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Journal articles on the topic 'Arts – political aspects'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Shishkova, Yana. "THE FIVE CONSTANTS ASPECTS OF CHINESE LANGUAGE AND CULTURE LEARNING." Diplomatic Economic and Cultural Relations between China and Central and Eastern European countries 10, no. 1 (2025): 13–25. https://doi.org/10.62635/jb52-qzdp.

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In today’s world, where technology and information flow at unprecedented speeds, educators face new challenges in capturing students’ attention, setting educational goals, and delivering content in ways that promote lasting knowledge. Bulgaria’s students receive a large number of foreign language classes. This allows for the implementation of a distinctive model of Chinese language education, centered on the five key aspects of Sinology: geography (including political economy and sociology), history, philosophy, literature (literary studies and linguistics), and culture (everyday life, traditi

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Lohé, M. J. Le. "Immigration and race relations: Political aspects — No. 17." Journal of Ethnic and Migration Studies 14, no. 3 (1988): 451–59. http://dx.doi.org/10.1080/1369183x.1988.9976082.

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Fo, Dario. "Some Aspects of Popular Theatre." New Theatre Quarterly 1, no. 2 (1985): 131–37. http://dx.doi.org/10.1017/s0266464x00001500.

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It is a matter for pride that the old TQ was one of the first English-language journals to include material by and about the Italian dramatist Dario Fo. Our ‘Theatre Checklist’ on Fo in 1978 provided the first full reference guide to his plays (notably to his work since 1970 with the theatre collective La Comune), and Tony Mitchell contributed a documented study of Fo's one-man show Mistero Buffo to TQ 35 in 1979. In between, Belt and Braces had established Fo's British reputation with their long-running productions of Accidental Death of an Anarchist and Can't Pay, Won't Pay – while in TQ40 F

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Iqbaldi, Rd Ananda, and Tri Wahyu Retno Ningsih. "THE SUPPORTING ASPECTS OF POLITICAL FEMINISM OF THE CROWN SERIES." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 5, no. 1 (2021): 1. http://dx.doi.org/10.17977/um006v5i12021p1-7.

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Feminism is the struggle of women to fight for their voice to be heard is a never-ending struggle that can be seen on media even in literature. Women ask for the equality as men received naturally, even in literature women depicted as someone hysterical and vulnerable however in the late 20th century until today the depiction of strong women is getting common even in Political world. The aspects of Political Feminism in The Crown series is the object of the study in order to uncover the aspects within the ideology itself. There are 30 data within the series that consists of Political Feminism

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Harsono, Jusuf. "Hegemoni Negara terhadap Seni Reyog Ponorogo." ARISTO 7, no. 2 (2019): 336. http://dx.doi.org/10.24269/ars.v7i2.1773.

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The existence of art Reyog Ponorogo until now it is a traditional art Ponorogo Regency, community pride even in politics is needed by the existence of the political elite, nevertheless the availability of the arts it politically sufficiently interesting to observe in the political dynamics localized in Ponorogo. How the political elite or the state doing my hegemony on all aspects of this art Reyog Ponorogo. This study using several methods to get clarification on the problems on some of them are with the interview, observation, and documentation. The result showed that elite politics or the s

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Verkaaik, Oskar. "Notes on the sublime: Aspects of political violence in urban Pakistan." South Asian Popular Culture 11, no. 2 (2013): 109–19. http://dx.doi.org/10.1080/14746689.2013.784052.

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Pereira de Abreu, Yure, and Elvis de Azevedo Matos. "Arts in schools curricula: disputes and possibilities for human emancipation." Concilium 24, no. 9 (2024): 428–40. http://dx.doi.org/10.53660/clm-3400-24i21.

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This paper aims to discuss the role of arts in the educational field. Presenting an overview on the contradictions of the capitalist system and its influence on the strategies into the curricula. We try to present a critical review in which some political aspects have an important presence and define the aspirations for more space for arts in schools. We also bring an utopian proposition focusing arts in educations as a way to find self constructions achieve freedom in a social context, based on creativity and solidarity to human development.

