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Relevant bibliographies by topics / Arts and Crafts architecture

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Academic literature on the topic 'Arts and Crafts architecture'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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Journal articles on the topic "Arts and Crafts architecture"

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Inam, Ameed. "Influence of Arts and Crafts on Indian Architecture Styles." Journal of Architecture and Civil Engineering 09, no. 12 (2024): 15–20. https://doi.org/10.35629/8193-09121520.

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The rich tapestry of Indian architecture is profoundly influenced by its diverse art and craft traditions, which have evolved over centuries. This paper explores the symbiotic relationship between arts and crafts and the architectural styles of India, examining their historical significance and contemporary relevance. It delves into traditional forms such as intricate stone carvings, frescoes, woodwork, and metal crafts that have shaped iconic structures, from ancient temples to Mughal palaces. The study further investigates how regional art movements, like the Pahari miniatures and Madhubani

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Filippov, Vasily D. "Arts & crafts in architecture." Urban construction and architecture 11, no. 4 (2021): 113–24. http://dx.doi.org/10.17673/vestnik.2021.04.14.

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In the middle of the 19th century, the Arts and Crafts movement emerged in England. The development of the movement in England, USA, Germany is described. The influence of the ideas of the novel News from Nowhere by William Morris on the emergence of the idea of a garden city by Ebenezer Howard and on the preservation of the historical heritage of cities is shown. Describes the influence of Peter White on the emergence of Arts and Crafts in the United States, on the formation of the Chicago School, as well as the worlds first manifestation of modern in the architecture of Louis Sullivan. Shows

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ALAWODE, Musa Ajibola, and Taofeek Adedotun SULEMAN. "Alkebulan Symphony: Arts, Crafts and Culture in Architecture." Àgídìgbo: ABUAD Journal of the Humanities 13, no. 1 (2025): 28–44. https://doi.org/10.53982/agidigbo.2025.1301.03-j.

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This paper examines the interconnection between the art, craft, culture and architecture of Africa. In doing this, it gives a brief explanation of African art, craft, architecture and culture. It also examines the manifestation of culture in African architecture and the role of art in architecture. The study adopts qualitative research design, using historical and descriptive approaches. It equally relies on secondary sources of data collection. In the course of research, it was discovered that art, craft, culture and architecture are inseparable, because they complement one another. Also, cul

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Dulencin, Juraj. "Detail in architecture: Between arts & crafts." Selected Scientific Papers - Journal of Civil Engineering 11, no. 1 (2016): 71–76. http://dx.doi.org/10.1515/sspjce-2016-0008.

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Abstract Architectural detail represents an important part of architecture. Not only can it be used as an identifier of a specific building but at the same time enhances the experience of the realized project. Within it lie the signs of a great architect and clues to understanding his or her way of thinking. It is therefore the central topic of a seminar offered to architecture students at the Brno University of Technology. During the course of the semester-long class the students acquaint themselves with atypical architectural details of domestic and international architects by learning to re

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Dilly, Barbara J. "Amana Style: Furniture, Arts, Crafts, Architecture, and Gardens." Annals of Iowa 64, no. 4 (2005): 387–88. http://dx.doi.org/10.17077/0003-4827.10948.

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Kirk, Sheila. "Philip Webb: Pioneer of Arts & Crafts Architecture." Architectural Design 75, no. 2 (2005): 125–26. http://dx.doi.org/10.1002/ad.62.

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Morris, David. "‘Here, by experiment’: Edgar Wood in Middleton." Bulletin of the John Rylands Library 89, no. 1 (2012): 127–60. http://dx.doi.org/10.7227/bjrl.89.1.6.

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Edgar Wood and Middleton are closely entwined. Until his fifties, Wood engaged in the life of his native town, while his architecture gradually enriched its heritage. The paper begins with Woods character and gives an insight into his wider modus operandi with regard to fellow practitioners. A stylistic appraisal of his surviving Middleton area buildings draws attention to his individual development of Arts and Crafts architecture, a pinnacle of which was Long Street Methodist Church and Schools. The impact of J. Henry Sellers is examined, and the emergence of their subsequent modernism is tra

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Laminah, Laminah. "Arsitektur Dan Berbagai Kerajinan Melayu." Al-Amin: Jurnal Ilmu Pendidikan dan Sosial Humaniora 2, no. 2 (2025): 141–59. https://doi.org/10.53398/alamin.v2i2.259.

