Log in

Relevant bibliographies by topics / Arts, Flemish / Journal articles

To see the other types of publications on this topic, follow the link: Arts, Flemish.

Journal articles on the topic 'Arts, Flemish'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Arts, Flemish.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Vanhaesebrouck, Karel. "The Hybridization of Flemish Identity: The Flemish National Heritage on the Contemporary Stage." Contemporary Theatre Review 20, no. 4 (2010): 465–74. http://dx.doi.org/10.1080/10486801.2010.505760.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Agoston, Laura Camille. "Male/Female, Italy/Flanders, Michelangelo/Vittoria Colonna." Renaissance Quarterly 58, no. 4 (2005): 1175–219. http://dx.doi.org/10.1353/ren.2008.0886.

Full text

Abstract:

AbstractThis essay proposes a new reading of the famous passage comparing the devotional value of Flemish and Italian painting in Francisco de Holanda’s (1517-84) Portuguese treatiseDa pintura antigua. My purpose is to demonstrate that the polarizing and divisive claims made about Flemish painting are unmade in the text itself. The major grounds upon which Flemish art is attacked in the first of the four Roman dialogues are upheld for admiration in the second. The strongly misogynistic character of the passage on Flemish painting has obscured the more complex and shifting treatment of gender i

APA, Harvard, Vancouver, ISO, and other styles

3

Bauman, Guy. "Early Flemish Portraits 1425-1525." Metropolitan Museum of Art Bulletin 43, no. 4 (1986): 1. http://dx.doi.org/10.2307/3269088.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Grigg, Robert. "Flemish Realism and Allegorical Interpretation." Journal of Aesthetics and Art Criticism 46, no. 2 (1987): 299. http://dx.doi.org/10.2307/431868.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Vlieghe, Hans. "Flemish Art, Does It Really Exist?" Simiolus: Netherlands Quarterly for the History of Art 26, no. 3 (1998): 187. http://dx.doi.org/10.2307/3780898.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Orozco, Lourdes, and Peter M. Boenisch. "Editorial: Border Collisions - Contemporary Flemish Theatre." Contemporary Theatre Review 20, no. 4 (2010): 397–404. http://dx.doi.org/10.1080/10486801.2010.505763.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Deam, Lisa. "Flemish versus Netherlandish: A Discourse of Nationalism." Renaissance Quarterly 51, no. 1 (1998): 1–33. http://dx.doi.org/10.2307/2901661.

Full text

Abstract:

AbstractThis essay shows how scholarship on fifteenth-century Flemish panel painting became intertwined with efforts at national identity-building in nineteenth and early twentieth-century Europe. Paintings such as Jan van Eyck's Ghent Altarpiece were not only dispersed across regional and national boundaries, but were intellectually appropriated for competing national programs. The paintings consequently became a site of conflict between the Latin and Germanic traditions. These conflicts are clearly visible through the shifting terminology of this art, variously claimed as “Flemish” and “Neth

APA, Harvard, Vancouver, ISO, and other styles

8

Filipczak, Zirka Z., and Hans Vlieghe. "Flemish Art and Architecture 1585-1700." Art Bulletin 82, no. 2 (2000): 357. http://dx.doi.org/10.2307/3051384.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Carrier, David. "Naturalism and Allegory in Flemish Painting." Journal of Aesthetics and Art Criticism 45, no. 3 (1987): 237. http://dx.doi.org/10.2307/431453.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

CARRIER, DAVID. "Naturalism And Allegory in Flemish Painting." Journal of Aesthetics and Art Criticism 45, no. 3 (1987): 237–50. http://dx.doi.org/10.1111/1540_6245.jaac45.3.0237.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Smagar, Maria. "Visible Past: Urban Space in Flemish Book of Hours of Isabella the Catholic." ISTORIYA 12, no. 9 (107) (2021): 0. http://dx.doi.org/10.18254/s207987840017067-2.

