Relevant bibliographies by topics / Arts, Flemish

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  2. Dissertations / Theses
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Academic literature on the topic 'Arts, Flemish'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Arts, Flemish"

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Vanhaesebrouck, Karel. "The Hybridization of Flemish Identity: The Flemish National Heritage on the Contemporary Stage." Contemporary Theatre Review 20, no. 4 (2010): 465–74. http://dx.doi.org/10.1080/10486801.2010.505760.

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Agoston, Laura Camille. "Male/Female, Italy/Flanders, Michelangelo/Vittoria Colonna." Renaissance Quarterly 58, no. 4 (2005): 1175–219. http://dx.doi.org/10.1353/ren.2008.0886.

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AbstractThis essay proposes a new reading of the famous passage comparing the devotional value of Flemish and Italian painting in Francisco de Holanda’s (1517-84) Portuguese treatiseDa pintura antigua. My purpose is to demonstrate that the polarizing and divisive claims made about Flemish painting are unmade in the text itself. The major grounds upon which Flemish art is attacked in the first of the four Roman dialogues are upheld for admiration in the second. The strongly misogynistic character of the passage on Flemish painting has obscured the more complex and shifting treatment of gender i
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Bauman, Guy. "Early Flemish Portraits 1425-1525." Metropolitan Museum of Art Bulletin 43, no. 4 (1986): 1. http://dx.doi.org/10.2307/3269088.

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Grigg, Robert. "Flemish Realism and Allegorical Interpretation." Journal of Aesthetics and Art Criticism 46, no. 2 (1987): 299. http://dx.doi.org/10.2307/431868.

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Vlieghe, Hans. "Flemish Art, Does It Really Exist?" Simiolus: Netherlands Quarterly for the History of Art 26, no. 3 (1998): 187. http://dx.doi.org/10.2307/3780898.

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Orozco, Lourdes, and Peter M. Boenisch. "Editorial: Border Collisions - Contemporary Flemish Theatre." Contemporary Theatre Review 20, no. 4 (2010): 397–404. http://dx.doi.org/10.1080/10486801.2010.505763.

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Deam, Lisa. "Flemish versus Netherlandish: A Discourse of Nationalism." Renaissance Quarterly 51, no. 1 (1998): 1–33. http://dx.doi.org/10.2307/2901661.

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AbstractThis essay shows how scholarship on fifteenth-century Flemish panel painting became intertwined with efforts at national identity-building in nineteenth and early twentieth-century Europe. Paintings such as Jan van Eyck's Ghent Altarpiece were not only dispersed across regional and national boundaries, but were intellectually appropriated for competing national programs. The paintings consequently became a site of conflict between the Latin and Germanic traditions. These conflicts are clearly visible through the shifting terminology of this art, variously claimed as “Flemish” and “Neth
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Filipczak, Zirka Z., and Hans Vlieghe. "Flemish Art and Architecture 1585-1700." Art Bulletin 82, no. 2 (2000): 357. http://dx.doi.org/10.2307/3051384.

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Carrier, David. "Naturalism and Allegory in Flemish Painting." Journal of Aesthetics and Art Criticism 45, no. 3 (1987): 237. http://dx.doi.org/10.2307/431453.

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CARRIER, DAVID. "Naturalism And Allegory in Flemish Painting." Journal of Aesthetics and Art Criticism 45, no. 3 (1987): 237–50. http://dx.doi.org/10.1111/1540_6245.jaac45.3.0237.

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Dissertations / Theses on the topic "Arts, Flemish"

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Zdanov, Sacha. ""Of Flanders Work". Diffusion et réception en Angleterre de la peinture des Pays-Bas méridionaux entre 1430 et 1530." Doctoral thesis, Universite Libre de Bruxelles, 2019. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/295264.