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Traditional architecture is a part of culture that grows and develops in tandem with the progress of an ethnic group or nation, making it one of the identities that support that culture. The ideal representation, social aspects, and materials reflecting a culture are combined in traditional architecture.The Malay people not only have traditional houses but also possess an intriguing culture and arts, as well as beautiful handicrafts. This research was conducted using a qualitative approach with a literature review research design. Therefore, this study involves reviewing readings related to pr

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McKay, Bill, and Antonia Walmsley. "Māori Architecture 1900–18." Architectural History Aotearoa 1 (December 5, 2004): 57–62. http://dx.doi.org/10.26686/aha.v1i0.7895.

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This decade can be noted for several distinct approaches to Māori architecture, reflecting a variety of nationalistic impulses. This paper offers a brief overview of the diversity of Māori architecture and ideas in this period. Pākehā, in the search for national identity, and also reflecting the interests of the global Arts and Crafts movement, were enthused by the local example of the carved and decorated whare whakairo, native timbers, Māori adzing techniques and local flora and fauna. This can be seen in the work of architects such as JW Chapman Taylor, as well as the symbolism and trademar

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Oliver, Stephen. "Basil Oliver and the End of the Arts and Crafts Movement." Architectural History 47 (2004): 329–60. http://dx.doi.org/10.1017/s0066622x00001799.

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Little attention has yet been paid to the work of the East Anglian Arts and Crafts architect Basil Oliver (1882–1948) who is best known, if at all, for his book The Renaissance of the English Public House, published in 1947. Indeed he practised in the period, after the Great War, when the Arts and Crafts Movement is generally considered to have been a spent force, and so his obscurity comes as no surprise. We do not look to Oliver for insight into the fashionable styles of architecture such as emerging Modernism or even ‘art deco’. However, he is representative of a number of architects from t

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Dissertations / Theses on the topic "Arts and Crafts architecture"

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Pustina, Petter. "Arts & Crafts Laboratory." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135596.

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Gordon, Catherine. "The Arts and Crafts architecture of the Cotswold region." Thesis, University of Manchester, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601222.

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The Cotswold region is a relatively well-defined, upland district that reaches across the heartland of Britain. It has a rich and complex history and is renown for its natural beauty and its outstanding vernacular architecture. During the second half of the nineteenth century, after a long period of decline, it began to attract the interest of artists, designers and craftsmen, among them William Morris. They were followed by several prominent architects associated with the Arts and Crafts Movement, who welcomed the opportunity to work in the Cotswolds as its unspoilt character provided the per

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Janjulio, Maristela da Silva. "Arquitetura residencial paulistana dos anos 1920: ressonâncias do arts and crafts?" Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-26052009-111901/.

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O objetivo desta pesquisa é o estudo da arquitetura residencial que se desenvolveu na cidade de São Paulo nos anos 1920, e das influências que ajudaram a moldá-la. Entre estas, a do movimento Arts and Crafts, que revolucionou a arquitetura doméstica britânica no final do século XIX e teve repercussão internacional. Tais ressonâncias ocorreram de forma direta e também através de uma triangulação com os Estados Unidos. Ali, haverá certa popularização do movimento inglês na figura do bangalô, juntamente com o aprimoramento da cultura burguesa da habitação do Arts and Crafts. Esta nova cultura da

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Kauffman, Tim. "An Arts & Crafts Experiment in Sustainable Architecture: Exploring Parallels for Inspiration and Experimentation." Thesis, The University of Arizona, 2001. http://hdl.handle.net/10150/596957.

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Assuming that there are parallels between Arts and Crafts architecture and sustainable architecture, these parallels should inspire experimentation when creating regional forms of sustainable architecture. An analysis of these parallels presents the design approaches of each type of architecture in the first two sections of this study. Arts and Crafts architecture is taken as the point of origin, and a discussion of sustainable architecture follows. The study includes a summary of the historical context which helped form both sets of ideals in architecture, as well as the important chara

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Rosenthal, Ashley A. "The British Arts and Crafts movement manifested in an American case study of Gustav Stickley's Craftsman architecture." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1338880.

