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Books on the topic 'Arundhati Roy'

Author: Grafiati

Published: 4 June 2021

Last updated: 21 February 2023

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1

Institute of Development Studies, Kolkata, ed. Arundhati Roy: Environment and literary activism. Kolkata: Institute of Development Studies, 2011.

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2

Dr, Pathak R. S., ed. The fictional world of Arundhati Roy. New Delhi, India: Creative Books, 2001.

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3

Ranjan, Ghosh, and Navarro Tejero Antonia, eds. Globalizing dissent: Essays on Arundhati Roy. New York: Routledge, 2009.

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4

The god of small things, Arundhati Roy. Paris: A. Colin, 2002.

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5

Ali, Halimah binti Mohamed. Orientalism from within: Arundhati Roy and her contemporaries. [Glugor], Pulau Pinang: Penerbit Universiti Sains Malaysia, 2011.

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6

Arundhati, Roy. The shape of the beast: Conversations with Arundhati Roy. New Delhi: Penguin, Viking, 2008.

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7

Barsamian, David. The chequebook and the cruise missile: Conversations with Arundhati Roy. London: Harper Perennial, 2004.

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8

Arundhati Roy und Joseph Conrad: Der Einbruch des Erdkolonialismus in die Familie. Hamburg, Germany: Kovac, 2001.

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9

The submerged plot and the mother's pleasure from Jane Austen to Arundhati Roy. Columbus: The Ohio State University Press, 2015.

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10

Mullaney, Julie. Arundhati Roy's The God of small things: A reader's guide. New York: Continuum, 2002.

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11

La giustizia delle piccole cose: Montecitorio per Arundhati Roy, fuori dal ring per un giorno. Rome, Italy: Accademia degli incolti, 2002.

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12

Arundhati Roy's The God of small things: A reader's guide. New York, USA: Continuum, 2002.

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13

The mind and the art of Arundhati Roy: A critical appraisal of her novel, the God of small things. New Delhi, India: Minerva Press, 2000.

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14

Canadell, Roger, Josep-Anton Fernàndez, and Iribarren Teresa. Narratives of Violence. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-460-8.

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This book is an invitation to read a selection of narratives of violence with the purpose of fostering global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. It offers critical readings of nine works of various genres, originally written in different languages, by Caterina Albert (Catalonia), Mrīrīda n’ait ‘Atiq (Morocco), Eva Koch (Denmark), Pius Alibek (Iraq-Catalonia), Janina Hescheles (Poland), Leila Abdelrazaq (Palestine), María Galindo and Sonia Sánchez (Argentina), Arundhati Roy (India), and Juan Pablo Villalobos (Mexico).

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15

Gender and caste in the Anglophone-Indian novels of Arundhati Roy and Githa Hariharan: Feminist issues in cross-cultural perspectives. Lewiston, N.Y: Edwin Mellen Press, 2006.

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16

Arundhati Roy ; Critical Perspectives. Pencraft International, 2006.

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17

1943-, Dhawan R. K., ed. Arundhati Roy, the novelist extraordinary. New Delhi: Prestige Books, 1999.

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18

Arundhati Roy; The Novelist Extrordinary. Sangam Books Ltd, 1999.

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19

Globalizing Dissent: Essays on Arundhati Roy. Taylor & Francis Group, 2012.

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20

Ghosh, Ranjan, and Antonia Navarro-Tejero. Globalizing Dissent: Essays on Arundhati Roy. Taylor & Francis Group, 2009.

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21

Ghosh, Ranjan, and Antonia Navarro-Tejero. Globalizing Dissent: Essays on Arundhati Roy. Taylor & Francis Group, 2009.

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22

Ghosh, Ranjan, and Antonia Navarro-Tejero. Globalizing Dissent: Essays on Arundhati Roy. Taylor & Francis Group, 2009.

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23

Ghosh, Ranjan, and Antonia Navarro-Tejero. Globalizing Dissent: Essays on Arundhati Roy. Taylor & Francis Group, 2009.

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24

Ghosh, Ranjan, and Antonia Navarro-Tejero. Globalizing Dissent: Essays on Arundhati Roy. Taylor & Francis Group, 2009.

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25

Sharma, A. P. The Mind and the Art of Arundhati Roy. Minerva Press (PVT) Ltd, 2003.

