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Journal articles on the topic 'Author’s conception'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Phélippeau, Marie-Claire. "“His saints, that are in the land of Him”: Pico and More’s conceptions of the Afterlife." Moreana 47 (Number 179-, no. 1-2 (2010): 103–21. http://dx.doi.org/10.3366/more.2010.47.1-2.8.

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Freed from “the storms of this world”, Giovanni Pico’s soul was deemed to be spending some time “in the dark fire of purgatory,” before its final place of abode “in the country of heaven,” with its “blessed citizens.” According to Savonarola, Pico had avoided hell, “that other side deputed unto perpetual pain.” This paper examines Thomas More and Giovanni Pico’s conceptions of afterlife through the imaginary representations of the three eschatological places: heaven, hell and purgatory, and concludes on an evolution of the conception of heaven, from the Italian’s more medieval representation a

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Mikhailouski, Vadzim S. "Neo-Marxist’s age-old experience: results and prospects of neo-Marxist’s capitalism theory." Journal of the Belarusian State University. Sociology, no. 3 (September 5, 2022): 65–71. http://dx.doi.org/10.33581/2521-6821-2022-3-65-71.

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Neo-Marxist’s research program in social science exists in epistemological crisis condition. Excessive criticism, ideological engagement as well as final obscurity of capitalism are among the problems of neo-Marxism. As a result, there is no scientific answer on a key question of Marxism discussion why capitalism as a system of public mastery is still alive. Finish of crisis of neo-Marxist’s research program presumes presence of positivist’s finding in neo-Marxist’s research and applying of theory of complexity for efficient cognition of complicated system of capitalist’s reproduction. Complex

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Tevdoradze, Nino. "The Meaning of a Literary Text as a Mental Construct and as an Event in Literary Communication." Kadmos 10 (2018): 7–45. http://dx.doi.org/10.32859/kadmos/10/7-45.

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The present article is an attempt to synthesize the existing interdisciplinary knowledge on the concept of literary meaning, to argue for an alternative conception of textual meaning, and to analyze the meaning of a literary text in view of the “cluster conception” – an alternative conception about the nature of text and textual meaning – introduced by Anders Pettersson. Accordingly, the meaning of a literary text is considered as a mental construct comprised of author’s meaning, readers’ meanings and commentators’ meanings. It discusses the author’s and the reader’s involvement in a dynamic c

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4

Ilyenkov, Evald. "Dialectics of the Ideal (2009)." Historical Materialism 20, no. 2 (2012): 149–93. http://dx.doi.org/10.1163/1569206x-12341248.

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Abstract E.V. Ilyenkov is widely considered to be the most important Soviet philosopher in the post-Stalin period. He is known largely for his original conception of the ideal, which he deployed against both idealist and crude materialist forms of reductionism, including official Soviet Diamat. This conception was articulated in its most developed form in ‘Dialectics of the Ideal’ (2009), which was written in the mid-1970s but prevented from publication in its complete form until thirty years after the author’s death. The translation before you provides for the first time the complete, unabrid

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Mykhalkiv, Y. Y. "HISTORICAL TRUTH AND FICTIONAL INVENTION IN ROMAN IVANYCHUK’S NOVEL “ZHURAVLYNYI KRYK”." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 447–54. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-447-454.

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The article highlights the study of the fiction transformation peculiarities of historical reality based on the novel “Cry of the Crane” (“Zhuravlynyi Kryk”) by R. Ivanichuk. The emphasis is put on the creation of the main characters’ images. It is proved that the close interaction between scientific awareness and the author’s artistic representation of the events from the past contributes to the creation of the author’s conception.

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Fronterotta, Francesco. "Verità e opinione in Platone. Una nuova edizione della Doxa di Yvon Lafrance." Elenchos 36, no. 2 (2015): 373–406. http://dx.doi.org/10.1515/elen-2015-360209.

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AbstractIn this paper, I discuss the new edition of Y. Lafrance’s La théorie platonicienne de la Doxa (first edition 1981), trying to examine the Author’s reconstruction and interpretation of Plato’s conception of δόξα in the dialogues.

