Relevant bibliographies by topics / Autobiographical act

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Autobiographical act'

Author: Grafiati
Published: 9 March 2023
Last updated: 31 July 2025

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Journal articles on the topic "Autobiographical act"

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Schmitt, Arnaud. "From Autobiographical Act to Autobiography." Life Writing 15, no. 4 (2018): 469–86. http://dx.doi.org/10.1080/14484528.2018.1478598.

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Hayes, Kevin J. "Poe, the Daguerreotype, and the Autobiographical Act." Biography 25, no. 3 (2002): 477–92. http://dx.doi.org/10.1353/bio.2002.0040.

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Staley, Jeffrey S., and Laurie Edson. "Objectifying the Subjective: The Autobiographical Act of Duras'sThe Lover." Critique: Studies in Contemporary Fiction 42, no. 3 (2001): 287–98. http://dx.doi.org/10.1080/00111610109601145.

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Nuttall, Sarah. "Surface, Depth and the Autobiographical Act: Texts and Images." Life Writing 11, no. 2 (2014): 161–75. http://dx.doi.org/10.1080/14484528.2014.889551.

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Lakhipriya, Gogoi. "The 'Self' that is very 'Public': A Reading of Assamese Women's Autobiographical Narration." Dibrugarh University Journal of English Studies 26 (March 30, 2018): 63–75. https://doi.org/10.5281/zenodo.2540705.

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Life Writing scholars like Hannah Arendt, Adriana Cavarero and Judith Butler have agreed to the fact that at the heart of any self-narration, is the biographical desire to get ‘exteriority’ or in other words, to hear one’s story being told by another. This position of the narrator, then, is interesting keeping in view the fact that s/he is the object of narration as well. Hence the ‘publicness’ of the personal space is inherent from the very beginning of an autobiographical act. As in the words of Udaya Kumar, “instead of seeing the autobiographical act as a
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Laurenson-Shakibi, Helen. "Como debajo de un vidrio:Rafael Alberti and the Autobiographical Act." Romance Studies 21, no. 3 (2003): 203–13. http://dx.doi.org/10.1179/ros.2003.21.3.203.

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Hermans, Dirk, Filip Raes, Carlos Iberico, and J. Mark G. Williams. "Reduced autobiographical memory specificity, avoidance, and repression." Behavioral and Brain Sciences 29, no. 5 (2006): 522. http://dx.doi.org/10.1017/s0140525x06329111.

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Recent empirical work indicates that reduced autobiographical memory specificity can act as an avoidant processing style. By truncating the memory search before specific elements of traumatic memories are accessed, one can ward off the affective impact of negative reminiscences. This avoidant processing style can be viewed as an instance of what Erdelyi describes as the “subtractive” class of repressive processes.
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Painitz, Sarah. "Trauma, Memory and the Act of Writing in Ruth Klüger’s Autobiographical Project." Forum for Modern Language Studies 55, no. 4 (2019): 380–96. http://dx.doi.org/10.1093/fmls/cqz018.

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Abstract This essay intends to shed light on the motivation behind Ruth Klüger’s autobiographical project by examining the relationship between trauma, memory and the act of writing. Exploring the catalyst for writing reveals that Klüger’s autobiographical texts have a dual function: they serve as a public call for dialogue, as well as a kind of therapy allowing her to work through the traumas of her past. I demonstrate that for this reason, it is crucial to take into consideration not just the well-known weiter leben: Eine Jugend (1992), but also its revised English self-translation Still Ali
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Hoffmann, Karen A. "Identity Crossings and the Autobiographical Act in Willa Cather's My Ántonia." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 58, no. 4 (2002): 25–50. http://dx.doi.org/10.1353/arq.2002.0013.

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Sperb, Jason. "Removing the Experience: Simulacrum as an Autobiographical Act in American Splendor." Biography 29, no. 1 (2006): 123–39. http://dx.doi.org/10.1353/bio.2006.0027.

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Dissertations / Theses on the topic "Autobiographical act"

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Gasyna, George. "The autobiographical act in the exile narratives of Marek Hłasko and Henry Miller /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28273.

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This study is an investigation of the autobiographical narratives of two authors, the Pole Marek Hlasko, and the American Henry Miller. Though they lived in different times and places Miller and Hlasko, share some remarkable features with respect to temperament, philosophies of writing, and modes of narrative output. In the chapters that follow I will examine both the biographical and the textual points of contact between these two men, concentrating on the problem of self-inscription in the autobiographical novels, and on the games played with identity that both men engaged in throughout thei
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Monks, Richard. "The dead room : reflexivity, recursion and memory in the act of autobiographical scriptwriting." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/90051/.