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This thesis describes how components of the British Arts and Crafts Movement crossed the Atlantic and inspired the American Gustav Stickley's Craftsman residential architecture. As part of the Movement's reaction against the Industrial Revolution, Stickley's Craftsman residences emphasized honest and simple design and the use of natural materials. My thesis identifies the expressions of Stickley's ideals in the case study of a surviving Craftsman home located in the suburb of Irvington in Indianapolis, Indiana. The case study examines the house's configuration, construction methods, original m

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Lara-Betancourt, Patricia. "Conflicting modernities? : arts and crafts and commercial influences in the decoration of the middle-class home 1890-1914." Thesis, Kingston University, 2008. http://eprints.kingston.ac.uk/20276/.

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Aiming to study the nature and significance of the modern home, this thesis examines in detail two major influences affecting the furnishing and decoration of the middle class home in Britain for the period 1890 to 1914. This project considers a variety of representations of the domestic interior to identify the furnishing ideals they embodied. It focuses on the two major producers of such representations: the furnishing industry, and the design reform and Arts and Crafts movement. The commercial and art spheres they stood for approached and expressed in opposing ways the possibilities opened

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Mendes, Maria Teresa Dias Peralta. "Montemuro, um despertar de antanho." Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29581.

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Francis, Razan. "Secrets of the arts : Enlightenment Spain's contested Islamic craft heritage." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/93011.

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Thesis: Ph. D. in Architecture: History and Theory of Architecture, Massachusetts Institute of Technology, Department of Architecture, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 258-280).<br>This dissertation examines the artistic and architectural mutations occurring in Spain during the eighteenth century, when Spain decided to participate in the Enlightenment's philosophical project that emphasized the classification of art, crafts, and other knowledge, and thereby raised important questions regarding the value of national heritage relative t

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Hein, Dawn Michelle. "The art and craft of the interior." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.

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This thesis gives a voice to the call for a holistic approach to the preservation of commercial and particularly domestic architecture. Interior architecture is an important piece of the whole in need of consideration. Arts and Crafts interiors in the state of Indiana are considered in reference to this fact and the case studies chosen exemplify the connection between cultural history and the interior architecture and design.The Arts and Crafts Movement's philosophy worked to integrate the entire design with the surrounding site. The interior was the focus of the synthesized design and it is t

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Carter, Victoria Katsuko. "Gustav Stickley's Hapke-Geiger House and Noland and Baskervill's Hunton House: Richmond Architecture ca. 1915." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/752.

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Textbooks teach architecture as conveniently divided into styles and periods, but in reality styles overlap. At the turn-of-the-twentieth century there were three major architectural and decorative movements in the United States: the Aesthetic Movement, the Arts and Crafts Movement, and the American Renaissance Movement. This thesis shows how superficial stylistic labels can be by comparing two very different-seeming houses of the early twentieth century: The Hapke-Geiger House of ca. 1912 in Chesterfield, Virginia, based on a Gustav Stickley Arts and Crafts design, and the Hunton House of 19

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Books on the topic "Arts and Crafts architecture"

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Press, Phaidon, ed. Arts & crafts masterpieces. Phaidon, 1999.

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Adrian, Tinniswood. The arts & crafts house. Watson-Guptill Publications, 1999.

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Adrian, Tinniswood. The arts & crafts house. Mitchell Beazley, 2005.

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Adrian, Tinniswood. The arts & crafts house. Mitchell Beazley, 1999.

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Turgeon, Kitty. Arts and crafts. Friedman/Fairfax Publishers, 1997.

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Kirk, Sheila. Philip Webb: Pioneer of arts & crafts architecture. Wiley-Academy, 2005.

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1831-1915, Webb Philip, and Charles Martin, eds. Philip Webb: Pioneer of arts & crafts architecture. Wiley-Academy, 2005.

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Brown, W. Douglas. Eden Smith: Toronto's arts and crafts architect. W. Douglas Brown, 2003.

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Gordon, Catherine. The Arts and Crafts architecture of the Cotswold region. University of Manchester, 1995.

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Dresser, Christopher. Traditional arts and crafts of Japan. Dover Publications, 1994.

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Book chapters on the topic "Arts and Crafts architecture"

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Livesey, Graham, and Mohammad Moezzi. "Arts and Crafts." In Modern Architecture. Routledge, 2024. http://dx.doi.org/10.4324/9781003403975-8.

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Crouch, Christopher. "The Arts and Crafts — Revolution and Rusticity, New Languages for Design." In Modernism in Art, Design and Architecture. Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27058-3_3.

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Adams, Brian. "Nell Brooker Mayhew and the Arts and Crafts Movement in America." In The Routledge Companion to Women in Architecture. Routledge, 2021. http://dx.doi.org/10.4324/9780429278891-5.

