99 short and long papers, for the Symposium held at the Forum des Images, in the heart of Paris. 200 international researchers and experts evaluated these applications in a double-blind process. More than 50 global organizations, including schools, universities, research bodies and associations, were selected to present their research activities and facilitate exchanges among them. In addition, more than 50 partner venues, suc
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Strava, Salomea, Cristian Tecu, and Mihai Onita. "" TEACH ME PHOTOGRAPHY, ROBOT." A CASE STUDY REGARDING VISUAL EDUCATION." In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-200.

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Visual arts-mediated education and training are inherent to the learning process irrespective of its traditional, digital, or hybrid formats. Photography entails creative functions while the image creator implicitly needs to be enabled through training to produce compositions that observe communication rules while simultaneously breaking wittingly the same rules. The current paper identifies quality criteria underlying highly rated photographs and features an artistic composition-based section. The main factors that influence the composition are the rule of thirds (division, point of interest)
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Meleško, Jaroslav. "ROBUST AUGMENTED REALITY SYSTEM." In Inžinerinė grafika ir projektavimas. Informacinių technologijų sauga ir informacinės sistemos. VGTU Technika, 2016. http://dx.doi.org/10.3846/itsis.2016.09.

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I developed an augmented reality system based on Hough transform to transcend limitations of popular Augmented Reality libraries such as ArUco. The purpose of the system is to project a digital image on to a real canvas, merging digital and traditional artistic media for ease of art production and practice. The technological challenges were identified in fiducial marker based prototype and overcome in the Hough transform based system are as follows: need for a printed marker, imprecision and weakness to occlusion. The developed software based on Hough transform works with any standard sheet of
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Reports on the topic "Artistic formats"

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Baxter, Carey, Karlee Feinen, and Megan Tooker. Headstone inventory and scanning at Mare Island Naval Cemetery, California. Engineer Research and Development Center (U.S.), 2025. https://doi.org/10.21079/11681/49736.

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The National Cemetery Administration (NCA) tasked the US Army Engineer Research and Development Center, Construction Engineering Re-search Laboratory (ERDC-CERL), with inventorying and scanning the nonmilitary headstones at Mare Island Naval Cemetery. The cemetery is located in Vallejo, California, and is part of the Mare Island Naval Ship-yard historic district, which was listed concurrently on the National Register of Historic Places and as a national historic landmark in 1975. The research in this report will assist the US Department of Veterans Affairs (VA), NCA, with compliance with the N
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Gattenhof, Sandra, Ulvund Marit, and Cecilie Haagensen. #YoungArt and Future Skills Report. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244541.

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#Youngart &amp; Future Skills research project had two main foci. One was to develop and investigate models for collaboration between the art and education sectors, and the second to inquire whether the art programs and teacher/artist collaboration promotes the future skills of Creativity, Collaboration, Critical Thinking, and Communication. Two art programs were carried out in Norwegian secondary schools in 2022 and 2023. Art program A was developed by a theater company in collaboration with a teacher and four artists in a large secondary school class with 45 students in Trondheim. Art progra
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Röders, Jonathan, and Evelyn Pauls. Research Brief: Creative and Embodied Peacebuilding. Trust After Betrayal, 2023. http://dx.doi.org/10.59498/96180.

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This research brief delves into the transformative potential of creative and embodied peacebuilding methods in (post-)conflict contexts. It highlights the importance of addressing the affective dimension of conflict often overlooked in conventional, dispassionate approaches and showcases how different art forms and sports enable individuals to cope with trauma and manage their emotions while fostering trust and empathy. By embracing these methods, societies can rebuild their social fabric by promoting a shared sense of humanity and challenging divisive legacies. Furthermore, these methods are
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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were publ
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Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of
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Lebedenko, Nataliia. Комунікативні дієслова в текстах новинних повідомлень (за матеріалами інформаційного агентства «Укрінформ»). Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11743.

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The article is devoted to the analysis of communicative verbs. Scientists analyzed communicative verbs in artistic texts, in biblical texts, and fairy tales. But there are no scientific works on verbs of speech in the language of the media. The Ukrainian language has all the means by which you can create a concrete and imaginative informational text. It is the verbs that make the text come alive. These are action words that improve the orality of the text. The research is based on the materials of the Ukrinform information agency. Speech verbs from 10 news reports for December 3, 2022 were ana
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Adams, Sunny. Inventory and evaluation of 12 miscellaneous buildings for the National Register of Historic Places (NRHP) at Custer Hill Area, Fort Riley, Kansas : volume 1. Engineer Research and Development Center (U.S.), 2025. https://doi.org/10.21079/11681/49510.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of federal undertakings on those potentially eligi
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Reséndiz, Diana, and Áurea Esquivel, eds. Almanaque extraordinario de experiencias comunitarias. Chair Magdala López Ramírez. Universidad Nacional Autónoma de México, Centro Cultural Universitario Tlatelolco, 2021. http://dx.doi.org/10.22201/ccut.001r.2021.

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Almanaque: Del árabe المناخ)pr.al-manakh) ‘calendario’, derivado del árabe “munakh” que significa ‘parada de un viaje’, ‘descanso’. Es aquí donde nos proponemos hacer una pausa para revisitar el camino recorrido y reunir las experiencias que al paso del tiempo hemos atesorado como extraordinarias. Estás por recorrer un proyecto editorial colaborativo que celebra los primeros diez años de la Unidad de Vinculación Artística (UVA). Diez años que se expresan en 10 fanzines o números donde cada uno representa una arista desde donde mirar esta primera década. Ubicada en el corazón de Tlatelolco, la
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Two Visions of El Salvador. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0006436.

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29 paintings and 1 sculpture by artists (including two women) from the early to late modern period of the 20th century, and 36 contemporary folk objects form this exhibition which juxtaposes the art of two different sectors of society ­the formally trained and the spontaneous, reflecting the circumstances and the social environments of each, but making all part of the national memory. The works come from the National Collection, the Julia Díaz Foundation-Museo Forma, and the INAR Foundation collection.
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Turns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0005958.

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Featuring 27 pieces from the art collections of the IDB and the Organization of American States, it is one of several smaller exhibits on Latin American art from the second half of the 20th century, and forms part of an ambitious project, ¿About Change,¿ organized by the World Bank Art Program, in association with the IDB Cultural Center and other institutions. The main exhibition, which will open in 2011, focuses on the arts produced in Latin America and the Caribbean during the last decade through the works of artists 35 years of age or younger, exploring the changes that have resulted from
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