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During the course of this practice-based PhD I intend to explore the themes of family, memory and time by researching and writing a feature-length screenplay that will draw on research into autobiographical scriptwriting, establishing a direct and substantive dialogue between my own practice and the work of other recent writers for screen and radio who have explored similar themes. According to Blake Morrison, in his book Too True, ‘Truth becomes the first casualty of a good story.’ Through ongoing reflection upon my emergent work, I intend to explore this statement and examine the boundaries
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Sofaer, Joshua Leo. "Broken contract : the autobiographical performance, or, Producing 'self' in the act of writing a life." Thesis, University of Plymouth, 2004. http://hdl.handle.net/10026.1/2484.

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Taking as its starting point the definition of autobiography proposed by Philippe Lejeune in his essay 'The Autobiographical Contract', this study uses performance-based research to instigate a number of theoretical propositions which aim to test the boundaries of what is understood as autobiography. While the area under investigation is tightly focussed on the margins of autobiographical practices, examples and case studies range across literature (including J. M. Barrie, Marcel Proust and W. G. Sebald), performance practice (including Marina Abramovic, Tim Etchells and Zhu Yu), popular cultu
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Lush, Craig L. "The act and activities of invention : an autobiographical phenomenological case study of a visualizing inventor /." Diss., This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-11082006-133630/.

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Fusari, Silvia. "L'autoritratto nel video d'arte: il dibattito teorico interdisciplinare dagli anni Settanta ad oggi. Proposta di un modello d'analisi con esempi dal panorama italiano tra il 1968 e gli anni Ottanta." Doctoral thesis, Università degli studi di Padova, 2016. http://hdl.handle.net/11577/3426768.

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This work unfolds delineating the typology of self-portrait videos to the extent available through the analysis of a series of interdisciplinary theoretical approaches from the 70’s up to today (based on the theories of Philippe Lejeune, Michel Beaujour, Raymond Bellour, Marie-Françoise Grange, Laura Rascaroli) for the purpose of confirming the existential conditions. In the absence of specific works on the subject, the self-portrait video emerges as an intellectual challenge, as it seems to possess excellent elusive and resistant qualities for the delimitation of conclusive definitions which
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Pinder, Kirsty, and n/a. "Shared factors in autobiographical memory and theory of mind development." University of Otago. Department of Psychology, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070131.145223.

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When humans use the mental states (e.g., beliefs, intentions) and the emotional states of others to predict or explain another person�s behaviour, they have demonstrated their theory of mind understanding. Theory of mind is "one of the quintessential abilities that makes us human" (Baron-Cohen, 2000, p. 3). Emotion understanding has been considered by some to be an aspect of theory of mind understanding. There are several theories proposed to explain the development of theory of mind, from changes in representational abilities (Perner, 1991), to having an innate domain specific module (Fodor,
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Lebow, Lori Karen. "Autobiographic self-construction in the letters of Emily Dickinson." Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010831.155604/index.html.

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Dickson, Janet Mary, and jdickson@swin edu au. "Autobiographical memory and social anxiety the impact of self-focus priming on recall." Swinburne University of Technology, 2004. http://adt.lib.swin.edu.au./public/adt-VSWT20050915.135524.

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Self-focused information processing has become a central aspect of cognitive explanations of social anxiety disorder. Indeed, Clark and Wells (1995) theorized that the key feature of the disorder is the processing of the self as a social object. It is proposed that when socially anxious individuals enter feared situations, they shift their attention to a detailed monitoring of themselves. Such self-focused attention triggers recollections of negative experiences from the past and directs attention towards signs of threat. This interferes with the processing of the situation and leads to misint
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Dickson, Janet. "Autobiographical memory and social anxiety the impact of self-focus priming on recall /." Swinburne Research Bank, 2004. http://adt.lib.swin.edu.au/public/adt-VSWT20050915.135524.

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Thesis (DPsych) -- School of Social and Behavioural Sciences, Swinburne University of Technology, 2004.<br>"... submitted in partial requirement for the degree of the Professional Doctorate in Psychology, School of Social and Behavioural Sciences, Swinburne University of Technology, 2004". Includes bibliographical references (p. 238-274).
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Durrant, Michael William. "Writing and rewriting Henry Hills, printer (c. 1625-1688/9)." Thesis, University of Manchester, 2015. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:263877.