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Lanfranchi, Fabio. "Design Drawings: Traditionalism and Renewal. Drawings by the Aschieri Group for the Competition for the Arts & Crafts District in Rome in 1926." In Architectural Draughtsmanship. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_93.

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Wilkinson, Philip. "Arts and Crafts." In 50 Schlüsselideen Architektur. Spektrum Akademischer Verlag, 2013. http://dx.doi.org/10.1007/978-3-8274-3066-3_21.

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Brown, Stephen J. "Arts and Crafts." In The World of Imagery. Routledge, 2024. http://dx.doi.org/10.4324/9781003583196-25.

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Winstedt, R. O. "Arts and Crafts." In The Malays. Routledge, 2024. http://dx.doi.org/10.4324/9781003463726-9.

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Xu, Guobin, Yanhui Chen, and Lianhua Xu. "Arts and Crafts." In Introduction to Chinese Culture. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8156-9_5.

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Carrington, Noel. "Arts and Crafts." In Industrial Design in Britain. Routledge, 2025. https://doi.org/10.4324/9781003613008-2.

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Radbourne, Jennifer, and Margaret Fraser. "Arts and crafts industry development." In Arts Management. Routledge, 2023. http://dx.doi.org/10.4324/9781003416463-9.

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Conference papers on the topic "Arts and Crafts architecture"

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Lanu, Sami, and Katariina Mäenpää. "SKILL NEEDS ASSESSMENT FOR THE ARTS AND CRAFTS SECTOR." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.0337.

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Lanu, Sami, and Katariina Mäenpää. "EXPANDING SUSTAINABLE THINKING IN VOCATIONAL EDUCATION IN ARTS AND CRAFTS." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.1136.

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Mäenpää, Katariina, and Sami Lanu. "DEVELOPING TEACHER COMPETENCES FOR SOCIAL INCLUSION IN VOCATIONAL EDUCATION IN ARTS AND CRAFTS." In 19th International Technology, Education and Development Conference. IATED, 2025. https://doi.org/10.21125/inted.2025.1130.

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Alford, Grant. "Arts & Crafts (and iPads): Digital Craft and Political Economy." In 109th ACSA Annual Meeting. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.20.

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In discussions of craft since the digital revolution in architecture of the past twenty years it is common for an author to situate their position relative to the Arts and Crafts movement of the late 19th and early 20th centuries. Scholars have repeatedly and rightly noticed striking parallels between reactions in design thinking to the industrial revolution and reactions to the digital revolution in architecture. Proponents of various digital schools invoke the likes of William Morris and John Ruskin as historical theoretical foils to visions of craft in the digital age. There is, however, a

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Barnes, Anthony. "Learning with Lutyens: Noel Bamford and the Design of Ngahere, Auckland (1907)." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5014ps6dt.

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Architects F. Noel Bamford (1881-1952) and A.P. Hector Pierce (1879-1918) both worked in Edwin Lutyens’ London office before establishing their Auckland partnership in 1907. Just prior to the formation of the partnership, Bamford designed a house called Ngahere in the Auckland suburb of Epsom. Ngahere is known as an early and important example of Arts and Crafts architecture in Aotearoa New Zealand. It is a novel application of the butterfly plan, with a dominant central section and two articulated wings. Although built in timber on a foundation of basalt, like some larger villas in surroundin

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Garcia Lammers, Federico, and Jessica Garcia Fritz. "The Dark God of Efficiency and the Economical Forms of Eladio Dieste." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.7.

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“Efficiency is the dark god to whom we sacrifice so many things”. Since the rise of the Industrial Revolution in the 18th century, “innovation as progress” became a mantra of industrialized societies. As new materials and the methods for making them emerged, architectural education shifted from an École des Beaux-Arts education rooted in the principles of classicism to an arts and crafts based education definitive of the Bauhaus. This shift allowed architecture students the opportunity to work with new materials such as iron, steel, and reinforced concrete. Throughout the 20th century, innovat

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Burns, Karen. "Women, Care, and the Settler Nation: The Victorian Country Women’s Association, 1928." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5015p7rux.

