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Dissertations / Theses on the topic 'Arts and Crafts architecture'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Pustina, Petter. "Arts & Crafts Laboratory." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135596.

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2

Gordon, Catherine. "The Arts and Crafts architecture of the Cotswold region." Thesis, University of Manchester, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601222.

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The Cotswold region is a relatively well-defined, upland district that reaches across the heartland of Britain. It has a rich and complex history and is renown for its natural beauty and its outstanding vernacular architecture. During the second half of the nineteenth century, after a long period of decline, it began to attract the interest of artists, designers and craftsmen, among them William Morris. They were followed by several prominent architects associated with the Arts and Crafts Movement, who welcomed the opportunity to work in the Cotswolds as its unspoilt character provided the per

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3

Janjulio, Maristela da Silva. "Arquitetura residencial paulistana dos anos 1920: ressonâncias do arts and crafts?" Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-26052009-111901/.

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O objetivo desta pesquisa é o estudo da arquitetura residencial que se desenvolveu na cidade de São Paulo nos anos 1920, e das influências que ajudaram a moldá-la. Entre estas, a do movimento Arts and Crafts, que revolucionou a arquitetura doméstica britânica no final do século XIX e teve repercussão internacional. Tais ressonâncias ocorreram de forma direta e também através de uma triangulação com os Estados Unidos. Ali, haverá certa popularização do movimento inglês na figura do bangalô, juntamente com o aprimoramento da cultura burguesa da habitação do Arts and Crafts. Esta nova cultura da

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4

Kauffman, Tim. "An Arts & Crafts Experiment in Sustainable Architecture: Exploring Parallels for Inspiration and Experimentation." Thesis, The University of Arizona, 2001. http://hdl.handle.net/10150/596957.

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Assuming that there are parallels between Arts and Crafts architecture and sustainable architecture, these parallels should inspire experimentation when creating regional forms of sustainable architecture. An analysis of these parallels presents the design approaches of each type of architecture in the first two sections of this study. Arts and Crafts architecture is taken as the point of origin, and a discussion of sustainable architecture follows. The study includes a summary of the historical context which helped form both sets of ideals in architecture, as well as the important chara

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5

Rosenthal, Ashley A. "The British Arts and Crafts movement manifested in an American case study of Gustav Stickley's Craftsman architecture." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1338880.

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This thesis describes how components of the British Arts and Crafts Movement crossed the Atlantic and inspired the American Gustav Stickley's Craftsman residential architecture. As part of the Movement's reaction against the Industrial Revolution, Stickley's Craftsman residences emphasized honest and simple design and the use of natural materials. My thesis identifies the expressions of Stickley's ideals in the case study of a surviving Craftsman home located in the suburb of Irvington in Indianapolis, Indiana. The case study examines the house's configuration, construction methods, original m

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6

Lara-Betancourt, Patricia. "Conflicting modernities? : arts and crafts and commercial influences in the decoration of the middle-class home 1890-1914." Thesis, Kingston University, 2008. http://eprints.kingston.ac.uk/20276/.

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Aiming to study the nature and significance of the modern home, this thesis examines in detail two major influences affecting the furnishing and decoration of the middle class home in Britain for the period 1890 to 1914. This project considers a variety of representations of the domestic interior to identify the furnishing ideals they embodied. It focuses on the two major producers of such representations: the furnishing industry, and the design reform and Arts and Crafts movement. The commercial and art spheres they stood for approached and expressed in opposing ways the possibilities opened

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7

Mendes, Maria Teresa Dias Peralta. "Montemuro, um despertar de antanho." Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29581.

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8

Francis, Razan. "Secrets of the arts : Enlightenment Spain's contested Islamic craft heritage." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/93011.

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Thesis: Ph. D. in Architecture: History and Theory of Architecture, Massachusetts Institute of Technology, Department of Architecture, 2014.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 258-280).<br>This dissertation examines the artistic and architectural mutations occurring in Spain during the eighteenth century, when Spain decided to participate in the Enlightenment's philosophical project that emphasized the classification of art, crafts, and other knowledge, and thereby raised important questions regarding the value of national heritage relative t

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9

Hein, Dawn Michelle. "The art and craft of the interior." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.

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This thesis gives a voice to the call for a holistic approach to the preservation of commercial and particularly domestic architecture. Interior architecture is an important piece of the whole in need of consideration. Arts and Crafts interiors in the state of Indiana are considered in reference to this fact and the case studies chosen exemplify the connection between cultural history and the interior architecture and design.The Arts and Crafts Movement's philosophy worked to integrate the entire design with the surrounding site. The interior was the focus of the synthesized design and it is t

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10

Carter, Victoria Katsuko. "Gustav Stickley's Hapke-Geiger House and Noland and Baskervill's Hunton House: Richmond Architecture ca. 1915." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/752.