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In recent years a number of important studies have emerged that focus on the lives of the human agents who operated in the early-modern book trade. This marks a scholarly shift away from the technologies of book production towards the figures who operated, profited from, and helped to shape, print technologies and their related products. In this critical movement the identities of printers, publishers, and booksellers have come to matter, both in terms of our understanding of what constitutes ‘print culture,’ and in efforts to narrativise the history of the book. However, although scholars hav
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Books on the topic "Autobiographical act"

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Paddy, Stitt, ed. Stitt: Autobiographics. Hardie Grant Books, 2011.

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Hathaway, Henry. Ace: A war memoir written as an autobiographical novel. Spanish Moss Printing, 2003.

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Ernst, Max. Max Ernst: Life and work : an autobiographical collage. Thames & Hudson in association with DuMont, 2006.

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Bern, Kunstmuseum, ed. Ego Documents: Das Autobiographische in der Gegenwartskunst = The autobiographical in contemporary art. Kehrer, 2008.

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Ujma, Monika, Agnieszka Chodysz, Alicja Gołyźniak, Jarosław Fejdych, and Piotr Klimowicz. Dzień jest za krótki: Kilka opowieści autobiograficznych = The day is not enough : a few autobiographical stories. Edited by Ośrodek Kultury i Sztuki we Wrocławiu, Muzeum Współczesne Wrocław, Galeria Miejska Arsenał (Poznań, Poland), Galeria Sztuki BWA w Jeleniej Górze, and Galeria BWA Sokół (Nowy Sącz, Poland). Ośrodek Kultury i Sztuki. Instytucja Kultury Samorządu Województwa Dolnośląskiego, 2013.

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editor, Bond Greg 1963, ed. Memories of a paper streamer 1952-2052: An autobiographical montage = Aus dem Leben einer Luftschlange 1952-2052. Verlag der Buchhandlung Walther König, 2016.

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Gibbons, Joan. Contemporary art and memory: Images of recollection and remembrance. I. B. Tauris, 2007.

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Gibbons, Joan. Contemporary art and memory: Images of recollection and remembrance. I. B. Tauris, 2007.

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Köhler, Henning. Der menschliche Lebenslauf als Kunstwerk: Zwei Vorträge anlässlich des Beuys-Symposions in Achberg am 1. und 2. Mai 2003. FIU-Verlag, 2010.

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Śmiechowska, Teresa. Suvenirim: Zikaron hisṭori ṿe-ishi mudḥak be-ʻavodotehem shel omanim Yiśreʼelim ṿe-Polanim. Universiṭat Ben-Guryon ba-Negev, ha-maḥlaḳah le-omanuyot, 2008.

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Book chapters on the topic "Autobiographical act"

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Conway, Martin A., and Catherine Loveday. "Accessing Autobiographical Memories." In The Act of Remembering. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444328202.ch4.

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Pastötter, Bernhard, and Karl-Heinz T. Bäuml. "Retrieval Inhibition in Autobiographical Memory." In The Act of Remembering. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444328202.ch9.

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Mace, John H. "Understanding Autobiographical Remembering from a Spreading Activation Perspective." In The Act of Remembering. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444328202.ch8.

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Bouzonviller, Elisabeth. "“Books. Why?” Staging the Reading Act in Louise Erdrich’s Autobiographical Texts." In Women's Life Writing and the Practice of Reading. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75247-1_18.

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Blyth, Carl S. "Chapter 4. Incorporating mindfulness into multiliteracies pedagogy." In AILA Applied Linguistics Series. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/aals.21.04bly.

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This chapter describes the distinctive state of mind of Mindfulness (also referred to as Contemplation) and argues for its inclusion in Multiliteracies pedagogy (Cope &amp; Kalantzis, 2015). Contemplative literacy practices encourage instructors and learners to focus on the present moment, thereby deepening our understanding of reading and writing as processes. More specifically, the chapter reports on a Multiliteracies-inspired college-level course entitled “Narrating the Multilingual Self” during which L2 learners of French were guided to tell their “multilingual life story” (Edwards, 2019).
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Roberts, Siân. "Quaker Women in Humanitarian and Social Action: Faith, Learning and the Authority of Experience." In Palgrave Studies in the History of Experience. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-64987-5_2.