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Korolevskaya, Natalia V. "The Intertextual Conception of Sergei Taneyev’s “Oresteia”: In Search for the Author’s Meaning." Music Scholarship / Problemy Muzykal'noj Nauki, no. 4 (December 2019): 36–45. http://dx.doi.org/10.17674/1997-0854.2019.4.036-045.

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Trojan, David. "Bůh, česká církev a pražský biskup v podání tzv. Dalimila." Mediaevalia historica Bohemica 26, no. 1 (2023): 83–122. https://doi.org/10.56514/mhb.26.01.05.

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The verse text of the So-Called Dalimil’s chronicle from the beginning of the 14th century is one of the oldest Old Bohemian epic texts. Dalimil’s depiction of Bohemian history from its beginnings (with biblical continuity) to the author’s present has been analysed especially with regard to the strong anti-German accent of the author’s narrative. In this study, I aim to look at Dalimil’s thinking from a different angle, namely, to capture the role of the bishop of Prague as an important figure of contemporary society in his conception of history and how this interpretation of the history of th

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Gavrilova, Yulia Aleksandrovna. "Semantic Conception of Law." Russian Journal of Legal Studies 6, no. 2 (2019): 119–26. http://dx.doi.org/10.17816/rjls18498.

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The article is a continuation of the author’s publications about integrative conception of the meaning of law in the Russian Journal of Legal Research No. 2 for 2016 and No. 1 for 2017. The author understands under the semantic conception of law an a integrative holistic and collective image of law, which always has a specific historical content (in this modern society) and operates in accordance with the principle of complementarity of different types of legal understanding. This conception contains several basic assumptions. First, the semantic conception is not an absolutely new type of leg

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Demidko, O. "WAYS OF DEVELOPMENT OF THEATER CULTURE OF MARIUPOL IN THE CONTROLLED TERRITORY OF UKRAINE." Bulletin of Mariupol State University Series Philosophy culture studies sociology 13, no. 25 (2023): 33–38. http://dx.doi.org/10.34079/2226-2830-2023-13-25-33-38.

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The article highlights the main features of the development of theater art in Mariupol on the territory controlled by Ukraine. The activities of the Independent Theater of the author's play «Conception», its repertoire and the main challenges faced by the Mariupol collective after the full-scale invasion of Russia are outlined. It was found that this theater became the only group that managed to resume its work almost in full in Ukraine. It is emphasized that it was the theater of the author's play Conception that was able to unite the people of Mariupol and revive theater culture in the terri

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Dixon, Geoffrey. "’I copied all the letters in a big, round hand’: indexing W. S. Gilbert." Indexer: The International Journal of Indexing: Volume 16, Issue 2 16, no. 2 (1988): 92–96. http://dx.doi.org/10.3828/indexer.1988.16.2.7.

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Describes the conception, gestation and birth of the author’s recently published concordance to the Gilbert &amp; Sullivan operas.* The background and history of the project, and the author’s qualifications for the task, arc discussed with consideration of the problems facing the concordance-maker—the basic decisions that have to be made and the technical points involved. Base text, arrangement and use, and exclusions are all covered, together with an explanation as to why the concordance was not computer-generated. The mechanics of manual compilation are outlined, as is the preparation of

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SARANA, S. "The tax regime in the process of forming the information society." INFORMATION AND LAW, no. 2(11) (January 10, 2014): 62–67. http://dx.doi.org/10.37750/2616-6798.2014.2(11).272520.

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In this article were considered the norms of the Tax Code and scientific works, that are dedicated for the legislative fixation and scientific conception of the special tax regime in the context of informative society. And there was also suggested the author’s definition of the special tax regime, that is defined on the basis of its main indication.

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Fürstenberg, Henrike. "Voice and Fertility, (Self‐)Impregnation and (Inter‐)Dependence: The Pseudonyms and their (Narratives about) Wives." Kierkegaard Studies Yearbook 27, no. 1 (2022): 73–93. http://dx.doi.org/10.1515/kierke-2022-0005.