Full text

Abstract:

In this article, images of urban space in the Flemish illuminated books of hours of the 15th century are discussed. The main source is the miniatures of lavishly illuminated Flemish Book of Hours of Isabella the Catholic (The Cleveland Museum of Art, Ohio, the United States). With two special tables author highlights, typologizes, and analyzes the major markers of medieval and renaissance urban space (such as stone bridges, city walls, cathedrals, multi-story houses, etc.) as well as the social structure of miniatures, representing urbanscapes in Flemish Book of Hours of Isabella the Catholic.

APA, Harvard, Vancouver, ISO, and other styles

12

Harbison, Craig. "Visions and Meditations in Early Flemish Painting." Simiolus: Netherlands Quarterly for the History of Art 15, no. 2 (1985): 87. http://dx.doi.org/10.2307/3780659.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Liedtke, Walter. "Dutch and Flemish Paintings from the Hermitage." Oud Holland - Quarterly for Dutch Art History 103, no. 3 (1989): 154–68. http://dx.doi.org/10.1163/187501789x00121.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Theeboom, Marc, Paul De Knop, and Paul Wylleman. "Martial arts and socially vulnerable youth. An analysis of Flemish initiatives." Sport, Education and Society 13, no. 3 (2008): 301–18. http://dx.doi.org/10.1080/13573320802200677.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Vanlee, Florian, Sofie Van Bauwel, and Frederik Dhaenens. "Distinctively queer in the Parish: Performances of distinction and LGBTQ+ representations in Flemish prestige television fiction." European Journal of Cultural Studies 23, no. 4 (2019): 548–63. http://dx.doi.org/10.1177/1367549418821844.

Full text

Abstract:

This article troubles the intuitive link between emancipatory portrayals of sexual and gender diversity and ‘quality television’ by focusing on three Flemish ‘prestige’ dramas: Met Man en Macht (VIER, 2013), Bevergem (Canvas, 2015) and Den Elfde Van Den Elfde (één, 2016). Contrary to the United States, Flemish quality television portrays fewer LGBTQ+ characters and narratives than less ‘prestigious’ content. Approached from a Bourdieusian perspective, the cases discussed show that when LGBTQ+ characters are featured in prestigious domestic fiction content, they function as distinctive queers.

APA, Harvard, Vancouver, ISO, and other styles

16

Stynen, Ludo. "Thuiskomen in het Vlaams-nationalisme. 'De Schelde' en Pol De Monts engagement na de Eerste Wereldoorlog." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 77, no. 2 (2019): 149–85. http://dx.doi.org/10.21825/wt.v77i2.15683.

Full text

Abstract:

De dichter Pol De Mont, voor WO I decennialang één van de Vlaamse boegbeelden, zag zich na die oorlog, vanwege vermeende Duitsvriendelijkheid, gedwongen om ontslag te nemen als leraar aan de Antwerpse Academie voor Schone Kunsten en als conservator van het Koninklijk Museum voor Schone kunsten in dezelfde stad. Frustratie was zijn deel en zijn rol leek uitgespeeld.Een half jaar na de Wapenstilstand wordt hij echter onverwacht hoofdredacteur van het dagblad De Schelde en staat hij weer midden de Vlaamse strijd. Anders dan voor de oorlog zijn zijn standpunten nu radicaal Vlaams-nationalistisch.

APA, Harvard, Vancouver, ISO, and other styles

17

Vanlee, Florian, Frederik Dhaenens, and Sofie Van Bauwel. "Understanding Queer Normality: LGBT+ Representations in Millennial Flemish Television Fiction." Television & New Media 19, no. 7 (2018): 610–25. http://dx.doi.org/10.1177/1527476417748431.

Full text

Abstract:

Queer television studies scholarship tends to construct “queerness” and “normality” as incommensurable concepts, defining queer “against the normal rather than the heterosexual.” In this article, we show how this construction is specifically intertwined with highly liberalized media contexts, and generates a fundamentally static understanding and operationalization of the concept of normality in queer television studies. Turning to Flemish television fiction of the late 1990s, we point to a dynamic and open-ended approach toward sexual and gender diversity, and illustrate how televised normali

APA, Harvard, Vancouver, ISO, and other styles

18

Sperling, Jutta. "Squeezing, Squirting, Spilling Milk: The Lactation of Saint Bernard and the FlemishMadonna Lactans(ca. 1430–1530)." Renaissance Quarterly 71, no. 3 (2018): 868–918. http://dx.doi.org/10.1086/699605.