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Garcia, John A. "The Political Integration of Mexican Immigrants: Examining Some Political Orientations." International Migration Review 21, no. 2 (1987): 372–89. http://dx.doi.org/10.1177/019791838702100207.

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The significant influx of immigrants, historically and contemporarily, has had a major impact on all aspects of American society. One area that has received some attention, but warrants more, is the extent of political integration of immigrant populations. Political integration is defined as a process whereby a sense of cohesiveness, membership and attachment occurs for residents of the political community (political values, beliefs, citizen roles, etc.). Using the foreign-born segment of the National Chicano Survey, this article identifies three critical political orientations (i.e., individu

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Brown, Ian, Robert Brannen, and Douglas Brown. "The Arts Council Touring Franchise and English Political Theatre after 1986." New Theatre Quarterly 16, no. 4 (2000): 379–87. http://dx.doi.org/10.1017/s0266464x00014123.

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The pressures of Thatcherism on theatre funding in the 'eighties were severe, but the early harshness was tempered by several factors. One was the positive influence of the Cork Report, particularly on touring and experimental theatre. Another, the authors believe, was a careful strategy of reallocation of funding to support creativity in English theatre, notably through the touring franchise scheme. Here, they analyze in detail the ways in which the English Arts Council operated the scheme in an attempt to revitalize aspects of English theatre from 1986 onwards, trace the change in the values

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Koldau, Linda Maria. "Musik und Politik Über die gesellschaftliche Relevanz von Musik und Musikwissenschaft." Zeitschrift für Religions- und Geistesgeschichte 59, no. 4 (2007): 331–50. http://dx.doi.org/10.1163/157007307781787589.

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AbstractThough often stylized as the most transcendent of the arts, music is inseparably linked to politics and society. The essay offers several examples of how even the technical and aesthetic aspects of music have been determined by political factors through the ages. In conclusion, the author turns to the political role of musicology and the current tendency in Germany to transfer academic institutes of musicology to conservatories.

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Torstendahl-Salycheva, Tamara. "Gender Issues in Sweden: Socio-Political and Historiographical Aspects." ISTORIYA 14, no. 8 (130) (2023): 0. http://dx.doi.org/10.18254/s207987840027755-9.

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Gender equality in the political, legal, social, economic, and cultural spheres of modern Sweden is highly relevant to society. This issue affects all aspects of the country&apos;s life and is one of the most important points for understanding Swedish identity. The most equal opportunities for women and men are primarily manifested at the state and political levels. In the global media space of the last decade, great attention has been paid to the women&apos;s hashtag movement #metoo against cases of sexual harassment by men towards women. This phenomenon has had a significant impact o

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Quyen, Nguyen Thi Anh. "Factors Affecting Arts Marketing of Theaters in Hanoi, Vietnam." WSEAS TRANSACTIONS ON ENVIRONMENT AND DEVELOPMENT 18 (April 15, 2022): 442–51. http://dx.doi.org/10.37394/232015.2022.18.43.

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Arts marketing is the inevitable development trend of contemporary society, in the context of international exchanges and integration deepening and the competition in the arts field is becoming more and more intensive. If arts organizations want to successfully carry out marketing activities, they need to have a deep understanding of both theoretical and practical aspects of arts marketing. Theoretically, many researchers have pointed out that the factors impacting and affecting arts marketing include internal environment and external environment factors, in which the important factors are the

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Shatro, Bavjola. "Literature and Ideology: Aesthetical and Political Aspects of Albanian Literature in Dictatorship." International Journal of the Humanities: Annual Review 9, no. 8 (2012): 95–108. http://dx.doi.org/10.18848/1447-9508/cgp/v09i08/43294.

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Castelluccia, Manuel. "The Militarization of a Society: The Example of Transcaucasia in the Early Iron Age." Ancient Civilizations from Scythia to Siberia 23, no. 1 (2017): 91–126. http://dx.doi.org/10.1163/15700577-12341311.