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Abstract By analyzing prefaces and other short excerpts written by different pseudonyms (Nicolaus Notabene, Hilarius Bookbinder, Frater Taciturnus, Judge William and, in contrast, Johannes the Seducer), this paper explores the pseudonymous authors’ relation to their spouses. It assumes that recurring motifs in the prefaces, such as ‘voice’ and the metaphor of ‘fertility,’ reveal, often in ironic tones, general gender-related aspects of identity in Kierkegaard’s works. The paper thus explores how the seemingly stereotyped and archaic conception of gender in the prefaces, such as the pseudonymou

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Toporišič, Tomaž. "Kako Vitomil Zupan misli gledališče." Jezik in slovstvo 60, no. 1 (2024): 53–61. http://dx.doi.org/10.4312/jis.60.1.53-61.

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The essay focuses on a seemingly simple question: How did Vitomil Zupan think theatre? The answer to this question can be found in a dialogue with the author’s thoughts from his plays, theatrical writings and essays that can be linked to the ideas of 20th century theatre practitioners and theorists such as Artaud, Brecht, Kermauner, Jovanović, Taufer and Šeligo. Zupan’s conceptions of drama and theatre are linked to and compared with the conceptions of theatre today. It is thus possible to establish how far-reaching his thinking about theatre was, and how productive it can be for theatre after

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15

Mikkonen, Jukka. "Sutrop on literary fiction-making: defending Currie." Disputatio 3, no. 28 (2010): 309–15. http://dx.doi.org/10.2478/disp-2010-0004.

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Abstract In her study Fiction and Imagination: The Anthropological Function of Literature (2000), Margit Sutrop criticizes Gregory Currie’s theory of fiction-making, as presented in The Nature of Fiction(1990), for using an inappropriate conception of the author’s ‘fictive intention.’ As Sutrop sees it, Currie is mistaken in reducing the author’s fictive intention to that of achieving a certain response in the audience. In this paper, I shall discuss Sutrop’s theory of fiction-making and argue that although her view is insightful in distinguishing the illocutionary effect and the perlocutionar

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Lysaker, John. "Like a Bird on a Wire: Freedom to Be Free." Journal of Speculative Philosophy 36, no. 4 (2022): 476–90. http://dx.doi.org/10.5325/jspecphil.36.4.0476.

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ABSTRACT Against a Kantian notion of freedom as autonomy, this article defends a conception of freedom that is relational, dependent, and experimental, and that operates without anything like a will. In the author’s view, freedom is a characteristic of a relation between a person and the world that allows for the predictable realization of specified ends, that is, a mode of power.

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Chumakova, Varvara P. "Types of Biases of Communication among Contemporary Students: the Interpretation of Herbert Marshall McLuhan Conception." Observatory of Culture, no. 2 (April 28, 2015): 104–8. http://dx.doi.org/10.25281/2072-3156-2015-0-2-104-108.

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Discusses theoretical base for studying biases of communication using McLuhan’s concept of media that is still actual in the epoch of Internet and mobile technologies. The author argues that the bias of communication facilitates students’ practices of gathering and analysing information. The theoretical discourse is illustrated by cases from author’s educational practice.

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Nowakowski, Tobiasz. "The polemic of usefulness divide of causation and non-causation legal actions – chosen issues." Filozofia Publiczna i Edukacja Demokratyczna 6, no. 2 (2018): 125–42. http://dx.doi.org/10.14746/fped.2017.6.2.18.

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The author has presented different conception of dualistic divide on causation and non-causation legal actions. The analyses focuses on need to abandon that dualistic divide. The main argument is ambiguity word of causae. Author’s view is based on polish conventional legal actions theory. It professes that each legal action has got constructional and consequential principles, which are sufficient to describe consideration of them.

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19

Otsuka, Edu Teruki. "Antonio Candido and the “End of Utopias”." Opiniães, no. 23 (August 3, 2023): 160–74. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2023.215494.

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In this paper I comment on topics related to O discurso e a cidade [Discourse and the city], by Antonio Candido, intending to point out connections among the conception of the book, the author’s critical project and his political vision. I discuss topics concerning the representation of social reality and its transfiguration in literary works, as well as Candido’s understanding of Socialism and utopia.

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Bidun, Anna. "Elements of Book Content: Features of Design and Influence on a Reader (Consumer)." Current Issues of Mass Communication, no. 23 (2018): 8–22. http://dx.doi.org/10.17721/2312-5160.2018.23.08-22.