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26

Arundhati, Roy. Broken Republic: Three Essays [May 31, 2011] Arundhati Roy. Penguin Books, 2011.

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27

Jaydipsinh, Dodiya, Chakravarty Joya, and Roy Arundhati, eds. The Critical studies of Arundhati Roy's The God of small things. New Delhi, India: Atlantic Publishers and Distributors, 1999.

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28

Arundhati, Roy, and DAVID BARSAMIAN. The Checkbook and the Cruise Missile: Conversations with Arundhati Roy. South End Press, 2004.

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29

Arundhati, Roy, and DAVID BARSAMIAN. The Checkbook and the Cruise Missile: Conversations with Arundhati Roy. South End Press, 2004.

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30

Dillet, Benoît, and Tara Puri. Political Space of Art: The Dardenne Brothers, Ai Weiwei, Burial and Arundhati Roy. Rowman & Littlefield Publishers, Incorporated, 2016.

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31

Dillet, Benoît, and Tara Puri. Political Space of Art: The Dardenne Brothers, Arundhati Roy, Ai Weiwei and Burial. Rowman & Littlefield Publishers, Incorporated, 2016.

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32

The Political Space of Art: The Dardenne Brothers, Arundhati Roy, Ai Weiwei and Burial. Rowman & Littlefield Publishers, Incorporated, 2016.

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33

Navarro-tejero, Antonia. Gender And Caste in the Anglophone-Indian Novels of Arundhati Roy And Githa Hariharan: Feminist Issues in Cross-cultural Perspectives (Women's Studies). Edwin Mellen Press, 2005.

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34

Chiara, Bonfiglioli, and Budgen Sebastian, eds. La planète altermondialiste: Guide critique de la pensée de Samir Amin, Pierre Bourdieu, Bernard Cassen, Noam Chomsky, Susan George, Naomi Klein, Sous-Cdt Marcos, Toni Negri, Arundhati Roy, etc.--. Paris: Textuel, 2006.

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35

Forter, Greg. Critique and Utopia in Postcolonial Historical Fiction. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198830436.001.0001.

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Postcolonial historical fiction offers readers valuable resources for thinking the prehistory of our present. The genre’s treatment of colonialism as geographically omnivorous yet temporally “out of joint” with itself gives it a special purchase on the continuities between the colonial era and our own. These features also enable the genre to distill from our colonial pasts the evanescent, utopian intimations of a properly postcolonial future. Critique and Utopia in Postcolonial Historical Fiction arrives at these insights by juxtaposing novels from the Atlantic world with books from the Indian subcontinent. Attending to the links across these regions, Forter develops luminous readings of novels by Patrick Chamoiseau, J. G. Farrell, Amitav Ghosh, Marlon James, Hari Kunzru, Toni Morrison, Marlene van Niekerk, Arundhati Roy, Kamila Shamsie, and Barry Unsworth. He shows how these works not only transform our understanding of the colonial past and the futures that might issue from it, but also contribute to pressing debates in postcolonial theory—debates about the politics of literary forms, the links between cycles of capital accumulation and the emergence of new genres, the meaning of “working through” traumas in the postcolonial context, the relationship between colonial and panoptical power, the continued salience of hybridity and mimicry for the study of colonialism, and the tension between national liberation struggles and transnational forms of solidarity. Beautifully written and meticulously theorized, Critique and Utopia in Postcolonial Historical Fiction will be of interest to students of world literature, Marxist critics, postcolonial theorists, and thinkers of the utopian.

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36

(Editor), Sara Constantakis, and Ira Mark Milne (Editor), eds. Novels For Students: Presenting Analysis, Context And Criticism On Commonly Studied Novels (Novels for Students). Gale Cengage, 2005.

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37

Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels. Gale Research Inc, 2015.

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38

Novels for Students: Presenting Analysis, Context and Criticism on Commonly Studied Novels. Gale, 2013.

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39

Novels for Students: Presenting Analysis, Context and Criticism on Commonly Studied Novels. Gale Cengage, 2013.

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40

Novels for students: Presenting analysis, context, and criticism on commonly studied novels. 2014.

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41

Novels for Students: Presenting Analysis, Context and Criticism on Commonly Studied Novels. Gale Research Inc, 2016.

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42

Novels for students: Presenting analysis, context, and criticism on commonly studied novels. 2015.

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