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The aim of the present paper is to analyze the particular political and social process which began in the lands south of the main Caucasus range at the end of the Late Bronze Age and continued and strengthened during the following Iron Age. This process was characterized by the marked militarization of the society, which involved many related aspects, not just the political system but also social life and organization. The following pages will be dedicated to an analysis of some well-defined aspects, such as the organization of the human landscape, architecture, funerary customs, arts, politic

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Jurek, Krzysztof, and Jacek Kozieł. "Byzantine Themes in Polish High School Liberal Arts Education." Studia Ceranea 9 (December 30, 2019): 251–58. http://dx.doi.org/10.18778/2084-140x.09.13.

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The authors focus how Byzantine motifs are presented in the teaching of humanities subjects. The question of the presence of Byzantine motifs is essentially one about the presence of Byzantine heritage in Polish culture. With reference to two school subjects – Polish and History – the authors seek to establish what Polish school students are taught about the reach of Byzantine culture. Present-day teaching of both political and cultural history is underpinned by Occidentalism. Only occasionally is attention paid to the “Eastern” features of Poland’s past. A good example of this is the treatmen

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Berkutbayeva, Kamshat, and Aliya Mombek. "Synthesis of arts: theater curtain as an aesthetic category." Pedagogy and Psychology 42, no. 1 (2020): 236–42. http://dx.doi.org/10.51889/2020-1.2077-6861.30.

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In training a specialist of creativity higher education institutions, knowledge of special aspects of theatrical art is importance. The subject of this article is the theater curtain, aspects of its application in various historical eras of the development of the theater as a cultural phenomenon. The author’s systematization of information about the theater curtain as an integral element of any theatrical production is based on a deep understanding of its role not only as a technical tool, but also as a spatial composition of the theater performance and the auditorium as a whole. The mentioned

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Samet, Elizabeth D. "The Arts of War and Deception." American Literary History 31, no. 3 (2019): 550–63. http://dx.doi.org/10.1093/alh/ajz029.

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Abstract Three recent books—Benjamin Cooper’s Veteran Americans: Literature and Citizenship from Revolution to Reconstruction (2018), Keith Gandal’s War Isn’t the Only Hell: A New Reading of World War I American Literature (2018), and Jonathan Vincent’s The Health of the State: Modern US War Narrative and the American Political Imagination, 1890–1964 (2017)—invite us to reevaluate the tradition of US war literature. Attempting to rescue it from the misunderstanding and marginalization to which it has been subject over the years, they assess its expression of persistent anxieties about national

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Nasution, Nasution. "Proposing Indonesia History Teaching that Transcends Political Ideologies." Indonesian Historical Studies 6, no. 1 (2022): 34–44. http://dx.doi.org/10.14710/ihis.v6i1.13571.

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The teaching of Indonesian history, in many cases in school, remains dominated by history of politics and political indoctrination, underscoring the need for critical and holistic learning. This paper aims to analyze the Indonesian National History textbooks used in schools, and to examine the possibility of teaching Indonesian history that goes beyond political indoctrination and is holistic. The method used in this paper is the analysis of an Indonesian National History textbooks that have been used as the main textbook for the history subject in schools. The teaching of Indonesian history i

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Levy, Shimon. "‘How Are the Mighty Fallen’: Aspects of Contemporary Israeli Theatre." New Theatre Quarterly 6, no. 24 (1990): 382–94. http://dx.doi.org/10.1017/s0266464x00004966.

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Even at its most political, contemporary Israeli theatre tends to be self-referential – nowhere more so, suggests Shimon Levy, than in the theatre festivals held at Acre, where year by year over the past decade the plays selected seem to have reflected, more than coincidentally, the preoccupations of the nation, with its haunted past, its militaristic present, and a future full of uncertain or resented accommodations with neighbours for so long perceived as enemies. But Shimon Levy, who teaches in the Theatre Department at Tel Aviv University, also notes two exceptions in a generally gloomy th

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Cresswell, Mark, and Zulfia Karimova. "Ken Loach,Family Lifeand Socialist Realism: Some Historical and Theoretical Aspects." Journal of British Cinema and Television 14, no. 1 (2017): 19–38. http://dx.doi.org/10.3366/jbctv.2017.0350.