Full text

Abstract:

AbstractThe focus on three drops of milk issuing from the Virgin’s breast in “The Virgin in Front of a Fire Screen” was inspired by contemporary representations of the Lactation of Saint Bernard. This latter iconography provides the visual context for the vivid address of eroticized depictions of the Madonna’s “one bare breast” in Flemish art and shows the intricate connections between visuality and materiality in fifteenth-century Flemish religious art. Some depictions of Saint Bernard’s lactation transform the Madonna’s jets of milk into rays of light aiming for his eyes, stressing the inter

APA, Harvard, Vancouver, ISO, and other styles

19

Cuelenaere, Eduard, Stijn Joye, and Gertjan Willems. "Local flavors and regional markers: The Low Countries and their commercially driven and proximity-focused film remake practice." Communications 44, no. 3 (2019): 262–81. http://dx.doi.org/10.1515/commun-2019-2057.

Full text

Abstract:

AbstractThe practice of Dutch-Flemish film remaking that came into existence in the new millennium quickly appeared to be of great importance in the film industries of Flanders and The Netherlands – and consequently of Europe. Inspired by methods used in television (format) studies, this article conducts a systematic comparative film analysis of nine Dutch-Flemish remakes together with their nine source films. Considering the remake as a prism that aids in dissecting different formal, transtextual, and cultural codes, and subsequently embedding the practice in its specific socio-cultural and i

APA, Harvard, Vancouver, ISO, and other styles

20

Goldstein, Claudia. "Artifacts of domestic life Bruegel's paintings in the Flemish home." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 51, no. 1 (2000): 173–94. http://dx.doi.org/10.1163/22145966-90000663.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Luxford, Julian M. "Bruegel to Rubens: Masters of Flemish Painting." Renaissance Studies 22, no. 5 (2008): 723–28. http://dx.doi.org/10.1111/j.1477-4658.2008.00517.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Vermeulen, Julien. "Cultural diversity in contemporary Flemish fiction." Dutch Crossing 32, no. 1 (2008): 28–42. http://dx.doi.org/10.1080/03096564.2008.11730909.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

DUMOLYN, JAN. "Privileges and novelties: the political discourse of the Flemish cities and rural districts in their negotiations with the dukes of Burgundy (1384–1506)." Urban History 35, no. 1 (2008): 5–23. http://dx.doi.org/10.1017/s0963926807005159.

Full text

Abstract:

ABSTRACT:During the negotiations with their Flemish subjects, the Burgundian dukes generally asked for taxes or military aid, while their subjects demanded the confirmation of privileges and the political and economic stability necessary for trade and industry to flourish. In this analysis of the institutionalized bargaining sessions between cities, rural districts and the dukes in Flanders, it will be shown that a specific political discourse developed among the Flemish delegates, that can be considered ‘corporatist’ or ‘communalist’.

APA, Harvard, Vancouver, ISO, and other styles

24

Goedde, Lawrence O. "Convention, Realism, and the Interpretation of Dutch and Flemish Tempest Painting." Simiolus: Netherlands Quarterly for the History of Art 16, no. 2/3 (1986): 139. http://dx.doi.org/10.2307/3780634.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

De Dobbeleer, Michel. "Can stereotypical housewives in Flemish family comics divorce? The cases of Jommeke and De Kiekeboes." Studies in Comics 12, no. 1 (2021): 33–56. http://dx.doi.org/10.1386/stic_00048_1.