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Care has long been a gendered attribute, frequently associated with women but rarely, until very recently, understood as an ethic and action shaping the built environment. This paper proposes using the lens of care to uncover women’s material culture contributions to the built environment. Histories that focus on the formal intersection of architecture and town planning and their professional identities can exclude women makers who, historically had to find other ways to shape built material culture. Under the rubric of care, this paper examines how women makers worked in applied art media acr

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Pavlović Jovanović, Jelena, and Danijela Milčić Đošić. "Organizovanje časa srpskog jezika po principu dizajnerskog mišljenja na primeru obrade romana „Robinzon Kruso“." In Nauka, nastava, učenje u izmenjenom društvenom kontekstu. University of Kragujevac, Faculty of Education in Uzice, 2021. http://dx.doi.org/10.46793/nnu21.401pj.

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Design thinking, a concept primarily developed within the sphere of design and architecture, represents a specific way of organizing project-based learning. It differentiate sit self from the traditional learning in the following: the students are directly involved with defining the core problems, the focus is on the process of creating and testing new ideas, and the role of evaluation is more significant than in classical learning system. The aim of this paper is to present a possible way of organizing a fifth grade Serbian language lesson focusing on the novel Robinson Crusoe by Daniel Defoe

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Aung, Theint. "Myinkaba village Bagan: The Resilience of Traditional Knowledge and Culture | ပုဂံမြင်းကပါ (သို့) ယဉ်ကျေးမှု ဓလေ့ရိုးရာအသိပညာ၏ ကြံ့ကြံ့ခံနိုင်စွမ်း". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-21.

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The distinct traditional knowledge and culture of Myinkaba (ancient Anuradha) village at Bagan is closely linked to its port location and ecology on the Ayeyarwaddy River. Myinkaba has smelting and production evidence from the first millennium CE in seven glass/glaze kilns, with beads traded along the river. Beads, potsherds and finger-marked bricks suggest it may be one of the earliest villages of Bagan. Its historical architecture includes the rare Nanphaya sandstone temple with images of Brahma. Other significant traits of Myinkaba include the large seasonal lake or inn gyi, silica-rich san

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Bravo Bravo, Juan. "From protoypes to monotypes. Neo-craftmanship in architecture and design." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14287.

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The paper focuses on characterizing a current design trend —sometimes called neo-craftsmanship— that uses manual processes to create unique objects. About a century ago, pioneers of modern architecture and design pushed their primary trend towards prototypes definition in their massive industrial —mechanical and serial— production. Nowadays, an opposite impulse can be identified looking for monotypes definition —single products or from limited series—, with high manual intervention and capable of being customized to assume the individuality of each user. On one side, creative strategies used b

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Reports on the topic "Arts and Crafts architecture"

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Klein, Randal, and Sam Johnson. Environmental Assessment: Proposed Automotive/Arts and Crafts Skills Center, Hill Air Force Base, Utah. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada530627.

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia.

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Ebringerová, Paulína, Peter Mazalán, and Michal Hronský. Fine art projects in architectural education: a tool for socio-critical reflection. WIETE Publications, 2025. https://doi.org/10.61544/vwck4333.

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The study of architecture, urban planning and design at technical universities primarily offers a rational, technology- and practice-oriented education. The offer of a conceptual and socially critical approach to creation is only represented to a low degree. Students create projects that take into account the latest technical, environmental and architectural trends, but receive few assignments or conceive their designs as specific philosophical statements critically examining current social and political phenomena, whether on a local or trans-regional scale. By implementing courses and seminar

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w

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Tradition and Entrepreneurship: Popular Arts and Crafts from Peru. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0006434.

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An exhibition honoring Peru, and the city of Lima, host of the 45th Annual Meeting of the Board of Governors of the Inter-American Development Bank, presented folk objects and crafts various regions of Peru in which tradition has evolved within age-old artistic expressions. The exhibit also included objects that reflect recent innovations introduced by artisans and entrepreneurs with the idea of making such expressions economically sustainable. The exhibition was organized and curated by the IDB Cultural Center, with the participation of the Museum of the Central Bank of Peru.

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Tradition and Entrepreneurship: Popular Arts and Crafts from Peru. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0008268.

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Presents an exhibition of folk objects and crafts from Peru, representing various regions in which tradition has evolved within oldage artistic expressions, was be presented at the Art Gallery of the Cultural Center of the InterAmerican Development Bank, in Washington, D.C., from February 26 to April 30. The exhibit also includes objects that reflect recent innovations introduced by artisans and entrepreneurs with the idea of making such expressions more economically sustainable.

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