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This article considers certain historical and theoretical aspects of Ken Loach's 1971 film about mental illness, Family Life. Historically, it explores the film's influences, particularly that of the 1960s ‘anti-psychiatry’ and counter-cultural figure, R. D. Laing. To this end, the article examines in detail a contemporaneous critique of Family Life, namely Peter Sedgwick's hostile review for Socialist Worker in 1972. In the light of this critique, the article then reconsiders, theoretically, Loach's strategies of socialist-realist representation in Family Life, particularly as they relate to,

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Saad, Reem Lotfy Mahmoud. "Art and Cultural Identity." Academic Research Community publication 1, no. 1 (2017): 10. http://dx.doi.org/10.21625/archive.v1i1.104.

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This paper analyzes aspects of Egyptian history, including unique qualities that influenced the Egyptian culture and gave it its identity that has developed throughout the years until today. It will also discuss Egyptian visual arts and its critical role throughout history, including how arts have appeared and developed over Egypt’s lifetime and influenced the Egyptian citizen. Furthermore, this research sheds light on the effects of every political change that took place in Egypt, and how that could be a mirror of the Egyptian civilization, its development and its decline while considering th

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Alexander, Gregory S. "Can Human Flourishing Be Liberal?" Canadian Journal of Law & Jurisprudence 32, no. 1 (2019): 235–47. http://dx.doi.org/10.1017/cjlj.2019.10.

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The renewed interest in virtue ethics raises again a persistent question, namely, the relationship between the virtue ethics theory and liberalism as a political philosophy. Virtue ethicists focus on the good—i.e., human flourishing—and debate what constitutes that good. This focus creates a problem for liberals who are rights-oriented, which is the dominant form of contemporary liberalism.The recent and timely book by Menachem Mautner, Human Flourishing, Liberal Theory, and the Arts, reminds us, however, that liberalism comes in many stripes. There is no one liberalism. Rather, there are many

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Sporton, Gregory. "Power as Nostalgia: the Bolshoi Ballet in the New Russia." New Theatre Quarterly 22, no. 4 (2006): 379–86. http://dx.doi.org/10.1017/s0266464x0600056x.

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The economic and political transition of the old Soviet Union into Putin's Russia has been given plenty of attention over the past few years, with emphasis on free markets and democratic choice much in evidence. In this essay Gregory Sporton discusses the less often considered difficulties of the social transition towards a New Russia. The role of ballet in the culture of the Soviet Union occasionally leads to some embarrassment for those who think the arts represent freedom; and here the symbolic power of the nation's most political theatre, the Bolshoi, is examined at the point of its renova

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Bărbieru, Mihaela. "Adapting political communication to technology. Case study: evolutionary aspects on social networks in Romania." Swedish Journal of Romanian Studies 5, no. 2 (2022): 117–36. http://dx.doi.org/10.35824/sjrs.v5i2.23777.

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In recent years, studies on social networks have begun to become more and more numerous in the literature, with scientists showing a real interest in an influential analysis that they have on societies. Social networks are tools through which political candidates have the opportunity to distribute their political message during election campaigns, as well as outside them, to a growing audience. A very strong connection has been made between technology and communication, outside of which we, as individuals, can no longer exist, the virtual space managing to exploit communication in all its aspe

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Gilchrist, Roberta. "Women's archaeology? Political feminism, gender theory and historical revision." Antiquity 65, no. 248 (1991): 495–501. http://dx.doi.org/10.1017/s0003598x00080091.

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Women's issues are deservedly a growing concern in archaeology, with concerns that run from the power (im)balance between the sexes in the present practice of archaeology to the technical question of how gender-relations are, or are not, recoverable from archaeological context. The several aspects that lie within the phrase ‘women's archaeology’are explored.

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Abdel-Raheem, Ahmed. "Metaphorical creativity contributing to multimodal impoliteness in political cartoons." Intercultural Pragmatics 19, no. 1 (2022): 35–70. http://dx.doi.org/10.1515/ip-2022-0002.