Full text

Abstract:

For decades the best-selling comics in Flanders, the Dutch-speaking northern half of Belgium, have without any doubt been the so-called familiestrips. In this article, I probe the Flemishness of this particular type of comics book (or ‘album’). Since there is a lot of confusion, I explain at length why ‘family comics’ would be a more suitable English translation for this term than the more obvious and more often encountered ‘family strip’ (which better suits the Dutch-type familiestrip). The article’s other objective is to explain why not only the Zeitgeist, but also the very format, of the Fl

APA, Harvard, Vancouver, ISO, and other styles

26

Leblanc, Ronald D. "Teniers, Flemish Art, and the Natural School Debate." Slavic Review 50, no. 3 (1991): 576–89. http://dx.doi.org/10.2307/2499854.

Full text

Abstract:

Horace's dictum, Utpictura poesis, might appear anachronistic today in light of modern literary theory, which has tended to view literature as a distinctly verbal form of art and has preferred lately (especially during the current craze for Mikhail Bakhtin) to examine such decidedly nongraphic aspects of prose fiction as narratology, dialogicality, and polyphony.

APA, Harvard, Vancouver, ISO, and other styles

27

Wiersma, Lisa. "‘Colouring’ — Material Depiction in Flemish and Dutch Baroque Art Theory." Art and Perception 8, no. 3-4 (2020): 243–65. http://dx.doi.org/10.1163/22134913-bja10005.

Full text

Abstract:

Seventeenth-century painters were masters at painting objects and beings that seem tangible. Most elaborate was painting translucent materials like skins and pulp: human flesh and grapes, for instance, require various surface effects and suggest the presence of mass below the upper layers. Thus, the viewer is more or less convinced that a volume or object is present in an illusionary space. In Dutch, the word ‘stofuitdrukking’ is used: expression or indication of material, perhaps better understood as rendering of material. In English, ‘material depiction’ probably captures this painterly mean

APA, Harvard, Vancouver, ISO, and other styles

28

Trouille, Jean-Marc, and Helen Trouille. "The Position of Flemish in Northern France." Dutch Crossing 17, no. 49 (1993): 83–96. http://dx.doi.org/10.1080/03096564.1993.11784002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Grasman, Edward. "De ontdekking van de Hollandse primitieven." Oud Holland - Quarterly for Dutch Art History 112, no. 2-3 (1998): 169–86. http://dx.doi.org/10.1163/187501798x00347.

Full text

Abstract:

AbstractHistorian Pieter Geyl's opposition to a division in fifteenth-century painting in the Low Countries has been the subject of frequent discussion. This article presents the first examination of the motives of the two principal upholders of the theory repudiated by Geyl: Adriaan Pit and Willem Vogelsang. In 1894 Pit drew a sharper distinction than predecessors such as Bode and Moll between Dutch and Flemish fifteenth-century painting. Pit's position was based on his conception - which in turn was substantially influenced by Louis Courajod - of logic in art history. Pit's stance, which imp

APA, Harvard, Vancouver, ISO, and other styles

30

Proske-van Heerdt, Dorine. "A French and a Flemish Book of Hours in Guernsey." Scriptorium 45, no. 2 (1991): 266–87. http://dx.doi.org/10.3406/scrip.1991.1601.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Kettering, Alison McNeil, and Lawrence Otto Goedde. "Tempest and Shipwreck in Dutch and Flemish art: Convention, Rhetoric, and Interpretation." Simiolus: Netherlands Quarterly for the History of Art 21, no. 1/2 (1992): 102. http://dx.doi.org/10.2307/3780714.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Boström, Antonia. "The acquisition of Flemish landscapes for Italy on the Antwerp art market." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 48, no. 1 (1997): 8–21. http://dx.doi.org/10.1163/22145966-90000153.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Heiremans, Alina. "Representation of Proverbs in Flemish Marginal Art of the 13th–15th Centuries." Actual Problems of Theory and History of Art 11 (2021): 516–25. http://dx.doi.org/10.18688/aa2111-05-40.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Vanhaesebrouck, Karel. "Theatre of War: Commemorating World War I in Belgium." TDR/The Drama Review 61, no. 4 (2017): 40–58. http://dx.doi.org/10.1162/dram_a_00691.