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Textbooks teach architecture as conveniently divided into styles and periods, but in reality styles overlap. At the turn-of-the-twentieth century there were three major architectural and decorative movements in the United States: the Aesthetic Movement, the Arts and Crafts Movement, and the American Renaissance Movement. This thesis shows how superficial stylistic labels can be by comparing two very different-seeming houses of the early twentieth century: The Hapke-Geiger House of ca. 1912 in Chesterfield, Virginia, based on a Gustav Stickley Arts and Crafts design, and the Hunton House of 19

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11

Ouellet, Hubert. "En harmonie : les oeuvres architecturales résidentielles par le mouvement Arts & Crafts réalisées à flanc de coteaux par Bernard Maybeck, à Berkeley en Californie (1892-1904)." Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25429.

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À partir de l'examen des maisons réalisées à flanc de coteaux par Bernard Maybeck (1862-1957) durant la période comprise entre 1892 et 1904 aux États-Unis à Berkeley, dans l'État de la Californie, l'auteur aborde comment s'est créé un langage architectural unique inspirée de le mouvement Arts and Crafts et plus particulièrement des écrits théoriques de l'auteur et critique John Ruskin (1819-1900). Sous l'influence de Maybeck, l'ensemble bâti des maisons « gothiques » devient un outil d'influence majeur dans la mise en place d'un nouveau mode de vie centré autour de l'architecture et de la natu

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12

Mendonça, Emília Isabel Mayer Godinho. "António José Landi, 1713-1791-um artista entre dois continentes." Phd thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Letras -- -Departamento de Ciências e Técnicas do Património, 1999. http://dited.bn.pt:80/29133.

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13

Stutchbury, Anne. "'At home' in Standen : a study of the Beale family's lived experience of their late-nineteenth century Arts and Crafts home, 1890-1914." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/63357/.

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This thesis is a study of the social and cultural significance of Standen from the perspective of the Beale family's lived experience of the property from 1890 to 1914. The Beales commissioned architect Philip Webb to design Standen in 1891, they were sole owners of the property until it was bequeathed to the National Trust in the early 1970s. Although Standen is recognised by architectural historians as a fine and complete example of Art and Crafts architecture of the period and is celebrated for its William Morris wallpapers, little is known about how the family experienced the house. Drawin

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14

Kortenhoeven, Nicola. "Expressive space textile art centre /." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112346.

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Abreu, Helena Margarida Barahona Monteiro Gonçalves Simões de. "Sintra, os caminhos do silêncio-documento definitivo." Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 2001. http://dited.bn.pt:80/29315.

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Fernandes, Maria Amélia Bizarro Leitão. "A exposição de arte portuguesa em Londres 1955-1956 "a personalidade artística do país"." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2001. http://dited.bn.pt:80/29346.

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17

Jacobs, Jennifer (Jennifer Mary). "Algorithmic craft : the synthesis of computational design, digital fabrication, and hand craft." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91843.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.<br>49<br>Title as it appears in the MIT degrees awarded booklet, September 18, 2013: Algorithmic craft: tools and practices for creating useful and decorative objects with code Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 129-131).<br>Programing is a singular creative tool with the potential to support personal expression. Unfortunately, many people who are new to programing view it as a highly specialized, difficult and inac

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18

Silva, Maria Alexandra Taveira Marques da 1961. "O património cultural do Concelho de Sátão-prolegómenos para a sua musealização." Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29543.

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19

Krissberg, Alex. "Crafted Architecture, An Investigation into Handcrafted Glass Techniques." Thesis, Konstfack, Keramik & Glas, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6362.

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This paper is an investigation into the crossroads of traditional and contemporary glass craft techniques. Through innovative methods in the workshop I have set out to bring glass into the public sphere using the potential for handcraft in architecture.

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20

Zoran, Amit (Amit Shlomo). "Hybrid re Assembage : bridging traditional craft and digital design." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91860.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.<br>Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design Cataloged from PDF version of thesis. Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design.<br>Includes bibliographical references.<br>Hybrid reAssemblage is a design gestalt that lies at the cross-section of digital

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21

Kornhauser, Daniel 1973. "Designing a craft computing environment for non-industrial settings." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/62121.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2002.<br>Includes bibliographical references (leaves 83-84).<br>This thesis studies the design and introduction of relevant computer-based design tools for non-industrial locations in developing settings. To this end, a programmable environment for combining motifs into patterns was developed named Estampa (Environment for Stamping Patterns). Estampa was developed for the community of Santa Clara del Cobre, a copper craft artisan town located Mexico, where they already

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22

Mahaffey, Logan. "Architecture of materialism : a study of craft in design culture, process, and product." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003165.