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The objective of the study was to find out the influence of book content elements on the target audience’s primary impression about the publication and their reading reactions. Methodology: The applicative base of the problem research are the results of a survey, which was made within reading audience (N = 600), publishers (N = 100), writers (N = 100) and librarians (N = 100) during May 30 – June 17 in 2018. The results of the survey were processed by sorting, classification, analysis and data comparison. The goals were to find out the main features of understanding the book content by the sub

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Kononenko, Vitalii. "‘Author/Reader’ Dichotomy: Linguistic and Cognitive Intentions." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (2017): 45–53. http://dx.doi.org/10.15330/jpnu.4.2.45-53.

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The purpose of this research is to address the issue of the interaction between the author of a literary text and the reader in the system of linguocognitive intention. The article covers the problems of contextual interpretation of the author’s linguistic and artistic strategies, their personality traits, verbal means of creating the image of the author in the addressee’s consciousness. In order to get the image of the recipient of the text, one has to make subconscious inferences from the author’s comments, statements addressed to the reader, lyrical and epic digressions, etc. The analysis o

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Gajda, Stanisław. "The faces of style and stylistics." Journal of Linguistics/Jazykovedný casopis 73, no. 1 (2022): 7–26. http://dx.doi.org/10.2478/jazcas-2022-0024.

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Abstract The starting point for the author’s considerations is the conception of style as the humanistic structure of text, which he uses as the foundation of integrating stylistic synthesis. The synthesis is to be characterized by the following: 1) holism (moderately and functionally directed, brought down to a system in which relations connecting different manners of the existence and functioning of language in text are exposed); 2) integrationism (integrating knowledge of language reality, primarily of the functioning of language in text); 3) intermethodologism and transdisciplinariness. Ac

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Čížek, Jan. "From Pansophia to Panorthosia: The Evolution of Comenius’s Pansophic Conception." Erudition and the Republic of Letters 4, no. 2 (2019): 199–227. http://dx.doi.org/10.1163/24055069-00402002.

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The aim of this paper is to present a systematic reconstruction of the development of the pansophic idea in the work of Jan Amos Comenius. The concept of pansophia, rooted already in the ancient philosophical thinking, became a very popular topic of sixteenth- and seventeenth-century discussions, and it is one of the central topics of Comenius’s philosophy. It is assumed that Comenius elaborated the formulation of the pansophic program—i.e., the program for creating a universal science incorporating the findings of both the profane and the divine—at the end of 1630s. This study therefore aims

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Gorodilova, Natalia. "THE SHORT STORY OF L. N. TOLSTOY “CANDLE”: FROM CONCEPTION TO ARTISTIC EMBODIMENT." Проблемы исторической поэтики 21, no. 4 (2023): 155–77. http://dx.doi.org/10.15393/j9.art.2023.13063.

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The topic of the article is the history of the text of style of Tolstoy’s folk short stories “Candle” (1886). For the first time, the article presents in full the draft manuscripts of the short story (autograph, two copies and proofreading without author’s edits), which were arranged in accordance with the chronology of the writer’s work on them. The textological analysis led to the conclusion that the plot, the system of images, and the composition of the short story were already formed at the stage of the autograph, and the author’s corrections were not so much stylistic as semantic and, abo

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Zylevich, Dina P. "The Author’s Book in the Modern Repertoire of Belarusian Publications." Tekst. Kniga. Knigoizdanie, no. 26 (2021): 143–63. http://dx.doi.org/10.17223/23062061/26/9.

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The modern Belarusian author’s book still rarely attracts researchers’ attention. At the same time, the 21st century, with its attention to the form of any work, brought both “writing artists” and “drawing authors” into literature. The article aims to review author’s books presented in the repertoire of modern Belarusian publishing houses in 2014–2019. The author’s book is usually understood as an edition in which the text and design are created by one person. From the point of view of the interaction of text and illustrations, the article analyzes 20 modern author’s books issued by Belarusian

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Koshlakov, Dmitriy. "The Experience of Visual Modeling in Designing of the Educational Process." Ergodesign 2020, no. 3 (2020): 149–55. http://dx.doi.org/10.30987/2658-4026-2020-3-149-155.

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The paper discusses author’s experience in designing of the conception of the educational process in direction of training (speciality) «Sociology». As an example, the author considers the design of the educational process for the educational program «Information and analytical support for social management». The author uses visual modeling tools to solve this problem. The author considers visual models of the educational process. These visual models is specific modifications of Gantt chart.