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Abstract Using a corpus of mainly Arabic political cartoons, this article investigates the relationship between multimodal impoliteness and metaphorical creativity. It offers an interesting and admittedly tentative argument that many aspects of creativity in language and verbo-visual arts may be related to what I call “frame flouting or exploitation”―a notion compatible with various ongoing research programs, including Rachel Giora and her colleagues’ work on salience, defaultness, and optimal innovation. The concept of frame flouting refers to an overt and blatant infringement of a data struc

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Kasbayeva, G., R. Imanjussip, and B. Şenay. "Some aspects of the creative industry development in Kazakhstan." Bulletin of the Karaganda university History.Philosophy series 107, no. 3 (2022): 349–56. http://dx.doi.org/10.31489/2022hph3/349-356.

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Economic, social, and political modernisation is the key to the development of the state, but cultural modernisation, in particular the modernisation of culture and the arts, is also important. This renewal (‘improvement’) of an established industry in the context of specific values (including, the West) and sociocultural realities, paradigms of progress, efficiency, improvement, development of various initiatives, emergence of subcultures, and others involves reflection in accordance with the requirements. Today, the focus on human life and culture is mainly on the values and style of the Wes

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Mazalán, Peter, and Katarína Morávková. "Fine art as an integral part of architecture: Political and social aspects of the formation of this synthesis in the 20th century." Architecture Papers of the Faculty of Architecture and Design STU 28, no. 4 (2023): 24–28. http://dx.doi.org/10.2478/alfa-2023-0022.

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Abstract The theme of the connection of visual arts with architecture, or the cooperation of visual artists with architects in post-war Europe, basically follows two lines: a theoretical line and a political-institutional line. Just as knowledge of the history of art and the history of architecture is necessary in the analysis of this period, knowledge of the political-economic circumstances is necessary in the field of realisations in architecture, because by definition, this public art is a political affair and is not an independent creation. Art in architecture was promoted not only in comm

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Ezepue, Ezinne M. "Political economy of Nollywood: A literature review." Journal of African Cinemas 12, no. 2-3 (2020): 247–62. http://dx.doi.org/10.1386/jac_00039_5.

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Political economy studies control and survival in social life. It is simply defined as the study of production and exchange and how these activities relate with the state and its laws. It is interested in how politics interacts with economics. Extensive essays and texts on the political economy of the film industry in general, and of Hollywood in particular abound. Such studies on Nollywood, the Nigerian film industry, remains scarce. But in recent times, authors, both indigenous and foreign, are beginning to give increased attention to the struggle for power and control within the industry. T

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Najjar, Fauzi M., and Charles E. Butterworth. "The Political Aspects of Islamic Philosophy: Essays in Honor of Muhsin S. Mahdi." Journal of the American Oriental Society 114, no. 4 (1994): 680. http://dx.doi.org/10.2307/606200.

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Patsiaouras, Georgios, Anastasia Veneti, and William Green. "Marketing, art and voices of dissent." Marketing Theory 18, no. 1 (2017): 75–100. http://dx.doi.org/10.1177/1470593117724609.

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Limited research exists around the interrelationships between protest camps and marketing practices. In this article, we focus on the 2014 Hong Kong protest camps as a context where artistic work was innovatively developed and imaginatively promoted to draw global attention. Collecting and analysing empirical data from the Umbrella Movement, our findings explore the interrelationships between arts marketing technologies and the creativity and artistic expression of the protest camps so as to inform, update and rethink arts marketing theory itself. We discuss how protesters used public space to

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Kulyk, Serhii. "Political Aspects of Ukrainian Football Clubs Charity Matches in European Countries (in the Context of the 2022 Russian-Ukrainian War)." International Relations: Theory and Practical Aspects, no. 9 (September 2, 2022): 20–42. https://doi.org/10.31866/2616-745X.9.2022.265452.

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The socio-political aspects of the charity matches of the ”Dynamo” (Kyiv) and ”Shakhtar” (Donetsk) Ukrainian football clubs in European countries in the context of the Russian-Ukrainian war of 2022 have been studied. These matches were aimed at informing the international public about Russia's full-scale armed invasion of Ukraine, collecting funds for the victims (“Dynamo“), and drawing attention to the large number of victims and injured among children (“Shakhtar”). The author claims that the charity European tours of Ukrainian clubs have ha

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Trunov, Philipp. "German-Norwegian Relations in the Second Half of 2010s: Political and Military Aspects." ISTORIYA 14, no. 8 (130) (2023): 0. http://dx.doi.org/10.18254/s207987840027794-2.

