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Relevant bibliographies by topics / Azerbaijani theatre

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Academic literature on the topic 'Azerbaijani theatre'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Azerbaijani theatre"

1

Aliyeva, Zamina. "AZERBAIJAN THEATRE:ITS ROLE, HISTORY OF DEVELOPMENT, REASONS FOR SUCCESS, CHALLENGES AND PROBLEMS." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 30 (2024): 77–80. https://doi.org/10.17721/1728-242x.2024.30.11.

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Background. The history of Azerbaijani theatre is a rich tapestry woven from various cultural influences and artistic expressions. This article explores Azerbaijan's earliest theatrical forms, tracing their roots and examining their impact on the development of a unique theatrical identity. This comprehensive review chronicles the trajectory of Azerbaijani theatre, highlighting its origins, key transformations, and enduring socio-cultural significance. Azerbaijan's position within this global context was unique due to its strategic location at the crossroads of Eastern Europe and Western Asia.

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2

Mamedova, U. "The role of translated works in the repertory policy of the Azerbaijan State Theatre of Young Spectators (1930-1970s)." Klironomy 2, no. 8 (2023): 31–39. https://doi.org/10.47451/art2023-05-01.

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The relevance of the study of this topic lies in the fact that foreign dramaturgy has always been in the center of attention of the Azerbaijani theater. This interest also applied to the Theater of Young Spectators. The directors of this theater often turned to the works of foreign playwrights to show the Azerbaijani audience the culture, lifestyle, national drama of other countries. From the 1930s to the 70s, the works of many famous world playwrights were staged: Y. Shakespeare, A. Pushkin, N. Gogol, N. Ostrovsky, I. Stock, Yu. Chaplygin, etc. It is true that the creative path of the Theatre

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3

Şüküroğlu, Gıyas. "Theatrical Guests of the Occupied Capital: Istanbul Tour of Azerbaijan Turkish Drama-Operetta Troupe." Bilig, no. 112 (January 31, 2025): 133–57. https://doi.org/10.12995/bilig.7628.

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The research subject of this article is the Istanbul tour of Azerbaijan Turkish Drama-Operetta Troupe during the 1919 play season. As a result of the investigation of the cast, it was understood that the touring troupe consisted of artists from the Turkish Theatre of Tbilisi. Istanbul’s cultural and artistic circles who regarded the touring troupe as the theatre of the sister country, did not question the troupe’s affiliation at all. The troupe’s repertoire, which was performed on various Istanbul stages during the tour, mainly consisted of plays written by Azerbaijani dramatists. Turkish thea

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4

Adishirinov, Kamil F. "Nukha’s Theatrical Life in the 30s–40s of the 20th Century (Challenges, Progress, Problems)." Vestnik of Saint Petersburg University. Arts 12, no. 3 (2022): 449–63. http://dx.doi.org/10.21638/spbu15.2022.303.

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The theatre in Nukha was founded by the amateur theatre troupe who staged the comedy “Haji Kara” by Mirza Fatali Akhundzade, a prominent playwright of the Azerbaijani literature in the 19th century. The path opened by the theatre amateurs was later expanded, and it led to getting a state status of the Nukha Theatre in 1936. The path of the Nukha Theatre had not been smooth enough, and as it is mentioned in the article, the Nukha Theatre had to be closed in 1949 due to a lack of financial support by the government and a lack of actors. In the 70s of the 20th century, the theatre life in Nukha w

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5

Adishirinov, Kamil. "The influence of the Sheki theatre in the formation of the literary-cultural environment in Sheki in the 50-90s of the XX century." Scientific Bulletin 1, no. 1 (2021): 99–109. http://dx.doi.org/10.54414/vfxf4500.

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The article discusses the role of the Sheki Theater in the development of literary and cultural ties among the Azerbaijani, Russian, Tatar, Hungarian and Turkish peoples who have ancient and rich traditions. The researcher has taken the tours of the Sheki Theatre, which is one of the administrative parts of the Azerbaijan Theater in the 50s and 90s of the XX century, to Moscow, Tashkent and Istanbul as a main object and analyzed the achievements and failures in this area. The author's analysis also focuses on strengthening the state's care for the development of the Sheki Theater, the theater'

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6

Ahmadova, Gulkhara, and Aysu Mammadova. "HISTORICAL FIGURES OF WORLD DRAMA ON THE AZERBAIJAN STAGE." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 20, 2025): 10–12. https://doi.org/10.5281/zenodo.15476759.