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23

Eckhardt, Micah Rye. "StoryScape : fun technology for supporting learning, language and social engagement through story craft." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/98651.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2015.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 127-133).<br>Autism Spectrum Disorder (ASD) is a complex neurodevelopmental disorder that affects approximately 1-in-68 persons and 1-in-42 boys. Challenges related to communication form a core characteristic of the ASD condition. Literature suggests the single most important prognostic indicator for young children diagnosed with ASD is communication ability. Yet, engaging chi

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24

Bettis, Robert J. "Herbert Smenner : Muncie eclectic." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313955.

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Herbert Smenner was one of the most prolific architects in the east central Indiana area from 1920 up until his death in 1950. During those three decades, Smenner designed some of Muncie's most beloved and recognizable buildings, including churches, schools, homes, and governmental institutions. The purpose of this study is to study trends in architecture from 1920 to 1950 through Herbert Smenner's work, to determine if he followed these trends, and to see if these trends themselves influenced his work.Smenner was a very sought after architect in Muncie and the surrounding area. His main clien

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25

Lippincott, Richard Hysler. "Rookwood architectural faience tile." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/865963.

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The Rookwood Pottery Company was one of the most outstanding American pottery producers in the early 20th century. Rookwood produced a line of significant architectural facing tiles, unlike anything else produced in the Arts and Crafts tile industry. This thesis is an assimilation of all the primary product. Rookwood's catalogues, commissions, and artisans are discussed to illustrate the design and production significance Rookwood's product. The analysis will be valuable for the documentation and identification of tile installations produced by the Rookwood Pottery Company from 1903-1931.<br>D

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26

Liang, Haiyin. "Through My Window." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5505.

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I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments th

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27

Hart, Imogen. "Arts and crafts objects." Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434024.

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28

Sido, Anna E. "Making History: How Art Museums in the French Revolution Crafted a National Identity, 1789-1799." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/663.

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This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present t

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29

DIRKS, STEFANIE. "An Appalachian Arts Project: A New Model to Promote Communal Art Interaction." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981.

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30

Helms, Brittany Faye. "Finding Form." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461157156.

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31

Denney, Matthew John. "Arts and Crafts furniture and vernacular furniture." Thesis, Bucks New University, 1997. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714467.

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32

Hartigan, Nancy. "A center for arts and crafts: Georgetown." Thesis, Virginia Polytechnic Institute and State University, 1995. http://hdl.handle.net/10919/63976.

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“Two great desires which are in essence the desire to absorb and then desire to emit, the desire to know and the desire to test, the desire to hear and the desire to utter, and the basis not only of a true and effective education, not only are they the wholesome body and the enchanting voice of art, but they are greater then these, for they are the animation of quality of that higher purpose and significance of art that we call poetry” Lois Sullivan Crafts are the integration of art and life. They bring together nature and man in the form of a usable object. Architecture may be named the ult

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LOOMIS, WILLIAM DOMINIC. "APPRENTICESHIP IN ARCHITECTURE." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053374117.

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34

Chow, Wan-king Janice. "Urban villa for Chinese folk arts and crafts." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B31986390.

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Thesis (M.Arch.)--University of Hong Kong, 2002.<br>Includes 1 technical study and 1 special report. Content page of thesis report missing. Includes bibliographical references. Also available in print.

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35

周韻琼 and Wan-king Janice Chow. "Urban villa for Chinese folk arts and crafts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986390.

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36

Noseworthy, Molly. ""Ya'll Come Back" Continuing Arts and Crafts in Gatlinburg." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/36.

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Gatlinburg, Tennessee is a tourist town. I was born and raised in this area, and am currently employed at a ceramics shop in the historic Arts and Crafts Community. Due to this job, I have decided to research the importance of the town and crafts area. In this paper, I will present an overview of the history of the town and its art community, and also present an inside look at life and business in a tourist town. Although the Arts and Crafts Community has grown to be a tourist attraction, its roots still lie in the traditional handmade trades, and its artisans attempt to balance the integr

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37

Summerton, Janet. "Designer crafts practice in context." Thesis, City University London, 1990. http://openaccess.city.ac.uk/7724/.