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The article characterizes the relations between the NATO member states which are also Arctic states in military-political sphere. In this situation Norway is a valuable partner not only for the USA but also for European NATO member states and especially Germany considering its ambitions as full-fare global power. The goal of article is to explore trajectory and dynamics of German-Norwegian relations in political-military sphere in the second half of 2010s. The paper issues the functioning of negotiation link A. Merkel — E. Solberg and also German steps which led to its launch. The author shows

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Henrich, Andreas, and Tobias Gradl. "DARIAH(-DE): Digital Research Infrastructure for the Arts and Humanities — Concepts and Perspectives." International Journal of Humanities and Arts Computing 7, supplement (2013): 47–58. http://dx.doi.org/10.3366/ijhac.2013.0059.

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DARIAH (Digital Research Infrastructure for the Arts and Humanities) is part of the European Strategy on Research Infrastructures. Among 38 projects originally on this roadmap, DARIAH is one of two projects addressing social sciences and humanities. According to its self-conception and its political mandate DARIAH has the mission to enhance and support digitally-enabled research across the humanities and arts. DARIAH aims to develop and maintain an infrastructure in support of ICT-based research practices. One main distinguishing aspect of DARIAH is that it is not focusing on one application d

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Rai, Amit, and Will Esselfie. "This is not ‘interesting’ research: Authentically Co-Creating Participatory Action Research in UK’s Post-Covid Culture Industries." Conjunctions 10, no. 1 (2023): 1–15. http://dx.doi.org/10.2478/tjcp-2023-0003.

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Abstract This essay explores methodological, ethical, and practical aspects of authentically co-creating participatory action research (PAR) in post-Covid 19 participatory arts contexts in the UK. It analyses the limits and possibilities of PAR methods into leadership pathways in the UK’s arts and culture sector. In critical dialogue with decolonial and intersectional frameworks that seek to challenge and transform institutionalised privilege in the wake of the Covid pandemic, we investigate the financialisation of participatory strategies of cultural co-creation, with a particular focus on qu

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Forster, Tim. "Contesting class, gender and national identity: The visual art practice of Test Dept." Punk & Post-Punk 00, no. 00 (2022): 1–22. http://dx.doi.org/10.1386/punk_00130_1.

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The 1980s was a time of discontinuity in the United Kingdom as the country was restructured through an extensive reconfiguration of economic, social and political relations. This shift towards what would subsequently be termed neo-liberalism included the deliberate dismantling of organized labour as a political force, privatization, deregulation, cuts to the welfare state and a belief in the pre-eminence of the market as the most effective processor of information. Test Dept formed in 1981 and evolved politically in the socio-economic context of the early imposition of neo-liberalism. Test Dep

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Świtek, Gabriela. "Architecture as politics." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 63–74. http://dx.doi.org/10.5937/saj1401063q.

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The paper presents a comment on Jacques Rancière's thinking on architecture as traced in The Politics of Aesthetics and juxtaposed with a case study - 1st Exhibition of Architecture of the People's Poland. The exhibition organized in the era of Stalinism (1953) and shown in the Central Bureau for Artistic Exhibitions (nowadays the Zachęta - National Gallery of Art in Warsaw) is seen as a manifestation of 'artistic regimes' of the period and as aesthetisation of architecture which is commonly considered the most 'political' of all the (fine) arts. Architecture does not seem to be the main conce

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Indira Utojo, Hertin, and Oom Rohmah Syamsudin. "The Meaning of Survival in the Poetry of Jacob Isaac, and its Semantics Learning Implementation." INFERENCE: Journal of English Language Teaching 5, no. 2 (2022): 170. http://dx.doi.org/10.30998/inference.v5i2.10736.