Full text

Abstract:

Every town and village throughout Flanders is commemorating the gruesome events of 1914–1918 with a range of activities. Some of these propose intelligent and thoroughly researched perspectives on WWI, while others are just simple tourist entertainments. Flemish theatre artists enthusiastically contribute to this frenzy, although some choose to deconstruct the folkloric myths to comment on the economics of the commemoration industry or on present-day atrocities.

APA, Harvard, Vancouver, ISO, and other styles

35

Ribémont, Bernard. "Les hôtels parisiens du xv e siècle vus par Guillebert de Mets: un simple inventaire au service du prestige de la ville." Studi Francesi 202 (LXVIII | I) (2024): 17–30. http://dx.doi.org/10.4000/11whv.

Full text

Abstract:

Guillebert de Mets is a fascinating Flemish figure of the end of the Middle Ages: in the service of the dukes of Burgundy, he was a scribe, a collector, an amateur of arts, a diplomat and a reader of literature and treatises of his time, particularly those proceeding from the French first humanists, like Laurent de Premierfait. He staid in Paris, visiting the city and he was particularly interested in the rich hotels of princes and some rich people. After the presentation of Guillebert, this paper is devoted to analyse how he considers these buildings as a ‘bourgeois lige’ of the duke of Burgu

APA, Harvard, Vancouver, ISO, and other styles

36

Reynolds, Peter. "Leuven, Belgium: Transit New Music Festival." Tempo 67, no. 264 (2013): 69–70. http://dx.doi.org/10.1017/s0040298213000090.

Full text

Abstract:

In its unswerving devotion to new music at its most uncompromising, the Flemish Transit Festival represents a model of the kind of festival that has now almost vanished from Britain. Based in the intimate university town of Leuven, the 2012 festival was the thirteenth: 48 hours of music and events concentrated into a weekend, running from Friday night to Sunday (26–28 October). Located mainly in the unprepossessing concrete 1970s STUK arts centre (with surprisingly good acoustics), the 12 events (plus pre-concert talks) followed upon one another with a rapidity that almost negated the opportun

APA, Harvard, Vancouver, ISO, and other styles

37

Chiarini, Marco, B. W. Meijer, M. Fontana Amoretti, and M. Plomp. "Repertory of Dutch and Flemish Paintings in Italian Public Collections, Vol. I: Liguria." Simiolus: Netherlands Quarterly for the History of Art 27, no. 4 (1999): 243. http://dx.doi.org/10.2307/3780974.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Laermans, Rudi. "Impure Gestures Towards ‘Choreography in General’: Re/Presenting Flemish Contemporary Dance, 1982–2010." Contemporary Theatre Review 20, no. 4 (2010): 405–15. http://dx.doi.org/10.1080/10486801.2010.505764.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Wicky, Érika. "Detail and texture: Edmond Fierlants’ reproductions of the ‘Flemish Primitives’ and their reception." Oud Holland – Journal for Art of the Low Countries 133, no. 3-4 (2020): 165–79. http://dx.doi.org/10.1163/1875-0176-1330304004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Morton, Marsha L. "Johann Erdmann Hummel and the Flemish Primitives: The Forging of a Biedermeier Style." Zeitschrift für Kunstgeschichte 52, no. 1 (1989): 46. http://dx.doi.org/10.2307/1482457.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Koster, John. "Early Flemish harpsichord string scalings and their acoustical implications." Journal of the Acoustical Society of America 98, no. 5 (1995): 2955–56. http://dx.doi.org/10.1121/1.414038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Brown, C. "The Later Flemish Pictures in the Collection of Her Majesty the Queen." Journal of the History of Collections 20, no. 2 (2008): 309–10. http://dx.doi.org/10.1093/jhc/fhn024.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Kriznar, Anabelle, Maria del Valme Muñoz, Fuensanta de la Paz, Miguel Ángel Respaldiza, and Mercedes Vega. "Non-destructive XRF analysis of selected Flemish panel paintings in the Fine Arts Museum of Seville." Journal of the Institute of Conservation 37, no. 2 (2014): 136–51. http://dx.doi.org/10.1080/19455224.2014.915224.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Blum, Shirley Neilsen. "Earthly Saints: The concordance of Flemish and Florentine art in the fifteenth century." Konsthistorisk Tidskrift/Journal of Art History 65, no. 3 (1996): 151–78. http://dx.doi.org/10.1080/00233609608604409.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Wayment, Hilary. "The Stained Glass at Chavenage House, Tetbury, Gloucestershire." Antiquaries Journal 78 (March 1998): 391–432. http://dx.doi.org/10.1017/s0003581500500122.