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La thèse a pour objet de replacer le territoire anglais dans le champ des études sur le rayonnement européen de la peinture des Pays-Bas méridionaux au XVe et au début du XVIe siècle. En effet, si de nombreuses recherches ont été menées à ce sujet, notamment sur le bassin Méditerranéen, la France et les terres du Saint-Empire, aucune n’a été consacrée à l’Angleterre, région pourtant géographiquement la plus proche des anciens Pays-Bas méridionaux et avec laquelle les relations économiques et politiques étaient particulièrement soutenues.Ce travail propose, d’une part, la présentation d’un corp
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Dewaël, Stéphanie. "Splendeur, décadence et rémission : la représentation du Fils Prodigue dans la peinture et les arts graphiques à Anvers (1520-1650)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040109.

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Alors que la parabole du Fils Prodigue fut un support aux vives controverses religieuses du XVIe siècle qui touchèrent Anvers, les productions artistiques (peintures, gravures, dessins) restituèrent une image plus consensuelle de cette histoire. Au lieu de matérialiser les nombreuses exégèses théologiques (contradictoires) sur le message du Christ, les artistes préférèrent puiser dans la culture profane (comme les pièces de théâtre) et mettre l’accent sur la scène de la dissipation avec les courtisanes ou insister sur des détails triviaux.Cette thèse étudie les nombreuses raisons qui les ont c
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Toran, Lydie. "Théâtralité de la mort chez Michel de Ghelderode et Jan Fabre." Thesis, Avignon, 2014. http://www.theses.fr/2014AVIG1144/document.

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La théâtralité de la mort chez les deux artistes flamands Michel de Ghelderode et Jan Fabre est basée sur un corpus de textes. Découpée en trois domaines constitutifs du théâtre - littérature, dramaturgie, esthétique - l'objectif de ma recherche est centré sur un dialogue entre un art dramatique et un art postdramatique, de façon à confronter ou confondre certains éléments des deux champs théâtraux à travers la théâtralité de la mort. Le domaine littéraire explore le discours des deux auteurs, depuis le titre de leurs oeuvres jusqu'à leurs genres, en passant par les micro et les macrostructure
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Boscato, Morishita Sylvie. "L'art des missions catholiques au Japon : XVIe-XVIIe siècles." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAK016.

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Les missions catholiques au Japon au XVIe siècle se sont développées dans le contexte de l'expansion ibérique en Extrême-Orient. Les convertis ont fait bon accueil à l'art religieux introduit par les missionnaires. La présente étude dresse l'inventaire des principales œuvres d'art qui ont échappé aux destructions depuis l'interdiction du christianisme en 1614, retrace les différentes modalités de leur conservation depuis cette date et leur découverte progressive depuis 1865. Tout en présentant les traces iconographiques de l'action des ordres mendiants, une large place est réservée à l'activit
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BURI, MAUREEN E. "CRIMES OF PASSION: RAPE AND ABDUCTION IN FLEMISH MYTHOLOGICAL PAINTING, 1600-1650." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179770118.

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Hughes, Theodore Brooks. "An Analysis of Wars of the Romani, a Flemish Tapestry From the Late Sixteenth Century." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-05312007-134933/.

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Among the treasures of the Montana Museum of Art and Culture is a lovely and elaborate work of art entitled Wars of the Romani, a Flemish tapestry woven in the last third of the 16th century. It is a large weaving, 10 x 15, portraying two armies intertwined in merciless combat. The specific subject matter of Wars of the Romani is unknown, but a standard displaying the Roman eagle held aloft in the background indicates the presence of the Roman legions. The tapestry displays rushing horsemen mounted on vigorous horses, marching spearmen, and supine warriors, imagery common to Flemish battle tap
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Gouarné, Esther. "Théâtre performantiel : immersion et distance dans le théâtre néerlandophone (Flandre et Pays-Bas, 2004-2014)." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100080.

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L'imbrication de la théâtralité et des paradigmes issus du performance art est inscrite au coeur du théâtrepostdramatique, défini par Hans-Thies Lehmann, et elle fut également placée au coeur de ce qui fut nommé la« vague flamande » des années 1980. C'est de ce mécanisme que rend compte le terme de théâtreperformantiel, choisi par contraste avec le performatif austinien. En assimilant l'idéal des avant-gardeshistoriques d'une fusion art-vie, fondée sur l'action réelle en temps réel, la théâtralité se trouve à la foisdébordée et révélée dans son essence, comme un processus en cours, qui prévoit
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Claeys, Barbara Marie André. "How do Flemish subsidized theatres use marketing to contribute to the reinforcement of the relation between the dance world and society." Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Motricidade Humana, 2002. http://dited.bn.pt:80/29986.