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<p>The social, political, and economy atmosphere of a country often evokes the desire of literary activists to express their imagination, feelings, ideology in the form of social, political and cultural criticism through art, including poetry. Likewise, Jacob Isaac, a Bachelor and Master of Arts, as well as Doctor of English Literature, who was born in Kerala, South India, expresses imagination, feelings, ideology by creating the English poetry. In this research, the research writer chose three poetry written by Jacob Isaac as data sources entitled Indifference, Neural Mapping, Aging Lib

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Liu, Jian, and Abdul Razaque Chhachhar. "Policy Paradigm Shifts of Contemporary Chinese Media." Asian Social Science 13, no. 2 (2017): 187. http://dx.doi.org/10.5539/ass.v13n2p187.

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In this paper, policy paradigm shifts of contemporary Chinese media are analyzed. Up till now, Chinese media policies have generally changed through three paradigms, including political unification policies (1949-1978), hybrid governance policies (1978-2013) and integrated governance policies (2013-now). All three-policy paradigms have been orienting towards political interests, but place emphasis on different aspects. Mainly politically oriented, the first policy paradigm focuses on seeking political interests. Guided by political, economic and social interests, the 2nd one is physically hybr

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Sylvester, Christine. "The Elusive Arts of Reflexivity in the ‘Sciences’ of International Relations." Millennium: Journal of International Studies 41, no. 2 (2012): 309–25. http://dx.doi.org/10.1177/0305829812463479.

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There are a number of highly laudable aspects of Patrick Jackson’s broadened discussion of scientific inquiry in the field of International Relations, among them the attention he gives to feminist analysis as exemplary of reflexive science. Yet there are a few worrying elements in his approach as well. This piece addresses issues around Jackson’s presentation of feminist analysis and, in addition, tackles his off-handed reinscription of the split between social sciences and the arts (plus his neglect of poststructuralism). Jackson’s view of feminist analysis relies on early writings on feminis

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Rohmer, Martin. "Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre." New Theatre Quarterly 16, no. 2 (2000): 148–54. http://dx.doi.org/10.1017/s0266464x0001366x.

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In Zimbabwean society, what may not be spoken sometimes becomes acceptable in song – whether to avoid social taboos and enable a wife to complain against her mother-in-law, or in broadening the boundaries of political protest. In this article, Martin Rohmer looks back to the ways in which song enabled forms of protest against forced labour and other aspects of colonial rule – in times of outward compliance as well as of direct struggle – and considers how urban theatre groups in independent Zimbabwe have adapted the tradition to their own, contemporary ends. Martin Rohmer spent almost two year

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Dornhof, Sarah. "Street Art out of Time." Manazir Journal 4 (October 24, 2022): 74–97. http://dx.doi.org/10.36950/manazir.2022.4.5.

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The small town of Asilah in the north of Morocco holds an annual international festival of visual and performance arts, including exhibitions, workshops, conferences, and other parallel activities. However, it is best known for the murals that are painted every year anew by invited artists on the facades of old town houses. Founded in 1978, the Arts Festival or Cultural Moussem of Asilah qualifies as the first street art festival in Morocco and has significantly shaped the cultural context for arts to interact with public spaces. It has, in particular, linked street art manifestations to ideas

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Zuykina, K. L., and A. A. Morozova. "Models of Argumentation in Socio-Political Telegram Channels’ Texts." Vestnik NSU. Series: History and Philology 23, no. 6 (2024): 63–77. http://dx.doi.org/10.25205/1818-7919-2024-23-6-63-77.

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Political communication on Telegram, one of the most popular platforms in Russia, has become a topic of interdisciplinary research. Telegram channels serve as spaces for political discussion and demonstrations, where various points of view on the same events are broadcasted. In this article, the authors uncover general trends and features of argumentation on the internet. They examine how analytical posts in political Telegram channels express different opinions on ongoing political events. Using content analysis, the authors conducted an empirical study of popular and ranking political Telegr

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Hase, Johanna. "Repetition, adaptation, institutionalization—How the narratives of political communities change." Ethnicities 21, no. 4 (2021): 684–705. http://dx.doi.org/10.1177/1468796820987311.