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This research attempts to identify patterns of successful independent practice among contemporary visual arts practitioners for the purpose of increasing understanding of the structures of and activity within the visual arts in England. The intention is to draw conclusions regarding how such practice can be facilitated and supported. It looks at a particular kind of practice in the area of design craft, and at the organisations charged with the responsibility for state provision, setting this critique in a context of a historical and social perspective. Much of recent conventional practice in

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38

Wright, Christopher Wellman. "The Arts and Crafts aesthetic in a contemporary setting /." Online version of thesis, 1988. http://hdl.handle.net/1850/11547.

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39

Sprague, Abbie Noel. "The craftsman painters of the arts and crafts movement." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.

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Peñalba, Barreto Anamorella. "Plan de negocio de Arts and Crafts from Centroamérica." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/103206.

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El objetivo de este estudio es desarrollar el plan de negocio de Arts & Crafts from Centroamerica, cuyo giro es la comercialización vía internet de productos artesanales centroamericanos de calidad. La empresa se propone dar respuesta a la demanda por artesanías centroamericanas, cuya calidad, originalidad y variedad es muy codiciada fuera de la región. Sin embargo, la oferta de estos productos se encuentra dispersa en distintos portales de la web y además, la cantidad de portales existentes con opción de compra en línea es muy limitada. En consecuencia, se determinó que existía una opo

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41

Ivanov, Gunnela. "Vackrare vardagsvara – design för alla? : Gregor Paulsson och Svenska Slöjdföreningen 1915–1925." Doctoral thesis, Umeå University, Historical Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-275.

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<p>This thesis is structured in six chapters. Chapter I contains an introduction and includes purpose, theory, method, and concepts. The main purpose, as depicted by the title, is to examine the roots of Swedish ideology concerning what today is generally named design, as embodied in the concept of more beautiful or better things for everyday life (in Swedish: ”vackrare vardagsvara”).</p><p>Chapter II contains a background and includes philosophical ideas and aesthetic movements in Europe which have influenced the Swedish Society of Arts and Crafts (in Swedish ”Svenska Slöjdföreningen”, abbrev

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42

Kuchenbecker, Emily E. "Lifetime." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5838.

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Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities. I do not fear death. The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am. But what am I? Am I my body- or is it much deeper? Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through my perception, my relationship to nature, and how it mani

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43

Evely, R. D. G. "Minoan crafts tools and techniques, an introduction /." Göteborg : P. Aström, 1993. http://books.google.com/books?id=7zJoAAAAMAAJ.

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Fuhrman, Anne Mary. "The Craft of Portraiture in Eighteenth-Century America." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539625718.

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45

Bengel, Karen A. "Sensual Architecture: Project for a Thermal Bath at Warm Springs." Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/34590.

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This thesis investigation an project design were driven by the desire to develop an understanding of how architecture addresses the senses. Guided by the practice of a craft, the vestige of art, architectural history and precedent, and the physiology of the five senses, an idea for a thermal bath was expressed through material. This book is a record of that process.<br>Master of Architecture

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Todd, Jessica Marie. "Little Boxes." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397821760.

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47

Hardiman, Louise Ann. "The firebird's flight : Russian arts and crafts in Britain, 1870-1917." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709085.

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48

Hamilton, Alexander Graham. "The Arts & Crafts in church-building in Britain, 1884-1918." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e51d8f96-ba74-4655-b290-b95107f88770.

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Academic interest in Arts & Crafts architecture has tended - as did the architects themselves - to concentrate on houses. This thesis, for the first time, examines the Arts & Crafts in church architecture: there is no book on 'Arts & Crafts churches'. Monographs on Arts & Crafts architects include their church work, of course, but there has been little consideration of the form as a type, considering as a group churches by architects working in the Arts & Crafts milieu, and at the same time. The thesis starts by discussing the underlying problems - the lack of a clear definition of Arts & Craf

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49

Evely, R. D. G. "Minoan crafts tools and techniques : an introduction /." Jonsered : Paul Åström, 2000. http://catalog.hathitrust.org/api/volumes/oclc/47104663.html.

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50

Seo, Jimin. "Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1756/.

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This dissertation exists in relation to the exhibition of design practice at the RCA, November 7th 2014 (documented in photographs accompanying the text); it is structured according to my construction of the exhibition. It therefore integrates the question of describing my practice-based research methods along with the descriptions of my research context, and case studies of other contemporary designers; the history of the Arts and Crafts ethos, as a precursor of modernity, is also reconsidered as of potential use for a crafts approach to textile sustainability. The methods used are a compound

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