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Schachnow, Ellionore. "Marten van Cleve - The Massacre of the Innocents : Comparative study of different versions of the subject and the function of drawings in flemish workshops during the 16th-century." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193262.

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The thesis examines Marten van Cleve’s painting the Massacre of the Innocents from the Stockholm University Art Collection through a series of technical examinations that were conducted at Spökslottet in January 2020 (X-ray, UV, IRR). The aim of the thesis is to examine Marten van Cleve’s painting technique, style and composition by comparing the painting with five contemporary similar versions of the subject the Massacre of the Innocents. Moreover, the thesis compares the underdrawing of the painting from the Stockholm University Art collection with the drawing from the Göttingen University a
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Lish, Jamie. "Adapting The End: Responding to Standards of Learning in Theatre for Children." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1766.

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Theatre is the passport to the creation of a balanced educational system in the United States (US), while standardized testing is the downfall of the ideology behind ‘No Child Left Behind’ (NCLB). As an educator, I was greatly influenced by Howard Gardner, theorist of Multiple Intelligences and Neil Fleming theorist of learning modalities. This work has carried over into my work in theatre as a director. Theatre does not have to didactically serve formal education, which emphasizes mathematics and reading/writing, nor does it have to be merely a spectacle. Theatre can be experimental, artisti
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Books on the topic "Arts, Flemish"

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Comblen-Sonkes, Micheline. Le Musée des beaux-arts de Dijon. Centre National De Recherches Primitifs Flamands, 1986.

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Lauwaert, Guido. Opstijgend grondvocht. Nioba/Ars Scribendi, 1990.

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Museum, voor Schone Kunsten (Ghent Belgium). Musée des beaux-arts, Gand. Crédit Communal, 1988.

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1952-, Ceuleers Jan, ed. De Stoute jaren '58-'68: Muziek, mode, design, architectuur, fotografie, radio & TV, film, theater, kunst, literatuur. Kritak, 1988.

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Michel, Bartosik, ed. Paul van Ostaijen en de kunst van zijn tijd, 1896-1996. Koninklijke Academie voor Nederlandse Taal- en Letterkunde, 1997.

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Aerts, Dirk. Het Bordeel van Ika Loch: De Antwerpse literaire avant-garde in de jaren twintig : publikatie bij de gelijknamige tentoonstelling, 15 mei tot 29 augustus 1993, Archief en Museum voor het Vlaamse Cultuurleven, Antwerpen. Archief en Museum voor het Vlaamse Cultuurleven, 1993.

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Robert, Hoozee, ed. Museum of Fine Arts, Ghent. Ludion, 2000.

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John, Everaert, and Stols Eddy, eds. Flandre et Portugal: Au confluent de deux cultures. Fonds Mercator, 1991.

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Fine Arts Museums of San Francisco. A sumptuous past: Seventeenth-century Dutch and Flemish paintings from the Fine Arts Museums of San Francisco. Fine Arts Museums of San Francisco, 1992.

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vzw, Ons Erfdeel. TLC, the Low Countries: Arts and society in Flanders and the Netherlands : 20. Flemish-Netherlands Foundation, Ons Erfdeel vzw, 2012.

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Book chapters on the topic "Arts, Flemish"

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Kren, Thomas. "A Flemish Manuscript in France: The Chantilly Liber Floridus." In Ars Nova. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ars-eb.3.27.

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de Clippel, Karolien. "Dutch Art in Relation to Seventeenth-Century Flemish Art*." In The Ashgate Research Companion to Dutch Art of the Seventeenth Century. Routledge, 2017. http://dx.doi.org/10.4324/9781315087146-19.