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At times when migration and diversity are politically salient and controversially discussed, the rhetoric of staying ‘as we are’ is widespread. But how do ‘we’ actually change and how would ‘we’ know when it happens? Based on the premise that political communities are the products of narratives of peoplehood, this paper explores how such narratives evolve over time. It conceptualizes different modes of balancing narrative continuity and change. These modes – repetition, adaptation, and institutionalization – are illustrated with reference to evolving German narratives of peoplehood centring ar

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van Stekelenburg, Jacquelien. "The Political Psychology of Protest." European Psychologist 18, no. 4 (2013): 224–34. http://dx.doi.org/10.1027/1016-9040/a000156.

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We live in contentious times. Why are people prepared to sacrifice wealth, a pleasant and carefree life, or sometimes even their lives for a common cause? This question brings us to the individual level of analysis, and therefore to political psychology. People live in a perceived world. Indeed, this is what a political psychology of protest is about – trying to understand why people who are seemingly in the same socio-political configuration respond so differently. I will illustrate this point with an overview of state-of-the-art theoretical approaches and up-to-date empirical evidence. Discu

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Gordon, Robert Edward. "The Philosophy of Freedom and the History of Art: An Interdisciplinary View." Philosophies 5, no. 3 (2020): 18. http://dx.doi.org/10.3390/philosophies5030018.

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This article investigates the relationship between the philosophy of freedom and the history of art. It maintains that contemplating the two fields together is productive and necessary in understanding some of the compelling interdisciplinary aspects at work in both arenas. Isaiah Berlin’s seminal Two Concepts of Liberty (1958) acts as a touchstone, as the essay establishes the historical and political grounds for uniting the two fields, with other thinkers contributing to the analysis. The ideas discussed correlate the history of art as a narrative of creativity and freedom with art’s politic

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Jia, Han, Monger Yuan, Samantha Li, and Zixuan Long. "Research on the Lasting Legacies of Enlightenment: A Double-edged Sword to Modern Society." Communications in Humanities Research 31, no. 1 (2024): 26–43. http://dx.doi.org/10.54254/2753-7064/31/20231830.

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It is already common sense that the Enlightenment has brought huge improvement to human society both ideologically and physically and numerous scholars have discussed it before. However, the main aim of this article is to discover the real contributions of the Enlightenment and explore its limitations to our modern life. Think about what can be learned from the Enlightenment and what needs to be avoided in future political movements. The article will discuss the lasting legacies of Enlightenment in three aspects: Arts, Economics, and Women's Rights and then focus on the negative sides of Enlig

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Keegan, Cáel M. "On the Necessity of Bad Trans Objects." Film Quarterly 75, no. 3 (2022): 26–37. http://dx.doi.org/10.1525/fq.2022.75.3.26.

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Despite newly affirming images of transgender people proliferating across US visual media, there has been a concomitant rise in anti-transgender attitudes, transphobic legislation, and trans antagonistic violence. The assumption that more and better images of transgender people are key to achieving transgender equality strains under the weight of an emerging contradiction: “good” representation does not necessarily mean reduced social or political antagonism for transgender people. Rather, the emergence of “good” (i.e. marketable) trans media objects illustrates how the most politically challe

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Clammer, John. "Can Art Embody Truth? Ethics, Aesthetics and Gandhi." Social Change 51, no. 1 (2021): 92–103. http://dx.doi.org/10.1177/0049085721996859.

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The philosophical question of whether moral standards apply in art and the practical one of whether the arts can be vehicles of positive social transformation run through a great deal of social theory. In this article, these issues are discussed through an examination of Mahatma Gandhi’s approach to art and in particular his views on music and visual arts as they formed part of his personal world view and his socio-political programme. The article contextualises this in relation to Gandhi’s over-arching concern with the pursuit of truth and its theistic basis, his relationship to certain aspec

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ORNSTEIN, MICHAEL. "Aspects of the political and personal sociology of AIDS: knowledge, policy attitudes and risk." Canadian Review of Sociology/Revue canadienne de sociologie 29, no. 3 (1992): 243–65. http://dx.doi.org/10.1111/j.1755-618x.1992.tb02438.x.

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