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Tsvetkova, T. K. "Contemporary Lingvodidactics: Defining Goals and Objectives of Foreign Language Teaching." MGIMO Review of International Relations, no. 3(30) (June 28, 2013): 278–81. http://dx.doi.org/10.24833/2071-8160-2013-3-30-278-281.

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The author suggests her own interpretation of goals and objectives of foreign language teaching based on the author’s original conception of mastering a foreign language as a process of bilingual development. The final goal should be described not as a set of competencies, but as a form of bilingualism. Intermediate goals and objectives should be determined by the task of developing each block of the mechanism of language command.

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Немировська, О. Ф. "THE TITLE AS MANNER OF EXPRESSING OF THE AUTHOR’S CONCEPTION IN GENRE OF THE HISTORICAL PROSE." Opera in linguistica ukrainiana 2, no. 26 (2019): 55–61. http://dx.doi.org/10.18524/2414-0627.2019.26.181455.

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Bezugla, Liliia, and Viktoriia Ostapchenko. "Intentionality of Poetic Discourse." Theory and Practice in Language Studies 12, no. 2 (2022): 248–53. http://dx.doi.org/10.17507/tpls.1202.05.

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This paper provides a new conception of analysing poetic text in terms of speech act theory proceeding from Searle’s concept of intentionality, from Dijk’s view on literary speech act based on the intention of the author and from Merilai’s understanding of pragmapoetics. We argue that the author’s intention in the poetic discourse comes in two varieties: the referential and the aesthetic ones. The referential intention is the author’s attitude towards the text content. The aesthetic intention is the author’s attitude towards the language form, through which the content is expressed. Thus, two

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Ovchinina, Irina A., and Andrei A. Vinogradov. "Alexander Ostrovsky’s play “Late Love”: from its conception to the implementation." Vestnik of Kostroma State University 27, no. 4 (2021): 107–12. http://dx.doi.org/10.34216/1998-0817-2021-27-4-107-112.

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The article examines the contents’ peculiarity of the play “Late Love” in accord with its author’s artistic intentions. For the first time hand-written materials (rough copies and the play’s draft) have been taken into account and brought into academic use; the chirographs make it possible to bring to light the main points of the play and its vital problems. Special attention is paid to still greater importance the author was lending to the love story while working at the play; it helps to reveal the meaning of the play’s title. It is noted that for the first time Alexander Ostrovsky had shown

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Werth, Paul W. "The Defiantly Unfashionable Dr LeDonne." Russian History 48, no. 1 (2022): 37–45. http://dx.doi.org/10.30965/18763316-12340019.

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Abstract John P. LeDonne’s Forging of a Unitary State represents the culmination of a long and illustrious career in the study of various aspects of Russia’s early-modern experience. This review offers a critical assessment of this important monograph, focusing above all on the author’s contrarian conception of Russia-as-empire and his defiant determination to shun the fashionable in favor of the fundamental. It pays particular attention to LeDonne’s claim that in the crucial period between the reigns of Aleksei Mikhailovich (1645–76) and Nicholas I (1825–55) Russia was aspiring to construct n

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Potter, Vincent G. "Peirce o „substancji” i „fundamentach”." Forum Philosophicum 11, no. 1 (2006): 107–18. http://dx.doi.org/10.35765/forphil.2006.1101.8.

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In this article, the author presents the view that C. S. Peirce’s thought contains ideas that can help clarify and resolve many of the philosophical problems raised by contemporary thinkers. In the author’s opinion, these thinkers are more predisposed towards understanding Peirce’s thoughts than those who lived in his own time. This article discusses two such problems: (1) the substantiality of beings (including the conception of the self) and (2) the foundations of human knowledge.

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Dyupina, Yulia, and Tatiana Shakirova. "Question of Color Perception in Literary Work (Based on Boris Pasternak’s Doctor Zhivago)." SHS Web of Conferences 50 (2018): 01048. http://dx.doi.org/10.1051/shsconf/20185001048.