Full text

Abstract:

The windows of the Great Hall, the Chapel, the Porch, the Priest's Chamber and ‘Queen Anne's Bedroom’ are all garnished with stained glass – figures, roundels, coats of arms, and interesting fragments from a variety of sources English and Continental, and of all centuries from the fifteenth to the twentieth. The most striking are perhaps the four Oxford scholars in the Great Hall, wearing their medical gowns, with the seventeenth-century arms of the Due de Guise below; the three medieval Flemish roundels in Queen Anne's Room; and in the Chapel the Virtues inspired by Reynolds’ designs for New

APA, Harvard, Vancouver, ISO, and other styles

46

Wayment, Hilary. "The Stained Glass at Chavenage House, Tetbury, Gloucestershire." Antiquaries Journal 78 (September 1998): 391–432. http://dx.doi.org/10.1017/s0003581500045030.

Full text

Abstract:

The windows of the Great Hall, the Chapel, the Porch, the Priest's Chamber and ‘Queen Anne's Bedroom’ are all garnished with stained glass – figures, roundels, coats of arms, and interesting fragments from a variety of sources English and Continental, and of all centuries from the fifteenth to the twentieth. The most striking are perhaps the four Oxford scholars in the Great Hall, wearing their medical gowns, with the seventeenth-century arms of the Due de Guise below; the three medieval Flemish roundels in Queen Anne's Room; and in the Chapel the Virtues inspired by Reynolds’ designs for New

APA, Harvard, Vancouver, ISO, and other styles

47

Büttner, Nils. "Rubens’ landscapes and the Dutch Republic." Oud Holland – Journal for Art of the Low Countries 136, no. 2-3 (2023): 89–102. http://dx.doi.org/10.1163/18750176-1360203003.

Full text

Abstract:

Peter Paul Rubens (1577-1640) is generally regarded as the painter of the Counter-Reformation and the embodiment of Flemish Baroque. Since the founding of the Belgian state in 1830, he and his art have been increasingly appropriated as a point of reference for the cultural identity of Flanders. Art was also appropriated in the formation of the national identity of the Kingdom of the Netherlands – in particular the depiction of nature and landscape that had become a speciality of many painters in the northern provinces. But Rubens too was admired by his contemporaries for his landscapes, and in

APA, Harvard, Vancouver, ISO, and other styles

48

Stalpaert, Christel. "Something is Rotten on the Stage of Flanders: Postdramatic Shakespeare in Contemporary Flemish Theatre." Contemporary Theatre Review 20, no. 4 (2010): 437–48. http://dx.doi.org/10.1080/10486801.2010.505757.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Downey, Erin. "Learning in Netherlandish workshops in seventeenth-century Rome." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 68, no. 1 (2019): 348–77. http://dx.doi.org/10.1163/22145966-06801012.

Full text

Abstract:

This contribution presents a much-needed overview of Netherlandish workshop activities in Rome, and a reevaluation of their impact on the cultural environment of the city. Focusing on the workshops of Paul Bril, Herman van Swanevelt, Vincent Adriaenssen Leckerbetien (‘Il Manciola’), Cornelis Bloemaert II, and the now obscure painter Salomon Backereel, it elucidate the process by which these and other Dutch and Flemish artists trained aspiring painters and contributed to the overall educational program of the city. Not only is there more information about how their workshops functioned, but als

APA, Harvard, Vancouver, ISO, and other styles

50

De Graeve, Katrien. "Festive gatherings and culture work in Flemish-Ethiopian adoptive families." European Journal of Cultural Studies 16, no. 5 (2013): 548–64. http://dx.doi.org/10.1177/1367549413476009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!