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Franco, Roberto. "The Place of Inspiration of the Flemish Triptych by Rogier van der Weyden. A Contribution of the landscape busting to one of the vexata quaestio of the Sicilian History." In Proceedings e report. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.17.

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One of the greatest masterpieces of Flemish art of global importance has been analyzed, through geological and geomorphological evidence, in order to identify the ‘hidden landscapes’ depicted within it. The conclusions of this study suggest that the views may be Sicilian. This fact is particularly important as it is believed that the masterpiece was imported into Sicily, but the history of its origin is not yet well known, indeed, it is still under discussion. Reasonably, therefore, in the light of the results achieved, the possibility that it has been realized on the island itself can be seen
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Michel, Patrick. "8. French Collectors and the Taste for Flemish Painting during the Eighteenth Century." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00036.

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Fisher, Barbara. "11. Recovery and Return." In Trix. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0377.11.

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In 1924, when Trix was fifty-six years old, she was recalled from exile. Jack, sixty-six years old and in declining health, allowed Trix back into the Fleming home in Edinburgh. She was at first treated as if she were incompetent, but she eventually demonstrated that she was not only capable and coherent, but charming and witty. She nursed but also teased and subtly tortured Jack through his final years of ill health. She mourned the death of her brother in 1936 and the loss of her husband in 1942. With Rudyard’s death, Trix became a valued resource for Kipling biographers. When Jack died, she
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Tom, Verschaffel. "Visual arts : Belgian and Flemish." In Encyclopedia of Romantic Nationalism in Europe. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789462981188/ngel1i86qfla1prjxexbulbi.

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Prina, Daniela N. "An Ephemeral Museum of Decorative and Industrial Arts : Charle Albert’s Vlaams Huis." In The Home, Nations and Empires, and Ephemeral Exhibition Spaces. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463720809_ch02.

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Around the 1870s, artists such as Charle Albert aimed to find a decorative unity of style through their personal homes, with the precise desire to repropose the original aspects of Flemish culture. The Vlaams Huis by Charle Albert was decorated in a variety of ancient Flemish styles ranging from late Gothic to Baroque. The interior pieces were organized in a sequence revealing the historical evolution of Flemish Renaissance decorative styles, thus illustrating the country’s ancient roots: they narrated national history and served as a model for Belgian artists. This chapter aims to give a new
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Tuite, Clara. "7 The Flemish Jane Austen." In The Edinburgh Companion to Jane Austen and the Arts. Edinburgh University Press, 2024. http://dx.doi.org/10.1515/9781399500425-011.

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"Pictorial Babel: Inventing the Flemish Visual Vernacular." In The Transformation of Vernacular Expression in Early Modern Arts. BRILL, 2012. http://dx.doi.org/10.1163/9789004222434_011.

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Lansdown, Richard. "A Marginal Interest? Byron and the Fine Arts." In Byron and Marginality. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439411.003.0014.

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Byron has always been regarded as the possessor of a tin ear when it came to art. But once he took up residence on the Continent in 1816 he could hardly avoid paintings, especially when fellow-travellers like John Polidori, John Cam Hobbhouse and Stendhal insisted on showing him the galleries full of Flemish art in Belgium or Italian old masters in Milan, Venice, Florence and Rome.The essay works out what exactly he saw in all these places, and comments on what he had to say. In particular, it draws together an ‘Italian composite’ of feminine portraits, and ponders the question whether it is s
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Reports on the topic "Arts, Flemish"

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Grand-Clément, Sarah. Assessing Technologies to Counter the Diversion of Small Arms and Light Weapons. UNIDIR, 2024. http://dx.doi.org/10.37559/caap/24/erc/09.

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Countering the Diversion of arms using TEChnology Tools (D-TECT) is a joint project by the Flemish Peace Institute (FPI) and the United Nations Institute for Disarmament Research (UNIDIR). The aim of Project D-TECT is to develop and test an approach to identifying and assessing the utility and feasibility of using specific technologies that could be used to support or strengthen existing initiatives aimed at detecting, preventing, and mitigating the diversion of conventional weapons. Project D-TECT consists of two consecutive phases. The first phase was to identify existing technologies that c
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