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This work demonstrates the experiment on the perception and generation of the text as a part of the literary text analysis. The author was faced with a task to estimate the ability of participation of color terms in formation of art sense of the text as a whole. The emphasis is placed on the identification of expansion of color terms in their semantics when they go beyond the designation of color itself and become multidimensional and multiple-valued, taking root in such difficult structures as a metaphor, a comparison, etc. The cases of discrepancy between the choice of color words by recipie

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Steshov, Anatoliy V., and Maria A. Steshova. "Methodical Problems of Oratory." World of the Russian Word, no. 4 (2023): 4–15. http://dx.doi.org/10.21638/spbu30.2023.401.

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The article sets out the content of a little-studied section of rhetorical science — oratory, mastering knowledge of which can lead to the highest level of rhetorical competence, the rhetorical art. The concept of public persuasive speech and parameters of its style for perfect orators are considered. Three methodical problems of oratory that have not yet been solved are discussed. The first problem is that there is no idea about the oratory method. For all sections, kinds and types of rhetoric there can be the only one method, therefore, as a solution of this problem, it is proposed to consid

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Satkauskytė, Dalia. "The Biography of a Writer as an Argument in (De)Canonisation." Colloquia 53 (July 4, 2024): 15–32. http://dx.doi.org/10.51554/coll.24.53.02.

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Despite the conception of the author’s death that was prevalent in the second half of the 20th century, the author’s biography always intervenes indirectly in the canonisation process, either a priori, as an additional argument for canonisation (e.g. participation in the national movement), or a posteriori, when the canonised author acquires, according to Yuri Lotman, the right to a biography. Moreover, biography becomes a significant factor in cases of revising and rewriting the canon, especially when it is related to political changes in society, e.g. in forming a Socialist Realist canon or

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Pridorogina, Elena A. "WEDEKIND VS IBSEN: A COMPARATIVE ANALYSIS." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 3 (2022): 172–84. http://dx.doi.org/10.18522/2415-8852-2022-3-172-184.

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The author studies the influence of Henrik Ibsen (1828–1906) on Frank Wedekind’s (1864–1918) dramatic work. The analysis involves Wedekind’s diary entries, as well as two essays (“Dramatic Art” and “The Writer Ibsen and the Builder Solness”) devoted to Ibsen’s work, evaluation of his artistic methods, techniques and role in the history of German theater. A comparative analysis of several dramatic works by both authors (plays “Love’s Comedy”, “A Doll’s House” by Ibsen and Wedekind’s play “The Awakening of the Spring”) is carried out. Analyzing the dramatic works of both writers, the author demo

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Slipushko, Оksana, and Anastasiya Katyuzhynska. "HISTORICAL REMINISCENCES OF THE COSSACK CHRONICLES IN THE NOVEL “HETMAN IVAN VYHOVSKY” BY I. NECHUY-LEVYTSKY." Literary Studies, no. 57 (2019): 151–60. http://dx.doi.org/10.17721/2520-6346.3(57).151-160.

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The article is devoted to the study of the peculiarities of the artistic interpretation of historical events and figures in the novel “Hetman Ivan Vyhovsky” by I. Nechuy-Levytsky. Particular attention is paid to the implementation of the specifics of Baroque historiography in the novel. The characteristic features of the author’s historical conception and influence of the cossack chronicles on its formation are determined. The historical fiction of I. Nechuy-Levytsky is represented by author’s historiosophical and ideological-aesthetic views, based on personal understanding of the Ukrainian hi

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Čirić-Fazlija, Ifeta. "“Puščic prš proži nezaslišana usoda”: anglofonsko gledališče in dramatika po koncu pandemije." ELOPE: English Language Overseas Perspectives and Enquiries 21, no. 1 (2024): 247–64. http://dx.doi.org/10.4312/elope.21.1.247-264.

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Since the days of their conception and for most of their history, theatre institutions and the dramatic genre have indelibly reflected their immediate socio-historic contexts, including epidemics. Although forced to close for a full year during the 1918 outbreak of Spanish flu, however, modern Anglophone theatres and authors deliberately avoided exploiting the pandemic in their works. Conversely, the COVID-19 pandemic directly affected the birthing of new genres and individual plays that included it in their settings and contents, and also motivated discussions on the future of dramatic litera

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Phelan, James. "Narration as Characterization in First-Person Realist Fiction: Complicating a Universally Acknowledged Truth." Humanities 14, no. 7 (2025): 151. https://doi.org/10.3390/h14070151.