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AbstractThis chapter focuses on a group of Quaker women in Birmingham who participated in social, educational and humanitarian action locally, nationally and transnationally in the first half of the twentieth century. Motivated by a faith-inspired witness for peace and social justice, they sought to enable women and children in Birmingham, and in international theatres of war, to “fare well” in a more peaceful and equitable society. The chapter adopts a prosopographical approach to argue that their authority to act was founded on claims to knowledge and expertise that were underpinned by perso
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Poole, Russell. "Autobiographical Memory in Medieval Scandinavia and amongst the Kievan Rus’." In Acta Scandinavica. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.as-eb.1.101977.

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Baer, Stephanie Autumn, Katherine Coy Smith, and Stephanie Harvey Danker. "A Life of Advocacy for Art Education." In Autobiographical Lectures of Leaders in Art Education, 2001–2021. Routledge, 2024. http://dx.doi.org/10.4324/9781003459156-8.

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Baer, Stephanie Autumn, Katherine Coy Smith, and Stephanie Harvey Danker. "Reflecting on a Life Through “American Eyes”." In Autobiographical Lectures of Leaders in Art Education, 2001–2021. Routledge, 2024. http://dx.doi.org/10.4324/9781003459156-13.

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Baer, Stephanie Autumn, Katherine Coy Smith, and Stephanie Harvey Danker. "Robert J. Saunders and Social Purposes of Art Education." In Autobiographical Lectures of Leaders in Art Education, 2001–2021. Routledge, 2024. http://dx.doi.org/10.4324/9781003459156-9.

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Conference papers on the topic "Autobiographical act"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Sasidharan, Sruthi. "Translating the Dalit Experience: Agency, Editorial Mediation, and Epistemic Violence in Kallen Pokkudan's Autobiographical Narratives." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8400.

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Translation is not merely a simple neutral linguistic act; rather it is conceived as a cultural act with its own equations of power and dominance, centre and margin. Writing happens in a specific linguistic, cultural and political context and the process of translating texts from one cultural system into another is not at all a neutral, innocent, transparent activity. It is rather a political activity. The very act of translation and the politics behind it deserves more attention. Spivak in “The Politics of Translation” speaks about how Englishing the third world eliminates the identity of the
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Yang, Irene, and Caroline Eastman. "Human autobiographic memory simulation." In the 1988 ACM sixteenth annual conference. ACM Press, 1988. http://dx.doi.org/10.1145/322609.323193.

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Durrant, Abigail C. "Designing domestic photographic experiences to support autobiographical memory." In the 6th ACM SIGCHI conference. ACM Press, 2007. http://dx.doi.org/10.1145/1254960.1255017.

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Byrne, Daragh, and Gareth J. F. Jones. "Towards computational autobiographical narratives through human digital memories." In Proceeding of the 2nd ACM international workshop. ACM Press, 2008. http://dx.doi.org/10.1145/1462014.1462017.

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Das, Sauvik, Eiji Hayashi, and Jason I. Hong. "Exploring capturable everyday memory for autobiographical authentication." In UbiComp '13: The 2013 ACM International Joint Conference on Pervasive and Ubiquitous Computing. ACM, 2013. http://dx.doi.org/10.1145/2493432.2493453.

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Panić, Aleksandra. "MULTI-LAYERED DIALOGUE IN LANA BASTAŠIĆ'S THE RED SUITCASE AS A PRACTICE FOR SOCIAL TRANSFORMATION." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.091p.

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This paper analyzes the multi-layered dialogue in Lana Bastašić's The Red Suitcase (Crveni kofer) as a practice for social transformation. The Red Suitcase is a hybrid narrative composed of autobiographical, epistolary-diary entries and black-and- white photographs, documenting the author’s residency in Switzerland from March 10 to July 13, 2021. The hybrid nature of the book is reflected not only in the merging of text and photography but also in the blending of different genre elements. This analysis explores the characteristics and functions of dialogue within the text, focusing on the them
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Modi, Amishal. "IRONIC HUMOUR IN ART SPIEGELMAN’S MAUS: A BAKHTINIAN READING AND A THEORY OF HUMOUR." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.188m.

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Mikhail Bakhtin views the novel as the most democratic of genres containing a variety of voices none of which are subsumed within the voice of the author. Each voice has its own viewpoint and narrative prominence. While most narratives contain dialogic elements, few texts are truly polyphonic. Art Spiegelman’s 1992 Pulitzer Prize winning work of creative nonfiction Maus, which is in graphic form, offers to the reader a double consciousness and the reader is able to see the world through two different lenses: through the eyes of Vladek Spiegelman, Spiegelman’s father and the narrator of the mai
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Reports on the topic "Autobiographical act"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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