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This study explores the representation of historical figures from global dramatic literature as performed on the Azerbaijani stage. It examines the cultural exchange and adaptation processes involved in staging these characters, highlighting the impact on both Azerbaijani theater traditions and audience perceptions. The analysis draws from archival research, performance reviews, and interviews with theater professionals. The findings indicate a strong tradition of embracing world drama in Azerbaijan, fostering a dynamic interplay between global theatrical heritage and local artistic expression

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7

Ахмедов, А. "Russian Drama on the Azerbaijani Stage in the Period of Independence: Analysis of Creative Trends." Nasledie Vekov, no. 4(32) (December 31, 2022): 72–80. http://dx.doi.org/10.36343/sb.2022.32.4.006.

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Автором выявляются основные тенденции, определявшие обращение театральных деятелей Азербайджана к произведениям русской классики и современной российской литературы в годы независимости (1991–2021). Научный обзор выполнен с опорой на сообщения электронных СМИ о театральных премьерах, критические статьи, а также исследования историков культуры и театроведов. Проанализированы наиболее яркие работы, созданные труппами азербайджанских театров по произведениям Ф. М. Достоевского, Н. В. Гоголя, А. П. Чехова, А. Н. Толстого, Ю. М. Полякова и др. Охарактеризованы особенности работы режиссеров над пост

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8

Rahmanzade, Fazil. "Azerbaijani Stars of the Bolshoi Theatre." Visions of Azerbaijan, September/December (2012): 80–85.

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9

Ahmedova, Gulkhare. "The first Azerbaijani theater founded in Irevan – past and present of Irevan State Azerbaijan Dramatic Theatre." Philology and Art Studies, no. 01 (2023): 320. http://dx.doi.org/10.59849/2663-4368.2023.1.320.

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10

Ahmedova, Gulxare. "Theatrical Structures and Performance Traditions in Azerbaijani Folklore." EuroGlobal Journal of Linguistics and Language Education 2, no. 3 (2025): 74–82. https://doi.org/10.69760/egjlle.2500199.

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This article examines the theatrical structures and performance traditions embedded within Azerbaijani folklore, proposing that oral narratives, ritual practices, and musical storytelling constitute a form of proto-theatre. Drawing on theoretical insights from performance studies and folklore research—particularly the works of Richard Bauman and Victor Turner—the study frames Azerbaijani folklore not only as a repository of cultural heritage but also as a dynamic performative system. Through the analysis of epic tales (dastans), lyrical folk songs, the Ashiq bardic tradition, and seasonal ritu

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Books on the topic "Azerbaijani theatre"

1

Väliyev, Ädalät. Belief, spirit and theatre: A sociophilosophical and politico-ideological paradigm of concepts of National Theatre in Azerbaijani during the second half of the 20th century. Open Theatres, 2014.

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2

Akademik Milli Dram Teatrı (Azerbaijan). Azärbaycan Dövlät Akademik Milli Dram Teatrının foto-salnamäsi. Letterpress, 2010.

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3

Raḣimli, Ilḣam. Azärbaycan Dövlät Akademik Milli Dram Teatrı: Teatrın 1873-2012-ci illär arasındakı yaradıcılıq yolunun salnamäsi, 3 cilddä. Tähsil, 2013.

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4

Raḣimli, Ilḣam. Azärbaycan teatr antologiyası: Iki cilddä. Azärbaycan Respublikası Mädäniyyät vä Turizm Nazirliyi, 2013.

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5

Ălibăi̐li, Ġu̇lrukh. Dăi̐ishăn du̇ni̐amyz. Aghrydagh, 2001.

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6

Raḣimli, Ilḣam. Azärbaycan teatrının estetik prinsipläri. Çaşıoğlu, 2004.

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7

I̐usifli, Vagif. Tăngid i̐arpaglary. Ġănjlik, 1998.

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8

Älimirzäyev, Xalid. Dramaturgiya, teatr vä sähnä sänäti. Nurlan, 2004.

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9

Mamedov, Mekhti. Teatr, dramaturgii͡a︡ i sovremennostʹ. Izd-vo "Ishyg", 1986.

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10

Namazova, Flora. Bädii äsärlärin dil vä sänätkarlıq xüsusiyyätläri: İlyas Äfändiyevin dramaturgiyası äsasında : därs väsaiti. Nurlan, 2006.

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Book chapters on the topic "Azerbaijani theatre"

1

Staples, David. "Heydar Aliyev Center, 2012 Baku, Azerbaijan." In Modern Theatres 1950–2020. Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-63.

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2

"Azerbaijan." In World Encyclopedia of Contemporary Theatre. Routledge, 2013. http://dx.doi.org/10.4324/9781315012728-16.

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Conference papers on the topic "Azerbaijani theatre"

1

Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог

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