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I argue that the universally accepted assumption that in realist fiction a character narrator’s narration contributes to their characterization needs to be complicated. Working with a conception of narrative as rhetoric that highlights readerly interest in the author’s handling of the mimetic, thematic, and synthetic components of narrative, I suggest that the question about narration as characterization is one about the relation between the mimetic (character as possible person) and synthetic (character as invented construct) components. In addition, understanding the mimetic-synthetic relati

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Karpova, I. A. "«A DICTIONARY OF RUSSIAN DEONYMS»: FROM CONCEPTION TO REALIZATION." TULA SCIENTIFIC BULLETIN. HISTORY. LINGUISTICS, no. 4(20) (December 28, 2024): 114–21. https://doi.org/10.22405/2712-8407-2024-4-114-121.

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The article is devoted to the dictionary «A Dictionary of Russian Deonyms» that was conceived by Prof. Alexandre N. Karpov and written by the present writer. It is an explanatory linguistic dictionary aimed for the general reader; its purpose is scientific and educational. The Dictionary can be of interest to linguists, University and school teachers and also to any learner and speaker of Russian. The Dictionary includes 1770 Russian deonyms, I.e., proper nouns that were transformed into common nouns in an affixless way. The chronological range is the 10th decade, XVII c. – the 2nd decade, XXI

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Tonias, Demetrios E. "Fulfillment in Continuity: The Orthodox Christian Theology of Biblical Israel." Review of Ecumenical Studies Sibiu 11, no. 2 (2019): 209–36. http://dx.doi.org/10.2478/ress-2019-0016.

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Abstract Concentrating on the Orthodox theology of biblical Israel within the context of fulfillment theology, the argument is that the early Church envisioned itself as the continuation of Israel of the Jewish Bible rather than its replacement. In the author’s view, the current understanding of the distinction between replacement and fulfillment theology, the early Christian theological conception of the Church as Israel, and the ways in which both contemporaneous pagans and Jews viewed the nascent Christian faith support this assertion.

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Koroleva, Vera Vladimirovna, and Elena Evgenyevna Chikina. "Shalygina O. V. The Fractal of Time in Literature. Ontology and Teleology of Artistic Rhythm. Moscow: Booki Vedi, 2021. 464 p.: Book review." Philology. Theory & Practice 17, no. 11 (2024): 4177–79. http://dx.doi.org/10.30853/phil20240588.

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The reviewed book by O. V. Shalygina explores the concept of rhythm in prose fiction. Using examples from Russian literature, philosophy, and criticism of the late 19th and early 20th centuries, the ontological and teleological aspects of artistic rhythm are highlighted. The author presents a system for analyzing the author’s personal conception of time, whose functioning rhythmic fractals are demonstrated in descriptions of the structure of time and artistic space in the texts of M. Voloshin, M. Tsvetaeva, L. Andreev, and A. Bely.

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Egorov, Konstantin В. "Elements of the Conception of an Independent Assessment of Pedagogy Graduates’ Qualification." Vestnik Tomskogo gosudarstvennogo universiteta, no. 464 (2021): 193–202. http://dx.doi.org/10.17223/15617793/464/22.

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The aim of the article is to describe the elements of the conception of an independent assessment of the qualifications of pedagogy graduates. The National Education Project sets the task of ensuring the global competitiveness of Russian education. The federal project “Teacher of the Future” aims to introduce a national system for teachers’ professional development. The author’s analysis of the literature on the problem showed that general problems of qualifications certification are being investigated. A number of publications describe the purpose, functions and procedures of qualifications a

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Belov, Vadim A., and Oleg Yu Skvortsov. "Justice vs Freedom = Law: Antagonistic Contradiction and Its Solution (Part 2)." Zakon 20, no. 3 (2023): 114–25. http://dx.doi.org/10.37239/0869-4400-2023-20-3-114-125.

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The article represents the author’s conception of the correlation between the idea of justice and the idea of freedom as a contradictory unity of two ideals that move social life. When analysing numerous manifestations of the antagonism between justice and freedom, the authors come to the paradoxical conclusion that law is born out of the conflict of freedom and justice. Leaving the actions of its subjects free, the law protects their results only if they are fair. The task of humanity is not to achieve this or that goal — to become «completely free» or to comprehend «higher justice»: it may a

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López-Pampló, Gonçal. "Estudi de <i>Memòria personal</i> d'Antoni Tàpies des de la perspectiva de l'assaig literari." Zeitschrift für Katalanistik 26 (July 1, 2013): 113–29. http://dx.doi.org/10.46586/zfk.2013.113-129.

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Summary: The painter Antoni Tàpies wrote his autobiography Memòria personal when he reached middle age. But beneath the narrative structure typical of this genre, Memòria personal presents a number of features that allow us to label the book an essay. The most important feature is the use of argumentative strategies designed to explain the author’s ideological and personal evolution, with the ultimate aim of examining his conception of art and, in particular, the role of the artist in society. [Keywords: Essay; autobiography; literary theory; Antoni Tàpies]

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Sysoev, Vasiliy V., and Zoya G. Proshina. "TRANSLATION MULTIPLICITY AND TRANSLATION DISPERSION AS PHENOMENA OF TRANSLATING FICTION." HUMANITIES AND SOCIAL STUDIES IN THE FAR EAST 20, no. 1 (2023): 123–29. http://dx.doi.org/10.31079/1992-2868-2023-20-1-123-129.

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The article specifies the terms of translation multiplicity and translation dispersion used in analysing fiction translations. Their typologies are offered. Based on the analysis of Dead Souls, Gogol’s poem, into English, the new terms of high translation dispersion and low translation dispersion are introduced. A new variant of translating the Gogol’s poem into English is offered. It accommodates the author’s conception and the specifics of culture-loaded phenomena of the 19th century Russia. Conclusions are drawn on interrelations of the translation multiplicity and translation dispersion te

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Andreasik, Jan. "Knowledge-Based System for Assessment of Economic Situation of Enterprise." Barometr Regionalny. Analizy i Prognozy 12, no. 1 (2014): 141–51. http://dx.doi.org/10.56583/br.1086.

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In the paper, the author’s conception of building an intelligent system for predicting economic situation of enterprises is presented. This conception is captured in the form of the prediction chain (PC). A process of reasoning by analogy is performed using a Case-Based Reasoning (CBR) methodology. In the paper, a model of an enterprise, concentrating on identification of the competence potential and competence gap, is shown. A protocol of an assessment of potential and assessment of competence gap in a given range, using the AHP (Analytic Hierarchy Process), is presented. Individual elements

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Panasiuk, Valerii. "Ideas’ stories and people’s stories in A. Zholdak’s directorial conception." Aspects of Historical Musicology 19, no. 19 (2020): 358–73. http://dx.doi.org/10.34064/khnum2-19.21.

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Problematic field, objectives and methodology of the study. The “star” figure of A. Zholdak, one of the most shocking directors intriguing with his unpredictability, cannot be overlooked in the sky of modern theatrical art. True, not of national art, but Western European or Russian – the stage productions of the avant-garde director resonate with the priority world trends in theatrical culture. This also applies to musical performances, where the staging process in last time has been carried out under the sign of the “Regio-Theater”, under the director’s concept, which is often radical and rev

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Kompaniiets, V. V. "THE PROBLEM OF MORAL FACTORS IN THE ECONOMY: HISTORY AND MODERNITY." Science and Transport Progress, no. 20 (February 25, 2008): 225–32. http://dx.doi.org/10.15802/stp2008/17409.

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The problem of interdependence between ethics and economy is explored in the paper, namely: the points of view of scientists of different times and schools including theology conception are presented, which are complemented by the opinions of modern researchers and the author’s point of view. Also in the paper the question is answered on whether is profitable activity possible on condition of observance of moral norms in the Ukrainian economy; it is conceptually offered that is necessary to carry out for creation of ethical environment in our economy.

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HONCHAR, Kateryna. "THE AUTHOR’S CONCEPTION OF THE ARTIST AS A STYLISTIC FACTOR OF FINE ART FOLKLORE IN MODERN UKRAINIAN CERAMICS." Humanities science current issues 1, no. 65 (2023): 75–81. http://dx.doi.org/10.24919/2308-4863/65-1-12.

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